CHAPTER XIV

THE END OF A PERFECT DAY

When Caroline woke in the morning, she was surprised to find herself

still in the green and golden room with the bookshelves. She had rather

expected to find that the house with the dim, cool rooms, and the

songful piano, the white and nickel bath and the ladies (not her

relatives!) who were so kind and friendly, were all alike the fancies of

a dream, and that she was back in Cousin Delia's close little stuffy

house, with the smell of frizzled breakfast ham wafting up from the

kitchen, and the eldest baby clamoring to be dressed at once.

But the room, she found, was real, and the bath was real. She could

almost believe that she was _really_ Jacqueline. She only wished she

were!

She dressed herself in the henna-colored frock, and she dressed Mildred

very carefully, in a little white muslin with pink sprays, most becoming

to Mildred's blond beauty. Then she opened her bed to air, and sat down

by the window, where she could watch the mountain. In the morning light

it was quite different from the mountain of yesterday afternoon. The

green of the trees and the red of the exposed sandstone were very sharp

in the strong sunlight, and gave the huge pile a spick and span look, as

if it had made itself fine for the summer day.

She had put on the little watch which was Jacqueline's, though it seemed

almost too nice to wear every day, and the little watch said that it was

half past eight, when there came a knock at the door. Caroline flew to

open it, and there stood Aunt Eunice, in a cool gray and white lawn.

"Good morning, Aunt Eunice!" cried Caroline. "Oh, how nice you look!"

She reflected then that perhaps she shouldn't have said anything so

personal, but Aunt Eunice didn't at all mind. Instead she smiled one of

her shining smiles, and there even came a little fleck of pink into her

soft old cheeks. She bent to kiss Caroline, and suddenly, because she

just couldn't help it, Caroline put her arms round Aunt Eunice and

hugged her, and Aunt Eunice hugged her back. You don't know how good

that seemed to Caroline. There had been no one to hug her since her

mother died. Cousin Delia was a very busy woman, and then, too,

alongside the four babies, Caroline doubtless seemed to her quite grown

up, and too old to need cuddling.

Hand in hand Aunt Eunice and Caroline went down the long curved stair

and through the stately hall into the dining room. Cousin Penelope was

already there and the glass coffee machine, which Caroline found as

fascinating as any mechanical toy, was distilling an amber-hued,

fragrant liquid. They sat down at once to another of those well-ordered

meals that filled Caroline with amazement--almost with awe. She hadn't

known that food could be so good.

There were great red strawberries, which still wore their green elf

caps, and little glass dishes of powdered sugar, into which you dipped

the berries daintily, after a swift glance to see how Cousin Penelope

did it. Then there were bowls of crisp cereal, with rich cream, and

bacon, so thin and so deftly cooked that it crumbled into savory slivers

under your fork. There were thin slices of brown toast, piping hot, and

there were wee muffins of bran, which came to the table in a silver

dish, wrapped cozily in a fine white napkin. There were little balls of

fresh butter, and in a bewitching jar, shaped like a beehive, there was

strained honey. All the milk to drink, too, that one could want. And

would Jacqueline like an egg for her breakfast?

"Thank you, no, please," murmured Jacqueline's understudy, and then,

remembering the cold egg that she had lately eaten from the shoe box,

she added: "I--I'm not extra fond of eggs."

"Neither am I," Cousin Penelope said heartily.

Funny, thought Caroline, that Cousin Penelope should be so pleased at

every resemblance between them, but very nice of her. In time she

thought she should like Cousin Penelope, though never so much as she

_loved_ Aunt Eunice.

After breakfast Aunt Eunice asked Caroline to come walk with her in the

garden, and said, yes, she could bring Mildred. So Mildred, in her

pink-sprayed frock and white bonnet, and Aunt Eunice and Caroline walked

soberly in the shadiest parts of the garden. Aunt Eunice wore a broad

hat, tied under her chin with wide streamers of lawn. She paused once to

give directions to Frank, who was gardener as well as chauffeur, and

much more human in khaki overalls than Caroline had thought him the day

before in his imposing uniform.

