"I thought," apologizes the child, "I thought it might not be so

_very_ wrong. The nights are so long, and when I tried to sleep my

eyes wouldn't shut; for I kept thinking of him (indicating reverently

the corpse), and of the other, too. Peter says _he's_ crazy, and awful

wicked, and down there in the dungeon with the rats, an' all in irons!

And when I thought of it, I got wider and wider awake, and then I came

to father. When he was alive (apologetically), of course, he didn't

care to have me around, and so I stayed mostly with Uncle Tim and

Peter, and the others; but I thought he might be glad, up in heaven,

if he saw me staying with him _now_ when he is all alone."

"It was not at all wrong, dear child," says Miss Paulina; "but come

away with _me_ now. I am your father's cousin, my child, your Aunt

Paulina. You shall try _my_ bed to-night, and see if you cannot sleep

_there_."

Permitting the child a last good-night kiss, Miss Paulina re-covers

the dead face of Warden Flint, upon which the sharp agony of that

cruel exit from life yet lingers, and the two pass reverently from the

chamber.

Never, in all May-blossom's unmothered life, has there been a night

like this. The warm cuddling in tender arms, two fairy tales, the

tucking up in bed, and, last of all, the singing of a Scotch ballad,

sweet as April rain, upon whose soothing rhythm the weary little soul

floats awhile in semi-consciousness, and, at last, falls deliciously

into the soft arms of sleep.

* * * * *

We may be sure that all the veteran funeralgoers (those irrepressible

"mutes") were on evidence at the funeral of Warden Flint; that his

most sequestered virtues were brought to the front, and put on parade

for the occasion, and that the usual number in attendance pronounced

the remarks "excellent." After the service the coffin is borne

uncovered through the guard-room, and deposited in the prison yard.

The convicts filing thither, in reverent procession, are permitted a

last look at their warden. Hodges, the murderer, taken from his

rayless dungeon, and blinking dazedly at the light, is (after the

old-time experimental fashion) brought face to face with the corpse.

He neither weeps nor smiles. His face wears the blank expression of

utter imbecility. After much prodding from his attendants, he

recognizes the warden, and babbles, "O dear! have I killed him?" When

bidden to put his hand on the body, he recoils and shudders. He

exhibits no other emotion, and, clanking his irons, is led supinely

back to the "Lower Arch." The convicts retire in slow, orderly

procession, and the coffin is returned to more private quarters. The

lid is screwed down. Mrs. Jones, standing at the front window, counts

the carriages, and, as the body is being adjusted on its hearse, Mrs.

Miller, in a resonant whisper, asks Mrs. Brown, "How soon they expect

to get into the new house, and if she's weaned the baby?" Amid this

easy chit-chat, the mourning carriages fill, the procession starts.

After this, the Joneses, Millers, and Browns go their ways. The

funeral is over.

Warden Flint's successor, an oldish man with grown-up sons, promptly

appointed by the governor, arrived upon the scene directly upon the

heels of _his_ departure (death's widest gaps are soon filled!), and,

as there were none to say her nay, Miss Parker tacitly adopted his

homeless child, and made ready for _her_ departure. Miss Paulina

(admirable as she was) had her limitations. The convict, viewed

through the disparaging lens of her own immaculate spectacles, was not

an eligible associate, and the tender, all-round leave-taking,

permitted between her innocent charge and her attainted friends, was

an heroic stretch of good-will on the part of this excellent lady.

At last, it was all well over. May-blossom had given her farewell hug

to Peter Floome and "Uncle Tim," and her sweet eyes yet wet with

tears, and hanging, as to a last plank, upon the cage of a fluttering

yellow canary (the parting souvenir of the inconsolable turnkey), was

safely bestowed in the two P. M. train on her way to Saganock,--now no

longer a "prison child."

The general depression incident to the withdrawal of this sweet

familiar presence from the gray old prison was slightly relieved by

speculative interest in the new warden. It might reasonably be hoped

that this bran-new broom would sweep away _some_ time-honoured

abuses--such as the iron crown, the ball and chain, the lash, and the

parti-coloured prison attire. It was also inferred that he would

reduce the number of consignments to the "Lower Arch," since a

recently dungeoned culprit had gone stark mad in that unsavoury place,

and refusing, on the expiration of his term of detention, to vacate in

favour of an incoming tenant, had been, like some elusive rat,

actually smoked out of his hole![2] As to that forceful incentive to

propriety, the penal shower-bath, it was whispered that even the

commissioners themselves had become shaky in regard to its usefulness,

since the sad taking off of a prison warden had been the latest

result of that mode of disciplinary torture, a description of which is

here subjoined for the curious.

[2] A fact furnished by an aged officer who witnessed this unique

eviction.

