Jessie Ogden's supposition with regard to Mary Brainard was justified
by events; the poor exile was allowed to come back to town to attend
her mother's funeral, and, thanks to a providential escort, she was
enabled to bring her child with her. The two arrived under the charge
of a distant relative by marriage of the Centralia Brainards, who was
understood to be on the point of visiting the city anyway, for the
purpose of "buying goods." He was presented by the name of Briggs.
He was a somewhat uncouth and slovenly man of thirty-five--a fair
specimen of the type evolved by the small towns of southern Illinois.
But he had a bright and capable way with him, and it seemed likely
enough that if he were to transfer himself and his business to Chicago,
as he once spoke of doing, he might work himself up into pretty fair
shape. He was a widower.
He showed some fitting sense of the solemnity of the occasion that
had brought him to the house; but it was fair to surmise from various
tokens that his usual treatment of the subdued young mother was in the
line of familiar kindness, which only genuine solicitude kept apart
from semi-jocularity--a jocularity that had almost the effect of an
understanding. He seemed to have about the same understanding with the
baby; he had held it part of the time on the train, and he had shown a
willingness to be useful in the same direction subsequently.
Brainard saw the child once. He looked at the boy's dark hair and eyes
and vented a dreadful oath, and signified that while he and his mother
were in the house the infant must be kept out of sight and out of sound.
Abbie Brainard made no effort towards further mediation between her
father and her sister. The present status was endurable, and there was
little to be gained by additional appeal to the irascible old man; it
was irascibility rather than sorrow which now possessed him. Nothing
irritated him more than an address to the deeper emotions, and the
passing of his life-long partner was an address of this character.
And this irascibility had risen to a pitch of fury on account of the
unfortunate resemblance of Mary Vibert's child to its father.
Abbie was still leading her old life in her old way. She had her
reading, her accounts, her church-work; but she went at these with
less energy than she had shown a year ago. She had lost something in
flesh and something in spirits, but nothing was slighted. She had no
confidants and she made no moan.
"What _is_ the matter with her?" Cornelia would now and then ask
herself. "If she would only rip out and say something; but I never
saw a girl who was so mum. I'll get her out of this place, though, if
anybody can. She has got to come up there and live with me. I'll fetch
that, if I have to pull her up by the roots."
And then, putting generalization in the place of any tangible
particulars, "I believe she's just starving"--which was not altogether
wrong.
Cornelia found no specific grounds for approaching her father-in-law
about Abbie, but she had some words with him about Abbie's sister.
She went to him one evening in his den; it was the day after the
funeral. The distant wailing of the baby's voice had caused him to shut
the door of his little room with a profane slam.
"Mr. Briggs is right there in the parlor," she said to him boldly,
"waiting for her to come down; I don't see that it's going to help
things any to slam doors. If he don't mind the baby, I guess we don't
have to."
He turned upon her fiercely and half rose from his chair. It seemed for
a moment as if he was intending to put her out of the room.
But she stood her ground and stared him full in the face. She was the
only one in the family who, when the real pinch came, could look him
down. He fell back in his seat and fixed an uncertain eye upon the
panels of the door.
"There's such a thing as sense at such places as this, if you'd only
know it," she went on. She spoke out loudly; she knew that if she used
a moderate voice her tones would tremble. "I should think we might hold
in for the day or so that the man's here. He knows why she was sent off
down there, and that's bad enough; but it's worse for him to bring her
up here and have her treated bad right before his face. Why can't you
speak to her at table? Why can't you have--"
"That will do, Cornelia." He beat on the arm of his chair with his
doubled-up fist. "We won't have anything more of this sort of thing.
That will do."
But there was a kind of harsh grin on his face; he either admired her
pluck or anticipated her point. She saw this and knew that she held him
in her hand.
"No, it won't do, Cornelia--not yet. Why do you think he is here? Do
you suppose a man goes travelling around the country with a woman and
a three months' old baby for the fun of it? And he hasn't come up to
'buy goods'--don't you believe it. This is a great chance for Mayme,
everything considered. He's a smart fellow, and you don't want to go
and spoil it all. This is a thing that will take care of itself, if
you'll only give it a show."
He stared at her--still rather forbiddingly. But she saw admiration
appearing through indignation, and she judged that it was gaining the
upper hand.
"Now," she said, with her own hand on the door-knob, "when you ask May
me to-morrow morning if she would like another piece of steak, I want
you to look at her; seems to me this is a time when a family should act
_like_ a family. And I guess it wouldn't hurt you much to put yourself
out far enough to ask that man to smoke a cigar with you. You try. And
I think this door had better stay the way I leave it."
She passed out, leaving the door open. And open it remained.
In such fashion as this came Mary Brainard to her mother's burial. But
her younger brother came not, and no one knew where he was or what he
might be doing.
