She lifted a napkin and wiped away her tears. "He was very handsome."

"No need of that shit," Paul said.

They were silent.

"Paul's right," Oliver said.

"My mother packed up and brought us back to New Haven. We lived with

her folks for a while."

"Good old New Haven," Paul said.

"Now, _your_ father . . ." She smiled at Paul.

"He liked the ladies," Paul said.

"What did he do?" Oliver asked.

"He was a stone mason, made his own wine, raised hell. Fought with

Uncle Tony until the day he died. They were tight, though--don't let

anybody else say anything against them. Bocce ball. Jesus." Paul shook

his head and held up his glass. "Life," he said.

"Yes, life." Oliver's mother raised her glass.

"Coming at you," Oliver added.

"Us," Paul said.

They touched glasses and got on with a shore dinner of lobsters and

clams.

Oliver said goodbye in DiMillo's parking lot. He walked home imagining

the sixteen year old Dior Del'Unzio with her mouth open as the white

dove flew upward and then with her hand to her mouth as her father

walked away. "No need of that shit." He was glad Paul was around to

take care of his mother. She was vulnerable under the big smile; Oliver

often felt vaguely guilty and responsible for her.

She had done the same thing as _her_ mother: hooked up with an exotic

stranger--Muni Nakano, proper son of a proper Japanese family in

Honolulu. But, his mother hadn't stuck around for sixteen years. She'd

come back from Hawaii to Connecticut, pregnant, and eventually married

Owl Prescott. They raised him and Amanda, his half sister. His mother

had made a go of it in New England. Only once in awhile would she show

signs of her Italian childhood. "Topolino mio," she used to call him

when he was little and she'd been partying.

He poured a nightcap and put on a tape--Coltrane and Johnny Hartman.

I'm wasting my life, he thought suddenly. What am I going to do? He

knew that he needed to change, but it seemed hopeless. He looked at the

walnut boards. Maybe a box . . .

He sketched a little chest with a hinged top. He erased the straight

bottom lines and drew in long low arches. "That's better." The top

should overhang. Should its edges be straight or rounded? Straight was

more emphatic; he could always round them afterwards.

He could make each side from a single width of walnut. Dovetailed

corners. A small brass hasp and lock. Why not? He could make the whole

thing out of one eight foot piece and have two boards left over for

something else or for extra if he screwed up the dovetails.

"Here you go," he said to Verdi. He replaced the offending piece of

pine with the original scratched walnut. "Nothing but the best for Team

Oliver." He looked at the heart. "Team O." Verdi forgave him without

moving. "Bedtime," Oliver said.

On Monday, Oliver cut pieces for the sides, top, and bottom of the box.

He bought a dovetail saw and made several cardboard templates for the

joints. It was a way of thinking about them. They were tricky, had to

interlock perfectly, one end male, one end female.

"What have you been up to?" Jennifer Lindenthwaite asked on Tuesday

morning.

"Making a box," Oliver said.

"Oh, that's exciting."

"It's harder than it looks--for me, anyway."

Jennifer wanted him to look at her and not at an imagined box. She was

a solid blonde, Nordic, with broad cheeks and a big smile. "I worry

about Rupert when he does things around the house. Something usually

goes wrong."

"Ah . . ." Oliver said. "A minor flaw."

"Rupert is wonderful," she said. "Now, the mailing list. Hi, Jacky."

Oliver turned and was astonished to see Francesca's friend in the

doorway. "Jacky is one of our volunteers. She does a lot of the mailing

list work. I thought you could work together on this. Jacky, this is

Oliver Prescott."

Jacky stepped forward. "Jacky Chapelle," she said. She had strong

cheekbones and dark blonde hair, cut short and swept back. Her eyes

were hazel colored. She had a winged messenger look that lightened her

direct, almost blunt, expression and her powerful shoulders.

"Uh, hi." Oliver shook her hand. "Did you find any pasta sauce?"

"Eventually."

"Oh," Jennifer said. "You know each other."

"Not exactly," he said. Jennifer looked at him closely. _Hell is being

in one room with two women_, Owl said. Oliver cleared his throat.

"Where's the computer?"

"Just down the hall." Jennifer led them to another room. "Let me know

if you need anything."

"Well," Oliver said as they were left alone.

"You don't look like a programmer," Jacky said.

"Thank you."

She showed him a box of file cards--the mailing list. "Here is what we

have. It would be nice to be able to print mailing labels, and we need

to keep track of who has contributed."

"Sure," Oliver said. "And probably some other things."

"Yes," she said. "Some of the members are summer people. We need to

know their winter addresses."

"What's winter?"

"Labor Day to the 4th of July," she said.

"The Maine we know and love," Oliver said. "We can keep individual

winter start and end dates for each name, use defaults if we don't have

the information."

"Right," she said. "Ideally, the list would interact with other

programs someday. It has members on it, and people who aren't members

but who are interested. Also, media people. And legislators. Sometimes

we send special mailings. I suppose we'll need some kind of type code."

"O.K.," Oliver said. They discussed requirements and agreed to meet the

following Saturday morning. Jacky left, and Oliver gave a thumbs up

sign to Jennifer who was talking on the phone.

Not a bad little job, he thought, driving back to Portland. He'd been

itching to ask Jacky about Francesca, but something had stopped him. He

wanted to know Jacky better. She was sure of herself and moved

comfortably. Her breasts were invading his consciousness; he found it

hard to think about Francesca at the same time.

