THE RELICS

They had given him a grand public funeral, like they do victorious

soldiers who have added some dazzling pages to the glorious annals of

their country, who have restored courage to desponding heads and cast

over other nations the proud shadow of their country's flag, like a yoke

under which those went who were no longer to have a country, or liberty.

During a whole bright and calm night, when falling stars made people

think of unknown metamorphoses and the transmigration of souls, who

knows whether tall cavalry soldiers in their cuirasses and sitting as

motionless as statues on their horses, had watched by the dead man's

coffin, which was resting, covered with wreaths, under the porch of the

heroes, every stone of which is engraved with the name of a brave man,

and of a battle.

The whole town was in mourning, as if it had lost the only object that

had possession of its heart, and which it loved. The crowd went silently

and thoughtfully down the avenue of the _Champs Elysées_, and they

almost fought for the commemorative medals and the common portraits

which hawkers were selling, or climbed upon the stands which street boys

had erected here and there, and whence they could see over the heads of

the crowd. The _Place de la Concorde_ had something solemn about it,

with its circle of statues hung from head to foot with long crape

coverings, which looked in the distance like widows, weeping and

praying.

According to his last wish, Jean Ramel had been conveyed to the Pantheon

in the wretched paupers' hearse, which conveys them to the common grave

at the shambling trot of some thin and broken-winded horse.

That dreadful, black conveyance without any drapery, without plumes and

without flowers, which was followed by Ministers and deputies, by

several regiments with their bands, and their flags flying above the

helmets and the sabers, by children from the national schools, by

delegates from the provinces, and an innumerable crowd of men in

blouses, of women, of shop-keepers from every quarter, had a most

theatrical effect, and while standing on the steps of the Pantheon, at

the foot of the massive columns of the portico, the orators successively

discanted on his apotheosis, tried to make their voices predominate over

the noise, emphasized their pompous periods, and finished the

performance by a poor third act, which makes people yawn and gradually

empties the theater, people remembered who that man had been, on whom

such posthumous honors were being bestowed, and who was having such a

funeral: it was Jean Ramel.

Those three sonorous syllables called up a lionine head, with white hair

thrown back in disorder, like a mane, with features that looked as if

they had been cut out with a bill-hook, but which were so powerful, and

in which there lay such a flame of life, that one forgot their vulgarity

and ugliness; with black eyes under bushy eyebrows, which dilated and

flashed like lightning, now were veiled as if in tears and then were

filled with serene mildness, with a voice which now growled so as almost

to terrify its hearers, and which would have filled the hall of some

working men's club, full of the thick smoke from strong pipes without

being affected by it, and then would be soft, coaxing, persuasive and

unctuous like that of a priest who is holding out promises of Paradise,

or giving absolution for our sins.

He had had the good luck to be persecuted, to be in the eyes of the

people, the incarnation of that lying formula which appears on every

public edifice, of those three words of the _Golden Age_, which make

those who think, those who suffer and those who govern, smile somewhat

sadly, _Liberty, Fraternity, Equality_. Luck had been kind to him, had

sustained, had pushed him on by the shoulders, and had set him up on his

pedestal again when he had fallen down, like all idols do.

He spoke and he wrote, and always in order to announce the good news to

all the multitudes who suffered--no matter to what grade of society they

might belong--to hold out his hand to them and to defend them, to attack

the abuses of the _Code_--that book of injustice and severity--to speak

the truth boldly, even when it lashed his enemies as if it had been a

whip.

His books were like Gospels, which are read chapter by chapter, and

warmed the most despairing and the most sorrowing hearts, and brought

comfort, hope and dreams to each.

He had lived very modestly until the end, and appeared to spend nothing;

and he only kept one old servant, who spoke to him in the Basque

dialect.

That chaste philosopher, who had all his life long feared women's snares

and wiles, who had looked upon love as a luxury made only for the rich

and idle, which unsettles the brain and interferes with acuteness of

thought, had allowed himself to be caught like an ordinary man, late in

life, when his hair was white and his forehead deeply wrinkled.

It was not, however, as happens in the visions of solitary ascetics,

some strange queen or female magician, with stars in her eyes and

witchery in her voice, some loose woman who held up the symbolical lamp

immodestly, to light up her radiant nudity, and the pink and white

bouquet of her sweet-smelling skin, some woman in search of voluptuous

pleasures, whose lascivious appeals it is impossible for any man to

listen to, without being excited to the very depths of his being.