Briggs left for Centralia on the following evening, his charges
remaining behind, by an inconclusive arrangement that might terminate
in almost any way. Cornelia, who attended his departure with a lively
interest, noticed that Abbie, in her hat and cloak, was trying to
take advantage of this same occurrence to steal out of the house. She
followed her through the vestibule and overtook her half way down the
steps.
"Abbie!" she called after her, "where are you going?"
"'Sh!" Abbie said, softly. "I'm just going out for a few minutes."
"Neighbors?"
"No, not exactly," the girl hesitated. "I'm just going a block or two."
"You don't want to be trotting around alone this time of night. Sha'n't
I go with you?"
She placed her hand on Abbie's arm to draw her back while she put on
her own things. She felt her companion tremble, and saw an expression
of anxiety on her face which she took to mean embarrassment.
"No, Cornelia, I don't want you to go with me. I don't need you, I've
got to go alone."
"Upon my word, I think you're acting mighty queer. I just believe,
Abbie Brainard, that you are going out to meet somebody--you, of all
people!"
Abbie started. "Supposing I am?" she stammered.
"Who is it?" asked Cornelia, peremptorily. Only an extremely eager
interest would have made her take this tone with Abbie. "Well, I must
say, I think your father is a little too bad. Why can't he see that
girls have got to be girls? First it's Mayme and now it's--"
"Cornelia!" cried Abbie, with a violent blush and the trembling voice
that foreshadows tears. "It's my brother! It's Marcus!"
"Marcus!" exclaimed Cornelia. "Then I _am_ going, sure. Where are you
to meet him--in the park?"
Abbie bowed assent.
"Well, then, you wait one second. I'll he right out again."
"Don't come. He won't speak to me if he sees anybody with me."
"I can stand around somewhere--I won't do any harm."
She was actuated as much by curiosity as by sympathy. She had never
seen Marcus, but she remembered the "erring son" of her first play,
and nothing more than one's first play has a fixed footing in one's
association of ideas.
The park lay under the cold glare of the electric light, in the state
of forbidding bareness that overtakes all such urban tracts during
the earlier days of spring. Soggy footprints showed everywhere in the
soaked brown turf that bordered the winding paths, and masses of dead
leaves were matted together at the roots of the spindling shrubbery.
The arc-lights threw a ghastly illumination on the flat white fronts
of the houses that stood around in rows outside as well as on the
stretches of theatrical posters which filled up the spaces between; and
they flung deep shadows into the flimsy arbors and kiosks that started
up here and there within. Abbie, with her companion, traversed a number
of spongy, gravelled paths, and presently the figure of a man emerged
from a summer-house and advanced to meet her. Cornelia turned off, and
paused behind the thickened stalks of a bare bush.
"Marcus!" cried Abbie, as her brother moved towards her, "Marcus, why
didn't you come? I waited at the door to let you in. Could anybody have
made any trouble at such a time as that?"
He came up to her with a few unsteady steps. His eyes were blood-shot,
and on his face, which seemed paler and thinner than ever under the
white flood from the globe overhead, there was a long, half-healed
scar. He looked at her in a dull, dazed way; perhaps he simply
misapprehended these present words, perhaps he was unable to fully
comprehend any words at all.
"You could have gone in a carriage all alone with me," she went on,
in pitiful reproach. "And you could have stayed in it--you needn't
have seen anybody else at all. I wanted you so much. Mayme came; why
couldn't you? Oh, Marcus, you were thought of; your name was almost the
last one said."
She threw her head on his shoulder and burst into tears. He gave way a
little, and then, with an effort, he mastered a steadier pose.
Her crape brushed his face; he felt it, rather than saw it.
[Illustration: "'Is he dead?'"]
"Is he dead?" Something like light came into his dull eye. The
lamp above gave a sudden vast flicker, and the long scar on his face
deepened and lengthened and came back to itself again. It was all like
a sinister and cynical smile.
"Marcus! don't you know? Where have you been? Haven't you got any of my
letters?"
He leaned against the silly rusticity of the summer-house, and looked
at her with a dazed but inquiring eye.
"It's mother! It's mother!" the poor girl cried. "Why didn't you come?"
"Why, how is this?" asked Cornelia, stepping forward. "Hadn't he heard?"
"I mailed them to the same place. And the money--didn't you get that,
either?"
He looked at her steadily and soberly, but his eyes had a heavy droop.
"It's mother," he said at length; "it's mother that's dead." He sat
down carefully on the steps of the summerhouse. "And my name was the
last. Always the last, Abbie. When was it?"
"Has he moved--do you suppose?" asked Cornelia. She regarded him long
and steadily. She seemed about to recognize him--though voice was
apparently counting for more than face.
"It was only day before yesterday," Abbie said. "I tried to see you,
but it was so far and there was so much to do. But I sent you word."
