467. Ascetic figure of San Giovanni di Capistrano.

435. _School of Perugino._ Little Madonna, in an almond-shaped glory of

cherubs. The shape belongs to Christ, or saints, ascending into glory.

Next it, front of a chest, containing the story of Europa and the Bull.

Several episodes are combined in a single picture. To the extreme L, the

transformed lover, like the prince in a fairy tale. Most gracefully

treated.

61. _Bellini._ Madonna and Child, between St. Peter and St. Sebastian; a

plague picture. These half-length Madonnas are very characteristic of

Venetian art of the period. The Madonna’s face and strong neck also very

Venetian. Observe them as the type on which Titian’s are modelled. Look

long at this soft and melting picture. The gentle noble face, the dainty

dress, the beautiful painting of the nude in the St. Sebastian, are all

redolent of the finest age of Venetian painting.

Above it, a good _Tura_. Compare with previous one.

60. _School of Gentile Bellini._ Venetian ambassador received at Cairo.

Oriental tinge frequent at Venice. This gate can still be recognised at

Cairo. The figures are all portraits, and the painter probably

accompanied the ambassador, Domenico Trevisano.

Beneath it (59), two fine portraits by _Gentile Bellini_.

664. Characteristic little _Montagna_; angels at the base of a Madonna

now destroyed. Compare the Bianchi almost opposite. Such angels are

frequent in the school of Bellini.

152. Attributed to _Cima_. Madonna Enthroned, with St. John Baptist and

the Magdalen. These lofty thrones and landscape backgrounds of the

Friuli country are frequent with Cima and Venetian painters of his

period.

113. _Carpaccio._ Preaching of St. Stephen. One of a series of the Life

of St. Stephen, now scattered. The saint is in deacon’s robes, as usual;

oriental costumes mark the intercourse of Venice with the East. Observe

the architecture, a graceful compound of Venetian and oriental.

Over the doorway, Fresco of God the Father, in an almond-shaped glory,

from the Villa Magliana. Purchased as a Raphael, probably by _Lo

Spagna_.

Return frequently to this room, and study it deeply. It will give you

the key to all the others.

Paris Grant Allen's Historical Guides · 第 20 / 48 题