With these comes the smaller, Colias philodice, the sulphur,

bringing with him the very gold of the sunlight. Colias philodice

has many changes. Sometimes the black margins of his wings are

missing and his gold melts into the sunshine and vanishes before

your eyes. Another may come that is white instead of gold, a wan

ghost of a colias that seems born of the mist instead of the

sunshine and to vanish into nothing when he flies away, as mist

does. Sometimes the colias flies up into the wood and lights, and

as I come to the spot where I think I saw him stop I find nothing

but a single bloom of the golden gerardia which now slips from

glade to glade all along where the hardwood growth comes down to

meet the meadow grasses. The gerardia might very well explain all

this if it would, but it is born close-mouthed. If you will look at

the yellow buds which later open into the golden bells into which

the bumble-bees love to scramble, bumbling as they go, you will

see how tightly their lips are pressed together. No word can you

get from these by the most insistent questioning, and even when

they open it is easy to see that they have learned that silence is

golden.

The Baltimore butterfly, wearing Lord Baltimore’s colors of orange

and black, is a common visitant to these meadows, too. He loves to

tipple the lees of the milkweed blooms, but he does not frequent

the meadow for that. It is because along its shoreward edges where

the cool water oozes from black mud grows his home plant, the

turtle-head. On this he was born and to it he goes for the housing

and feeding of his children. Like Gerardia flava, Chelone glabra

is close-mouthed, but its silence is a wan white one which only

blushes pink with embarrassment when questioned, but yields no

reply. You cannot learn any mysteries of the meadow from these.

Palest and most ghostlike of all flowers that one finds as he

climbs from the meadow to the woods beyond is that of the Monotropa

uniflora, or Indian pipe. Round about it its cousins, the pyrola

and the pipsissewa, grow green leaves and show waxy white or

flesh-pink blossoms. The only color in the Indian pipe is that

of the yellow stamens, which shrink in a close circle within the

wax-white bloom that stands on a scaly, wax-white stem. A very

ghost of a flower is this, nor may we account for its ghostliness.

When, long ago, Miantowonah fled to drown her grief in the lake and

later rise from it the spirit of a flower which is the regal white

pond lily that scatters incense all along the borders of Ponkapoag

Pond, her Indian lover followed, too late to prevent the sacrifice.

Did he drop his peace pipe in the race through the wood, and did

this ghost flower spring from the spot, a faintly fragrant, almost

transparent ghostly reminder of it? If so, it has passed into no

legend.

Coming back through the meadow, with its butterfly sprites of fancy

dancing among the flowers, I find one which always seems a reminder

of the poet’s work at its daintiest and best. That is the bloom of

the wild caraway. Here is a mist of delicate thought which speaks

to you with lace-like beauty. Nor does the closest inspection

reveal any fault. The bloom appeals as a delightful bit of

sentiment, at first glance. It is only as you examine it minutely

that you marvel at its exquisite workmanship. However carefully you

pick it to pieces you find each part perfect and as admirable in

its ingenuity as in its appeal to the imagination. And after you

have done this you pass on, touched with the white purity of it and

bearing far a gentle, aromatic pungency which is the essence of the

parent stem that bore the bloom.

IV

AT THE ISLES OF SHOALS

_The Island and the Garden which Celia Thaxter Loved_

The poppies that grow in Celia Thaxter’s garden nod bright heads in

welcome to all who come. It is as if the sunny presence of their

mistress dwelt always in the spot, finding voice in these blooms

which are so delicate, yet so regnant in spirit. To these all the

other flowers which speak of the homely virtues, marigolds and red

geraniums, coreopsis and pinks and love-in-a-mist, seem subordinate

at first approach, though they occupy the bulk of the garden,

which seems to epitomize the life of the mistress who tended it

so long. There is no square of it without its rich aroma of love

and womanliness, yet it is the vivid personality of the poppies,

flowers for dreams, which touches first the comer from the outside

world.

[Illustration: Celia Thaxter’s home at the Isles of Shoals]

Round about the garden lies Appledore, the largest of the Isles

of Shoals, rocked gently on the bosom of blue seas, its margin

flashing with beryl and pearl where rocks and breakers touch, its

rounded ridges white and green again with the granite of which it

is built and the verdure with which it is clothed. Over it all

bends the blue of the summer sky, and as you look up to this from

the little garden it seems to lean lovingly upon the hill which is

the island’s highest part, heaven so near that the scent of the

flowers may easily pass to it by way of the little winding path.

