I made a quick explanation of what Kennedy wanted and was pleased to

see that she was interested.

"I think it's a good idea to visit the tea-room," I explained, then

added, doubtfully, "but how are you going to find out whether our

people are remembered there--if they don't happen to be remembered by

name?"

"Nothing simpler," Belle replied. "Some one there will surely remember

faces. We'll settle that in the art department."

Thus, armed with photographs of Shattuck, Vina, Honora, and Wilford

which _The Star_ already possessed in its files, Belle and I set out on

our quest.

The Orange and Blue Tea-room was not easy to find by one unfamiliar

with the Village and its queer twists of streets. But Belle knew it

well and I had some slight recollection of it.

It was originally a low-ceilinged basement in an old house not far from

Washington Square. The upper floors were now "studios." In the former

basement, almost a cellar, were three rows of tables extending the

length of the place and overrunning out into the little back yard where

one dined in summer _al fresco_.

At the far end, on one side, was a little raised platform, and on it

was a piano strummed by a blind player. Opposite was the entrance to

the kitchen, which was subterranean.

Belle and I entered, and immediately the highbrow hold-up began, just

as up-town, with a coat-and-hat check-boy. We made our way to one of

the tables along the wall and seated ourselves. Everywhere orange

and blue decorations, true to the name, smote the eye, on walls, on

ceiling, on chintzes, on the floor, on everything, it seemed, but the

table-cloths and the silverware.

"You know, orange stands for temperament," chatted Belle, as she saw me

marveling at the color riot. "New art, I guess."

"Insanity art," I replied, with a smile. "Don't mistake me, I enjoy it,

though. It's atmosphere--especially when that kitchen door is open."

Belle looked about, as a woman will, at once attentive to our

conversation, taking in whatever was happening within the range of

two ordinary men's vision, now and then nodding to some acquaintance,

sweeping a glance at the menu and tucking in a stray wisp of black

hair, all at once and each without in the least interfering with the

other.

"I suppose the 'Villagers' are here in force," I suggested, noting as

best I could all her simultaneous actions and probably missing the

other half which I have not recorded.

Belle smiled. "Villagers don't come here much. The place is too well

known. Besides, there are not so many 'Villagers' as you would think.

No doubt most of them are up-town. No, most of these people are

skirmishers from the highbrow and curious up-town and out-of-town. You

see, there's a sort of reciprocity about it."

However that might have been, there was enough that was picturesque and

one felt sure that one was really in an environment of the bobbed hair

and maiden names for wives--that is, assuming that the words maiden and

wives were still in the vocabulary.

"All parlor socialists?" I inquired, looking about.

"Have your little joke," frowned Belle. "We all have to, I suppose.

But really, down here, after all, there are people who think, who _do_

things."

I had been waiting for that expression, "do things." They all "do

things" down in Greenwich Village, even if it is only to compose music

for the zither or publish one's own amateur magazine on butcher paper

from hand-set type. Evidently Belle took the Village more or less

seriously, after all.

"Besides," she faltered, "there are no parlor socialists, any more,

anyhow. That belongs to the old muck-raking magazine days."

"I see--limousine liberals now--or boudoir Bolsheviki."

"Maybe you'd better eat," suggested Belle, sarcastically.

"It's a tea-room," I parried, glancing down at the menu. "I suppose

it's orange pekoe--although they don't seem to be drinking it. Perhaps

they're all smoking it. Now that we're all supposed to be so good, I

hear that tobacco will be replaced by dried powdered tea leaves and

coffee grounds. They say a caffein jag or a thein jag has merits.

Passing by the paraldehyde cocktail, what's good?"

Belle's good humor was restored, and with her help I managed to order

everything from soup to nuts--and I am sure that there were a good many

fugitives from the squirrels in the room, whether from up or down town.

I was really enjoying myself, so much so that for the moment I almost

forgot the purpose of our visit, when it was recalled to me by Belle,

who spoke in French to the waiter, rather gross and greasy but

answering to the compensating name of Hyacinthe.

"_Où est Ma'm'selle Zona?_" she asked.

The waiter actually understood, and, though it would have been so much

easier in English, Belle conveyed the idea that she would like to

talk to Miss Dare and the waiter agreed to get her, though I felt he

restrained himself with difficulty from replying in good Manhattanite,

"Sure, miss, I'll dig her up"--meaning from the olfactory Hades beneath

us.

