THE FIFTH CENTURY AT ATHENS

The defeat of the Persians at Salamis in 480 B.C. made Athens

the first state in Greece. Not only had she suffered enormous losses in

the ruin of her city and lands for the common cause, but she had borne

the brunt of the naval fight at Salamis, as ten years before, with the

brave men from Plataea, she had driven the Persian hordes from the

plain of Marathon into the sea. The Athenians had acquitted themselves

well, for they had shown the loftiest patriotism and loyalty to the

cause of Hellas; now their high position was recognized even by their

jealous rivals. Athens entered on a brilliant period of fifty years

which has never been equalled in the world’s history. Within that time

she produced statesmen, architects, artists, and poets who have never

been surpassed since in any state in the same length of time. Her naval

power, her wealth and culture, placed her in a supreme position.

Neither the Athenians nor the other Greeks forgot the gods to whom they

believed that they owed their victory over the Persians. To Apollo

at Delphi the allies sent a golden tripod set on a pillar of three

bronze serpents bearing the names of those who made the offering; the

Athenians on their own account erected a trophy there, and on the

Acropolis they deposited the broken cables of the bridge which the

Persians had built across the Hellespont. Soon they set up in the

same place a colossal bronze statue of Athena made from the spoils

captured at Marathon. A new temple to the goddess in place of the one

destroyed by the Persians was planned by Cimon; but his ostracism in

461 B.C. stopped its building. When Pericles was able to

carry out his plans for adorning Athens, he determined to enlarge the

structure; as a result the Parthenon with its wondrous sculptures and

great chryselephantine statue of the goddess was completed in 438

B.C. At the entrance of the Acropolis a splendid propylaea

was begun and many other public buildings were erected to adorn the

city. The chief divinity of Athens, the goddess Athena, now held her

position without a rival; all the other gods were in second place. The

conception of the goddess was essentially that fixed by the Homeric

poems, and as such Phidias represented her with aegis, spear, and

shield, carrying victory in her hand. She became the embodiment of the

power and the glory of the state.

In an earlier lecture I referred to the part which Pisistratus

played during the sixth century in fostering Orphism at Athens and

in developing the mysteries at Eleusis. Now the Athenian success in

driving back the Persian invaders had filled the citizens with a

spirit which had little desire for the sacraments of the Orphics, and

furthermore the mysteries at Eleusis satisfied all longing for mystic

assurance of security and of future happiness. But Pisistratus had also

emphasized the Olympian religion as set forth in the Homeric poems.

Indeed, we may say that he produced a Homeric revival; for whatever

the truth may be in the tradition that he had the Homeric text fixed

and written down in the Attic alphabet, there can be little question

that he made the Iliad and Odyssey more widely known by ordaining that

the rhapsodes should recite them at the great Panathenaic festival.

The emphasis given by him to the Olympian divinities resulted in the

exaltation of Athena and the subordination of most local cults to her

worship upon the Acropolis. It was Pisistratus also who developed and

gave new magnificence to the Panathenaic festival. This was annual,

but was celebrated with special splendor every fourth year. At these

festivals the recitation of the Homeric poems brought before the

people in impressive manner the whole pageantry of Olympus. The great

procession with which the festival culminated—that procession known to

us from Phidias’ frieze upon the Parthenon—had as its objective point

the Acropolis, where the sacred robe and other gifts were offered to

the patron goddess, Athena. Her old temple on the site once occupied

by the goodly house of Erectheus was adorned at the tyrant’s orders

with a peristyle and new pediment sculptures. The battle of Athena

Polias and the gods against the giants replaced the old sculptures of

Zeus encountering a three-headed monster and of Heracles destroying

the Hydra. Thus Pisistratus made the temple of Athena the center of

the united Athenian state, and established the goddess as the chief

divinity of Attica.

This Olympian religion was well suited to the state in the fifth

century. The Athenian success in saving Greece from the Persians had

magnified the importance of Athens in the eyes of all her citizens.

Their life was now one of action; they were proudly conscious of their

expanding empire, their growing power, and increasing wealth. The joy

which they felt in their present existence had something of the epic

quality in it. Furthermore the growth of free democracy, which opened

up many channels of successful activity through the state, had not yet

resulted in that individualism with its disintegrating tendencies which

marked the fourth century, and the common interests of the Athenians

made the state the center of their thought. They regarded it as an

organization existing for the benefit of all free citizens. Its unity

and its power, so far as Athens was concerned, were symbolized by the

goddess Athena. On her home and on her worship the resources of the

state were lavished. It was inevitable that her religion should be

regarded as primarily a state affair, and that at the same time she

and the other protecting gods should seem to the individual citizen

somewhat more removed from human interests and sympathy as they gained

in the august majesty which the wealth of the empire lent them. Exactly

as to many a Christian the wealth and magnificence of a splendid

cathedral seem to put God farther away than the bare simplicity of some

beloved chapel, so the Parthenon undoubtedly made Athena seem more

august and more remote to many an Athenian than the rude and simple

protecting deity of his country home.