Neither a princess out of some fairy tale, nor a frail beauty who was an

expert in the art of reviving the ardor of old men, and of leading them

astray, nor a woman who was disgusted with her ideals, that always

turned out to be alike, and who dreamt of awakening the heart of one of

those men who suffer, who have afforded so much alleviation to human

misery, who seemed to be surrounded by a halo, and who never knew

anything but the true, the beautiful and the good.

It was only a little girl of twenty, who was as pretty as a wild flower,

who had a ringing laugh, white teeth, and a mind that was as spotless as

a new mirror, in which no figure has been reflected as yet.

He was in exile at the time for having given public expression to what

he thought, and he was living in an Italian village which was buried in

chestnut trees and situated on the shores of a lake that was narrow and

so transparent that it might have been taken for some nobleman's fish

pond that was like an emerald in a large park. The village consisted of

about twenty red-tiled houses. Several paths paved with flint led up the

side of the hill among the vines where the Madonna, full of grace and

goodness extended her indulgence.

For the first time in his life Ramel remarked that there were some lips

that were more desirable, more smiling than others, that there was hair

in which it must be delicious to bury the fingers like in fine silk, and

which it must be delightful to kiss, and that there were eyes which

contained an infinitude of caresses, and he had spelled right through

the eclogue, which at length revealed true happiness to him, and he had

had a child, a son, by her.

This was the only secret that Ramel jealously concealed, and which no

more than two or three of his oldest friends knew anything about, and

while he hesitated about spending twopence on himself, and went to the

Institute and to the Chamber of Deputies outside an omnibus, Pepa led

the happy life of a millionaire who is not frightened of the to-morrow,

and brought up her son like a little prince, with a tutor and three

servants, who had nothing to do but to look after him.

All that Ramel made went into his mistress's hands, and when he felt

that his last hour was approaching, and that there was no hope of his

recovery--in full possession of his faculties and joy in his dull

eyes--he gave his name to Pepa, and made her his lawful widow, in the

presence of all his friends. She inherited everything that her former

lover left behind, a considerable income from his share of the annual

profits on his books, and also his pension, which the State continued to

pay to her.

Little Ramel throve wonderfully amidst all this luxury, and gave free

scope to his instincts and his caprices, without his mother ever having

the courage to reprove him in the least, and he did not bear the

slightest resemblance to Jean Ramel.

Full of pranks, effeminate, a superfine dandy, and precociously vicious,

he suggested the idea of those pages at the Court of Florence, whom we

frequently meet with in _The Decameron_, and who were the playthings for

the idle hands and tips of the patrician ladies.

He was very ignorant and lived at a great rate, bet on races, and played

cards for heavy stakes with seasoned gamblers, old enough to be his

father. And it was distressing to hear this lad joke about the memory of

him whom he called _the old man_, and persecute his mother because of

the worship and adoration which she felt for Jean Ramel, whom she spoke

of as if he had become a demigod when he died, like in Roman theogony.

He would have liked altogether to have altered the arrangement of that

kind of sanctuary, the drawing-room, where Pepa kept some of her

husband's manuscripts, the furniture that he had most frequently used,

the bed on which he had died, his pens, his clothes and his weapons. And

one evening, not knowing how to dress himself up more originally than

the rest for a masked ball that stout Toinette Danicheff was going to

give as her house-warming, without saying a word to his mother, he took

down the Academician's dress, the sword and cocked hat that had belonged

to Jean Ramel, and put it on as if it had been a disguise on Shrove

Tuesday.

Slightly built and with thin arms and legs, the wide clothes hung on

him, and he was a comical sight with the embroidered skirt of his coat

sweeping the carpet, and his sword knocking against his heels. The

elbows and the collar were shiny and greasy from wear, for the _Master_

had worn it until it was threadbare, to avoid having to buy another, and

had never thought of replacing it.

He made a tremendous hit, and fair Liline Ablette laughed so at his

grimaces and his disguise, that that night she threw over Prince

Noureddin for him, although he had paid for her house, her horses and

everything else, and allowed her six thousand francs a month--£240--for

extras and pocket money.

The Works of Guy de Maupassant, Volume 3 · 第 56 / 118 题