Zona Dare proved to be a slender youngish lady, with the conventional

shock of dark bobbed hair--with a dilettante exterior but a very

practical secret self, I am sure. Even a mere introduction to her

told me she was a member of that curious "third sex" that evolution

is giving us. I can't exactly describe it. It is not "she" or "he"

exactly, neither he-woman nor she-man. Certainly it is not neuter.

Maybe when nature, or whatever it is that is operating, gets through we

may be able to classify it.

Belle knew her, of course. Belle knew everybody. In fact she knew her

so well that Zona, on urging, consented to sit down with us awhile and

actually ordered tea--in a pot, too, though whether Russian, English

or Scotch or Rye I am not sure. At any rate, it seemed to promote

conversation and confidence and I covered my raillery with protective

coloring.

What I enjoyed was the utter freedom of the conversation. We had soon

progressed to bolshevism and the government ownership and operation of

women. Finally the conversation put into the ultimate port of the "new

morality."

"One must live one's life," seemed to be the burden of the philosophy,

and I did not quarrel with the 1919 model of hedonism, for by this time

I began to see a ray of hope that finally I might learn something about

those whom Kennedy and I had been studying. I recalled Vina's remark to

us over her contemplated divorce, "I believe every woman should live

her own life as she sees fit." Doubtless she had absorbed it here.

It was evident, however, that there could only be so many triangles a

week--and besides, "the eternal triangle" was in itself condemned by

its mere ancient origin. What next? I guessed right--bolshevism, of

course.

I found I had dropped right into the intelligenzia--the very sovietment

of society, where _The Nation_ and _The New Republic_ were considered

hide-bound conservatives. I did not quarrel even at the addition of red

to the orange-and-blue color scheme, though I adopted the attitude of

one mildly seeking the truth.

"Perhaps Freud can explain," I suggested, after one passage at arms

with Zona, ably seconded by Belle, "why it is that a prosperous

aristocratic feminist should enjoy contemplating casting her rope of

pearls before the proletariat. What do these comfortable nibblers at

anarchy expect to get out of it?"

There was an answer. I have forgotten it, but it was clever and

convincing. It always is, just as glib sophistry and specious phrases

are. The gist was that all psychology, science, the history of

the human race, had been superseded by some quite indefinite idea

originated in a land with problems about as much related to us as the

dredging of Martian canals would relate to Suez and Panama.

However, the purpose was accomplished, and Belle, with her human point

of view, which one gets from seeing this corrupt old world from a

newspaper office, saw it. Gradually, the conversation had drifted about

to Freud.

I was glad that I had learned so much about him from Kennedy, for

I was surprised at the knowledge that Zona really had of him. Was

it superficial--as so much of that little world into which Kennedy

had plunged me? I am not sure. At least, Zona posed as a Freudian

interpreter. I was sorry Kennedy was not present, for I was inclined to

accept her as such. The fact was that it set me thinking that perhaps

she had educated in the theory many to whom a little knowledge is

dynamite.

Belle's keen mind seemed to read my thoughts, even to leap ahead of me.

She reached into her bag and drew forth some photographs.

"Oh, Zona, by the way," she rattled on, "that reminds me. Did you ever

see this man here--or this woman?"

Zona took the photographs of Shattuck and Vina, and with just a glance

answered, "Indeed I have!"

"Do you recall a night when there was a scene here--another woman?"

went on Belle, producing the photograph of Honora.

"Yes--I remember her. I know them all. They're in this case that's in

the papers now. The lawyer who was killed was that woman's husband,"

she added, pointing to Honora. "Why? Are you writing them into your

column?"

"Yes," confessed Belle. "That is, if I can get a good enough story out

of the incident here."

At once Zona's keen, practical mind leaped to the bait of publicity

held out by Belle. What could be better advertising than for the

celebrated case in the news to be connected with the tea-room? It would

crowd the place.

"What is it you want to know?"

"Just what happened."

"I didn't see it all. As nearly as I can recall that man--Mr. Shattuck,

his name is--was at a table with Mrs. Lathrop when Mrs. Wilford

approached. You see, I knew them all slightly. I know so many people

who come here from up-town. It flatters them--and I have a good memory

for names. I had seen Mrs. Wilford here several times before with Mr.

