C. G. POORE.

_Book Reviews_

_Jean Huguenot._ By STEPHEN VINCENT BENÉT. (Henry Holt.)

Flowers in writing are like flowers on a grave: they commemorate death.

And Benét’s first novel was a little too prone to floral decoration. In

his third book, _Jean Huguenot_, his work as a stylist is noticeably

improved. He still remains all poet in his prose, and, as ever, reads

the better for it. Yet he has reached a saner manner of writing that

does not overwhelm and cloy as did parts of _The Beginning of Wisdom_.

Despite mechanical improvement _Jean Huguenot_ marks a lull in the

author’s literary progress. You are moved along for two hundred or so

pages by glowing language and well-drawn situations. And just when

the book has become really enjoyable--well, all pleasure in it begins

to subside. You are dropped, like a deflated balloon, into a flat and

tasteless completion. Why, oh, why, you say, couldn’t he have given us

something else--anything else? The spectacle of Jean Huguenot Ashley

turned _cocotte_ is neither appealing nor revolting; it is just plain

drab. Perhaps Benét is true to nature in his picture, but--read it and

see if it doesn’t affect you in the same fashion. The story is worth

while for three-quarters of its course--and then, being so near the

end, one might as well finish it, anyway.

The Yale Literary Magazine (Vol. LXXXIX, No. 1, 1923) · 第 24 / 34 题