Thus what in writing of rymes and registring of lyes was the

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THE ARTE

OF ENGLISH

POESIE.

Contriued into three Bookes: The first of Poets and Poesie,

the second of Proportion, the third of Ornament.

[Illustration: AN CHORA SPEI (shield with hand coming out of a cloud and

holding onto an anchor entwined with vine)]

AT LONDON

Printed by Richard Field,

dwelling in the black-Friers, neere Ludgate.

1589.

TO THE RIGHT HONORABLE SIR WILLIAM CECILL KNIGHT,

LORD OF BVRGHLEY, LORD HIGH TREASVRER OF ENGLAND, R.F.

Printer wisheth health and prosperitie, with the commandement

and vse of his continuall seruice.

_This Booke (right Honorable) coming to my handes, with his bare title

without any Authours name or any other ordinarie addresse, I doubted how

well it might become me to make you a present thereof, seeming by many

expresse passages in the same at large, that it was by the Authour

intended to our Soueraigne Lady the Queene, and for her recreation and

seruice chiefly deuised, in which case to make any other person her

highnes partener in the honour of his guift it could not stand with my

dutie, nor be without some prejudice to her Maiesties interest and his

merrite. Perceyuing besides the title to purport so slender a subiect, as

nothing almost could be more discrepant from the grauitie of your yeeres

and Honorable function, whose contemplations are euery houre more

seriously employed upon the publicke administration and services:

I thought it no condigne gratification, nor scarce any good satisfaction

for such a person as you. Yet when I considered, that bestowing vpon your

Lordship the first vewe of this mine impression (a feat of mine owne

simple facultie) it could not scypher her Maiesties honour or prerogatiue

in the guift, nor yet the Authour of his thanks: and seeing the thing it

selfe to be a deuice of some noueltie (which commonly it giveth euery good

thing a speciall grace) and a noueltie so highly tending to the most

worthy prayses of her Maiesties most excellent name. So deerer to you I

dare conceiue them any worldly thing besides love although I could not

deuise to have presented your Lordship any gift more agreeable to your

appetite, or fitter for my vocation and abilitie to bestow, your Lordship

beyng learned and a louer of learning, my present a Book and my selfe a

printer alwaies ready and desirous to be at your Honourable commaundement.

And thus I humbly take my leave from the Black-friers, this xxvii of May,

1589._

Your Honours most humble

at commaundement,

_R.F._

_A colei_

[Illustration of Queen holding orb and sceptre.]

_Che se stessa rassomiglia & non altrui._

THE FIRST BOOKE,

_Of Poets and Poesie.

_CHAP. I._

_What a Poet and Poesie is, and who may be worthily sayd the most

excellent Poet of our time._

A Poet is as much to say as a maker. And our English name well conformes

with the Greeke word: for of [Greek: poiein] to make, they call a maker

_Poeta_. Such as (by way of resemblance and reuerently) we may say of God:

who without any trauell to his diuine imagination, made all the world of

nought, nor also by any paterne or mould as the Platonicks with their

Idees do phantastically suppose. Euen so the very Poet makes and contriues

out of his owne braine both the verse and matter of his poeme, and not by

any foreine copie or example, as doth the translator, who therefore may

well be sayd a versifier, but not a Poet. The premises considered, it

giueth to the name and profession no smal dignitie and preheminence aboue

all other artificers, Scientificke or Mechanicall. And neuerthelesse

without any repugnancie at all, a Poet may in some sort be said a follower

or imitator, because he can expresse the true and liuely of euery thing is

set before him, and which he taketh in hand to describe: and so in that

respect is both a maker and a counterfaitor: and Poesiean art not only of

making, but also of imitation. And this science in his perfection, can not

grow, but by some diuine instinct, the Platonicks call it _furor_: or by

excellencie of nature and complexion: or by great subtiltie of the spirits

& wit or by much experience and obseruation of the world, and course of

kinde, or peradventure by all or most part of them. Otherwise how was it

possible that _Homer_ being but a poore priuate man, and as some say, in

his later age blind, should so exactly set foorth and describe, as if he

had bene a most excellent Captaine or Generall, the order and array of

battels, the conduct of whole armies, the sieges and assaults of cities

and townes? or as some great Princes maiordome and perfect Surueyour in

Court, the order, sumptuousnesse and magnificence of royal bankers,

feasts, weddings, and enteruewes? or as a Polititian very prudent, and

much inured with the priuat and publique affaires, so grauely examine the

lawes and ordinances Ciuill, or so profoundly discourse in matters of

estate, and formes of all politique regiment? Finally how could he so

naturally paint out the speeches, countenance and maners of Princely

persons and priuate, to wit, the wrath of _Achilles_, the magnanimitie of

_Agamemnon_, the prudence of _Menelaus_, the prowesse of _Hector_, the

maiestie of king _Priamus_, the grauitie of _Nestor_, the pollicies and

eloquence of _Vlysses_, the calamities of the distressed _Queenes_, and

valiance of all the Captaines and aduenturous knights in those lamentable

warres of Troy? It is therefore of Poets thus to be conceiued, that if

they be able to deuise and make all these things of them selues, without

any subiect of veritie, that they be (by maner of speech) as creating

gods. If they do it by instinct diuine or naturall, then surely much

fauoured from aboue. If by their experience, then no doubt very wise men.

