Tony stood where he was, staring at the gorgeous little figure seated

perkily on the piano stool; at the big cheerless room, with one electric

light burning in dismal prominence over the piano; at the black and

chilly hearth.

"Why in the name of all that's idiotic haven't you got a fire?" he asked

angrily.

"In this house," Lallie replied, in Miss Foster's very tones, "we never

have fires till the first of October."

Poor Tony looked very miserable.

"I am so sorry," he said helplessly; "you'd better come and sit in my

study. I have a fire."

"It's I who ought to be sorry, Tony, worrying you like this. It was

horrid of me to tell tales. No, I won't come and sit in your study, for

that would only make her hate me the more. I'm not a bit cold in my

beautiful coat, and I'll go on making music quite happily. Run away

back to your little exercise books."

"Try not to take a dislike to Miss Foster at the very first, Lallie,"

Tony pleaded. "She's a good sort really; and perhaps I ought to have

written to tell her you had come."

"It would have been better to break it to her gently," Lallie responded

drily.

Tony crossed the room slowly, pausing on the threshold.

"I fear I must ask you to keep the door shut; the boys heard you

singing, and instantly every study door was opened."

"Ah, the dears!" cried Lallie delighted. "Do let me have them all in,

and I'll sing them something they'd really like."

Tony shook his head.

"They must do their work, and I must do mine. Mind, you are to come

into the study if you are cold."

As Tony crossed the hall even the shut door could not drown the cheerful

strains of that most jubilant of jigs, "Rory O'More," and he felt a wild

impulse to dance a _pas seul_ there and then. However, he sternly

fastened the swing door, shut himself into his study, and tried to

forget the brilliant little rose-and-silver figure with the wistful

Greuze face. Over his mantel-piece hung an engraving of "_La cruche

cassée_," bought some years ago because of its likeness to Lallie. He

shook his head at it now, turned his back upon it, and sat down at his

table. Val, who liked music, went to the door and whined to get out, but

Tony unsympathetically bade him get into his basket again, and gave his

own attention to the bundles of white paper that Lallie had

impertinently dubbed "little exercise books."

When Miss Foster returned Lallie was singing "All round my hat I will

wear a green garland," and accompanying herself upon the harp. She

finished the song and then went and sat beside Miss Foster on the sofa.

"You have a very strong voice, Miss Clonmell," Miss Foster remarked,

gazing with astonished disfavour at the rose-and-silver garment.

"So I've always been told," said Lallie. "You see it has never been

strained."

"Did you say trained or strained?"

Lallie laughed.

"Oh, it's plenty of training it's had, but perhaps I haven't profited as

much as I might have done. Are you fond of music, Miss Foster?"

"I can't say that I am. I dislike every sort of loud music, and all

stringed instruments seem to me so very thrummy."

To this Lallie made no reply, but took her roll of lace out of her bag

and began to work in perfect silence. Miss Foster picked up the

_Spectator_ and tried to read it, but could not concentrate her

attention. Against her will she was forced to glance from time to time

at the quiet figure beside her; at the deft white hands that moved so

swiftly and silently; at the beautiful work that grew so fast beneath

their ministrations. Like Tony, Lallie's silence irritated her. If

only the girl had chattered she would have had a grievance.

"You were out with Mrs. Wentworth this afternoon, I think you said?"

Miss Foster remarked at last.

"Yes, Miss Foster; she took me to see Pris and Prue at their dancing.

Oh, it was lovely! Pris is just like a big soft india-rubber ball, and

bounds up and down in perfect time, and looks the incarnation of gleeful

enjoyment. And then Mrs. Wentworth insisted on my going back to tea

with her, for they were arranging about the Musical Society, and she

thought I might help. The organist is a nice man! That's how it was I

couldn't be here to welcome you."

"The practises are a great nuisance," Miss Foster said. "The boys have

so much to do, it really is not fair to make them practise in their

scanty playtime."

"But music's good for them," argued Lallie; "and it's not a mental

strain."

"Of that I am by no means sure. If you will excuse me, Miss Clonmell, I

think I will retire, for I've had rather a tiring day."

Miss Foster rose, Lallie folded her work neatly and put it in her bag.

She went and shut the piano and came back and shook hands with her

hostess.

"Good-night, Miss Foster. I may be a minute after you, for I promised

Mr. Bevan I'd go and say good-night to him in the study;" and before

Miss Foster could recover from her amazement at this audacious statement

Lallie had vanished.