Aunt Eunice showed Caroline all the special beauties of the garden--her

new rosebushes and her old thrifty plot of perennials, the pear trees

that later would furnish them fruit more delicious, Aunt Eunice

believed, than any they could buy in the shops, and the row of

gooseberry bushes, where the berries already were setting in tiny,

reddish furry blobs.

At the farther side of the garden they sat down in a little rustic

summer house, covered with woodbine. Caroline gazed with all her eyes at

the scene before her--the garden with its bright flowers of early

summer, blues and pinks and strong yellows, and its fruit trees, with

gray-lined leaves of glossy green, its smooth white walks and dark edges

of box, and beyond the garden the old white house, with its clustered

chimnies, the elms that shaded it, the mountain far beyond, the blue sky

over all. She thought it as breathlessly, chokingly lovely in its color

and clear outline as the loveliest of the pictures in her room.

But Aunt Eunice looked nearer home. She took up Mildred, and carefully

examined her clothes.

"What delicate fine stitches!" she said. "Did you make this dress

yourself, Jacqueline?"

"No, Aunt Eunice. I can't sew as well as that." Indeed, thought Caroline

with pride, not many people could sew as nicely as her mother, who had

made that precious wardrobe of Mildred's, every stitch.

"Do you like to sew?" went on Aunt Eunice, with a little, mysterious

smile.

"Oh, yes," said Caroline, truthfully.

There had been long hours in her life, when school was over and Mother

away giving music lessons, when she must either run the streets or amuse

herself in their room. Mother had beguiled her with handiwork to choose

the room, and not the street. Caroline sewed really rather better than

most little girls of her age, and she liked to sew. She wished that Aunt

Eunice could see the pair of rompers she had made, all alone, for Cousin

Delia's youngest baby.

"I'll tell you what," said Aunt Eunice. "I'll get out some pretty silk

pieces, and you and I will make this dolly some new dresses. It's years

and years since I've had a doll to sew for. Would you like that,

Jacqueline?"

Caroline smiled and patted Aunt Eunice's plump white hand.

"I'd just love it, Aunt Eunice. Can we begin to-day? I don't want to

lose any time."

Indeed she didn't, the poor little impostor! She wanted to squeeze all

that she could into every moment that she passed in this dream-house.

For the moments, as she knew, might already be numbered.

But there was no doll's dressmaking that morning, for just then Sallie

came briskly through the garden with a message. Miss Jacqueline's trunk

had been sent up, and Miss Penelope wished her to come at once and see

about unpacking.

Up in the golden green room, all fresh and ordered for the day, Caroline

looked helplessly at the big trunk that was Jacqueline's. When she had

got the key from Jacqueline's vanity bag, and Sallie had opened the

trunk, and she saw that it opened like a closet, and glimpsed the frocks

all hung on frames, she looked more helpless still. She was thankful

when Cousin Penelope took charge of things.

"Sit down, Jacqueline," Cousin Penelope bade with decision. "Sallie will

unpack, and I'll look things over. It's the quickest way for me to find

out what you have and what you haven't, and if you are like most

children, I shall need to know."

So Caroline sat down in the rocker, with Mildred on her knee, and in an

aloof, cool manner watched the taking out of what seemed to her the

princess-like wardrobe that had been wished upon her. There were frocks

of organdie and crêpe de chine, of muslin and fine gingham. There were

jumpers of tricotine and of jersey, and delicate little frilled blouses

of silk. (Privately Caroline wondered where the _everyday_ frocks could

be!) There were a dozen pairs of shoes and slippers and boots and

sandals, all on nice little beribboned trees. There were little coats

and sweaters of many colors and all sorts of texture. There were stacks

of filmy undergarments, and lapsful of silken socks. There were garters

and hair-ribbons and handkerchiefs and silk gloves. There was a lovely

little blue leather writing-case, and a jewel-case, and a camera.

Everything in the trunk Caroline, sitting gravely silent, admired with

all her heart, except the riding suit. When she saw the little white

breeches and the sleeveless brown coat unfolded, her heart sank within

her.