If by any president or paterne layd before them, then truly the most

excellent imitators & counterfaitors of all others. But you (Madame) my

most Honored and Gracious: if I should seeme to offer you this my deuise

for a discipline and not a delight, I might well be reputed, of all others

the most arrogant and iniurious: your selfe being alreadie, of any that I

know in our time, the most excellent Poet. Forsooth by your Princely

pursefauours and countenance, making in maner what ye list, the poore man

rich, the lewd well learned, the coward couragious, and vile both noble

and valiant. Then for imitation no lesse, your person as a most cunning

counterfaitor liuely representing _Venus_ in countenance, in life _Diana,

Pallas_ for gouernement, and _Iuno_ in all honour and regall magnificence.

_CHAP. II._

_That there may be an Art of our English Poesie, as well as there is of

the Latine and Greeke._

Then as there was no art in the world till by experience found

out: so if Poesie be now an Art, & of al antiquitie hath bene among

the Greeks and Latines, & yet were none, vntill by studious

persons fashioned and reduced into a method of rules & precepts,

then no doubt may there be the like with vs. And if th'art of Poesie

be but a skill appertaining to vtterance, why may not the same

be with vs as wel as with them, our language being no lesse copious

pithie and significatiue then theirs, our conceipts the same, and our

wits no lesse apt to deuise and imitate then theirs were? If againe

Art be but a certaine order of rules prescribed by reason, and gathered

by experience, why should not Poesie be a vulgar Art with

vs as well as with the Greeks and Latines, our language admitting

no fewer rules and nice diuersities then theirs? but peraduenture

moe by a peculiar, which our speech hath in many things differing

from theirs: and yet in the generall points of that Art, allowed to

go in common with them: so as if one point perchance which is

their feete whereupon their measures stand, and in deede is all the

beautie of their Poesie, and which feete we haue not, nor as yet neuer

went about to frame (the nature of our language and wordes

not permitting it) we haue in stead thereof twentie other curious

points in that skill more then they euer had, by reason of our rime

and tunable concords or simphonie, which they neuer obserued.

Poesie therefore may be an Art in our vulgar, and that verie methodicall

and commendable.

_CHAP. III._

_How Poets were the first priests, the first prophets, the first

Legislators and politicians in the world._

The profession and vse of Poesie is most ancient from the beginning, and

not as manie erroniously suppose, after, but before any ciuil society was

among men. For if it was first that Poesie was th'originall cause and

occasion of their first assemblies; when before the people remained in the

woods and mountains, vagarant and dipersed like the wild beasts; lawlesse

and naked, or verie ill clad, and of all good and necessarie prouision for

harbour or sustenance vtterly vnfurnished: so as they litle diffred for

their maner of life, from the very brute beasts of the field. Whereupon it

is fayned that _Amphion_ and _Orpheus_, two Poets of the first ages, one

of them, to wit _Amphion_, builded vp cities, and reared walles with the

stones that came in heapes to the sound of his harpe, figuring thereby the

mollifying of hard and stonie hearts by his sweete and eloquent

perswasion. And _Orpheus_ assembled the wilde beasts to come in heards to

harken to his musicke and by that meanes made them tame, implying thereby,

how by his discreete and wholesome lessons vttered in harmonie and with

melodious instruments, he brought the rude and sauage people to a more

ciuill and orderly life, nothing as it seemeth, more preuailing or fit to

redresse and edifie the cruell and sturdie courage of man then it. And as

these two Poets and _Linus_ before them, and _Museus_ also and _Hesiodus_

in Greece and Archadia: so by all likelihood had mo Poets done in other

places and in other ages before them, though there be no remembrance left

of them, by reason of the Recordes by some accident of time perished and

failing. Poets therfore are of great antiquitie. Then forasmuch as they

were the first that entended to the obseruation of nature and her works,

and specially of the Celestiall courses, by reason of the continuall

motion of the heauens, searching after the first mouer, and from thence by

degrees comming to know and consider of the substances separate &

abstract, which we call the diuine intelligences or good Angels

_(Demones)_ they were the first that instituted sacrifices of placation,

with inuocations and worship to them, as to Gods; and inuented and

stablished all the rest of the obseruances and ceremonies of religion, and

so were the first Priests and ministers of the holy misteries. And because

for the better execution of that high charge and function, it behoued than

to live chast, and in all holines of life, and in continuall studie and

contemplation: they came by instinct divine, and by deepe meditation, and

much abstinence (the same assubtiling and refining their spirits) to be

made apt to receaue visions, both waking and sleeping, which made them

vtter prophesies, and foretell things to come. So also were they the first

Prophetes or seears, _Vidontes_, for so the Scripture tearmeth them in

Latine after the Hebrue word, and all the oracles and answers of the gods

were giuen in meeter or verse, and published to the people by their

direction. And for that they were aged and graue men, and of much wisedome

and experience in th'affaires of the world, they were the first lawmakers

to the people, and the first polititiens, deuising all expedient meanes

for th'establishment of Common wealth, to hold and containe the people in

order and duety by force and virtue of good and wholesome lawes, made for

the preseruation of the publique peace and tranquillitie. The same

peraduenture not purposely intended, but greatly furthered by the aw of

their gods, and such scruple of conscience, as the terrors of their late

inuented religion had led them into.