The result of these various causes which were operative in the fifty

years of Athens’ greatness was that a part of religion became a state

concern, and that men’s loyalty was centered on the state. Patriotism

and pride in empire took the place to a considerable extent of what

may be roughly described as personal religion. This, of course, does

not mean that a belief in the gods among the mass of the people had

died out in any sense. The ordinary Athenian continued his worship

as before at the local shrines and joined with the other citizens in

paying tribute to the great divinities. But especially with many of the

intellectual and leading men religion was absorbed, so to speak, into

patriotism, exactly as has been the case in our own time in France and

Italy. This attitude of mind finds supreme expression in the funeral

oration of Pericles, which he pronounced over those who had died in

the first year of the Peloponnesian War. His speech is devoted to

glorifying the Athenians and to celebrating the noble service which the

fallen rendered when they gave up their lives for their fatherland.

There is not one syllable about the gods, one word of gratitude to

heaven, or a single expression of solace to the relatives of the dead

based on any hope of immortality. In the service of the state Pericles

saw every incentive and every reward. This will be clear from the

following paragraphs:[154]

“Such was the end of these men; they were worthy of Athens, and the

living need not desire to have a more heroic spirit, although they

may pray for a less fatal issue. The value of such a spirit is not to

be expressed in words. Any one can discourse to you forever about the

advantages of a brave defence, which you know already. But instead of

listening to him I would have you day by day fix your eyes upon the

greatness of Athens, until you become filled with the love of her; and

when you are impressed by the spectacle of her glory, reflect that

this empire has been acquired by men who knew their duty and had the

courage to do it, who in the hour of conflict had the fear of dishonor

always present to them, and who, if they failed in an enterprise, would

not allow their virtues to be lost to their country, but freely gave

their lives to her as the fairest offering which they could present at

her feast. The sacrifice which they collectively made was individually

repaid to them; for they received again each one for himself a praise

which grows not old, and the noblest of all sepulchres—I speak not of

that in which their remains are laid, but of that in which their glory

survives, and is proclaimed always and on every fitting occasion both

in word and deed. For the whole earth is the sepulchre of famous men;

not only are they commemorated by columns and inscriptions in their own

country, but in foreign lands there dwells also an unwritten memorial

of them, graven not on stone, but in the hearts of men. Make them

your examples, and esteeming courage to be freedom and freedom to be

happiness, do not weigh too nicely the perils of war. The unfortunate

who has no hope of a change for the better has less reason to throw

away his life than the prosperous who, if he survive, is always

liable to a change for the worse, and to whom any accidental fall

makes the most serious difference. To a man of spirit, cowardice and

disaster coming together are far more bitter than death, striking him

unperceived at a time when he is full of courage and animated by the

general hope.

Wherefore I do not now commiserate the parents of the dead who stand

here; I would rather comfort them. You know that your life has been

passed amid manifold vicissitudes; and that they may be deemed

fortunate who have gained most honour, whether an honorable death

like theirs, or an honorable sorrow like yours, and whose days have

been so ordered that the term of their happiness is likewise the term

of their life. I know how hard it is to make you feel this, when the

good fortune of others will too often remind you of the gladness which

once lightened your hearts. And sorrow is felt at the want of those

blessings, not which a man never knew, but which were a part of his

life before they were taken from him. Some of you are of an age at

which they may hope to have other children, and they ought to bear

their sorrow better; not only will the children who may hereafter be

born make them forget their own lost ones, but the city will be doubly

a gainer. She will not be left desolate, and she will be safer. For a

man’s counsel cannot have equal weight or worth, when he alone has no

children to risk in the general danger. To those of you who have passed

their prime I say: ‘Congratulate yourselves that you have been happy

during the greater part of your days; remember that your life of sorrow

will not last long, and be comforted by the glory of those who are

gone. For the love of honour alone is ever young, and not riches,

as some say, but honour is the delight of men when they are old and

useless.’”

The loyalty to the state, however, which animates this oration we must

remember actually resulted in the glorification of Athena and the other

great gods. For they, too, were a part of the state, and had a share

in its reputation and prosperity. But I must point out again that in

this exaltation of the Olympic gods there was nothing of that personal

relation of the individual to divinity, such as must exist in every

really religious age.