"Oh, Cousin Penelope!" she cried in despair. "Have I _got_ to ride

horseback?"

She was almost in tears. She had never been on a horse in her life. If

they put her on one, they'd know in a minute she wasn't Jacqueline, and

the piano and the Polish lady would be lost to her forever.

Cousin Penelope came to her side. For the first time Caroline saw her

protective and almost tender. She understood it all, did Penelope. That

horsy Amazon, Edith Delane, had forced that sensitive, timid little

girl, who was _all_ Gildersleeve, as any one could see, into riding

horseback and doing the athletic feats to which the Delane woman had

referred in her letters. Well, the Delane woman was hundreds of miles

away, and Penelope was here in charge.

"We arranged for a saddle-horse, as your aunt wished," she told

Caroline. "But you are _not_ going to ride _at all_, my dear, unless you

wish to."

So the horrid specter of a ramping steed was laid at rest, and Caroline

went happily through the hours of the day that was brimful of wonders.

She played for an hour on the piano. She ate a luncheon that seemed to

her grander than most dinners. Then she sat with Aunt Eunice in Aunt

Eunice's room, which was furnished with old dark pieces of polished

wood, with glass knobs on the drawers. Aunt Eunice had the dearest of

work tables, all unexpected drawers and cubbies, and she had a piecebox

full of pretties that she could turn into trifles for bazaars--bits of

silk and satin, velvet and brocade, quarter-yards of wide figured

ribbon, bits of lace and silver tissue, flowers of silk.

Together Aunt Eunice and Caroline planned a sumptuous party frock for

Mildred, and they even cut it out and gave her a first fitting, which

Mildred endured with more patience than some young ladies display on

such occasions.

They did not get beyond the fitting, though, for Cousin Penelope came

strolling in, to say that Jacqueline had better dress now. They must be

going along to Madame Woleski's.

"Just stop at Miss Crevey's, will you, and get me some thread," bade

Aunt Eunice. "I shall need eighty cotton and a spool of sixty, if

Jacqueline and I are going into the dressmaking business."

It seemed to Caroline hardly necessary to change her frock. She thought

the henna-colored crêpe good enough for almost any occasion. But of

course she did not argue with Cousin Penelope. She was terribly afraid

lest she might make herself too fine, but she took Cousin Penelope as a

guide, just as she did at the table, and she decided that if Cousin

Penelope wore a cool muslin, she would wear muslin, too. So she put on a

pretty muslin, with small yellow roses on a white ground and yellow

flowers of organdie at the ribbon girdle. Her socks were of white silk

and her sandals of white kid. From the hatbox she selected a white

leghorn, with stalks of yellow wheat and some wee blue flowers round the

crown.

She was in two minds about opening the jewel-case. She had the key in

Jacqueline's vanity bag, tied fast to the trunk key, but it seemed

rather horrid to make free with Jacqueline's jewelry. Still if she

didn't wear any, people might suspect she wasn't Jacqueline. So she

unlocked the leather case, and marveled at all the pretty pins and

chains that she found laid in the little velvet lined drawers. She

selected a chain of queer small beads, with flecks of yellow and blue

and green in them that would go nicely with the colors in her dress and

her hat.

It seemed that she had by chance selected very wisely, for when Cousin

Penelope came to look her over, she fairly flushed with pleasure.

"So you put on the beads I sent you," she cried. "That's a very pretty

tribute, Jacqueline."

"I--I like them," stammered Caroline.

"So do I!" said Cousin Penelope, quite merrily. "How many things we have

in common!"

This made Caroline feel at home with Cousin Penelope, and they chattered

together, quite volubly for two people so shy and self-contained, while

they drove through Longmeadow Street to Madame Woleski's.

The house that the Polish lady had taken for the summer was quite at the

farther end of the Street, right under the shadow of the mountain. It

was a little, irregular house which had been an artist's. The living

room had a big window on the north side, and the piano was drawn across

it. The furniture was old and dingy, and nothing matched with anything

else, thought Caroline. There were dark, rich-looking small rugs on the

floor, and on the walls were unframed sketches, which seemed to Caroline

to look like not much of anything, unless it were the drawings that

Cousin Delia's eldest baby made. But Caroline didn't know as much about

pictures as she knew about music.