"She's worse than anything I ever dreamt of," poor Miss Foster lamented

to herself; "and I fear she's a fixture for the present; anyway, we

shall see."

*CHAPTER VIII*

As Lallie was late for breakfast Tony only saw her for a few minutes

before he had to go to College. He did not get back to the house again

till nearly lunch time, when he met her at the front door, radiant,

smiling, her arms full of books.

"See, Tony!" she exclaimed joyously. "I've been into the town--such a

pretty town it is too, with a band playing in the promenade and all.

And I found a library, and I've paid my subscription for three months;

three volumes at a time; and I've chosen three books, and here they

are!"

Tony followed her into the hall and Lallie held up the books, backs

outwards, for his inspection.

"How did you choose them?" he asked.

"Well, I chose this one because there was such a pretty lady in the

front, and I liked the cover. And I chose this one because I've read

other books by the same author, and liked them. And I chose this one

because the very nice lady at the library pressed it upon me and said it

was 'being very much read.'

"Only one good reason, Lallie, out of the three. I'm afraid that pretty

cover, with the pretty lady inside, is misleading. I, in my character

of chaperon----"

"As Uncle Emileen, you mean, Tony?"

"Exactly so. I, in my character of Uncle Emileen, must veto that one,

though I haven't read it myself. I'm pretty sure your father wouldn't

like it."

"I'm quite sure he wouldn't, if you say so. He's awfully particular, is

Dad; but he's particular in a funny sort of way. He'll let me read

things that would make the hair of the entire Emileen family stand

straight on end--if only they are sincere and well written; and then

again, he falls foul of wishy-washy novels that Aunt Emileen would

consider quite harmless."

"I don't think he would consider this either well-written or sincere, so

you'd better give it to me."

"Dad says 'tis women mostly who write the dirty books--what a pity! But

I think he must be wrong, don't you, Tony?"

Tony shook his head mournfully.

"A great pity," he repeated.

"I expect they do it just for the fun of shocking people. I like doing

that myself."

"I've no doubt of it. All the same, I hope you'll choose some other

method of scandalising society; and you'd better hand that particular

volume over to me."

"And here have I walked all the way up from the town, fondly clasping

that pernicious volume--Aunt Emileen's phrase, not mine--and lots of

people stared hard at me, and I thought it was my nice new hat they were

admiring. Here, take it, Tony, and you can come with me to return it,

and then they'll think I got it for you, you old sinner."

Tony glanced nervously around lest there should be any eavesdropper to

hear him called an "old sinner"; but the doors were all shut and the

hall empty.

"Certainly I'll come with you to-morrow; I couldn't possibly come

to-day, I was so busy. Why are you always in such a hurry, Lallie? I

subscribe to that library; no one ever gets out any books except Miss

Foster; and there you go paying another subscription. What waste! And

why did you go by yourself?"

"And who was there to go with, pray? P--Mr. Johns was in College. You

were in College. I don't know where Mrs. Wentworth was, but anyway I

didn't meet her."

"What about Miss Foster?"

"Miss Foster went out while I was practising, and when she came in, I

went out. Sort of 'Box and Cox,' you know."

"Try and go with Miss Foster to-morrow, Lallie, it would be so much

better."

Lallie had already started to go upstairs; she paused about six steps up

and leant over the banisters to look at Tony, exclaiming reproachfully:

"But you promised you'd go with me yourself to-morrow!"

"So I will, but other days--remember."

Lallie went up three more steps, and again paused and looked down.

"For a dear, kind, nice, middle-aged man, Tony, you're rather obtuse,"

she said. And with this cryptic speech she ran up the whole flight of

stairs and vanished from his sight.

What could the child mean?

Lallie had made up her mind overnight that she would not bother Tony

with any complaints about Miss Foster, so she did not tell him that

directly after breakfast that lady had suggested to her that she should

practise "while I am out of the house." Nor had Miss Foster made any

suggestion that Lallie should accompany her during her morning's

shopping. When Miss Foster came in, Lallie went out; and having in the

meantime come to the conclusion that she must find amusement for herself

and in no way depend upon her hostess, she found her way into the town

and to the library.

By the end of a week Miss Foster had made it abundantly clear to every

one concerned, except the busy and optimistic master of the house, that

she felt no desire whatever for the society of Lallie Clonmell.

