MATERIALS.

The requirements of modern lace-making are few. The products are classed

as Honiton, Point, Duchesse, Princesse, Royal Battenburg or Old English

Point, etc., etc.; but all are made with various braids arranged in

different patterns and connected by numerous kinds of stitches, many

different stitches often appearing in one variety of lace.

The materials required are neither numerous nor expensive. The following

is a complete list: Tracing cloth, leather or _toile ciree_, lace braids

of various kinds, linen thread, two or three sizes of needles, a good

thimble and a pair of fine sharp scissors.

For each kind of lace there is a special sort of braid in various

patterns, and the selection of the thread depends entirely upon the

variety and quality of lace to be made. This selection should be left to

the decision of the teacher or the skilled maker of laces, as she knows

from experience the proper combinations of materials. Thus, in making

Honiton and point lace, thread in twelve different degrees of fineness

is used; and as the braids also vary in size, the thread must always be

adapted to the braid. For Battenburg lace the thread is in eight sizes,

the finest being used only for "whipping curves" or drawing edges into

the outlines required. The "Ideal Honiton" is a new lace made with fancy

Honiton braid and wash-silk floss in dainty colors, and is exquisite for

doilies, mats, table scarfs and center-pieces.

Designs sold by lace-makers are usually drawn upon tracing cloth, as

this is flexible and much more agreeable to work upon than any other

material. The tracing cloth, when the braid is arranged, is basted to a

foundation of leather or _toile ciree_; or smooth wrapping-paper may be

basted under the design and will furnish all the support that is

necessary, while being lighter than the _toile ciree_.

It must be remembered that the work is really wrong side out while in

progress, so that it will not show its true beauty until finished and

removed from the foundation or pattern. According to the braid and

thread selected, these laces may be made of fairy-like fineness or of

massive elegance--general results being dainty enough for the gown of a

bride or sumptuous enough for the adornment of an altar.

Lace-making establishments will furnish designs of any width or shape

desired, and will also originate designs for special articles for which

there are only occasional calls. Regular edging designs are ordinarily

made in four widths--from quite narrow to very wide; and not

infrequently a handkerchief design is enlarged sufficiently to form a

square for a table or a fancy stand.

In filling in the spaces of any design or pattern, the worker may choose

the stitches that please her best, if she does not like those

accompanying the design that she has selected or that has been sent

her.

The Art of Modern Lace Making · 第 6 / 94 题