The refractory wretch, his arms, legs, and neck confined in wooden

stocks, is seated, nude, in a small, dark closet. From three to four

barrels of water are placed above his head, at an elevation of six to

eight feet. Unable to change in the slightest degree his position, he

receives upon the top of his head, drop by drop, in sudden shower or

heavy douche (as may best suit the fancy of his tormentor), this

terrible bath. As a devilish after-thought of the inventor, a

trench-like collar is made to encircle the victim's neck; as the water

descends, this collar fills, and it is so contrived that at the least

movement of the sufferer's head the water shall flow into his mouth

and nostrils, until he is upon the verge of strangulation. By order of

the Board, the shower bath was, in 18--, set up in the State Prison.

Could that criminal institution have furnished an unlimited supply of

waterproof brains, it might have flourished there indefinitely; but

mad convicts are troublesome, nay, _sometimes_ dangerous, and

insanity behind the bars is, therefore, not to be wantonly induced.

Hodges, a provokingly incorrigible sinner, had been, time out of mind,

"under treatment." At the command of Warden Flint, he had (putting it

in Peter Floome's own forcible English) "ben showered out of his wits,

and into his wits, an' then showered right _over_ agin." In the

abnormal mental state induced by this prolonged torture, the wretched

creature had finally turned upon his tormentor. Discouraged by this

unlooked-for practical result of the shower-bath, the Board

subsequently ordered the discontinuance of its use in the prison; and

Hodges was the last subject of that infernal contrivance.

He was brought to trial for the murder of his keeper, and acquitted on

the ground of insanity; and finally made good his escape from this

troublous life, by a leap from an upper window of the State Insane

Hospital.

Hodges was an accomplished rogue, and a second comer to the prison,

and it is to be inferred that by the door of death "he went to his

place," leaving the world none the poorer by his withdrawal from it;

all the same, he is to be congratulated on his ultimate escape from

the penal water cure.

* * * * *

It is May-day; and high tide with the Saganock. It is a brimful

hurrying river, and, at this moment, fully verifies that distracting

old saw, "Time and tide stay for no man." And here, amid budding

lilacs and singing robins, some half head taller, and two good years

older than on the day when she bade a final adieu to the prison, is

May-blossom. On this sunny slope of the Parker lawn she is prospecting

for early violets. Her sweet face has grown thinner. Violet circles

underline her soft gray eyes. Her lips are as threads of scarlet wool,

and, listening, you may hear her cough--deep and hollow. Alas! It is a

sound to make the heart ache.

Soon wearied by her futile search, the child returns to her cosy

corner on "the stoop," and there, curled up beneath the soft warm

folds of an afghan, watches the westering sun, the fleecy clouds, and

the familiar river speeding on to the sea.

Meantime, at the north door, Dr. Abel Foster, the family "medicine

man," briskly alights from his buggy. Before his hand can touch the

knocker it is opened by Miss Paulina herself. "Good afternoon, my dear

lady; and so pussy is still ailing, is she?" cries the good doctor

(this with assumed nonchalance, slightly overdone).

"Yes, Doctor Foster," replies Miss Parker; "and will you kindly sound

her lungs to-day, and let me know the worst? One flinches indeed, but,

if it _must_ come--why, then--" an ominous quaver in the gentle voice;

and the doctor shrewdly interrupts:

"Bless you, madam! I'm in a terrible hurry! Twenty patients waiting

for me this minute! Let me see the little girl at once."

May-blossom is called in, her blue-veined wrist consigned to the

doctor's big feelers; her tongue submitted to a critical inspection;

and, after undergoing a prolonged professional thumping and

hearkening, she is soundly hugged and kissed, and, with a nod and a

smile, dismissed. After this, Doctor Foster and the lady of the

mansion are closeted awhile together. The buggy then passes down the

drive, and disappears on the long dusty road. Soon after, the south

door opens, and a face, pale and sad, but very calm, bends over the

child, who has again returned to her out-door seat. Very tenderly is

the warm afghan folded about the small, fragile form. The robins no

longer sing. The sun, half-obscured, is going down. The burying-ground

stands drearily out against the murky sky. The pines wail mournfully,

and the river--at ebbing tide--murmurs in sad refrain. Old Harmy,

moulding tea-biscuits at her kitchen window, imparts to Mandy Ann--who

is shaving the dried beef for tea--her belief that Miss Paulina "hes

gone clean crazy, settin' out-doors with that child, an' the dew a

fallin' this very minnit, like sixty!" Miss Paulina--recovering her

wits--hurries her darling in. The tea-table is already laid in the

south keeping-room, beside the wide fireplace, with its ancient crane,

and its Scriptural border of watery blue Dutch tiles; and, in the

cheerful apple-wood blaze, the two partake together of that now almost

obsolete meal--a substantial six o'clock tea. May-blossom is then

snugly settled among the cushions of a wide chintz lounge, and the

elder lady, in a low seat beside her, and holding lovingly her small

wasted hand,--as is her wont,--chats pleasantly with her darling, in

the soft, quiet gloaming. At nine, they pass, hand in hand, to Miss

Paulina's own chamber, where the child's cot has long been

established. May-blossom undressed, kissed, and blessed, creeps

drowsily between its warm blankets, and is soon sound asleep. Miss

Paulina, in her dressing-gown, broods over the dying fire, far into

the night. Alas! have not all her best beloved gone from her? Why

might not Heaven have spared to her this last--the one ewe lamb, so

tenderly carried in her arms, and warmed in her lonely bosom? Why not;