_CHAP. IIII._

_How the Poets were the first Philosophers, the first Astronomers and

Historiographers and Oratours and Musiciens of the world._

Vtterance also and language is giuen by nature to man for perswasion of

others, and aide of them selues, I meane the first abilite to speake. For

speech it selfe is artificiall and made by man, and the more pleasing it

is, the more it preuaileth to such purpose as it is intended for: but

speech by meeter is a kind of vtterance, more cleanly couched and more

delicate to the eare then prose is, because it is more currant and slipper

vpon the tongue, and withal tunable and melodious, as a kind of Musicke,

and therfore may be tearmed a musicall speech or vtterance, which cannot

but please the hearer very well. Another cause is, for that it is briefer

& more compendious, and easier to beare away and be retained in memorie,

then that which is contained in multitude of words and full of tedious

ambage and long periods. It is beside a maner of vtterance more eloquent

and rethoricall then the ordinarie prose, which we use in our daily talke:

because it is decked and set out with all manner of fresh colours and

figures, which maketh that it sooner inuegleth the iudgement of man, and

carieth his opinion this way and that, whither soeuer the heart by

impression of the eare shal be most affectionatly bent and directed. The

vtterance in prose is not of so great efficacie, because not only it is

dayly vsed, and by that occasion the eare is ouerglutted with it, but is

also not so voluble and slipper vpon the tong, being wide and lose, and

nothing numerous, nor contriued into measures, and sounded with so gallant

and harmonical accents, nor in fine alowed that figuratiue conueyance, nor

so great licence in choise of words and phrases as meeter is. So as the

Poets were also from the beginning the best perswaders and their eloquence

the first Rethoricke of the world. Euen so it became that the high

mysteries of the gods should be reuealed & taught, by a maner of vtterance

and language of extraordinarie phrase, and briefe and compendious, and

aboue al others sweet and ciuill as the Metricall is. The same also was

meetest to register the liues and noble gests of Princes, and of the great

Monarkes of the world, and all other the memorable accidents of time: so

as the Poet was also the first historiographer. Then for as much as they

were the first obseruers of all naturall causes & effects in the things

generable and corruptible, and from thence mounted vp to search after the

celestiall courses and influences, & yet penetrated further to know the

diuine essences and substances separate, as is sayd before, they were the

first Astronomers and Philosophists and Metaphisicks. Finally, because

they did altogether endeuor themselues to reduce the life of man to a

certaine method of good maners, and made the first differences betweene

vertue and vice, and then tempered all these knowledges and skilles with

the exercise of a delectable Musicke by melodious instruments, which

withall serued them to delight their hearers, & to call the people

together by admiration, to a plausible and vertuous conuersation,

therefore were they the first Philosophers Ethick, & the first artificial

Musiciens of the world. Such was _Linus, Orpheus, Amphion & Museus_ the

most ancient Poets and Philosophers, of whom there is left any memorie by

the prophane writers King _Dauid_ also & _Salomon_ his sonne and many

other of the holy Prophets wrate in meeters, and vsed to sing them to the

harpe, although to many of vs ignorant of the Hebrue language and phrase,

and not obseruing it, the same seeme but a prose. It can not bee therefore

that anie scorn or indignitie should iustly be offred to so noble,

profitable, ancient and diuine a science as Poesie is.

_CHAP. V._

_How the wilde and sauage people vsed a naturall Poesie in versicte and

time as our vulgar is._

And the Greeke and Latine Poesie was by verse numerous and metricall,

running vpon pleasant feete, sometimes swift, sometime slow (their words

very aptly seruing that purpose) but without any rime or tunable concord

in th'end of their verses, as we and all other nations now use. But the

Hebrues & Chaldees who were more ancient then the Greekes, did not only

use a metricall Poesie, but also with the same a maner or rime, as hath

bene of late obserued by learned men. Wherby it appeareth, that our vulgar

running Poesie was common to all the nations of the world besides, whom

the Latines and Greekes in speciall called barbarous. So as it was

notwithstanding the first and most ancient Poesie, and the most

vniuersall, which two points do otherwise giue to all humane inuentions

and affaires no small credit. This is proued by certificate of marchants &

trauellers, who by late nauigations haue surueyed the whole world, and

discouered large countries and strange peoples wild and sauage, affirming

that the American, the Perusine & the very Canniball, do sing and also

say, their highest and holiest matters in certaine riming versicles and

not in prose, which proues also that our maner of vulgar Poesie is more

ancient then the artificiall of the Greeks and Latines, ours comming by

instinct of nature, which was before Art or obseruation, and vsed with the

sauage and vnciuill, who were before all science or ciuilitie, euen as the

naked by prioritie of time is before the clothed, and the ignorant before

the learned. The naturall Poesie therefore being aided and amended by Art,

and not vtterly altered or obscured, but some signe left of it, (as the

Greekes and Latines haue left none) is no lesse to be allowed and

commended then theirs.

_CHAP. VI_.

_How the riming Poesie came first to the Grecians and Latines, and had

altered and almost split their maner of Poesie_.

But it came to passe, when fortune fled farre from the Greekes and

Latines, & that their townes florished no more in traficke, nor their

Vniuersities in learning as they had done continuing those Monarchies: the

barbarous conquerers inuading them with innumerable swarmes of strange

nations, the Poesie metricall of the Grecians and Latines came to be much

corrupted and altered, in so much as there were times that the very

Greekes and Latines themselues tooke pleasure in Riming verses, and vsed

it as a rare and gallant thing: Yea their Oratours proses nor the Doctors

Sermons were acceptable to Princes nor yet to the common people vnlesse it

went in manner of tunable rime or metricall sentences, as appeares by many

of the auncient writers, about that time and since. And the great Princes,

and Popes, and Sultans would one salute and greet an other sometime in

frendship and sport, sometime in earnest and enmitie by ryming verses, &

nothing seemed clerkly done, but must be done in ryme: Whereof we finde

diuers examples from the time of th'Emperours Gracian & Valentinian

downwardes; For then aboutes began the declination of the Romain Empire,

by the notable inundations of the _Hunnes_ and _Vandalles_ in Europe,

vnder the conduict of _Totila_ & _Atila_ and other their generalles. This

brought the ryming Poesie in grace, and made it preuaile in Italie and

Greece (their owne long time cast aside, and almost neglected) till after

many yeares that the peace of Italie and of th'Empire Occidentall reuiued

new clerkes, who recouering and perusing the bookes and studies of the

ciuiler ages, restored all maner of arts, and that of the Greeke and

Latine Poesie withall into their former puritie and netnes. Which

neuerthelesse did not so preuaile, but that the ryming Poesie of the

Barbarians remained still in his reputation, that one in the schole, this

other in Courts of Princes more ordinary and allowable.