Yet at the risk of repetition, I would recall the fact that the

practice of religion by individuals had not ceased at Athens. The

common man still paid devotion to his guardian gods, made offerings to

the dead, and shared in many forms of worship. Furthermore the spread

of the Eleusinian mysteries in this century, so that a new and larger

initiation hall had to be erected at Eleusis, shows that thoughts

of the future life and the deepest religious feelings still existed

in large numbers of the citizens. We have here, then, an apparent

contradiction, such as has appeared many times and in many places in

the religious history of man. Many of the leaders of the state were

interested in religion only as it was an affair of state, in the same

way in which the army and navy were. On the other hand there were

large numbers who felt a more personal interest in religion and who

cultivated a more personal relation to divinity. Nor were there lacking

men of the most intellectual class to deal with the higher concepts of

religion which had been developing during the recent centuries. These

ideas find their truest utterance in the work of the poets, and we have

already seen how Pindar, Aeschylus, and Sophocles interpreted nobler

views with regard to the gods, human conduct, and man’s relation to the

divinities, to all Greece and especially to Athens which had now become

the intellectual center of the Hellenic world.

But another new force had been developing among the Greeks during

the sixth century which was destined to deal a far greater blow to

traditional religion than any other—I mean philosophy. This began

in Ionia and was cultivated in other parts of greater Greece before

it came to Athens. But after the Persian Wars the prominence and

prosperity of that city was so great and her intellectual eminence

was so high that she attracted the men of note in many departments of

life. Among them was the philosopher Anaxagoras of Clazomenae who made

Athens his home for about thirty years (c. 462-432 B.C.).

He became a member of the most intellectual Athenian society of his

day, a friend of Euripides, and an intimate of Pericles. When dangers

began to threaten the state, with the prospect of war looming on the

horizon, the people began to blame their great leader; to injure him,

they banished one and another of his friends. The two most noted were

Phidias the sculptor, of whose art the marbles of the Parthenon are

still the unsurpassed witnesses, and Anaxagoras the philosopher; the

charge against both was impiety. Anaxagoras taught that the sun was a

red hot mass of rock, as the moon was a cold mass, like the earth.

According to this teaching the sun and moon could no longer be

regarded as gods, so that a charge of impiety was as easily based on

such doctrines as it was on the teaching of Galileo twenty centuries

later. But although the philosopher was driven out, philosophy could

not be so easily banished. The eager intellectual life of Athens had

caught the spark, and the flame of philosophy was never extinguished

on the Athenian altars for almost a thousand years, until the Emperor

Justinian closed the philosophic schools in 529 A.D.

Now philosophy aimed from the very first to explain the origin and

structure of the universe by reducing all things to a single principle,

or to a few principles at most. The purpose of the philosopher was

to carry out a more systematic search for unity than the thought of

the poet or of the ordinary man could accomplish. We have seen how

Hesiod and the Orphics tried by cosmogonies to explain the origin

of the world. The philosophers turned to physical science for their

explanation. But in every case their work was from its very nature

antagonistic to popular polytheism, which saw a separate divinity in

every phenomenon. It was inevitable that the conflict should become an

open one sooner or later.

Xenophanes of Colophon (flor. c. 540 B.C.) was the first to

enter the lists. Driven into exile by civil disturbances at about the

age of twenty-five, he lived most of his life in Sicily. He was as much

a social and religious reformer and satirist as philosopher. With a

frankness which passed beyond the freedom of his age he struck at

the popular beliefs with regard to the gods, which taught that the

gods were born and had clothes and voices and forms like mortals. He

illustrated the folly of the Greeks in making the gods after their own

image by reminding them that the Ethiopians made their gods flat-nosed

and black, and the Thracians theirs blue-eyed and red-haired, while if

cattle and horses and lions had but hands and could draw and mould and

fashion like men, then each would draw and fashion the gods in his own

image.[155] For the current notions of divinity he held Homer and Hesiod

responsible and charged that these poets had attributed to the gods

everything that was reckoned as shame and reproach among men—stealing,

adultery, and cheating.[156] He likewise opposed the doctrine that

the gods had taught men their knowledge, but declared that man had

always learned through experience and investigation the better way

for himself.[157] Xenophanes went even further than this and used the

science of his day to prove that what was regarded as the appearances

of the gods was merely meteorological phenomena. In the place of many

gods he declared that there was but one, and he not like mortal men

either in form or intelligence, but that he was wholly sight, wholly

intelligence, wholly hearing—that is to say, god and the universe are

identical, and the cosmos is eternal, sentient, and intelligent.[158]

There could hardly have been a greater contrast than between this

pantheism and the polytheism of the day. It is true that Xenophanes

offers no adequate explanation of the way in which phenomena arise;

he does not solve the problem of deriving the transient out of that

which is permanent and fixed. But nevertheless he crudely anticipated

the thought of later philosophers and theologians and began the open

struggle with polytheism which was to continue for many centuries.

