SOURCES OF LAUGHTER.

"It will have to be a great deal funnier than that before it's funny,"

said George.

This represented the general opinion, though Edna, who has a good

heart, professed to find it diverting already. Unfortunately she has

no sense of humour.

Jerry, the writer, claimed exemption on the ground of being the

writer, though he did not see why his article should not remove

gravity (as they say in _The Wallet of Kai Lung_) from other people

quite as effectually as the silly tosh of A. and B. and C., naming

some brilliant and successful humorists.

The company then resolved itself into a Voluntary Aid Detachment.

When they met again at tea Edna made the suggestion of a sprinkling of

puns.

"We've got rather beyond that, I think," said the victim with dignity.

"I'm not so sure," said George cruelly, "that you can afford to

neglect any means. Some people laugh at them even now, in this

twentieth century, in this beautiful England of ours."

"And I can tell you why," broke in Raymond eagerly. He took from his

pocket a well-known Manual of Psychology and whirled over the pages.

"Meanwhile," said George learnedly, "BERGSON may be of some assistance

to you. He knows all about laughter. He analysed it."

"Why couldn't he leave it alone?" said Allegra uneasily.

"He defines laughter," said George, "as 'a kind of social gesture.'"

"It isn't," said Allegra rashly. "At least," she added, "that sort of

thing isn't going to help Jerry. Do give it up."

"Well, then, here's something more practical," said George. "Listen.

'A situation is always comical when it belongs at one and the same

time to two series of absolutely independent events, and can at the

same time be interpreted in two different ways.'"

"I should think," said Edna brightly, "that might be very amusing."

She remarked later that it made it all seem very clear, but even she

showed signs of relief when Raymond interrupted, having found his

place.

"Here we are!" he exclaimed. "The book says that the reason a pun

amuses you----"

"It doesn't amuse me," said most of the company.

"But it does--it must amuse you. It's all down here in black and

white. Listen. The reason a pun amuses you is as follows: 'It impels

the mind to identify objects quite disconnected. This obstructs the

flow of thought; but this is too transient to give rise to pain, and

the relief which comes with insight into the true state of the case

may be a source of keen pleasure. Mental activity suddenly obstructed

and so heightened is at once set free, and is so much greater than the

occasion demands that----'"

"And is that why we laugh at things?" said Allegra sadly.

The heavy silence which followed was broken by the voice of Mrs.

Purkis, the charlady, who "comes in to oblige," and was now taking

a short cut to the front gate, under Cook's escort, by way of the

parsley bed. This brought her within earshot of the party, who were

taking tea on the lawn.

When Mrs. Purkis could contain her mirth so as to make herself

understood, her words were these: "I dunno why, but when I see

'im stand like that, staring like a stuck pig, I thought I'd died

a-larf'n. I dunno why, but it made me _larf_----"

She passed, like _Pippa_.

"Listen to her," said Allegra in bitter envy. "_She doesn't know

why._"

And Allegra burst into tears.

* * * * *

[Illustration: _The Fisherman._ "I SUPPOSE THIS RAIN WILL DO A LOT OF

GOOD, PAT?"

_Pat._ "YE MAY WELL SAY THAT, SORR. AN HOUR OF UT NOW WILL DO MORE

GOOD IN FIVE MINUTES THAN A MONTH OF UT WOULD DO IN A WEEK AT ANNY

OTHER TIME."]

* * * * *

What's in a Name?

"'A Recital' will be given by Miss H. E. Stutter (the well-known

Elocutionist)."

_Local Paper._

* * * * *

Punch, or the London Charivari, Vol. 159, 1920-11-17 · 第 12 / 37 题