MARGOT'S TAPERS

I

Margot Fresquyl had allowed herself to be tempted for the first time by

the delicious intoxication of the mortal sin of loving, on the evening

of Midsummer Day.

While most of the young people were holding each others' hands and

dancing in a circle round the burning logs, the girl had slyly taken the

deserted road which led to the wood, leaning on the arm of her partner,

a tall, vigorous farm servant, whose Christian name was Tiennou, which,

by the way, was the only name he had borne from his birth. For he was

entered on the register of births with this curt note: _Father and

mother unknown_; he having been found on St. Stephen's Day under a shed

on a farm, where some poor, despairing wretch had abandoned him, perhaps

even without turning her head round to look at him.

For months Tiennou had madly worshiped that fair, pretty girl, who was

now trembling as he clasped her in his arms, under the sweet coolness of

the leaves. He religiously rememberd how she had dazzled him--like some

ecstastic vision, the recollection of which always remains imprinted on

the eyes--the first time that he saw her in her father's mill, where he

had gone to ask for work. She stood out all rosy from the warmth of the

day, amidst the impalpable clouds of flour, which diffused an indistinct

whiteness through the air. With her hair hanging about her in untidy

curls, as if she had just awakened from a profound sleep, she stretched

herself lazily, with her bare arms clasped behind her head, and yawned

so as to show her white teeth, which glistened like those of a young

wolf, and her maiden nudity appeared beneath her unbuttoned bodice with

innocent immodesty. He told her that he thought her adorable, so

stupidly, that she made fun of him and scourged him with her cruel

laughter; and, from that day he spent his life in Margot's shadow. He

might have been taken for one of those wild beasts ardent with desire,

which ceaselessly utter maddened cries to the stars on nights when the

constellations bathe the dark coverts in warm light. Margot met him

wherever she went, and seized with pity, and by degrees agitated by his

sobs, by his dumb entreaties, by the burning looks which flashed from

his large eyes, she had returned his love; she had dreamt restlessly

that during a whole night she had been in his vigorous arms which

pressed her like corn that is being crushed in the mill, that she was

obeying a man who had subdued her, and learning strange things which the

other girls talked about in a low voice when they were drawing water at

the well.

She had, however, been obliged to wait until Midsummer Day, for the

miller watched over his heiress very carefully.

The two lovers told each other all this as they were going along the

dark road, and innocently giving utterance to words of happiness, which

rise to the lips like the forgotten refrain of a song. At times they

were silent, not knowing what more to say, and not daring to embrace

each other any more. The night was soft and warm, the warmth of a

half-closed alcove in a bedroom, and which had the effect of a tumbler

of new wine.

The leaves were sleeping motionless and in supreme peace, and in the

distance they could hear the monotonous sound of the brooks as they

flowed over the stones. Amidst the dull noise of the insects, the

nightingales were answering each other from tree to tree, and everything

seemed alive with hidden life, and the sky was bright with such a shower

of falling stars, that they might have been taken for white forms

wandering among the dark trunks of the trees.

"Why have we come?" Margot asked, in a panting voice. "Do you not want

me any more, Tiennou?"

"Alas! I dare not," he replied. "Listen: you know that I was picked up

on the high road, that I have nothing in the world except my two arms,

and that Miller Fresquyl will never let his daughter marry a poor devil

like me."

She interrupted him with a painful gesture, and putting her lips to his,

she said:

"What does that matter? I love you, and I want you ... Take me ..."

And it was thus, on St. John's night, Margot Fresquyl for the first time

yielded to the mortal sin of love.

The Works of Guy de Maupassant, Volume 3 · 第 84 / 118 题