Another philosopher who deserves our attention here is Heraclitus of

Ephesus who flourished in the early fifth century. As he surveyed the

world he was impressed with the variety of phenomena that moved before

him, with the fact that nothing is stable but that everything is always

in process of change. He declared therefore that nothing is permanent

but that all things in reality are in a state of flux and flow

(πάντα ῥεῖ). The explanation for this constant change he apparently

found in the crude science of the day which observed that changes in

temperature cause changes of form, some solids becoming liquid and

liquids gaseous. This phenomenon he thought was due to fire. Fire he

regarded as universal in the cosmos—indeed, as identical with it, and

he is reported as saying that this universe, which is the same for all

beings, no god or mortal has made, but it has always been and is and

ever will be eternal fire, which sometimes grows the brighter and again

is quenched. This fire he is willing to call god; it is to him the

principle which permeates the universe and causes all change within it.

Such being the case, Heraclitus maintains that true knowledge is not

concerned with many things but solely with the unity in the world

which his teachings set forth. In his scorn for his predecessors

he outdoes Xenophanes. Not only Homer and Hesiod, but Pythagoras,

Xenophanes, Archilochus, and Hecateus are alike condemned. Homer

and Archilochus he declares deserve to be driven from the games and

flogged, such folly had they taught.[159] In his assaults on the popular

religion Heraclitus did not concern himself so much with mythology

as with the rites and ceremonies current in his time. He evidently

attacked the representatives of the mystery religions, calling them

night walkers, magi, priests of Bacchus, devotees of the wine-vat, and

mystery-mongers. In another fragment he ridicules those who pray to

the images of the gods, for that is as if one were to pray to a man’s

house; and again he declares that if men on ordinary occasions sang

songs like the hymns which they raise in honor of Dionysus they would

be acting most shamelessly. Man’s duty to his mind is to devote himself

wholly to the apprehension of the divine unity in the world, of that

wisdom to which alone he would consent to give the name of Zeus.[160]

We have now seen from these two representatives how philosophy regarded

traditional polytheism, and taught that the unity of the universe was

identical with god. But neither Xenophanes nor Heraclitus offered any

satisfactory explanation of the way in which multiplicity could arise

out of unity. Still less did they conceive of a personal god. This

concept was reserved for Plato or possibly for his great teacher. A

slight approach toward an explanation of variety was made, it is true,

by Heraclitus, through his “fire” and also through a doctrine which I

have not mentioned, namely that “strife,” the action of opposites, is

the cause of change. Now another philosopher, Empedocles of Agrigentum,

whom we have already met as a mystic, offered an explanation of the

cause of phenomena not dissimilar to that of Heraclitus, and yet one

that marked an advance. For his elements Empedocles took the four of

popular belief—earth, air, fire, water, which he said were combined

in various forms by the principles of “friendship” and of “strife”;

or, as we should say today in less symbolic language, by affinity and

incompatibility. But like Heraclitus Empedocles fails to make clear how

or why these principles act at all on his elements. In short before

Anaxagoras no thinker conceived of any satisfactory formative or

motive principles to explain phenomena; likewise none had arrived at a

well defined distinction between a material principle and a formative

principle. Anaxagoras solved the problem in a way highly satisfactory

for his age and in a manner which unconsciously anticipated many of

the principles of modern science. According to him all substances

are elementary, existing in seeds or germs, infinite in number,

infinitesimal in size. Aristotle and the ancients in general understood

him to mean that these seeds or germs are minute particles of the

things which we know in the mass, as for example bread or water, or

flesh and bones. Some modern scholars think that he meant that the

original mass of matter was infinitely divided and that every atom had

in it a portion of everything else: the various combinations of these

seeds, atoms, we name bread, water, or flesh and bones according to the

predominance of these things in the seeds which make up the whole. Yet

whether Aristotle and the ancients or the moderns be right is a matter

of little moment to us now. Anaxagoras thought that these “seeds,”

whatever they were, were set in motion and combined to produce the

infinite diversity of the natural objects by Mind (Νοῦς).

Anaxagoras’ great service, then, was his introduction of Mind into

philosophy as a formative, a motive principle to provide the cause for

change and diversity. It is not to be denied that Anaxagoras conceived

his principle to be as material as the elements themselves, and that

he did not employ his principle fully, even after he introduced it

into the world. Indeed, he did not advance beyond a mechanical concept

of the cause of phenomena. But nevertheless he is significant in the

history of European thought as the founder of the dualistic system

which largely prevailed thereafter. His contemporaries, too, recognized

him as an innovator, for we are told that the wits of Athens nicknamed

him “Mind.” With the consequences of this new dualism we shall be much

concerned hereafter.