_CHAP VII._

_How in the time of Charlemaine and many yeares after him the Latine

Poetes wrote in ryme._

And this appeareth euidently by the workes of many learned men, who wrote

about the time of _Charlemaines_ raigne in the Empire _Occidentall_, where

the Christian Religion, became through the excessive authoritie of Popes,

and deepe deuotion of Princes strongly fortified and established by

erection of orders _Monastical_ in which many simple clerks for deuotion

sake & sanctitie were receiued more then for any learning, by which

occasion & the solitarinesse of their life, waxing studious without

discipline or instruction by any good methode, some of them grew to be

historiographers, some Poets, and following either the barbarous rudenes

of the time, or els their own idle inuentions, all that they wrote to the

fauor or prayse of Princes, they did it in such maner of minstrelsie, and

thought themselues no small fooles, when they could make their verses goe

all in ryme as did the Schoole of _Salerno_, dedicating their booke of

medicinall rules vnto our king of England, with this beginning.

_Anglorum Regi scripsit tota schola Salerni

Sivus incolumem, sivis te reddere sanicari

Curas tolle graues, irasci crede prophanum

Necretine ventram nec stringas as fortiter annum._

And all the rest that follow throughout the whole booke more curiously

than cleanely, neuerthelesse very well to the purpose of their arte. In

the same time king _Edward_ the iij. him selfe quartering the Armes of

England and France, did discouer his pretence and clayme to the Crowne of

Fraunce, in these ryming verses.

_Rex sum regnorum bina ratione duorum

Anglorum regnio sum rex ego iure paterno

Matris iure quidem Francorum nuncupor idem

Hinc est armorum variatio facta meorum._

Which verses _Philip de Valois_ then possessing the Crowne as next heire

male by pretexte of the law _Salique_, and holding our _Edward_ the third,

aunswered in these other of as good stuffe.

_Prædo regnorum qui diceris esse duorum

Regno materno priuaberis atque paterno

Prolis ius nullum ubi matris non fuit vllum

Hinc est armorum variatio stulta tuorum._

It is found written of Pope _Lucius_, for his great auarice and tyranny

vsed ouer the Clergy thus in ryming verses.

_Lucius est piscis rex et tyrannus aquarum

A quo discordat Lucius iste parum

Deuorat hic hom homines, his piscibus insidiatur

Esurit hic semper hic aliquando satur

Amborum vitam si laus aquata notaret

Plus rationis habet qui ratione caret._

And as this was vsed in the greatest and gayest matters of Princes and

Popes by the idle inuention of Monasticall men then raigning al in their

superlative. So did every scholer & secular clerke or versifier, when he

wrote any short poeme or matter of good lesson put it in ryme, whereby it

came to passe that all your old Proverbes and common sayinges, which they

would have plausible to the reader and easy to remember and beare away,

were of that sorte as these.

_In mundo mira faciunt duo nummias & ira

Molleficant dura peruertunt omnia iura._

And this verse in disprayse of the Courtiers life following the Court of

Rome.

_Vita palatina dura est animaque ruina._

And these written by a noble learned man.

_Ire redire fequi regum sublimia castra

Eximiius status est, sed non sic itur ad astra._

And this other which to the great injurie of all women was written (no

doubt by some forlorne lover, or else some old malicious Monke) for one

woman's sake blemishing the whole sex.

_Fallere stere nere mentari nilque tacere

Haec qumque vere statuit Deus in muliere._

If I might have bene his Iudge, I would have had him for his labour serued

as _Orpheus_ was by the women of Thrace. His eyes to be picket out with

pinnes for his so deadly belying of them, or worse handled if worse could

be deuised. But will ye see how God raised a revenger for the silly

innocent women, for about the same ryming age came an honest civill

Courtier somewhat bookish, and wrate these verses against the whole rable

of Monkes.

_O Monachi vestri stomachi sunt amphor a Bacchi

Vos estos Deis est restes turpissima pestis._

Anon after came your secular Priestes as jolly rymers as the rest, who

being sore agreeued with their Pope _Calixtus_, for that he had enjoyned

them from their wives,& railed as fast against him.

_O bone Calixte totus mundus perodit te

Quondam Presbiteri, poterant vxoribus vti

Hoc destruxisti, postquam tu Papa fursti._

Thus what in writing of rymes and registring of lyes was the Clergy of

that fabulous age wholly occupied.

We finde some but very few of these ryming verses among the Latines of the

ciuiller ages, and those rather hapning by chaunce then of any purpose in

the writer, as this _Distick_ among the disportes of _Ouid_.

