"The ancient Egyptian word for the personal pronoun 'I' was _anuk_,"
said the Tracer placidly. "The phonetic for _a_ was the hieroglyph
[Illustration: Glyph]
a reed; for _n_ the water symbol
[Illustration: Glyph]
for _u_ the symbols
[Illustration: Glyph]
for _k_
[Illustration: Glyph]
Therefore this hieroglyphic inscription begins with the personal pronoun
[Illustration: Glyph]
or _I_. That is very easy, of course.
"Now, the most ancient of Egyptian inscriptions read vertically in
columns; there are only two columns in this papyrus, so we'll try it
vertically and pass downward to the next symbol, which is inclosed in a
sort of frame or cartouch. That immediately signifies that royalty is
mentioned; therefore, we have already translated as much as 'I, the king
(or queen).' Do you see?"
"Yes," said Burke, staring.
"Very well. Now this symbol, number two,
[Illustration: Glyph]
spells out the word '_Meris_,' in this way: M (pronounced _me_) is
phonetically symbolized by the characters
[Illustration: Glyph]
_r_ by
[Illustration: Glyph]
(a mouth) and the comma
[Illustration: Glyph]
and the hieroglyph
[Illustration: Glyph]
_i_ by two reeds
[Illustration: Glyph]
and two oblique strokes,
[Illustration: Glyph]
and _s_ by
[Illustration: Glyph]
This gives us Meris, the name of that deposed and fugitive king of
Egypt who, after a last raid on the summer palace of Mer-Shen, usurping
ruler of Egypt, was followed and tracked to Saïs, where, with an arrow
through his back, he crawled to El Teb and finally died there of his
wound. All this Egyptologists are perfectly familiar with in the
translations of the boastful tablets and inscriptions erected near Saïs
by Mer-Shen, the three hundred and twelfth sovereign after Queen
Nitocris."
He looked up at Burke, smiling. "Therefore," he said, "this papyrus
scroll was written by Meris, ex-king, a speculative thousands of years
before Christ. And it begins: 'I, Meris the King.'"
"How does all this bear upon what concerns me?" demanded Burke.
"Wait!"
Something in the quiet significance of the Tracer's brief command sent a
curious thrill through the younger man. He leaned stiffly forward,
studying the scroll, every faculty concentrated on the symbol which the
Tracer had now touched with the carefully sharpened point of his pencil:
[Illustration: Glyph]
"That," said Mr. Keen, "is the ancient Egyptian word for 'little,'
'_Ket_.' The next, below, written in two lines, is 'Samaris,' a proper
name--the name of a woman. Under that, again, is the symbol for the
number 18; the decimal sign,
[Illustration: Glyph]
and eight vertical strokes,
[Illustration: Glyph]
Under that, again, is a hieroglyph of another sort, an ideograph
representing a girl with a harp; and, beneath that, the symbol which
always represented a dancing girl
[Illustration: Glyph]
and also the royal symbol inclosed in a cartouch,
[Illustration: Glyph]
which means literally 'the Ruler of Upper and Lower Egypt.' Under that
is the significant symbol
[Illustration: Glyph]
representing an arm and a hand holding a stick. This always means
_force_--to take forcibly or to use violence. Therefore, so far, we have
the following literal translation: 'I, Meris the King, little Samaris,
eighteen, a harpist, dancing girl, the Ruler of Upper and Lower Egypt,
to take by violence--'"
"What does that make?" broke in Burke impatiently.
"_Wait!_ Wait until we have translated everything literally. And, Mr.
Burke, it might make it easier for us both if you would remember that I
have had the pleasure of deciphering many hundreds of papyri before you
had ever heard that there were such things."
"I beg your pardon," said the young man in a low voice.
"I beg yours for my impatience," said the Tracer pleasantly. "This
deciphering always did affect my nerves and shorten my temper. And, no
doubt, it is quite as hard on you. Shall we go on, Mr. Burke?"
"If you please, Mr. Keen."
So the Tracer laid his pencil point on the next symbol
[Illustration: Glyph]
"That is the symbol for night," he said; "and that
[Illustration: Glyph]
is the water symbol again, as you know; and that
[Illustration: Glyph]
is the ideograph, meaning a ship. The five reversed crescents
[Illustration: Glyph]
record the number of days voyage; the sign
[Illustration: Glyph]
means a house, and is also the letter H in the Egyptian alphabet.