Another group of men contributed to the intellectual life of that

wonderful fifty years of Athenian history which began with the defeat

of the Persians and ended with the outbreak of the Peloponnesian War.

How keen the intellectual life of that time was is shown by the high

excellence of the plays to which the masses of the common citizens

listened in the theater. Aeschylus, Sophocles, and Euripides were

not enjoyed by the few but by the great body of Athenian citizens,

and their plays were known even among the remote Greek colonies.

The intellectual spirit of the age was stimulated to inquiry and to

scepticism. Herodotus is wholly sceptical, and the agnostic tendency

of the time is shown by the entire lack of mythology and superstition

displayed by Thucydides. A further stimulus was furnished by the

development of a higher education given by professional teachers—the

Sophists.

The last half of the fifth century is often called with good reason

the “Age of the Sophists.” We must understand clearly just what we

mean by this term as applied to the men of this time, for today the

word sophist has an unfavorable connotation. The Sophists of the fifth

century neither formed a philosophic school nor were they charlatans.

The most prominent among them was Protagoras of Abdera whose ability

and character is shown by the fact that Pericles selected him to draw

up the laws for Thurii in 444-43 B.C. Gorgias of Leontini in

Sicily enjoyed such high reputation that in 427 he was sent at the head

of an embassy to Athens. These Sophists were simply men devoted to the

pursuit of wisdom, frequently professional teachers who undertook to

give a general culture, to train their pupils to take part in society

and the state. For the old training which had been gained by

observation they substituted a formal discipline; they offered

instruction in rhetoric, politics, music, in short in all the higher

branches, as we should call them. But they had no unity of doctrine. By

the close of the fifth century they had fallen somewhat into disrepute

and were under suspicion, since in the Athenian state all the youths

who could afford to pay the fees which these professional teachers

charged belonged to the aristocratic class, which frequently voted

against the democracy. The Sophists owed their great influence to

the fact that they met an actual need in the small society of Athens

which included an unusual number of men with eager alert minds and

great intellectual curiosity. Now it should be observed that rhetoric,

which formed a considerable part of the new education introduced by

these professional teachers since political life was the chief career

open to a young Athenian, led to habits of examination, analysis, and

definition. We are all familiar with the fact that any attempt to

analyze and define customary beliefs and practices is pretty certain to

detect inconsistencies unobserved before; to lead, at first at least,

to confusion and to doubt as to the validity of the practice or belief

under consideration; and that when applied to traditional morality or

religion it is likely to loosen the obligations which men have hitherto

regarded. For illustrations of this truth we have only to look about

us and to see how in this generation, as in the generations of our

fathers, long accepted beliefs have crumbled before examination, as for

example the institution of slavery, the justice of which few questioned

a century and a quarter ago. So it was inevitable that in Athens

some of the effects of the sophistic teaching should be destructive.

And these effects were exaggerated by the great store which was set

on skill in disputation. When moral or religious themes were under

discussion, the point at issue was not the value of this or that

position, but rather the relative skill of the disputants. We are so

familiar with this in academic life, in college debates, for example,

that the question of the moral effect does not rise in our minds. But

it is little wonder that in the fifth century in Athens the Sophists

were charged with making the worse cause the better.

Furthermore the Sophists were sceptical as to the possibility of

acquiring absolute knowledge about anything. This scepticism may have

been due to a failure on the part of the science of the day which led

individuals to turn from nature to man as the object of their inquiry.

Protagoras maintained that all knowledge was relative, since the only

way in which a man can know anything is through his senses; through

them he perceives that an object is hot or cold, round or square, sweet

or bitter. He pointed out, also, that the same object will not always

appear the same even to the same individual; hence he declared that

there is no such thing as absolute truth, but that whatever seems true

to you or to me at the moment is the truth for you or for me, and that

it is not at all necessary that you and I should hold the same thing to

be true at one and the same time. Whatever seems to the individual true

is true, according to him. From this came his famous dictum that man,

that is the individual, is the measure of all things.[161] It is clear

that this doctrine when applied to politics, morals, or religion was

upsetting.

So long as men studied nature, they were concerned with discovering

the inflexible laws which govern the world. But when they turned their

attention from nature to society or government, they realized that

human institutions seemed to be the result on the whole of conventions

agreed upon and adopted by mankind. The Sophists held in general that

the form of the state, the current moral and religious beliefs and

social customs had no absolute validity; that they were the results of

convention; and that their only warrant was that they worked well in

practice, that they were profitable to the individual and to society.

