"Once upon a time--you see that I am conventional--there lived a

beautiful young princess, on whom a wicked old troll had cast an

evil eye. Now this wicked troll was not so hideous as the trolls

we see in our fairy-books--I must say that--but he was so wicked

that even this deficiency could not excuse him. The princess was

as young and innocent--I was going to say as simple--as she was

beautiful, and the wicked troll talked so much of his experience

in the world, and boasted so hugely of his wealth and generosity

and other shining virtues, that the imagination of the poor

little princess was quite fired, and she was flattered into

thinking that here was a treasure not to be lightly put aside.

And so, in a foolish moment she consented to be his bride, and he

took her away to his castle--I believe trolls do have castles--to

make ready for the marriage. While the preparations were going

on, and the wicked old troll was laughing with glee to think how

he had deluded a princess, a handsome young prince appeared on

the scene, and what so natural as that the princess should

immediately contrast him with the troll. And it came about, also

quite naturally, that before the prince and the princess knew

that anything was happening, they fell so violently in love with

each other that the birds, and the bees, and the flowers in the

garden, and the squirrels in the trees sang and hummed and

gossiped and chattered about it."

Here I paused. Phyllis did not look up, but I felt a shiver run

through her body as I stroked her hair and put my arm around her

shoulder to caress away her fear.

"But it happened that although the princess was so much in love

that at times she must have forgotten even the existence of the

old troll, she was still possessed of that most inconvenient and

annoying internal arrangement which we call the New England

conscience, and one night, when the prince had declared his love

with more ardor than usual, she remembered the past, how she had

promised to marry the troll, and how she must keep her word, as

all good princesses do. And the prince, who was a very upright

young man, most foolishly listened to her, and agreed to give her

up. Whereupon these poor children, having resolved that it was

for the best--"

Phyllis looked up quickly. Her face was white, and a look, half

of fear, half of reproach, came to her eyes. She sank down and

hid her face in her hands. Both my arms were around her and I

even laughed.

"Dear little princess," I whispered, "don't give way yet. The

best is still to come. For you must remember that this is a

fairy-tale and all fairy-tales have a good ending. And, to make a

long story short, this wicked old troll was not a troll at all,

but a fairy-godmother, who had taken the form for good purposes.

I would have said fairy-godfather, but I have never come across a

fairy-godfather in all my reading, and I must be truthful. Well,

the fairy-godmother came along right in the nick of time--and, of

course, you know who married and lived happily ever after?"

The convulsive movement of the poor child's body told me she

was weeping. And I, being a philosopher, and more or less

hard-hearted, as all philosophers are, let her weep on. Presently

she said in a voice hardly audible:

"I gave you my promise and I meant to keep it. I am trying so

hard to keep it."

"Of course you are, little girl, but why try? A bad promise is

far better broken than kept, and, come to think of it, I am not

at all sure that I am anxious to have you keep it. How do you

know that I am not making a desperate effort to secure my own

release?"

She raised her head quite unexpectedly and caught me with the

tears in my eyes. My eyes always were weak. "Why, you are

crying!" she said.

"Of course I'm crying. I always cry when I am particularly well

pleased. It is a family peculiarity. You should see me at the

theatre. At a farce comedy I am a depressing sight, and that is

the reason I always avoid the front seats."

Then realizing that I might be carrying my gayety too far, I went

on more soberly:

"Can't you see, Phyllis, that the old fool's romance must come to

an end? Don't you understand that had I the selfish wish to hold

you to a thoughtless promise, our adventure would terminate only

in misery to us both? Perhaps you and I have been the last to see

it, I, because I was thinking too much of myself, you, because

you were carried away by an exalted sense of duty. Thank heaven

it is clear to us both now. For it is clear, isn't it, dear?"

The foolish girl did not reply, but she kissed my hand, and it is

astonishing how that little act of affection touched and

strengthened me.

"So we are going to make a new start and begin right. To-morrow I

shall see Frederick and make a proposition to him, and if that

rascal does not give up his heroics and come down to his plain

duty as I see it--well, so much the worse for him. No, don't

raise objections"--she had started to speak--"for I am always

quarrelsome when I cannot have my own way. Go to your room and

think it over, and remember," I said more gently, for that old

tide of the past was coming in, "that you are Sylvia's daughter,

and that Sylvia would have trusted me and counselled you to obey

me in all things."

Slowly and with averted face Phyllis rose and walked toward the

door. I had commanded her, and yet I felt a sharp pang of

bitterness that she had yielded so quickly to my words. It seemed

at the moment that everything was passing out of my life; that

Phyllis, that Sylvia, that all the once sweet, continuous memory

was lost to me forever. I could not call her back, and I could

not hope that she would return. Philosopher that I was I could

not explain the sinking and the fear that took possession of me.

The philosopher did not know himself. All his thought and all his

reasoning could not solve the simple riddle the quick intuition

of a girl made clear.

She had reached the door before she paused. Then she turned. I

had risen mechanically and stood looking at her. As slowly she

came back and waited as if for me to speak. And when the dull

philosopher groped helplessly for words and could not meet the

appealing eyes, she put her hands on his shoulders, and laid her

warm, young face on his heart, and said, "Father!"

* * * * *

The night was peacefully beautiful. I had strolled out of the

garden and down to the river, and there along the bridle-path on

the winding bank I walked for miles. Absorbed in my own thoughts

I gave no heed to my little dog, Hero, trotting at my side and

looking anxiously up at me with her large brown eyes, as if

saying in her dog fashion: "Don't worry, old man; I'm here!" A

strange, inexplicable happiness had fallen to him who thought he

knew all others, and did not know even himself. I crossed the

river to return on the opposite shore, and all the way back,

through the arching trees, the shadows danced in the moonlight

and the crickets chirped merrily. Life seemed so contrary, so

bewildering, for I thought of the wedding music in those early

mornings at my boyhood home, and I wondered at the optimism of

Nature in attuning all emotions to a joyous note.

Again in my garden I saw a half-light in Phyllis's room. Coming

nearer I saw that she was standing at the window, with the same

cloud on her face that had betrayed the battle with her

conscience. At sight of her all the joyous emotion of my new

tenderness overwhelmed me and I cried out cheerily:

"Good-night, Phyllis!"

Something in my voice sent a smile to her eyes and gladness to

her heart, as, half leaning from the window, she kissed her hand

to me and called back softly: "Good-night, father dear!"

The south wind came, bringing the scent of the rose and the

honeysuckle, and stirring the drowsy branches of the elms. The

river rippled merrily in the moonlight, hurrying to bear the

tidings of happiness to the greater waters, and off in the

distance the blue hills lifted their heads above the haze. Toward

the north scudded the friendly little white cloud, and it seemed

again a soothing fancy that Sylvia--

O sweet and pleasant world!

TRANSCRIBER'S NOTES

Page 103: Changed housekeeper to house-keeper for consistency.

Page 116: Changed typo "effervesence" to "effervescence."

Page 142: Changed typo "moolight" to "moonlight."

End of Project Gutenberg's The Romance of an Old Fool, by Roswell Field

The Romance of an Old Fool · 第 5 / 5 段