To climb this path yourself is to find the sky not so near after

all. Standing on the summit, you realize first the depth of its

great dome and the wide sweep of sea that rims the islands round.

Here are but gray ledges that rise out of an immensity which dwarfs

them. Far to the north and west is a thin, blue line of land that

lifts in the farthest distance the peaks of the White Mountains.

All else is but a vast expanse of sea that seems as if it might

rise in a storm and overwhelm these rocks that it has washed so

white and smooth. Somewhere to the eastward of our coast lies, they

tell us, the lost Atlantis, submerged beneath this great sweep of

blue that smiles beryl and laughs pearl-white in wave crests. Who

knows but this granite dome of Appledore on which we seem to loom

so high in air is the westernmost peak of the vanished continent?

We are but seventy-five feet above the sea’s surface. It must be

the thought of its depths that gives us the feeling of being upon

a mountain peak. For all that, this height and distance so make us

dominate the other islands that they seem but ledges, wave-washed

reefs in comparison, and one wonders how such of them as have

buildings on them hold them during the sweep of winter gales and

full-moon tides.

In the smile of summer it is easy to forget this. It is but a

step from the rough rocks of the island to the dense verdure of

its shrubbery. At first one wonders where the soil came from that

nourishes herb and shrub in such profusion. Here among the gray

granite grow most of the beauties of any shore-sheltered New

England pasture. Here is elder showing white, lace-like blooms,

bayberry and staghorn sumac each striving to overtop the other,

wild cherry and shadbush, and beneath and around these low-bush

black huckleberries, raspberries and blackberries, the last two

blessing the tangle with fruit. Among the grasses grow yarrow, St.

John’s-wort, mullein, toad-flax, cranes-bill, evening primrose

and other herbs, while Virginia creeper and fragrant clematis

make many a spot a bower of climbing vines. Not only do all these

familiar pasture folk grow here, but in many instances they seem

to grow with a luxuriance that exceeds that of their favorite

shore locations. Their tangle makes passage difficult except by

established paths, and the road which circumnavigates the island

is cut almost as much through the compacted shrubbery as through

the rough rocks along the tops of the cliffs. Rainfall collects

in the hollows of the granite in some places and makes miniature

marshes, and in one spot a tiny pond which is big enough to supply

ice to the islanders, filling to the brim with the winter rains and

in some winters freezing pretty nearly solid. In August this pond,

which is high in the middle of the island, is dry, its bottom green

with rushes and its sides rampant with the spears of the blue flag.

Often in the tiny valleys in the heart of the island, surrounded

by its dense shrubbery, you lose sight of the sea, but you cannot

forget it. However still the day, you can hear the deep breathing

of the tides, sighing as they sleep, and a mystical murmur running

through the swish of the breakers, that is the song of the deep sea

waves, riding steadily in shore, ruffled but in no wise impeded by

the west winds that vainly press them in the contrary direction.

However rich the perfume of the clematis the wind brings with it

the cool, soothing odor that is born of wild gardens deep in the

brine and loosed with nascent oxygen as the curling wave crushes

to a smother of white foam. It may be that the breathing of this

nascent oxygen and the unknown life-giving principles in this deep

sea odor gives the plants of Appledore their vigor and luxuriance

of growth. Certainly it would not seem to be the soil that does

it. Down on the westward shore of the island, in an angle of the

white granite, where there was but a thin crevice for its roots

and no sign of humus, I found a single yarrow growing. Its leaves

were so luxuriant, yet delicate, so fern-like and beautiful, such

feathery fronds of soft, rich green as to make one, though knowing

it but yarrow, yet half believe it a tropic fern by some strange

chance transplanted to the rugged ledges of the lonely island. With

something in the air, and perhaps in the granite, that makes this

common roadside plant develop such luxuriance, it is no wonder that

other common pasture folk, goldenrod and aster, morning glory and

wild parsnip, and a dozen others, growing in abundant soil in the

tiny levels and hollows, are taller and fuller of leaf and petal

than elsewhere. In the richness and beauty of the yarrow leaves

growing in the very hollow of the granite’s hand, as in the height

and splendor of the Shirley poppies in the little garden, one seems

to find a parallel to Celia Thaxter, whose own character, nurtured

on the same sea air, sheltered in the hollow hand of the same

granite, grew equally rich and beautiful.