By mutual consent they kept out of each other's way as far as was

possible. Miss Foster took every opportunity of letting Lallie see that

she had no intention of acting the part of Aunt Emileen towards her; and

whatever Tony might be, Lallie was not obtuse. Subtly, but none the

less unmistakably, did Miss Foster impress upon her that to be the

chaperon of stray young ladies did not come within the scope of the

duties which she had undertaken to fulfil at B. House. She never

offered to take the girl anywhere except to chapel or to the football

field, where it was practically impossible that they should go

separately. Moreover, Miss Foster considered it a real grievance that

during the services in chapel, Lallie persisted in singing psalms,

canticles, and hymns with her usual _brio_ and enthusiasm; and the

wonderfully sweet, full voice caused many upward glances at the gallery

reserved for the masters' families.

Lallie had philosophically determined to make the best of a difficult

situation; but like that friend of Dr. Johnson, who "would have been a

philosopher but that cheerfulness kept breaking in," so, in her case,

cheerfulness made extraordinarily frequent irruptions in the shape of

the older boys and younger masters to an extent that sometimes

threatened to be indecorously hilarious.

Not once had Miss Foster invited Lallie to accompany her when she went

shopping in the morning. In fact, her daily suggestion after breakfast

that her guest should "get her practising over before lunch" had become

a sort of ritual. Thus it came about that Lallie took to going out by

herself between twelve and one, the fashionable hour for promenading in

Hamchester; and invariably her steps were bent towards the very

promenade she had so admired on her first visit to the library.

Tony, who generally played fives or coached football teams after morning

school until lunch time, was under the impression that she was safe in

Miss Foster's care; nor had he the remotest idea that Fitzroy Clonmell's

cherished only daughter, who had never in her life before walked

unattended in the streets of a town, tripped off alone every morning to

sun herself in the famous Hamchester promenade, where the band plays

daily and the idle and well-dressed inhabitants walk up and down,

gossip, or flirt as best pleases them.

The promenade at Hamchester is a long, straight street; very wide,

possessed of a really fine avenue of trees, with shops on one side, and

on the other public gardens and a terrace of tall Georgian

dwelling-houses. The library made an excellent object for Lallie's

daily walk, and if she reached the promenade unattended, she was not

long permitted to stroll along in mournful solitude. Before she had

been three weeks in Hamchester she knew every prefect in the whole

alphabet of College houses, and for prefects, the promenade was not out

of bounds.

The gallant Cripps, no longer in quarantine, often found his way

thither, to the despair of the fives-playing community. Berry, head

prefect of B. House, had strained a muscle in his shoulder, and was off

games for the time being, and he also fell in with Lallie with

surprising frequency; and if it so happened that no boys she knew were

"down town" between twelve and one, "young Nick" was almost certain to

fly into town on a bicycle, which he recklessly left outside a shop

while he walked up and down, and discussed the Celtic Renaissance or

more frivolous topics with this sweet-voiced, frank, and friendly Irish

maid.

From the very beginning Mrs. Wentworth had done her best for Lallie in

the way of asking her to lunch and to tea, but she had a houseful of

visitors during the girl's first weeks under Tony Bevan's roof, and had

really very little time for outsiders. She had gauged pretty accurately

Miss Foster's mental attitude towards Lallie; but when Miss Foster

declared to her that she "accepted no responsibility whatever with

regard to Miss Clonmell," little Mrs. Wentworth thought that this was

only "Miss Foster's way"; and never dreamt that the lady could or would

evade a relationship towards her young guest that seemed natural and

inevitable.

Therefore it came upon Mrs. Wentworth with quite a shock when three

mornings running in succession, while doing the ever-necessary shopping,

she came upon Lallie leisurely strolling up and down the promenade, a

tall youth on either side of her, all three manifestly with no sort of

object in their stroll except the society of one another; and wherever

Lallie was, "cheerfulness kept breaking in": in this case the attendant

swains laughed with a heartiness and vigour that caused most passers-by

to regard the trio attentively. Small and upright; clad in an admirably

fitting suit of Lincoln green--she was very fond of green--with trim

short skirt that liberally displayed her slim ankles and very pretty

feet, she would have been noticeable even without her hilarious escort;

and Mrs. Wentworth, whose motherliness in no way stopped short at Pris

and Prue, acted promptly and without hesitation.