This pragmatic view of institutions fell in well with the temper of the

last half of the fifth century, both in the period of Athens’ imperial

supremacy and in the time of her trial during the Peloponnesian War,

when in passion or despair the people disregarded law and, as in the

case of the Melians, all that humanity had counted sacred. It was an

age when many held that might and right were identical, and for this

view the Sophists, even though unwittingly, furnished arguments; for

if the test of an institution or act is that it works well when put

into practice, success proves validity. The Sophists, too, taught that

virtue (ἀρετή) was nothing else than what we call today efficiency. It

is not strange that the conservative Athenians came to look on them

with suspicion.

With regard to the gods Protagoras was naturally agnostic. He began

his “Treatise on the Gods” with the words: “So far as the gods are

concerned, I cannot know whether they exist or do not exist; or what

their nature is. Many things prevent our knowing. The matter is

obscure and life is short.”[162] One may be curious to know what large

matter Protagoras found for his discussion when he began with this

frank confession of ignorance; but it should be observed that in this

confession there is nothing necessarily antagonistic to the popular

theology of his day. It only shows what the words plainly declare, that

a belief in the gods cannot depend upon knowledge. Another Sophist,

Prodicus, maintained that the divinities were nothing but the kindly

powers of nature which man had deified;[163] and the “Gentle Critias,”

one of the worst of the Thirty Tyrants, and a ready pupil of the

earlier Sophists, is said to have set forth in a satyric drama the

theory that the gods were the clever invention of someone who wished

to scare men out of their desire to do evil.[164] The effect of such

scepticism and agnosticism we can easily imagine.

Many things had been wrongly laid at the door of the Sophists, but it

is small wonder that the conservative Athenian citizens came to look

with distrust and alarm on these new-fangled subversive notions; that

they banished Protagoras and burned his books in the market place; or

finally that they should have put Socrates to death.

Into this age of intellectual ferment and readjustment, of scepticism

and eager inquiry, the age of Anaxagoras and the Sophists, Socrates

entered. He was at once the child of his time and the greatest

fecundator of men’s minds that Europe had yet known. He was born in 469

B.C. and was forced to drink the hemlock in March, 399, so

that he had completed the allotted span of life. The son of a sculptor,

we are told that he followed his father’s profession in his youth,

but apparently he did not continue this long. Whence he derived the

means of livelihood we do not know. He received the regular Athenian

education, was interested especially in geometry and astronomy;

the works of the philosophers he had read, but professed that he

gained little from them. One is tempted to dwell on the picturesque

characteristics of this man—his refusal to teach for pay, as did the

ordinary teachers, his profession of complete ignorance—his only claim

to wisdom, he said himself,—his ugliness of feature, and his beauty

of soul, his omnivorous interest in the work of the humble craftsmen,

above all on his belief that he had a warning spirit, a daemon, which

checked him when his course was wrong. Although in obedience to this

inward monitor Socrates refrained from politics, he fulfilled all his

civic duties in peace and in war. He conformed to the traditional

religion, sacrificing and praying to the traditional gods, although he

undoubtedly did not hold that they were the limited and sensual

creatures of the popular belief. When he prayed he asked not for gold

or silver or power, but for what the gods knew was good for him. At the

close of Plato’s Phaedrus he offers this appeal: “Beloved Pan, and all

ye other gods who haunt this place, grant me beauty of the inward soul,

and make the outward and the inward man to be but one.” This was the

man who was charged with corrupting the youth of Athens.

Socrates had much in common with the Sophists. Although it is evident

that in his earlier years he had been interested in physical science,

we know that he turned away from that in the course of time, convinced

that man alone was more than man could understand. He rather confined

his attention to man himself, and made man and his conduct the center

of philosophic inquiry. With the Sophists Socrates held that the

cultivation of excellence, of virtue, whatever that might be, was

the chief thing. He also identified virtue and knowledge, and like

the Sophists was sceptical as to man’s ability to attain absolute

knowledge. Practicability was the test he applied to various opinions.

If one notion as to the state or society or anything else worked

better than another, it was, therefore, in his view the better; and

according to him it was by the adoption of such useful opinions that

the individual became the wiser man. He held that education does not

consist in putting things into people’s heads, but in leading them to

discover the truths which they already possess. He therefore employed

discussion as to the validity of hypotheses to bring out the

latent knowledge in the minds of his young friends. This method of

his—dialectic—was not identical with that of the Sophists apparently,

but was not unlike theirs. It was, therefore, natural that his own time

should have reckoned him as one of the professional class.