Madame Woleski was thin and dark, with an intense face and untidy hair,

and long, nervous hands. She smiled at Caroline vaguely and sent her to

play in the garden, while she talked with Cousin Penelope.

Caroline didn't like the garden. She was afraid of hurting Jacqueline's

pretty clothes. But she found a clean bench where she could sit in

safety, and then along came a great fluffy cat, the color of an orange,

and he was friendly, after a condescending fashion, so she was able to

get through the time until she was called into the house.

Madame Woleski wanted Caroline to play for her, and Caroline did so,

quite simply. Mother had taught her long ago that when you were asked to

play, you either declined with all courtesy, or you sat down and played.

There was no excuse for shilly-shallying and waiting to be urged.

Caroline played, and Madame listened, and when the playing was over, a

maid brought in a silver tea-service, and they had some crumbly dark

fruit cookies, and fragrant strong tea, and tiny slim glasses of

cordial. Caroline of course only had cookies. She said, no thanks! to

the tea and the cordial, and Madame smiled at her, and offered her some

crystallized fruit in a silver box.

"Next time you come, I have milk for you to drink, little one," she

said. "Because you come again. But before you come, you do every day two

hours thees exercise."

She went herself to the piano and showed what "thees exercise" should

be, and she told Caroline she might come and play for her in the

morning, three days later.

Then the call was ended, and Caroline and Cousin Penelope were rolling

away in the limousine from the funny little house, while Madame Woleski,

with the orange cat carelessly tucked under her arm, like a piece of

fur, nodded them a good-by from her sunken doorstone.

"My dear!" said Cousin Penelope, with real enthusiasm. "Do you realize

that you are now a pupil of Woleski's?"

Caroline nodded solemnly. She was too happy to chatter as she had done

on the way to the little house. But she was no happier than Cousin

Penelope. For Penelope had loved her cousin, Jack Gildersleeve, and now

she had his child, who in spite of everything was like her, here beside

her in the car, and she was going to give her what her coarse and stupid

Delane relatives, with all their wealth, had failed to give her--the

music that she loved and craved!

So completely was Penelope carried away with her vision of Jacqueline

some day a great musician, and turning to her--not to the Delanes!--for

understanding and sympathy, that they had driven past the shops before

she realized it. Then she smiled at her own preoccupation, and told

Frank to turn back.

There were only four shops on Longmeadow Street. They stood in the very

center of the village, in the shadow of the Orthodox church, and just

across the street from the little inn. There was a general store, and

the Post Office, where you bought hardware and sundries, and a meat

market, which was open only twice a week, and Miss Crevey's little shop,

where you could buy talcum and tape, peppermints and pins, and

altogether the funniest mixture of drygoods and druggist's supplies,

confectionery and notions that ever was seen outside the shop that the

old sheep kept in the Looking Glass Country.

"Eighty cotton and sixty cotton," said Cousin Penelope, as she and

Caroline, in their cool pretty frocks, stepped out of the limousine.

"I'll get a cube of black pins, too, and some laces for my walking

shoes. One ought to encourage the little local shops--they're a great

convenience."

Caroline smiled, but not at Cousin Penelope's words. She was smiling at

the world. Because she had on a party frock, and was going home to

dinner with dear Aunt Eunice, and she was a pupil of Woleski's.

Smilingly, Caroline tripped up the steps at Cousin Penelope's side, and

into the little crowded shop, and then the smile left her face just the

way figures leave a slate when you draw a wet sponge across it. For she

saw two children standing at the counter, where the cheap candies were

displayed. One was a boy in old knickers and a shabby shirt, the other

was a girl in faded Peggy Janes, and Caroline had recognized those Peggy

Janes and knew what was coming, even before the girl turned her bobbed

brown head and showed the face of Jacqueline Gildersleeve.

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