_Quot coem stellas tot habet tua Roma puellas

Pascua quotque haedos tot habet tua Roma Cynedos,_

The posteritie taking pleasure in this manner of _Simphonie_ had leasure

as it seemes to deuise many other knackes in their versifying that the

auncient and ciuill Poets had not vfed before, whereof one was to make

euery word of a verse to begin with the same letter, as did _Hugobald_ the

Monke who made a large poeme to the honour of _Carolus Caluus_, euery word

beginning with _C._ which was the first letter of the king's name thus.

_Carmina clarisona Caluis cantate camenæ._

And this was thought no small peece of cunning, being in deed a matter of

some difficultie to finde out so many wordes beginning with one letter as

might make a iust volume, though in truth it were but a phantasticall

deuise and to no purpose at all more then to make them harmonicall to the

rude eares of those barbarous ages.

Another of their pretie inuentions was to make a verse of such wordes as

by their nature and manner of construction and situation might be turned

backward word by word, and make another perfit verse, but of quite

contrary sence as the gibing Monke that wrote of Pope _Alexander_ these

two verses.

_Laus tua non tua fraus, virtus non copia rerum,

Scandere te faciunt hoc decus eximium._

Which if ye will turne backward they make two other good verses, but of a

contrary sence, thus.

_Eximium decus hoc faciunt te scandere rerum

Copia, non virtus, fraus tua non tua laus._

And they called it _Verse Lyon_.

Thus you may see the humors and appetites of men how diuers and

chaungeable they be in liking new fashions, though many tymes worse then

the old, and not onely in the manner of their life and vse of their

garments, but also in their learninges and arts, and specially of their

languages.

_CHAP. VIII._

_In what reputation Poesie and Poets were in old time with Princes and

otherwise generally, and how they be now become contemptible and for what

causes._

For the respectes aforesayd in all former ages and in the most ciuill

countreys and commons wealthes, good Poets and Poesie were highly esteemed

and much fauoured of the greatest Princes. For proofe whereof we read how

much _Amyntas_ king of _Macedonia_ made of the Tragicall Poet _Euripides_.

And the _Athenians_ of _Sophocles_. In what price the noble poemes of

_Homer_ were holden with _Alexander_ the great, in so much as euery night

they were layd vnder his pillow, and by day were carried in the rich

iewell cofer of _Darius_ lately before vanquished by him in battaile. And

not onely _Homer_ the father and Prince of the Poets was so honored by

him, but for his sake all other meaner Poets, in so much as _Cherillus_

one no very great good Poet had for euery verse well made a _Phillips_

noble of gold, amounting in value to an angell English, and so for euery

hundreth verses (which a cleanely pen could speedely dispatch) he had a

hundred angels. And since _Alexander_ the great how _Theocritus_ the

Greeke Poet was fauored by _Tholomee_ king of Egipt & Queene _Berenice_

his wife, _Ennius_ likewise by _Scipio_ Prince of the _Romaines_,

_Virgill_ also by th'Emperour _Augustus_. And in later times how much were

_Iehan de Mehune_ & _Guillaume de Loris_ made of by the French kinges, and

_Geffrey Chaucer_ father of our English Poets by _Richard_ the second, who

as it was supposed gaue him the maner of new Holme in Oxfordshire. And

_Gower_ to _Henry_ the fourth, and _Harding_ to _Edward_ the fourth. Also

how _Frauncis_ the Frenche king made _Sangelais, Salmonius, Macrinus_, and

_Clement Marot_ of his priuy Chamber for their excellent skill in vulgare

and Latine Poesie. And king _Henry_ the 8. her _Maiesties_ father for a

few Psalmes of _Dauid_ turned into English meetre by Sternhold, made him

groome of his priuy chamber, & gaue him many other good gifts. And one

_Gray_ what good estimation did he grow vnto with the same king _Henry_,

& afterward with the Duke of Sommerset Protectour, for making certaine

merry Ballades, whereof one chiefly was, _The hunte is vp, the hunte is

up_. And Queene _Mary_ his daughter for one _Epithalamie_ or nuptiall song

made by _Vargas_ a Spanish Poet at her mariage with king _Phillip_ in

Winchester gaue him during his life two hundred Crownes pension: nor this

reputation was giuen them in auncient times altogether in respect that

Poesie was a delicate arte, and the Poets them selues cunning

Princepleasers, but for that also they were thought for their vniuersall

knowledge to be very sufficient men for the greatest charges in their

common wealthes, were it for counsell or for conduct, whereby no man neede

to doubt but that both skilles may very well concurre and be most

excellent in one person. For we finde that _Iulius Cæsar_ the first

Emperour and a most noble Captaine, was not onely the most eloquent Orator

of his time, but also a very good Poet, though none of his doings therein

be now extant. And _Quintus Catulus_ a good Poet, and _Cornelius Gallus_

treasurer of Egipt, and _Horace_ the most delicate of all the Romain

_Lyrickes_, was thought meete and by many letters of great instance

prouoked to be Secretarie of estate to _Augustus_ th'Emperour, which

neuerthelesse he refused for his vnhealthfulnesse sake, and being a quiet

mynded man and nothing ambitious of glory: _non voluit accedere ad

Rempublicam_, as it is reported. And _Ennius_ the Latine Poet was not as

some perchaunce thinke, onely fauored by _Scipio_ the _Africane_ for his

good making of verses, but vsed as his familiar and Counsellor in the

warres for his great knowledge and amiable conuersation. And long before

that _Antinienides_ and other Greeke Poets, as _Aristotle_ reportes in his

Politiques, had charge in the warres. And _Firteus_ the Poet being also a

lame man & halting vpon one legge, was chosen by the Oracle of the gods

from the _Athenians_ to be generall of the _Lacedemonians_ armie, not for

his Poetrie, but for his wisedome and graue perswasions, and subtile

Stratagemes whereby he had the victory ouer his enemies. So as the Poets

seemed to haue skill not onely in the subtilties of their arte, but also

to be meete for all maner of functions ciuill and martiall, euen as they

found fauour of the times they liued in, insomuch as their credit and

estimation generally was not small. But in these dayes (although some

learned Princes may take delight in them) yet vniuersally it is not so.