From the steps of a shop she watched the gay green figure and attendant

swains pass, walk to the end of the avenue, turn and come back again,

when Mrs. Wentworth descended into the arena and met Lallie face to

face.

"Lallie, how fortunate! You are the very person I most wanted at this

moment. How do you do, Mr. Berry! I hope your shoulder is less

painful? Good morning, Mr. Cripps. Lallie, do come with me and help me

to choose linen for the children's smocks. You have such a good eye for

colour."

Lallie dismissed her companions with a cheerfully decided "Don't wait

for me, either of you; I'll be ages. And I want to walk home with Mrs.

Wentworth."

The two ladies vanished into a shop, and Cripps and Berry were left

outside, looking rather foolish and disconsolate.

"D'you think she cut in on purpose?" asked Cripps.

"Highly probable," said Berry. "I thought this sort of game was a bit

too hot to last. I confess I've often wondered Germs or old Bruiser

didn't put a stop to it." "Germs" was Miss Foster's nickname amongst

the boys.

"Germs hates her; any one can see that."

"All the more reason for her to interfere on every possible occasion, I

should have thought."

"My dear chap," said Berry in superior tones, "you only perceive the

obvious. I confess I can't make out Germs. She's anxious enough to

interfere as a rule, but about Miss Clonmell, I'm hanged if I can see

what she's playing at. It's a deep game, anyhow. She'd give her eyes to

get rid of her; I'd stake my oath on that. Poor little girl! It must be

jolly dull shut up all day with old Germs. However, we'll continue to

do our best for her, anyhow."

"I jolly well shall," said Cripps, and he said it with the air of one

who registers a solemn vow.

Mrs. Wentworth and Lallie chose the linen for the smocks: light blue,

the colour of her eyes, for Pris, dark blue for Prue; and Lallie's

favourite green for Punch. She insisted on being allowed to make the

one for Punch herself, and was so keenly interested and absorbed by the

whole affair that Mrs. Wentworth found it very hard to broach the

subject she had most at heart. The girl was so frankly affectionate, so

manifestly delighted to be with her friend again, that the kindly lady

suffered pangs of self-reproach that she had not made time somehow to

see more of her. In considering young people generally, Mrs. Wentworth

was in the habit of saying to herself, "Suppose it were Pris or Prue";

and it was marvellous how lenient in her judgment this supposition

always made her.

As they left the town behind them and reached the quiet road leading to

B. House, she took the bull by the horns, saying:

"Lallie, dear, do you think your father would like you to walk up and

down the promenade all alone at the very busiest time?"

"But I'm hardly ever alone, dear Mrs. Wentworth. I may say never. I

always meet one or two of the boys or somebody, and we walk up and down

together."

Lallie so evidently considered her explanation entirely satisfactory,

and turned a face of such guileless innocence and affection towards her

mentor, that Mrs. Wentworth found it difficult to go on with her sermon.

However, she steeled her heart and continued:

"That's just it, my dear; I fear he wouldn't like it at all."

"Not like me walking with the boys? Oh, you're really quite wrong

there; he _meant_ me to be friends with the boys, that's why he sent me

to Tony. He thinks all the world of the boys, and I agree with him;

such a dear nice set they are. Don't you think so yourself, Mrs.

Wentworth?"

"I do, I do, indeed," Mrs. Wentworth heartily assented; "but--the

promenade of a large town is not quite the proper place for you to meet

the boys, and I am sure that there your father would agree with me."

"Would you rather I walked with them in the country roads? I'm quite

willing. I'm by no means wedded to the promenade. The trombone in the

band played rather out of tune to-day, and it jarred me dreadfully.

We'll go into the country next time."

"No, no, that wouldn't do at all. Lallie, I'm afraid--I'm very much

afraid--that you oughtn't to walk about with the boys at all unless I or

Miss Foster or Mr. Bevan can be with you."

"Dear Mrs. Wentworth, would you rather I went about with the young

masters?" Lallie asked sweetly. "They've really got more time, and I

like them nearly as well. I'll tell one of them to come country walks

with me if you prefer it."

"Certainly not," Mrs. Wentworth said decidedly. "You mustn't do that on

any account----"

"Then where am I to walk?" Lallie interrupted piteously. "Round and

round the College field? And it's often so wet. I must get some

exercise."