[Illustration: “Chasms down which you may walk to the tide between

sheer cliffs.”]

All Appledore, indeed all the Isles of Shoals are built of this

rock, which is white in the distance, but which near to shows

silver fleckings of mica that flash in the sun. Through the granite

run narrow veins of quartz that is as hard as flint, but that

has scattered among its crystals also a silvering of these mica

flecks which are in strange contrast to the tiny pin points of a

softer, darker rock which one finds evenly sprinkled through the

white. This dark rock softens to wind and weather first and leaves

these white cliffs honeycombed with the tiniest of fissures, so

that they are as rough to the hand as sandpaper. Dykes of trap run

through the island, and as this rock too is softer than its casing

the winds and waves of centuries have worn it away, leaving chasms

down which you may walk to the tide, between the sheer cliffs. One

such chasm runs quite across Appledore from east to west near the

northern end of the island, almost cutting off a round dome of

granite from its fellow rock. The soil lies rich in this narrow

hollow between ledges, and many things grow in it, lush with leaves

and beautiful with bloom. Here the shadbush had already ripened its

fruit. Here the island’s one apple tree grows vigorously, though

it dares not lift its head above the level of the rocks against

which it snuggles, lest the zero gales of winter nip it off.

Crowding round it grow wild cherry and wild rose, elder and sumac

and huckleberry and chokeberry, all eager to fend it from rough

winds in that friendliness which seems, like foliage, to flourish

in the place. Here is a soft turf of grass in which grow violets

and dandelions, both spring and fall, and plantain, cinquefoil and

evening primrose have come to make the place homelike. If rough

winds blow here rougher rocks fend them off, and though they may

whistle over the tops of these in the little valley between there

is quiet, and floods of sunshine gather and well up till the place

is full.

This tiny valley dips toward the sea at the west and broadens

to a meadow where I fancy the islanders have at some time grown

cranberries, for a few plants remain. For the most part, however,

this meadow is set thick with the green spears of the bog rushes

which grow so close together that there is little room for anything

else. To crush your way in among these is to pass through a very

forest of dark green lances whose tips stretch upward to stab

your chin, yet burst into bloom from the sides near these tips,

as if the full life within them which could not be restrained yet

which finds no outlet in leaves, exploded in a lance pennant of

olive-brown beauty. A Maryland yellow-throat whose nest stands

empty in the grass on the borders of this little, lance-serried

marsh fluttered and chirped and clung among these rushes and from

the top of a near-by bayberry shrub a song sparrow trilled a note

or two, despite the fact that it is moulting time and few birds

have the heart to sing in dishabille. Nightfall brought no sound

of frog voices from this little marsh, yet I cannot fancy it in

spring without a hyla or two to pipe flute notes from its margin.

Near this I found the one ophidian of the island, a beautiful,

slender, graceful green snake, little more than a foot long. This

lovely little creature feeds on crickets and insect larvæ and is

the very gentlest snake that ever crawled. Jarred by my footfall

in the grass he glided away among the tangle, trusting to his

coloration, which is a perfect grass green, to hide him, which it

soon did. If Appledore must have its serpent no sweeter-natured nor

lovelier variety could be found. If modern Eves sit upon the rocks

of moonlight nights and listen to this one’s promptings one can

scarcely blame them.