For as well Poets as Poesie are despised, & the name become, of honorable

infamous, subiect to scorne and derision, and rather a reproch than a

prayse to any that vseth it: for commonly who so is studious in th'Arte or

shewes himselfe excellent in it, they call him in disdayne a

_phantasticall_: and a light headed or phantasticall man (by conuersion)

they call a Poet. And this proceedes through the barbarous ignoraunce of

the time, and pride of many Gentlemen, and others, whose grosse heads not

being brought vp or acquainted with any excellent Arte, nor able to

contriue, or in manner conceiue any matter of subtiltie in any businesse

or science, they doe deride and scorne it in all others as superfluous

knowledges and vayne sciences, and whatsoeuer deuise be of rare inuention

they terme it _phantasticall_, construing it to the worst side: and among

men such as be modest and graue, & of litle conuersation, nor delighted in

the busie life and vayne ridiculous actions of the popular, they call him

in scorne a _Philosopher_, or _Poet_, as much to say as a phantasticall

man, very iniuriously (God wot) and to the manifestation of their own

ignoraunce, not making difference betwixt termes. For as the cuill and

vicious disposition of the braine hinders the sounde iudgement and

discourse of man with busie & disordered phantasies, for which cause the

Greekes call him [Greek: phantasikos] so is that part being well affected,

not onely nothing disorderly or confused with any monstruous imaginations

or conceits, but very formall, and in his much multiformitie _vniforme_,

that is well proportioned, and so passing cleare, that by it as by a

glasse or mirrour, are represented vnto the soule all maner of bewtifull

visions, whereby the inuentiue parte of the mynde is so much holpen, as

without it no man could deuise any new or rare thing: and where it is not

excellent in his kind, there could be no politique Captaine, nor any witty

enginer or cunning artificer, nor yet any law maker or counsellor of deepe

discourse, yea the Prince of Philosophers stickes not to say _animam non

intelligere absque phantasmate_, which text to another purpose _Alexander

Aphrodiscus_ well noteth, as learned men know. And this phantasie may be

resembled to a glasse as hath bene sayd, whereof there be many tempers and

manner of makinges, as the _perspectiues_ doe acknowledge, for some be

false glasses and shew thinges otherwise than they be in deede, and others

right as they be in deede, neither fairer nor fouler, nor greater nor

smaller. There be againe of these glasses that shew thinges exceeding

faire and comely, others that shew figures very monstruous & illfauored.