"Of course you must," Mrs. Wentworth concurred heartily. "You must come

out with me; and sometimes, perhaps, you'll take out the children: they

love you so dearly. But what you must not do--I really mean it--is to

walk up and down that promenade as you were doing to-day"--Mrs.

Wentworth said nothing about the other days--"because, rightly, or

wrongly, the nicest girls here don't do it; and as you are so very nice

I can't let you. Lallie I don't want to be interfering and tiresome,

but don't you think it would look better--it would at all events be

natural and right as you are both in the same house--if you sometimes

went about with Miss Foster?"

Lallie sighed deeply.

"I was in quarantine when I came," she said, "and it seems to me that

I've never got rid of the infection. But I'll try to do as you say, for

you're a dear darling and I love you; but it seems to me that unless I

can hire an aeroplane and go up alone in that, I'm certain to meet

somebody, and they always turn and go back with me."

*CHAPTER IX*

Miss Foster really was a much-tried woman. Just as she had settled

comfortably into her groove, just as she had got the domestic

arrangements in B. House to run on oiled wheels exactly in the direction

she desired, just as the whole household had learnt that her will was

law and her methods the only possible methods, there came this

girl--this most upsetting, disorganising, disturbing girl: a girl as

impossible to ignore as to coerce; a girl whose all-pervading presence

was made manifest in every corner of the house.

Miss Foster was above all things orderly. She made a fetish of tidiness,

and her drawing-room was its temple. She had arranged it entirely to

her own liking, and the furniture was as the fixed stars in the fabric

of the firmament. It really pained and distressed her should a fidgeting

guest move a chair ever so little out of its own proper orbit, and she

quite longed for such an one to depart that she might promptly push the

errant piece of furniture back into its original position. In her eyes

the drawing-room was perfect, incapable of improvement, and any

alteration therein must of necessity be for the worse.

Imagine her feelings then when she came back to find a grand piano and a

harp added to its effects! Even this she might have borne had the harp

remained quietly in some inconspicuous corner; but it proved a restless

and ubiquitous instrument, and she never knew where she might find it

next.

Lallie could not move it herself, and she would ring for one of the

maids to help her; and once moved would leave it where it was, even

though three chairs and a sofa had been displaced to make room for it.

Before her arrival the drawing-room had never been used in the morning

unless for the reception of some lunching parent. The fire had been lit

at two precisely, and up to three o'clock Miss Foster rarely entered the

room unless to arrange the two vases of flowers that always graced the

mantelpiece. Miss Foster was of the opinion that there was something

irregular, Bohemian, almost disreputable, in using a drawing-room for

any other purpose than that of receiving friends; and it seemed to her

to emphasise the unpleasant fact of Lallie's Irish origin, that now the

girl invaded this sacred room directly after breakfast, and that the

fire was lit before by Tony Bevan's orders.

Lallie practised there, sewed there, even cut things out there upon the

gate table that hitherto had never been unfolded except for afternoon

tea.

She would leave her green silk work-bag hanging on the backs of chairs

or slung carelessly upon any excrescence that happened to be handy, such

as the bell or the knob of a Chippendale tallboys. She left books about

on unaccustomed tables, and had been known to fling the newspaper

outspread and sprawling, loose and flagrant, upon the Chesterfield that

stood in stately comfort at a convenient distance from the hearth.

Everywhere there were traces of Lallie. When she sewed, and she was

always sewing if she wasn't knitting, she dropped bits of thread and

snippets of material upon the carpet, sometimes even pins.

A large old-fashioned footstool was placed in the very centre of the

hearthrug right against the tall brass fender. Miss Foster liked it

there, and it had never been moved or even used except when some

unusually bold boy would sit thereon and warm his back when he came to

tea. Lallie was for ever moving that stool. Nearly all the chairs in

the drawing-room were rather high, and she liked a footstool. It never

occurred to her that the footstool was to be considered in any other

light than as a footstool, and she dragged it about to whatsoever chair

she wanted to sit in, sometimes curling up the edge of the hearthrug in

her course.

"A footstool by the hearth so prim,

An oaken footstool was to him

And it was nothing more"--

Only in this case the him was a her, which made such insensibility even

more unpardonable in Miss Foster's eyes.

"Why do you always move the footstool, Miss Clonmell?" she asked one

day.

Master and Maid · 第 4 / 12 段