Shattuck--and once I think with Mr. Wilford--I'm not sure. Anyhow, I

knew her--I think I sold her a box for our Freud play last year--I'm

not sure. I'd have to look that up. Well, there was quite a scene when

Mrs. Wilford stopped and faced Mrs. Lathrop at her table. But here's

the strange part of it. I don't know whether you know it or not. But

just before that, while Mrs. Wilford was sitting at the table just back

of us--the two were down there near the piano--Mr. Wilford himself

came in. He was about to give his hat and stick to the check-boy when

he caught sight of the back of his wife's head. She was alone--right

there--then. He spoke a few words to a man near the street door. I

don't know _him_. He never came here before and I haven't seen him

since. But, at any rate, Mr. Wilford spoke to him, then turned and left

in a great hurry. I wasn't here through it all. Just a moment, Pedro!"

she called to a waiter who was passing at the moment.

Pedro completed his service at another table, then came over to Zona.

"Did you ever see these people here?" asked Zona, turning over the

photographs of Vina and Shattuck.

Pedro was at first suspicious, and, in fact, I do not believe that he

would have told us a thing had it not been Zona herself who questioned

him.

"Yes," he admitted, finally, "I remember one night they were here."

"Did you serve them?" asked Zona.

"Yes," he replied, apparently reluctant to be drawn into anything.

"Do you remember anything that happened?"

"I was very busy," he evaded. "The woman came in first alone, I

remember, and said she was waiting for a friend. Then the man came in.

I thought she was surprised to see him--but I thought it was all right.

She had said she was going to meet a friend."

I shot a quick glance at Belle, who nodded. It was evident that Vina

had not expected to meet this friend.

"Do you remember anything that was said?" I ventured.

Pedro looked at me suspiciously. "I was too busy serving," he replied.

"It was the busy time."

"What seems to be the trouble?" I asked, not cross-questioningly, but

more as if merely for information. "You don't seem to want to answer.

Are you afraid of something?"

Pedro regarded me a moment, then looked at Zona.

"It's all right," she reassured.

"Well--you see--once I was in a divorce suit--in court--I lose t'ree,

four days' pay--the boss he fire me. Are you detective?"

I smiled and evaded the question, under cover of Zona's presence, and

again reassured him.

"There was another woman came in, wasn't there?" I asked, as Belle

produced the photograph of Honora.

"Yes--that's her."

"She didn't sit with them," I prompted.

"No," he replied, "over there," pointing to the table Zona had already

indicated.

"Did you wait on her?"

"No--Louis."

"But you saw her?"

"But yes--every one did--one could not help. She came in as though she

was looking for some one."

"And then what?"

"I was serving the fish. This woman, she get up quickly and come down

to the table. Oh--but she was angry--at the man--at the woman."

"Did she make a scene--I mean did every one see it?"

"I should say! I had just left the table--but every one see

it--yes--and hear, too, I think."

"What did you hear?"

"I? Nothing. I was by that time at the door to the kitchen. But she was

angry--the color in her cheeks--the voice. I think she must be the wife

of the man--she seem so angry at him, also."

Discreet Pedro, I reflected. He was making everything as indefinite as

possible to render himself less liable to be called to court in case of

trouble. However, he was telling me just what I wanted to know. It was

already sufficiently evident that Vina had actually had the appointment

first with Wilford himself, that she had got there early, that he had

been late, perhaps purposely, due to some suspicion, or perhaps to

make sure of covering himself, for he must have provided for Rascon's

operative in case of trouble.

Piecing the thing together, I was convinced that, in some way, Honora

had learned of the appointment and that Shattuck had learned of it,

too--though it must have been independent, else why their encounter?

Shattuck had come--perhaps to face Wilford. At any rate, he had been

sitting with Honora when Wilford's wife, of all persons, came in and

saw him with Vina.

There my deductions broke down. What were her emotions? Was she jealous

of Shattuck paying attentions to the woman who had so fascinated her

own husband? How far was she piqued at the thought of not having hold

enough over Shattuck, also, to keep him from Vina? As for Shattuck, was

he really fascinated by Vina, after all? I did not try to pursue that

line of analysis farther, yet.

At any rate, Honora had seen them and in turn had herself been seen

by her own husband, who had stopped only just long enough to give his

detective instructions, then had departed unobserved by the other three

as he entered. Whatever Shattuck's attempt at explanation, when faced

by Honora, it had not been convincing, at least to her. They had left

together, parted at the door. But I knew that the misunderstanding must

have been patched up later, for they had been together since that time.