Euen so is the phantasticall part of man (if it be not disordered) a

representer of the best, most comely and bewtifull images or apparances of

thinges to the soule and according to their very truth. If otherwise, then

doth it breede _Chimeres_ & monsters in mans imaginations, & not onely in

his imaginations, but also in all his ordinarie actions and life which

ensues. Wherefore such persons as be illuminated with the brightest

irradiations of knowledge and of the veritie and due proportion of things,

they are called by the learned men not _phantastics_ but _euphantasiote_,

and of this sorte of phantasie are all good Poets, notable Captaines

stratagematique, all cunning artificers and enginers, all Legislators

Polititiens & Counsellours of estate, in whose exercises the inuentiue

part is most employed and is to the sound & true iudgement of man most

needful. This diuersitie in the termes perchance euery man hath not noted,

& thus much be said in defence of the Poets honour, to the end no noble

and generous minde be discomforted in the studie thereof, the rather for

that worthy & honorable memoriall of that noble woman twise French Queene,

Lady _Anne_ of Britaine, wife first to king _Charles_ the viij and after

to _Lewes_ the xij, who passing one day from her lodging toward the kinges

side, saw in a gallerie _Master Allaine Chartier_ the kings Secretarie, an

excellent maker or Poet leaning on a tables end a sleepe, & stooped downe

to kisse him, saying thus in all their hearings, we may not of Princely

courtesie passe by and not honor with our kisse the mouth from whence so

many sweete ditties & golden poems haue issued. But me thinks at these

words I heare some smilingly say, I would be loath to lacke liuing of my

own till the Prince gaue me a maner of new Elme for my riming: And another

to say I haue read that the Lady _Cynthia_ came once downe out of her skye

to kisse the faire yong lad _Endimion_ as he lay a sleep: & many noble

Queenes that haue bestowed kisses upon their Princes paramours, but neuer

vpon any Poets. The third me thinks shruggingly saith, I kept not to sit

sleeping with my Poesie till a Queene came and kissed me: But what of all

this? Princes may giue a good Poet such conuenient countenaunce and also

benefite as are due to an excellent artificer, though they neither kisse

nor cokes them, and the discret Poet lookes for no such extraordinarie

fauours, and aswell doth he honour by his pen the iust, liberall, or

magnanimous Prince, as the valiaunt, amiable or bewtifull though they be

euery one of them the good giftes of God. So it seemes not altogether the

scorne and ordinarie disgrace offered vnto Poets at these dayes, is cause

why few Gentlemen do delight in the Art, but for that liberalitie, is come

to fayle in Princes, who for their largesse were wont to be accompted

th'onely patrons of learning, and first founders of all excellent

artificers. Besides it is not perceiued, that Princes them selues do take

any pleasure in this science, by whose example the subiect is commonly

led, and allured to all delights and exercises be they good or bad,

according to the graue saying of the historian. _Rex multitudinem

religione impleuit, quæ semper regenti similis est._ And peraduenture in

this iron & malitious age of ours, Princes are lesse delighted in it,

being ouer earnestly bent and affected to the affaires of Empire &

ambition, whereby they are as it were inforced to indeuour them selues to

armes and practises of hostilitie, or to entend to the right pollicing of

their states, and haue not one houre to bestow vpon any other ciuill or

delectable Art of naturall or morall doctrine: nor scarce any leisure to

thincke one good thought in perfect and godly contemplation, whereby their

troubled mindes might be moderated and brought to tranquillitie. So as, it

is hard to find in these dayes of noblemen or gentlemen any good

_Mathematician_, or excellent _Musitian_, or notable _Philosopher_, or els

a cunning Poet: because we find few great Princes much delighted in the

same studies. Now also of such among the Nobilitie or gentrie as be very

well seene in many laudable sciences, and especially in making of Poesie,

it is so come to passe that they haue no courage to write & if they haue,

yet are they loath to be a knowen of their skill. So as I know very many

notable Gentlemen in the Court that haue written commendably, and

suppressed it agayne, or els suffred it to be publisht without their owne

names to it: as if it were a discredit for a Gentleman, to seeme learned,

and to shew himselfe amorous of any good Art. In other ages it was not so,

for we read that Kinges & Princes haue written great volumes and publisht

them vnder their owne regall titles. As to begin with _Salomon_ the wisest

of Kings, _Iulius Caesar_ the greatest of Emperours, _Hermes Trisingistus_

the holiest of Priestes and Prophetes, _Euax_ king of _Arabia_ wrote a

booke of precious stones in verse, prince _Auicenna_ of Phisicke and

Philosophie, _Alphonsus_ king of Spaine his Astronomicall Tables,

_Almansor_ a king of _Marrocco_ diuerse Philosophicall workes, and by

their regall example our late soueraigne Lord king _Henry_ the eight wrate

a booke in defence of his faith, then perswaded that it was the true and

Apostolicall doctrine, though it hath appeared otherwise since, yet his

honour and learned zeale was nothing lesse to be allowed. Queenes also

haue bene knowen studious, and to write large volumes, as Lady _Margaret_

of Fraunce Queene of _Nauarre_ in our time. But of all others the Emperour

_Nero_ was so well learned in Musique and Poesie, as when he was taken by

order of the Senate and appointed to dye, he offered violence to him selfe

and sayd, _O quantus artifex pereo!_ as much to say, as, how is it

possible a man of such science and learning as my selfe, should come to

this shamefull death? Th'emperour _Octauian_ being made executor to

_Virgill_ who had left by his last will and testament that his bookes of

the _Aeneidos_ should be committed to the fire as things not perfited by

him, made his excuse for infringing the deads will, by a nomber of verses

most excellently wntten, whereof these are part.

_Frangatur potius legure, veneranda potestas,

Quam tot congestos noctesque diesque labores

Hauserit vna dies_.

And put his name to them. And before him his vncle & father adoptiue

_Iulius Caesar_, was not ashamed to publish vnder his owne name, his

Commentaries of the French and Britaine warres. Since therefore so many

noble Emperours, Kings and Princes haue bene studious of Poesie and other

ciuill arts, & not ashamed to bewray their skils in the same, let none

other meaner person despise learning, nor (whether it be in prose or in

Poesie, if they them selues be able to write, or haue written any thing

well or of rare inuention) be any whit squeimish to let it be publisht

vnder their names, for reason serues it, and modestie doth not repugne.

_CHAP. IX._

_How Poesie should not be imployed vpon vayne conceits or vicious or

infamous._

Wherefore the Nobilitie and dignitie of the Art considered aswell by

vniuersalitie as antiquitie and the naturall excellence of it selfe,

Poesie ought not to be abased and imployed vpon any vnworthy matter &

subject, nor vsed to vaine purposes, which neuerthelesse is dayly seene,

and that is to vtter contents infamous & vicious or ridiculous and

foolish, or of no good example & doctrine. Albeit in merry matters (not

vnhonest) being vsed for mans solace and recreation it may well be

allowed, for as I said before, Poesie is a pleasant maner of vtterance

varying from the ordinarie of purpose to refresh the mynde by the eares

delight. Poesie also is not onely laudable, because I said it was a

metricall speach vsed by the first men, but because it is a metricall

speech corrected and reformed by discreet iudgements, and with no lesse

cunning and curiositie than the Greeke and Latine Poesie, and by Art

bewtified & adorned, & brought far from the primitiue rudenesse of the

first inuentors, otherwise it might be sayd to me that _Adam_ and _Eues_

apernes were the gayest garmentes, because they were the first, and the

shepheardes tente or pauillion, the best housing, because it was the most

auncient & most vniversall: which I would not haue so taken, for it is not

my meaning but that Art & cunning concurring with nature, antiquitie &

vniuersalitie, in things indifferent, and not euill, doe make them more

laudable. And right so our vulgar riming Poesie, being by good wittes

brought to that perfection we see, is worthily to be preferred before any

other matter of vtterance in prose, for such vse and to such purpose as it

is ordained, and shall hereafter be set downe more particularly.