ah, _why_? She recalls the blessed comfort of two love-lightened

years; the daily lessons, when to teach this bright little creature

had been a mere pastime; their woodland fern and flower-gatherings,

their winter fireside cosiness, all the nameless homely delights of

love's dear fellowship--wayside flowers, that, scarce perceived,

blossom along life's trodden ways. And now it is all coming to an end!

Nothing will be left her but one small, grass-grown grave! As if there

were not already graves enough in her world!

May-blossom, though not a sickly child, had never been robust; and

when, at midwinter, she had taken the measles, this epidemic of

childhood had gone hard with her. She had convalesced but slowly; an

ugly cough had set in, and could not be routed; and now there were

hectic afternoons, debilitating night-sweats, succeeded by mornings of

lassitude; and, to-day, Doctor Foster had summed up his diagnosis in

one dreadful word--_consumption_!

"The child," explained the good doctor--tears blinding his kind old

eyes--"has grown up (as it were) in the cellar; delicate nervous

organization; too much brain; too little out-door life; and the

outcome of it all is simply this--with that cough, and that

constitution (God help us!) an angel from heaven couldn't save her!"

* * * * *

Summer is coming. The buttercups are here. May-blossom is better. She

sleeps well, coughs less, and her appetite is mending. Buoyed by

deceitful hope, Miss Paulina takes heart, and the train for Boston,

from whence,--crowned with the spoil of a half day's shopping,--she

is, at this very moment, returning. The carryall fairly groans under

its accumulated bundles; and the steel-clasped bag upon her arm is

plethoric, to the last degree. Hours have passed since she parted

from her darling. Hastily alighting, she hurries in. There is an

under-quaver of anxiety in her voice as she calls, "May! May, May,

dear!" Where _can_ the child be, that she has not run to

meet her! "May!" again, and louder--still no reply. Yet now a

never-to-be-mistaken voice comes cooingly from the kitchen. "Who _can_

the darling be fondling? (Harmy Patterson, though staunch and loving,

is not one to unbend to endearments!) Her kitten, most likely."

She softly opens the kitchen door. Amazement stays her feet upon the

threshold! Harmy, mute with horror, indicates with stretched

forefinger her own clean patchwork-cushioned rocker, wherein, bolt

upright, sits an unknown man,--and _such_ a man! His coarse, dusty

garments (evidently fashioned without the slightest reference to their

present wearer) hang scarecrow-wise upon his graceless form. Under his

slouched hat (which he democratically retains) he seems to skulk

abjectly from the gazer's eye; as well he may, for, unshaven and

unshorn, his wide mouth stained with tobacco, his hands and face

begrimed with dust, he looks, every inch, the wretched outcast that he

_is_! And (no wonder that old Harmy gapes distraught), seated

lovingly upon this creature's knee, her dainty fingers clasping his

dirty hand, her golden curls brushing his grimy neck, is

May-blossom,--yes, May-blossom, her own sweet self, beaming, and fond,

and absolutely unconscious of the incongruity of the situation. And

this forlorn being, craving still of humanity but leave to carry on

its shoulders the shamed head of a man, is a convict,--our old prison

acquaintance, Peter Floome, May-blossom's sometime nurse, and always

friend!

Lightly springing from her unseemly perch, the child hastens to greet

Miss Paulina, and, hanging fondly upon her hand, cries eagerly, "Oh,

auntie, darling, I'm so glad you've come! Here's Peter, dear old

Peter! He's pardoned out, auntie, and, isn't it nice? He can come and

see me every day now if he likes.

"Why, auntie! (somewhat crestfallen) aren't you glad? and won't you

shake hands with him? Peter is nice, auntie, and he used to take

_such_ care of me when I was _ever_ so little. You'll like Peter when

he's washed up, and so will Harmy, though she _does_ mind him just a

little _now_, because she's not acquainted with him." (Harmy, _sotto

voce_, and emphatically, "Lord sakes, no; an' don't never want to

be!") Here, reminiscences of prison etiquette visiting Peter's dazed

mind, he shuffles bashfully to his feet, and, pulling distractedly at

his matted forelock, goes through a certain gymnic performance,

supposed, by himself, to constitute a bow. The ice thus broken, Peter

finds his tongue, and blurts out a "Good day, marm, hope I see yer

well, marm."