How then was he distinguished from these Sophists? Externally, first of

all, by the fact that he did not teach for pay, that his purpose was

unselfish, his interest being solely the elucidation of truth and so

the establishment of virtue. He himself believed that he had a divine

commission to serve the Athenians as a missionary. Plato makes him

declare in his defence before his judges: “Men of Athens, I should be

guilty of a crime indeed if through fear of death or anything else I

should desert the post to which I am assigned by the god. For the god

ordains ... that I should follow after wisdom and examine myself and

others.”[165] He conceived of himself as the physician of the soul, and

maintained that his whole business was “to persuade all, both young and

old, not to care about the body or riches, but first and foremost about

the soul—how to make the soul as good as possible.”[166]

As I have already said, he believed that if men could only know what

justice, goodness, and temperance were they would naturally and

inevitably be just and good and temperate. Vice he thought was due to a

lack of knowledge; therefore he employed his questioning, dialectic, to

endeavor to secure clear definitions of these and other virtues, for

he was convinced that if only he and his associates could discover

what virtue was, they would at once pursue virtue and flee from all

wrongdoing. We may smile at the naïveté of this belief, that virtue

is something that can be taught, that to be practised it needs only to

be seen; but we must remind ourselves that his confidence was based

on another belief, which was that virtue is the best and the most

profitable for the individual; and that since each man desires the

best for himself, if he sees what is right, he will follow that course

unswervingly to the end. It may be said with reason that this is a

utilitarian view, and so it is; but in Socrates it was combined with

a power of will which enabled him to translate his convictions into

reality, for it was in obedience to this conviction that the great

teacher gave up his life.

Thus far we have seen that in the ferment of the last part of the fifth

century in Athens there were two forces which were in a sense opposed

to each other, the Sophists with their inevitable scepticism, who

taught that all truth was subjective, that justice and goodness were

only that which seemed just and good to the individual; opposed to them

in reality was Socrates, not only in spirit but also by the doctrine

which he endeavored to establish; for his search was always directed

at finding the reality, was always aimed at knowledge in opposition to

opinion. These objective truths, the universals, which to him were the

only real things in the world, he endeavored to obtain by a process of

definition which was not wholly adequate; but he turned men away from

mere observation, from what seemed to be true, to search for permanent

objective reality. How fruitful his teaching was, was shown by many

schools, but above all by his greatest pupil, Plato. His followers have

lasted to the present day.

The last third of the fifth century was a new era for Greece. The

Peloponnesian War broke out in the year 431, and lasted until 404.

On the one side was Athens with the empire which she had boldly

built and somewhat ruthlessly held; on the other was a large number

of allied states of Greece with Sparta at their head. The war ended

with the complete humiliation of Athens. She lost her empire, her

wealth, and a large part of her population. These disasters gave

opportunity and occasion for new forces to come to the front. Early in

the war the mercurial Athenians had shown themselves impatient of the

leadership which had made Athens great, and they rejected Pericles.

They were easily led astray by wild schemes, as when they followed the

imperialistic party headed by Alcibiades and sent out the Sicilian

expedition in 415, which was to meet irreparable disaster two years

later. In time of distress, under the burden of political and economic

misfortune, men often turn to reconsider the bases of their beliefs

and actions, to test the validity of the doctrines which have hitherto

guided them. This was the case at Athens. The old beliefs went by the

board; society, government, and religion all became subjects of doubt

and of reexamination.

The greatest spokesman of this time was Euripides. Although he was the

younger contemporary of Sophocles, who outlived him by a few months,

Euripides belongs to a new age. The former represents imperial Athens

of the age of Pericles, the latter the Athens of the Peloponnesian War.

Born of a family apparently well-to-do he certainly received a liberal

education. Politics and society seem never to have attracted him to

active participation in them, but the intellectual life of his time

he shared to the full; and more than any extant writer of his day, he

shows that he felt the force of the movements which were transforming

Athenian thought. It has been aptly said that in Sophocles the poetical

course of traditional religion culminated; in Euripides we have for the

first time the poetic and philosophical development fully combined.

He was a profound thinker, troubled by the most difficult problems of

humanity, and approaching tradition with the liberal frankness of the

new age. Yet we must always bear in mind that he was a dramatic poet,

not a systematic theologian or moral teacher. Again and again fidelity

to his art made him put sentiments into the mouths of his characters

which must have been abhorrent to him. Nor have we any right to search

for some hidden meaning in his plays. Yet after all allowances have

been made, we cannot doubt that in his dramas he frequently expresses

his personal views on politics, morals, and religion, which were quite

at variance with the views of tradition.

Toward the gods of the current mythology no one could have been more

frankly sceptical or scornful than he. As Nestle, a German critic, has

pointed out, the basic principle of his attacks is found in his verse:

εἰ θεοί τι δρωσιν αἰσχρόν, οὐκ εἰσὶν θεοί.[167]

If the gods do aught that is base, then they are not gods.

