SUGAR SPINNING.

To attain proficiency in this part, it requires much practice, and also

a good taste for design, and to be expert in the boiling of sugar,

taking particular care to avoid its graining. Baskets, temples, vases,

fountains, etc., are made by these means. It may almost be termed the

climax of the art. The molds for this purpose may be made either of

copper or tin, so as to deliver well. Let them be slightly rubbed all

over, on the part you intend to spin the sugar, with butter or oil.

Boil clarified syrup to the degree of caramel, taking care to keep the

sides of the pan free from sugar. The moment it is at the crack, add a

little acid to grease it (see Sugar Boiling). When it has attained the

required degree, dip the bottom of the pan in cold water, take it out,

and let it cool a little; then take a common table-spoon, dip it in the

sugar, holding the mold in your left hand, and from the spoon run the

sugar over the mold, either inside or out, with the threads which flow

from it, which may be either fine or coarse, according to the state of

the sugar; if they are required very coarse, pass the hand over them

two or three times; for when it is hot it flows in finer strings than

it will when cooler; form it on the mold into a sort of trellis-work;

loosen it from the mold carefully, and let it remain until quite cold

before it is taken off, that it may retain its shape. When the sugar

gets too cold to flow from the spoon, place it by the side of the stove

or fire to melt. Young beginners had better draw their designs for

handles of baskets, etc., on a stone with a pencil before it is oiled,

and then spin the sugar over them.

ALMOND BASKETS.--Blanch some fine Jordan almonds, and cut them into

thin slices, and color them in a small copper pan, over the fire, with

prepared liquid color (see Colors). Put them into the pan, and pour in

color sufficient to give the desired tint; rub them about in the pan

with your hand until they are quite dry; form them as for a Chantilly

basket, or else form them on an oiled marble slab, and spin sugar over

them on each side. Afterwards arrange them in a mold, or build them to

any design, first having a pattern cut out in paper, and form them on

the stone from it.

CHANTILLY BASKETS.--Prepare some ratafias, let them be rather small,

and as near of a size as possible; boil some sugar to the caramel

degree, rub over the inside of a mold slightly with oil, dip the edge

of the ratafias in sugar and stick them together, the face of the

ratafias being towards the mold, except the last two rows on the top,

which should be reversed, remembering always to place their faces to

meet the eye when the sugar is cold; take it out and join the bottom

and top together with the same sugar; make a handle of spun sugar and

place over it. Some sugar may be spun over the inside of the basket

to strengthen it, as directed for webs. Line the inside with pieces

of Savoy or sponge cakes, and fill it with custard or whipped cream,

or the slices of cake may be spread with raspberry jam. Half fill it

with boiled custard, then put in a few Savoy or almond cakes, soaked in

wine, and cover the top with whipped cream; or it may be filled with

fancy pastry or meringues. All sorts of fancy cakes may be made into

baskets or ratafias.

GOLD WEB, TO MAKE A.--Boil syrup to caramel height, coloring it with

saffron, and form it as directed in making Silver Web. It can be folded

up to form bands or rings, etc. Fasten it to the other decorations with

caramel.

If any of the strings or threads of sugar should pass over those parts

where they are not required, so as to spoil the other decorations in

the making of baskets or other ornaments, it may be removed with a hot

knife without breaking or injuring the piece.

GRAPE, ORANGE, OR CHERRY BASKETS.--These are made similar to the

Chantilly Baskets; the oranges are carefully peeled and divided into

small pieces, taking off the pith. Insert a small piece of stick or

whisk in the end of each, dip them in caramel, and form them on the

inside of an oiled mold. Cherries and grapes may be used either fresh,

or preserved wet, and dried. Dip them in caramel, and form them as

oranges. Each of these, or any other fruit, after being dipped in

caramel, may be laid on an oiled marble slab separately, and served on

plates in a pyramid, with fancy papers, flowers, etc. The baskets are

finished as Chantilly, with spun sugar.

SILVER WEB, TO MAKE A.--Boil clarified syrup to the crack, using the

same precautions as before observed, giving it a few boils after the

acid is added; dip the bottom of the pan in water, and let the sugar

cool a little; then take the handle of a spoon, or two forks tied

together, dip it into the sugar, and form it either on the inside

or outside of a mold, with very fine strings, by passing the hand

quickly backwards and forwards, taking care that it does not fall in

drops, which would spoil the appearance of the work. With this may be

represented the hair of a helmet, the water of a fountain, etc. Take

a fork, or an iron skewer, and hold it in your left hand as high as

you can, dip the spoon in the sugar, and with the right hand throw it

over the skewer, when it will hang from it in very fine threads of

considerable length.

SPANISH CANDY.--Boil a quart of clarified syrup to the crack. Have some

icing previously prepared as for cakes, or mix some fine powdered loaf

sugar with the white of an egg to a thick consistency as for icing;

take the sugar from the fire, and as soon as the boiling has gone

down stir in a spoonful of this or the icing, which must be done very

quickly, without stopping. Let it rise once and fall; the second time

it rises, pour it out in a mold or paper case, and cover it with the

pan to prevent its falling. Some persons pour it out the first time it

rises, and immediately cover it as before. It may be made good both

ways. If it is required colored, add the coloring to the syrup while it

is boiling, or with the icing, adding more sugar to give it the same

stiffness as before.

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