A few more questions showed that Pedro had nothing to add, and I let

him go. Zona told me what little she had observed. From the other

waiter, Louis, I learned one thing, however, about Honora and her

actions before she rose and made the little scene at the other table.

She had come in rather pale and agitated. As she sat there, having

ordered, but with her food untouched, she had seemed to get much

calmer, though her face became more and more flushed and her eyes

animated as she missed no movement of the other couple. It was that

very absorption that probably had been the cause of her missing the

very man she sought, her husband. But it meant more than that. It told

me something of her nature, that this woman was of the sort that, when

a crisis approached, instead of going to pieces, like many others, was

able to keep such a grip on herself that she swept ahead through the

crisis coolly and clearly, in spite of the suppressed excitement. That

spoke volumes. No doubt when the relaxation came she was on the verge

of collapse. But as long as the need lasted she had complete control.

Did that mean that at the present moment, as she faced Kennedy, she was

repeating the same performance?

Louis had gone, and Zona turned to Belle and myself as if to ask

whether there was anything else she might do for us, at the same time

looking at her watch and fingering her cup as a hint that she was a

busy woman and must get away.

"Why did Shattuck meet her here?" I thought aloud, wondering if,

perhaps, Zona herself might not know them and betray something.

She shrugged, and I was morally certain that she did know them both,

and well. But evidently, as to bringing herself personally or her

theories directly into the case, there was a barrier.

"Mr. Shattuck seemed to be interested--but--you can never tell. He is

one of those men who have the faculty of making every woman think she

is the only woman."

"Did he ever discuss things with you--I mean Freud--current topics of

conversation?" I ventured, covering my interest as best I could.

"Oh yes, in a general way. Almost everybody who comes here does. They

all know my hobbies. That's why they come here, I guess. Isn't it,

Belle?"

"To see you, dear--yes. I know _I_ do. Without Zona--there are a dozen

places one might go. They lack something."

"He seemed interested in Freud?" I pursued.

"Y-yes--but so are we all down here, just now."

Evidently Zona was hedging. I gathered that Shattuck's interest had

been rather more than ordinary.

"And Vina Lathrop--was she interested, too? You must have known her."

"Yes, I knew her. Vina _was_ interested--of course. But, then, who is

not, just now? A few years ago only a few had read Freud. Even after he

was translated, still there were only a few. But now--since my play--we

have other plays, books, stories, articles--even Freud doctors, who

before were unknown to the public, have come outside of the medical

press with their names and work. Of course Vina Lathrop was interested.

All women are interested in Freud. Don't you think it concerns

us--just a bit more intimately than it does men?"

For the moment Zona had forgotten her haste to get away and was leaning

forward earnestly over the empty tea-caddy.

"Most assuredly," I agreed, realizing suddenly one reason why Freud is

taken up so readily in a circle such as that which I was now tangent

to. He offers an easy, scientific highroad to the discussion of

intimate sex--and that is, after all, under the veneer, the middle name

of Greenwich Village, as it is of all "highbrows" when one comes to get

under their skins and truly understand what secretly is back of their

"uplifts" and "reforms" in social evils and hygiene.

"But what of Honora?" I asked, loath to lose the piquant assistance of

Zona, once I had it. "Why was she here? Had she come to watch Shattuck?

Or was it to watch Vina? Or was it really to watch her husband? Her

husband or Shattuck--I wonder which?"

"Suppose it was either?" shrugged Zona, nonchalantly. "What of it?"

Evidently the spell of her interest in the Freud discussion had broken

when she finished her last sentence.

"In the former case she is merely old-fashioned," added Zona, "in the

latter merely foolish."

With this typical meaningless cleverness that in reality hides the

shallowness of our advanced "thinkers" Zona bade us adieu. Belle and

I chatted a few moments, when she suddenly discovered she was half an

hour late for an engagement. I settled the check, and we tipped our way

out and into a cab that whirled us up-town, while Belle poked fun at my

benighted conservatism, which I did not mind in the least. I left her

at her hotel, with hearty thanks for the great help she had been in the

case, and sincerely happy, in addition to that, for a pleasant couple

of hours at dinner with a girl with whom one might disagree yet still

regard highly.