That is, as the same critic says, for Euripides “God and sin are

mutually exclusive terms.” Sophocles held the same belief, yet his

point of view was wholly different, as is shown by his verse:

αἰσχρὸν μὲν οὐδὲν ὧν ὑφηγοῦνται θεοί.[168]

Nothing to which the gods lead men is base.

That is, whatever the gods do is good no matter how it may seem

to man. There is then a fundamental difference between the two

tragedians: the elder has faith to believe in the righteousness of the

traditional gods, the younger is ready to throw tradition over. The

unreasonableness and immorality of popular beliefs and the baffling

existence of evil in the world Euripides could not reconcile with a

faith in the existence of all powerful and just beings such as he

held the gods must be, if they exist at all. His firm conviction that

divinity, if it have any existence, must be absolutely just, explains

the poet’s boldness in holding up to scorn the popular notions. In the

Hippolytus he exhibits the goddess of love in a shameful light, and

makes Artemis join with the innocent hero of the play in condemning her.

Indeed throughout the tragedy the traditional beliefs are treated with

powerful irony. When Phaedra is filled with shame at the passion for

her step-son with which Aphrodite has inspired her, the nurse tempts

her to yield, quoting ancient tales of the celestials’ amours as

examples:

Whoso have scrolls writ in the ancient days,

And wander still themselves by paths of song,

They know how Zeus of yore desired the embrace

Of Semele; they know how radiant Dawn

Up to the gods snatched Cephalus of yore,

And all for love; yet these in Heaven their home

Dwell, neither do they flee the face of Gods,

Content, I trow, to be love’s vanquished ones.

Thou—wilt not yield?[169]

* * * * *

Nay, darling, from thy deadly thoughts refrain,

And from presumption—sheer presumption this,

That one should wish to be more strong than Gods.

In love flinch not; a God hath willed this thing.[170]

But Phaedra dies by her own hand rather than yield to the goddess’s

design. The innocent Hippolytus, second victim of divine injustice,

cries out as he dies:

Innocent I, ever fearing the Gods, who was wholly heart-clean

Above all men beside,—

Lo, how am I thrust

Unto Hades, to hide

My life in the dust!

All vainly I reverenced God, and in vain unto man was I just.[171]

What greater condemnation of the traditional gods could there be than

this!

In the Hercules Hera drives the hero mad and makes him the slayer of

his own innocent children, all because of the goddess’s jealousy of

Zeus. Small wonder that Hercules cries when the truth is brought home

to him:

To such a Goddess

Who shall pray now? who, for a woman’s sake

Jealous of Zeus, from Hellas hath cut off

Her benefactors, guiltless though they were.[172]

The hero refuses to find any consolation for his woes in the suggestion

that the gods too have sinned and suffered for their wrongs—“if

minstrel legends be not false.” Whereat he exclaims:

I deem not that the Gods for spousals crave

Unhallowed: tales of Gods’ hands manacled

Ever I scorned nor ever will believe,

Nor that one God is born another’s lord.

For God hath need, if God indeed he be,

Of naught: these be the minstrels’ sorry tales.[173]

This play then like the Hippolytus is a condemnation through Hera and

Zeus of the whole system of gods.

In these sentiments there is something more than direct defiance of

tradition. Euripides does not, like Pindar, refine away the baser

elements of legends; or, like Aeschylus and Sophocles, obscure the

uglier features of the ancient mythology. On the contrary, constrained

by his profession as dramatic poet to draw his themes from the dark

tales of gods and heroes in a mythological age—tales whose immorality

was wholly hateful to him—he accomplishes his purpose by showing these

gods and heroes on his stage engaged in actions and prompted by motives

which are so base as to destroy the spectator’s regard for beings of

such a sort, and to win the onlooker’s sympathy for the mortal victim

against the higher power. To the shameless natures of the gods the poet

bluntly gives fitting characterizations: he names them cruel, vengeful,

treacherous, licentious.

Euripides is no less iconoclastic in dealing with current religious

practices; there is none that escapes his scorn. Sacrifices and votive

offerings seem to him unworthy of true gods. The folly of popular

wonder at the riches of temples is brought out in a fragment of the

lost Philoctetes, in which the hero sarcastically bids his hearers see

how even the gods prize gain, and therefore men should not hesitate

to get profit and thereby make themselves equal to the gods.[174] That

it is not the size of the gift, but piety which secures the favor of

just Heaven, is the lesson of another couplet.[175] Temples and statues,

and all the sacred privileges attached thereto are treated with equal

disregard for tradition; and the sacred institution of blood-vengeance

is most emphatically condemned. For the common trust in omens given by

dreams and the flight of birds he has only ridicule. So in the Tauric

Iphigenia when Iphigenia learns from Orestes that her brother lives,

she cries:

The Religious Thought of the Greeks, from Homer to the Triumph of Christianity · 第 17 / 54 题