That afternoon, he began cutting the dovetails. It took concentration;

hours went by. But when he fit the first two ends together it seemed as

though it had been only a few minutes. "All right!" he said, leaving

the attached pieces on the table.

Verdi came in looking satisfied. The weather was warmer, much better

for prowling. More snow was possible, but the chances were against it.

Oliver put away his long johns for the winter. "Probably too early," he

said to Verdi, "but so what."

The next morning, as he waited for a seat in Becky's, he saw a familiar

figure in a booth. She was facing away from him, but he was fairly sure

it was Francesca when she turned her head. She stood and walked toward

him, following the man who was with her. Francesca, yes. The man was

tall and blonde with a wide forehead and a long triangular face. He had

an easy vain expression, as though he had a full day ahead of being

admired. Francesca's head was down. She walked carefully. As they

passed, her eyes met Oliver's and he realized that she had already

recognized him, had known that he was there. Her face was resigned with

traces of humor around the edges. He was struck by her calm, so much

like his. They shared a moment of this calm--the briefest of

moments--but it felt as though it expanded infinitely outward around

them. Did she raise her eyebrows? He thought he saw her flush, but she

was past him before he could be sure. He remembered the bronze heart,

and warmth stirred in him. When he got home, he put it in his pocket

and rubbed his thumb over the O, the plus sign, and the F.

By Saturday, he had programmed a prototype design for the mailing list.

In the early days of programming, every detail had to be laid out on

paper before you sat in front of a computer. It was too slow and

expensive to rework code. Now, you could make changes easily. It was

more efficient to show a customer a quick design that could be used as

a starting point for discussion and improvement.

He tossed a canvas shoulder bag containing notes and diskettes into the

Jeep. Verdi took up a position behind the bare forsythia bushes. "Go

get 'em," Oliver said. His house was on the south side of the hill

overlooking the harbor. The first crocuses were popping up, several

days ahead of the ones at the Conservancy. He was early; no one was

there.

Ten minutes later, Jacky drove up. She got out of a red Toyota truck

and waved one hand. "I've got the key," she said. "Did you get anything

done?"

"Yeah, a start," Oliver said. He installed the software while she made

a pot of coffee.

"Coffee's on," she said, carrying a cup for herself. "Mugs are in the

cupboard above the sink." Oliver decided against a joke about a woman's

role in the office. He walked down the hall and poured his own. He

looked at his hiking boots, light colored jeans, and dark plaid shirt.

It was Saturday, for God sake. Every day was Saturday for Oliver as far

as clothes were concerned. What difference did it make? Jacky was

wearing tan jeans and a denim jacket, open over a mahogany colored

jersey. She was a big woman. His eyes were at the level of her

collarbone. Her jacket would swing back easily. Stop it, he told

himself.

She objected to his mailing list screens. "Cluttered," she said. She

was right. He explained that he had jammed everything in as a

beginning, so that they could see what they were working with. She was

clear about what she wanted. Forty-five minutes later, they were back

outside.

"Beautiful day," he said. She smiled enigmatically and turned her

ignition key.

"Damn," she said.

"What's wrong?"

"Nothing happening." She turned the key several more times.

"Pop the hood," Oliver said. The hood sprang open just as the words

left his mouth. He felt for the second latch and leaned his head over

the engine. "Try it again." He could hear the solenoid clicking. "How

about the lights?" The lights were fine, plenty of juice. "Don't know,"

he said. "Could be the starter. I don't think a jump will do it."

Jacky called triple A. An older man went through the same procedure and

then hoisted the truck behind his wrecker.

"Ride home?" Oliver asked.

"If you don't mind," Jacky said. "South Portland."

"Right in my direction," Oliver said. He drove into the city and

pointed out his house as they approached the bridge. "Back soon,

Verdi," he called out the window.

"Verdi?"

"My cat." They crossed the bridge, and Jacky directed him to a quiet

street in a residential neighborhood. He stopped in her driveway

intending to back out and return the way they had come.

"You look hungry," she said.

"I am." He was surprised.

"I have something for you. Come in." She slid out and walked to the

front door without waiting for an answer. He followed her into a house

which was sunnier and more spacious than it appeared from the front. A

long living room opened to a sun porch at the back. "I have a double

lot," she said, showing him the porch. Two large willow trees framed

the end of the yard. "High bush blueberries," she said, waving at a

stand of bushes that ran along one side. "Salad garden over there.

Flowers. Fun."

"Nice," he said.

"I had a craving for rare steak last night. I could only eat half of

it, though. It's in the refrigerator." She led him to the kitchen.

"There's mayo, mustard, horseradish--if you're feeling wild. Bread's in

there." She turned. "Oh, there's ale in the bottom of the refrigerator.

I'll have a glass." She left the room.

"Do you want a sandwich?" he called after her.

"No, thanks, I'll just nibble," she said. A door closed.

Oliver opted for horseradish, not a usual choice for him. "Not bad," he

said when she came back, "the horseradish." Jacky took a long swallow

of ale. She had taken off her jacket and washed her face.

"It's been a good truck," she said.

"Starters go," Oliver said. "Toyotas are fine. Where do you work?"

"I'm a banker," she said. He sat straighter.

"Fooled you," she said.

"I wouldn't have guessed. I thought maybe you were a teacher." When I

saw you with Francesca, he almost added.

"Bankers are discreet," she said. She looked at him directly. "Are

you--discreet?"

He considered. "Yes." He was apologetic for some reason.

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