A few minutes later I was at the laboratory, full of a new-born theory

that Shattuck, down in the Village, had studied Freud more than we

had suspected merely from finding Freud's books in his library--that

he must have known Honora's dreams, interpreted them, and found out

secretly she still loved him, as her open jealousy had, perhaps, showed

in the incident I had unearthed.

Craig was already there, and at work. He listened attentively and

without comment to what I had to report.

"What have _you_ found?" I asked, finally, when I had finished with my

own facts and theories.

"Oh, I've been down to Shattuck's office in Wall Street," he answered,

rather absently.

"And you saw him? How did he take it?"

"He was very angry. Asked me if I was going to try my case in the

newspapers--was very sarcastic. I was just about leaving when I met

Doctor Lathrop coming in."

"Doctor Lathrop--coming in!" I exclaimed. "How was that? How was

Lathrop--and why there?"

"I saw him alone first. He was very much upstage with me. I thought

there was something brewing, so I stayed--that is, went back with him.

I'm glad I did. I think I narrowly averted a fight. Lathrop threatened

Shattuck--that is, I mean, all in a very polite way--but it practically

amounted to telling him to stop seeing his wife, to have no more

business relations with her, and all that. It was in the nature of

serving notice. Shattuck is very high-spirited. I think if I had not

been there there would have been trouble. But Lathrop was very suave

and diplomatic."

"I'm wondering about this man Shattuck," I put in. "Is he woman-crazy?"

The laboratory door was suddenly flung open and Doyle burst in.

"_Some_ news!" he exclaimed, excitedly. "The dictagraph works."

"I should expect it to do so," calmed Kennedy. "It has never failed me

yet, when properly used, like all science and invention, at the right

time and place."

"Say--you're a cold shower. Listen--I'm getting closer to her!"

XIII

THE MECHANICAL EAR

"Then it was Honora you overheard over the dictagraph?" I asked,

quickly.

"Not at first," replied Doyle. "I'll come to that later. Let me give it

all to you first."

He pulled from his pocket a set of typewritten notes and excitedly

began to condense what McCabe had just heard over the dictagraph in

the Wilford apartment, sometimes giving it to us from memory, then

refreshing his mind from what McCabe had transcribed.

"It seems that the maid, Celeste, had a visitor," began Doyle.

"Who was it?" hastened Kennedy, impatiently.

"A man named Chase."

"Who's he?"

"Another detective."

"Like Rascon?"

Doyle nodded doubtfully. "I don't seem to know him," he remarked,

sententiously, though in a tone that was prejudiced.

To Doyle all private detective agencies were as the scum of the earth.

I know Kennedy made mental note to look the man up, unprejudiced.

"What do you know about him?" asked Craig.

"Very little--except that from what Celeste said Mrs. Wilford herself

must have employed him at one time or another--perhaps even now. I

guess that woman knew more about what was going on than we think."

I glanced from Doyle to Kennedy. Could it be possible that we

ourselves, in turn, were being watched by her? And was Honora not the

simple, unsophisticated woman I had thought?

"Evidently," went on Doyle, "Celeste was trying to fasten the crime on

Vina Lathrop."

"How's that?" queried Kennedy, sharply.

"Well," returned Doyle, running his eye over the transcribed

conversation to pick out that part which substantiated the statement,

"it seems as though Celeste was trying to tell Chase something that

Chase didn't accept. Here it is. Chase's remark was lost--but it must

have been about Mrs. Wilford's actions that night of the murder.

"'No, no, no--she was not out of this apartment that night.' That was

what Celeste said in answer to him.

"'Come, come, now,' Chase said, 'what's the use of that? You might tell

that to Doyle--but why tell me? Where was she?'

"You see, they're all trying to put it over on me," interjected Doyle,

apoplectically.

"She might have been out--and still not have been near Mr. Wilford or

his office," I returned.

Doyle gave me a withering glance and did not even deign to reply to a

mere reporter.

"Here's the other thing, Kennedy," ignored Doyle. "I mean about trying

to put it on Vina Lathrop--to save Mrs. Wilford.

"'Wasn't _she_ at Mr. Wilford's office?' That's a return question from

Celeste to Chase to divert attention, I tell you."

"What was Chase's answer?"

The Soul Scar: A Craig Kennedy Scientific Mystery Novel · 第 9 / 15 段