"I haven't been there lately," he said slowly. "I couldn't have come
day before yesterday," he added presently.
"Where have I seen him before?" thought Cornelia. And, "What is the
matter with him?" she seemed to ask of Abbie.
"I couldn't come," he repeated. "I'm sorry," he added humbly. "I
was--somewhere else."
"Have you been away all these three months? I haven't seen you since
almost New Year's. Have you been away from the city all this time?"
"I have been somewhere--somewhere else," he repeated thickly. 'He rose
tremblingly. "I suppose they'll have me there again, some time. Well,
all right," he said, with resignation.
"What does he mean?" asked Abbie, turning appealingly to Cornelia.
Marcus followed his sister's eyes. He looked at Cornelia narrowly, his
own eyes half closed. "Who is this?" he asked.
"It's Cornelia--Burt's wife."
"Burt's wife?" He held her with an enigmatical stare. "I have seen
her," he said; "before."
"Where?" thought Cornelia. "Not possibly at--the theatre?"
"In church," he explained, with a slow gravity. "He isn't dead--Burt?"
"Dead?" cried Cornelia. "No, indeed."
"No, he isn't dead," Marcus repeated deliberately. His eyelids raised
themselves. "He is married; he has half a million," he went on, with
the same slowness. His eye lighted up with a malignant glare. "No, he
isn't dead. But--"
He stretched himself aloft, and thrust out his arm, and staggered, and
only half-saved himself.--"but I will kill him," he added suddenly.
"Marcus!" his sister screamed; "are you mad?"
He lay slantingly against the corner of the summer-house. His arm
caught at the crosspieces of the rustic carpentry, and he hung there
panting. Presently a little stream of blood began to trickle across the
palm of his hand--he had torn himself on a nail. He felt the warm fluid
on his skin, and held up his hand to his own curious and impersonal
inspection.
"Give me your handkerchief, Cornelia," Abbie implored pitifully. She
folded her own and laid Cornelia's over it, and twisted it around his
thumb and tied it over his wrist.
His fingers felt thin and claw-like, and there was a grime rubbed into
their cracked and roughened skin--those girlish fingers (his mother's
fingers) that had once held a pencil so delicately.
"I have seen her--before," he repeated. "Here." He jerked his hand out
of his sister's hold and waved it over the circumscribed and shabby
landscape. The light shimmered on the leaden surface of the pond behind
them, and the wind rustled the stark weeds along its muddy edges. "I
knew it was coming." Abbie caught his hand back. "Half a million; he
never did anything for me. I will kill _him_" he muttered faintly.
Cornelia continued her inspection of him. "Abbie, just look at these
clothes, will you? And he hasn't got any cuffs on, either."
"Marcus!" his sister called appealingly. Her raised voice indicated
that, after all, she must acknowledge him as other than himself. "All
that money I sent you--you need it. Go right away to-morrow to your old
number and get it." She turned to Cornelia. "I haven't got any; have
you? I forgot it, after all."
"Just this half-dollar," she answered. "Exactly what I paid," she said
to herself, "to see him in this part once before." She recognized him
now; she saw that she had been interested in the new actor because
nobody else had seemed so; and she felt sure that his attempt on the
stage had been the same brief failure that all of his other attempts
must have been as well.
Marcus raised himself, and a sly smile came over his face. "Money?" he
said. "Keep it. I don't want it. I can raise all I need. Vibert knew
the ropes, and now I know them just as well myself. I can do business
all right again. No money, Abbie; no." He thrust it back upon her. "He
always said I wasn't _fit_ for business; but I'll show him."
He braced himself and stepped out decidedly into the path. He turned in
the direction of the exit. The other two insensibly took this direction
as well, and fell to regulating their steps by his.
"You are a good sister, Abbie," he said, as they passed out. "You have
been good to me. Good." He put his hand on hers; he had forgotten
that it was bandaged. There was a soft stringency in the folds of the
handkerchiefs, but she felt his grateful pulses underneath.
"Oh, Cornelia," moaned poor Abbie; "I must take him home--I must--I
must! So near at hand--and the place where he belongs. I can't leave
him to go wandering around like this."
Marcus laid his bandaged hand on his sister's shoulder. "No, Abbie."
The earlier waves of a sodden stupor now seemed to be washing over him,
and he looked on the two girls with a dull leer. "Not home. Better
place than home. But some time--I will come home some time. He never
treated me as well as he did Burt." His tones came thickly. "I will
kill him," he murmured softly to himself in a drunken confidence.
He turned off, down a side street. Abbie stood watching him as he
disappeared, to reappear in the light of frequent lamp-posts. Presently
he turned a corner. Abbie clasped her hand tightly in her companion's
and allowed herself to be led home.
"Another job for me," said Cornelia, thoughtfully.