Under the eaves and under the verandas of the houses are the

nests of barn swallows, gray mud stippled up against a rafter,

the fast-growing young almost crowding one another out. So gently

familiar are these birds, and so little afraid of people, that one

has built a nest under the frequented piazza of the big hotel,

and the parent birds flit back and forth unconcerned by the rows

of guests that often take chairs and watch the nestlings for long

periods. Not only do the parents feed their young while thus

watched by crowds but a few feet away, but they fly in under the

veranda and capture food right over the heads of the promenaders

with equal freedom from fear. Barn swallows are usually friendly,

confiding birds. They seem here to have caught the sense of

protection and safety which comes to all on the little island, and

become even more fearless. It is much the same way with the tree

swallows, which, having no hollow trees, build in bird boxes all

about. These already have young in flight. Standing on the cliffs

you see their steel blue backs as they swirl with the little waves

in and out among the rockweed at low tide, seeking their food

very close to land or water. Often the young sit on some safe

pinnacle and are fed there, the old bird flashing up, twittering,

delivering a message and a mouthful at the same time, then flashing

away again, whirling and wheeling, never beyond call of the eager

fledgling. Often the fledgling soars into space, hardly to be

distinguished then from the older bird, and twitters back and

forth near the parent. Then when the latter comes with a mouthful

the former simply poises fluttering while the old bird dashes up,

twitters and feeds, and is off again in the flash of an eye, so

fleet of motion, so agile of turn, that it puzzles the watcher to

follow the course of flight.

At the bottom of the tide the rocks over which the tree swallows

swirl with the waves are a golden olive with the sun-touched tips

of the carrageen. Higher up the boulders lift their heads with the

air-celled rockweed falling all about them like wet hair. Some of

these tresses hang down in golden luxuriance, others are dark,

almost black, as if blondes and brunettes were to be found among

tide rocks as among men. Between these rocks are still pools of

brine where mussels and crabs wait the deliverance of the full sea

and kelp waves its long, dark-olive, ruffle-margined banners. Down

among these with the ear close to the smooth, undulating surface

you may catch the eerie plaint of the whistling buoy off the

channel some miles to landward, telling its loneliness in recurrent

moans.

Up on the rocks again in the bright sunlight, one finds the land

birds numerous, chief among which are the song sparrows. In the

secluded peace of the place these also, evidently making their

summer home here and nesting in the shrubbery that is all about,

have lost most of their fear of man and will approach very near to

gather crumbs about your feet. A small flock of robins goes by,

stopping a moment to feed, then taking wing again as if practising

for that southward migration which will begin before very long.

Olive-sided flycatchers, already working toward the sun, flit to

catch flies and light alternately almost as if playing leapfrog

from bush to bush. So far as I have observed, the olive-sided

flycatchers do most of their migrating thus, hippety-hop from perch

to perch, with a fly well caught at every hop and well swallowed

at every perch. A kingbird sat haughtily, as if mounted, on a

stub, monarch of all he surveyed, now and then giving his piercing

little cry and sailing out to the destruction of a moth or beetle,

then sailing leisurely back again. A lone gull fished and cried

lonesomely in the surf, and a few pairs of sandpipers slipped with

twinkling feet along the rocks, feeding in the moist path of the

receding wave and lifting on long, slender wings to safety at the

crash of the next one. These were the only day birds to be found of

a pleasant day at Appledore. Monarch butterflies were plentiful,

migrants these over the seven miles or more of sea between the

island and the mainland. A few cabbage butterflies fluttered white

wings over the Cruciferæ which grow in the vegetable gardens of

the place. The cabbage butterflies may well be natives, and so

might that other which danced away so rapidly that I could not be

sure of him, though I am confident that he was either a hunter’s

butterfly or an angle-wing. Yet these, too, may have come from

the mainland on a still day or with the wind right and not too

strong, such extraordinary distances do these seemingly frail and

impotent insects cover sometimes. Honey bees from hives ashore make

a regular business of flying to the islands and back laden with

honey. Students of bees ordinarily give them a range of two and a

half to four miles, yet these Appledore bees must come at least

seven miles and probably ten for their harvesting.

At nightfall three great blue herons came flapping out from the

mainland to fish among the kelp and rockweed of the outlying reefs.

All along the western horizon the soft blue line of land began to

melt into the steel blue of the sea that the sunset fire seemed

then to temper to a violet hardness. The southwest wind had blown

the sky full of blowsy cumulus clouds that were touched with fire

from the setting sun, yet in the main had the color of the steel

sea, as if they were the flaked dross from its melting. Then the

sun for a moment burned through the thin blue line of land and set

the sea ablaze with a gentle radiance of crimson and gold that

slipped along the level miles and wrapped the blessed isles in its

arms, radiant arms that unclasped themselves in a moment, lifted

above the islands in benediction and then passed. The poppies in

Celia Thaxter’s garden folded their two inner petals like slim

hands, clasped in prayer, lifted trustfully to the sky.

[Illustration: “Up to the smooth turf on this knoll crowd all the

pasture shrubs that she loved.”]