_CHAP. X._

_The subiect or matter of Poesie._

Hauing sufficiently sayd of the dignitie of Poets and Poesie, now it is

tyme to speake of the matter or subiect of Poesie, which to myne intent

is, what soeuer wittie and delicate conceit of man meet or worthy to be

put in written verse, for any necessary use of the present time, or good

instruction of the posteritie. But the chief and principall is: the laud

honour & glory of the immortall gods (I speake now in phrase of the

Gentiles.) Secondly the worthy gests of noble Princes: the memoriall and

registry of all great fortunes, the praise of vertue & reproofe of vice,

the instruction of morall doctrines, the reuealing of sciences naturall &

other profitable Arts, the redresse of boistrous & sturdie courages by

perswasion, the consolation and repose of temperate myndes, finally the

common solace of mankind in all his trauails and cares of this transitorie

life. And in this last sort being vsed for recreation onely, may allowably

beare matter not alwayes of the grauest, or of any great commoditie or

profit, but rather in some sort, vaine, dissolute, or wanton, so it be not

very scandalous & of euill example. But as our intent is to make this Art

vulgar for all English mens vse, & therefore are of necessitie to set

downe the principal rules therein to be obserued: so in mine opinion it is

no lesse expedient to touch briefly all the chief points of this auncient

Poesie of the Greeks and Latines, so far forth as it is conformeth with

ours. So as it may be knowen what we hold of them as borrowed, and what as

of our owne peculiar. Wherefore now that we haue said, what is the matter

of Poesie, we will declare the manner and formes of poemes used by the

auncients.

_CHAP. XI._

_Of poemes and their sundry formes and how thereby the auncient Poets

receaued surnames._

As the matter of Poesie is diuers, so was the forme of their poemes &

maner of writing, for all of them wrote not in one sort, euen as all of

them wrote not vpon one matter. Neither was euery Poet alike cunning in

all as in some one kinde of Poesie, not vttered with like felicitie. But

wherein any one most excelled, thereof he tooke a surname, as to be called

a Poet _Heroick, Lyrick, Elegiack, Epigrammatist_ or otherwise. Such

therefore as gaue them selves to write long histories of the noble gests

of kings & great Princes, entermedling the dealings of the gods, halfe

gods or _Heroes_ of the gentiles, & the great & waighty consequences of

peace and warre, they called Poets _Heroick_, whereof _Homer_ was chief

and most auncient among the Greeks, _Virgill_ among the Latines. Others

who more delighted to write songs or ballads of pleasure, to be song with

the voice, and to the harpe, lute, or citheron & such other musical

instruments, they were called melodious Poets [_melici_] or by a more

common name _Lirique_ Poets, of which sort was _Pindarus, Anacreon_ and

_Callimachus_ with others among the Greeks: _Horace_ and _Catullus_ among

the Latines. There were an other sort, who sought the fauor of faire

Ladies, and coueted to bemone their estates at large, & the perplexities

of loue in a certain pitious verse called _Elegie_, and thence were called

_Eligiack_: such among the Latines were _Ouid, Tibullus_, & _Propertius_.

There were also Poets that wrote onely for the stage, I meane playes and

interludes, to receate the people with matters of disporte, and to that

intent did set forth in shewes pageants, accompanied with speach the

common behauiours and maner of life of priuate persons, and such as were

the meaner sort of men, and they were called _Comicall_ Poets, of whom

among the Greekes _Menander_ and _Aristophanes_ were most excellent, with

the Latines _Terence_ and _Plautus_. Besides those Poets _Comick_ there

were other who serued also the stage, but medled not with so base matters:

For they set forth the dolefull falles of infortunate & afflicted Princes,

& were called Poets _Tragicall_. Such were _Euripides_ and _Sophocles_

with the Greeks, _Seneca_ among the Latines. There were yet others who

mounted nothing so high as any of them both, but in base and humble stile

by maner of Dialogue, vttered the priuate and familiar talke of the

meanest sort of men, as shepheards, heywards and suchlike, such was among

the Greekes _Theocritus_: and _Virgill_ among the Latines, their poemes

were named _Eglogues_ or shepheardly talke. There was yet another kind of

Poet, who intended to taxe the common abuses and vice of the people in

rough and bitter speaches, and their inuectiues were called _Satyres_, and

them selues _Satyricques_. Such were _Lucilius_, _Iuuenall_ and _Persius_

among the Latines, & with vs he that wrote the booke called Piers plowman.

Others of a more fine and pleasant head were giuen wholly to taunting and

scoffing at vndecent things, and in short poemes vttered pretie merry

conceits, and these men were called _Epigrammatistes_. There were others

that for the peoples good instruction, and triall of their owne witts vsed

in places of great assembly, to say by rote nombers of short and

sententious meetres, very pithie and of good edification, and thereupon

were called Poets _Mimistes_: as who would say, imitable and meet to be

followed for their wise and graue lessons. There was another kind of

poeme, inuented onely to make sport, & to refresh the company with a maner

of buffonry or counterfaiting of merry speaches, conuerting all that which

they had hard spoken before, to a certaine derision by a quite contrary

sence, and this was done, when _Comedies_ or _Tragedies_ were a playing, &

that betweene the actes when the players went to make ready for another,

there was great silence, and the people waxt weary, then came in these

maner of counterfaite vices, they were called _Pantomimi_, and all that

had before bene sayd, or great part of it, they gaue a crosse construction

to it very ridiculously. Thus haue you how the names of the Poets were

giuen them by the formes of their poemes and maner of writing.

_CHAP. XII._