"Under it, again, we have a repetition of the first symbol meaning _I_,
and a repetition of the second symbol, meaning 'Meris, the King.' Then,
below that cartouch, comes a new symbol,
[Illustration: Glyph]
which is the feminine personal pronoun, _sentus_, meaning '_she_'; and
the first column is completed with the symbol for the ancient Egyptian
verb, _nehes_, 'to awake,'
[Illustration: Glyph]
"And now we take the second column, which begins with the jackal
ideograph expressing slyness or cleverness. Under it is the hieroglyph
meaning 'to run away,' 'to escape.' And under that, Mr. Burke, is one of
the rarest of all Egyptian symbols; a symbol seldom seen on stone or
papyrus,
[Illustration: Glyph]
except in rare references to the mysteries of Isis. The meaning of it,
so long in dispute, has finally been practically determined through a
new discovery in the cuneiform inscriptions. It is the symbol of two
hands holding two _closed_ eyes; and it signifies power."
"You mean that those ancients understood hypnotism?" asked Burke,
astonished.
"Evidently their priests did; evidently hypnotism was understood and
employed in certain mysteries. And there is the symbol of it; and under
it the hieroglyphs
[Illustration: Glyph]
meaning 'a day and a night,' with the symbol
[Illustration: Glyph]
as usual present to signify force or strength employed. Under that,
again, is a human figure stretched upon a typical Egyptian couch. And
now, Mr. Burke, _note carefully_ three modifying signs: first, that it
is a _couch_ or _bed_ on which the figure is stretched, not the funeral
couch, not the embalming slab; second, there is no mummy mask covering
the face, and no mummy case covering the body; third, that under the
recumbent figure is pictured an _open_ mouth, not a _closed_ one.
"All these modify the ideograph, apparently representing death. But the
sleep symbol is not present. Therefore it is a sound inference that all
this simply confirms the symbol of hypnotism."
Burke, intensely absorbed, stared steadily at the scroll.
"Now," continued Mr. Keen, "we note the symbol of force again, always
present; and, continuing horizontally, a cartouch quite empty except for
the midday sun. That is simply translated; the midday sun illuminates
nothing. Meris, deposed, is king only in name; and the sun no longer
shines on him as 'Ruler of Upper and Lower Egypt.' Under that despairing
symbol, 'King of Nothing,' we have
[Illustration: Glyph]
the phonetics which spell _sha_, the word for garden. And, just beyond
this, horizontally, the modifying ideograph meaning 'a _water_ garden';
[Illustration: Glyph]
a design of lotus and tree alternating on a terrace. Under that is the
symbol for the word '_aneb_,'
[Illustration: Glyph]
a 'wall.' Beyond that, horizontally, is the symbol for 'house.' It
should be placed under the wall symbol, but the Egyptians were very apt
to fill up spaces instead of continuing their vertical columns. Now,
beneath, we find the imperative command
[Illustration: Glyph]
'arise!' And the Egyptian personal pronoun '_entuten_,'
[Illustration: Glyph]
which means 'you' or 'thou.'
"Under that is the symbol
[Illustration: Glyph]
which means 'priest,' or, literally, 'priest man.' Then comes the
imperative 'awake to life!'
[Illustration: Glyph]
After that, our first symbol again, meaning '_I_,' followed horizontally
by the symbol
[Illustration: Glyph]
signifying 'to go.'
"Then comes a very important drawing--you see?--the picture of a man
with a jackal's head, not a dog's head. It is not accompanied by the
phonetic in a cartouch, as it should be. Probably the writer was in
desperate haste at the end. But, nevertheless, it is easy to translate
that symbol of the man with a jackal's head. It is a picture of the
Egyptian god, Anubis, who was supposed to linger at the side of the
dying to conduct their souls. Anubis, the jackal-headed, is the courier,
the personal escort of departing souls. And this is he.
"And now the screed ends with the cry 'Pray for me!'
[Illustration: Glyph]
the last symbol on this strange scroll--this missive written by a
deposed, wounded, and dying king to an unnamed priest. Here is the
literal translation in columns:
I cunning
Meris the King escape
little hypnotize
Samaris King of Nothing
eighteen place forcibly
a harpist garden
a dancing girl--Ruler of water garden
Upper and Lower wall
Egypt house
took forcibly--night Arise. Do
by water Thou
five days Priest Man
ship Awake
house To life
I I go
Meris the King Anubis
she Pray
awake
"And this is what that letter, thousands of years old, means in this
language of ours, hundreds of years young: 'I, Meris the King, seized
little Samaris, a harpist and a dancing girl, eighteen years of age,
belonging to the King of Upper and Lower Egypt, and carried her away at
night on shipboard--a voyage of five days--to my house. I, Meris the
King, lest she lie awake watching cunningly for a chance to escape,
hypnotized her (or had her hypnotized) so that she lay like one dead or
asleep, but breathing, and I, King no longer of Upper and Lower Egypt,
took her and placed her in my house under the wall of the water garden.
Arise! therefore, O thou priest; (go) and awaken her to life. I am dying
(I go with Anubis!). Pray for me!'"