A little way from the garden that she loved and tended so long

is Celia Thaxter’s grave, on a knoll to which the sky bends so

gently that it seems as if you might step off into it. Up to the

smooth turf of this knoll crowd all the pasture shrubs that she

loved, sheltering it from the wind on three sides and letting the

sun smile in upon it all day long without hindrance. The sumacs

come nearest as if they were the very guard of honor, but close

behind them press the wild roses, the St. John’s-wort, the evening

primroses and even the shy white clover slipping in between the

others, very close to the ground, and tossing soft perfumes out

over the brown grass. On the grave itself someone in loving

remembrance scatters the petals of red geranium, which seems of

all things the home-loving, home-keeping flower. The poppies are

for poets’ dreams which write themselves in the dancing morning

wind, clasp hands in prayer at sunset, and flutter away. Red

geraniums seem born of the fireside where home has been since fire

first came down out of heaven. Dreams and hearthfire both were dear

to the sweet lady of Appledore, and both flowers commemorate her

there.

V

THOREAU’S WALDEN

_A Survey of the Pond and its Surroundings_

He who would know Thoreau’s Walden will do well to bathe in it. His

first plunge may well be in Thoreau’s story of the pond and his

life on its bank, and when he comes dripping from this and puts on

the garments of everyday life he still must feel a little of the

glow of the fire with which this alchemist of the woods transmuted

all things, showing us how rough granite, hard iron and base lead

are gold. Thoreau lived on the borders of the little clear pond but

two years. He knew it in the flesh for just his short life. But his

spirit had birth in something akin to its pure, profound waters and

dwells above them now for all centuries.

The next plunge should be in the waters themselves, and only thus

shall you learn to the full what a miracle the pond is. Here is a

crater of glacier-crushed granite, out of which never came smoke

nor lava, only a white fire from unexplored depths, a fire of cool

austerity which burns the dross out of all that may be put into it.

There is no inflowing stream. Its waters well up from a mysterious

source within the very earth. Their outflow is equally invisible.

In their going they leap spirit-like along the golden stairs which

the sun lets down to them and pass up for the building of rainbows,

their white light breaking in its mystical seven colors, a visible

ecstasy to all who watch the heavens. To plunge in these waters at

dawn is to feel this cool fire thrill through the marrow of your

bones, and only by total immersion shall you know to the full its

purity.

Coming to such a flight with Eos through the dusky solemnity of

the trees of the western bank, I saw the pond silvered beneath

its tense level with the frosty scintillations of the stars that

had shone into it all night. It was as if their radiance had but

penetrated the water-tension film of the surface and collected just

beneath it, making a white mirror which my plunge shattered into a

thousand prisms of scintillant light. The dancing night winds had

shaken all the rich odors from the white clethra blooms that grow

all about the pond’s rim and stored them along its surface, and to

swim out toward the center was to enter a sweetly perfumed bath.

The forest to eastward, full of black density, as it was, could not

bar out the rose of the morning from the sight. Instead it stood in

a silhouetted fretting against it and let its glow shine through a

million tiny windows of the day, blossoming again in the ripples

ahead. Here was a moving picture of the blooming and vanishing of

pink meadow-flowers, flashing a brief life upon the film, vanishing

and growing again. The cinematograph is nothing new. Walden has

operated it for those who will swim toward the dawn in its waters

since the centuries began. In our theaters we are but tawdry

imitators of its film productions.

Chin deep in its middle you begin to feel that you know the pond.

In a sense you are its eye and look upon the world as it does. Day

breaks for the swimmer as it does for Walden, and the flash of the

sun above the wood to eastward warms you both with the same sudden

sweep of its August fire. In the same sense you are the pond’s ear

and hear as it does. The morning rustle of the trees, shaking the

dusk from their boughs, comes to you as a clear ecstasy, and you

think you can hear the wan tinkling of the invisible feet of fairy

mists as they leap sunward from the surface and vanish in the day.

Over the wood comes the intermittent pulse of Concord waking, and

by fainter reverberations the pond knows that Lincoln and more

distant villages are astir. Then the first train of the day crashes

by the southern margin and stuns the tympanum with a vast avalanche

of uproar.

Literary Pilgrimages of a Naturalist · 第 2 / 10 段