Miss Paulina bows, a pause, ensues. Peter looks admiringly at

May-blossom, and, thereby gaining inspiration, finds himself equal to

a second attempt at conversation.

"She's growed, marm, like the mischief!" he asserts; "but I knowed

her, I _did_, the minute I sot eyes on her out there in the mowin'

lot! an' she knowed _me_, she did! Yes, yes, she knowed Peter; she

knowed him. Poor old Peter! who don't hardly know himself nowerdays."

Here Peter's voice gets husky, and, brushing away a dirty tear, with

his greasy coat sleeve, he seems to await the issue. Peter Floome is

downrightly the social antipodes of the lady of the homestead.

Conventionally they do not stand side by side in the human group, but,

like Swedenborg's unfraternal angels, "feet to feet." Yet in the

artless harangue of this poor creature there is a touch of honest

nature that at once makes them kin.

"And I, too, must know you, Peter," she says, cordially advancing and

taking in her own clean palm his dirty hand.

Unable to express his appreciation of the honour thus conferred, Peter

twirls his thumbs, ventures a side glance at Harmy, and, again utterly

disparaged in his own eyes, looks uneasily at the floor.

Prompt to reconcile the cowed creature to himself, Miss Parker

courteously says: "And now, Peter, you would, I think, like to go up

to Reuben's bedroom and have a good wash. By and by Harmy shall give

you tea, and then we must hear all about the pardon, and how you

happened here, and what you mean to do with yourself, and what _we_

can do for you. Come, Mabel, dear; Peter, you know, is _your_ company.

Show him up-stairs, my darling."

Again the small, soft hand is laid in the rough, brown paw, and Peter

Floome,--in a state of absolute bewilderment as to his personal

identity,--shuffles awkwardly off with the delighted child. And what

says Harmy Patterson to all this? "Here's a convict, a horrid

convict," cries she, "and invited to tea, an' that child a huggin' an'

kissin' him, in cold blood! Lord! Lord! what _is_ the Parkers comin'

to?" Here, unable further to pursue the fallen social fortunes of the

house, Harmy covers her face with her checked apron and bursts into

tears. Grieved at the discomfiture of her old servant and friend, Miss

Parker essays a word of expostulation. She appeals to her hospitality,

her humanity, reminds her of her professed discipleship of Him who

"sat at meat" with the sinner. In vain! as well might she have

addressed herself to Harmy's stone molasses jug, which, dropped from

her grasp in the sudden shock of Peter's advent, now lies prone upon

the kitchen floor. Foiled in her kindly endeavour, the mistress

quietly withdraws. Harmy, left alone, sobs herself into a

comparatively tranquil frame of mind. Coming to the rescue of her

molasses jug, she carefully ascertains that no minute fracture is

consequent upon the fall, and that no wasteful drop has exuded from

the wooden stopper, and, forthwith, sets vigorously to, on a batch of

soft gingerbread, whose manufacture had been interrupted by the

entrance of Peter Floome. While she stirs her cake, Harmy sighs, and

profoundly resolves in her mind "the fitnesses." In her social lexicon

a convict is a vile wretch. In her catechism he is given over to

damnation from the foundation of the world--God-devoted to the very

devil himself!

Miss Paulina Parker, in her chamber, washes her hands, and also

ponders the "fitnesses." This starved outcast is her brother. She has

taken him by the hand. Christian ethics demonstrate the fitness of

this act. The hand was, no doubt, dirty. Yet, what matters it? Soap

and water set one right again. Soap and water tell, too, upon Peter

Floome, when, after a characteristically superficial ablution, he

emerges from Reuben's bedroom, a trifle improved in complexion, but

still a sorry specimen of humanity, and, escorted by May-blossom, is

whisked out-of-doors, on a hasty tour of inspection. Led by this happy

little creature (now holding his hand, now dropping it to run on and,

turning, take in his effect, and then skip gayly in advance), Peter

visits the chicken-coop, the beehive, the flower garden, the stables,

and the pig-pen, and, last of all, the apple orchard, now rosy-white

with bloom.

There, reclined upon the grass, beneath the flowering boughs of a

patriarch tree, Miss Paulina ere long comes upon the oddly matched

pair. Peter, wreathed with buttercups and dandelions, and wearing his

flowery honours like another "Bottom," sits beside his "Titania," who

in fond infatuation "His amiable cheek doth coy."

"Pity," thinks the intruder, "to spoil so quaint a picture." The sun

is, however, already low, and she calls her darling in from the

dewfall. In the kitchen, Harmy has made reluctant preparations for

Peter's inner man; grimly remarking to Mandy Ann (who has meantime

returned from an errand at the store) that "it does go agin' her, to

put on span clean table-cloths for sich creeturs, an' to waste good

vittels where they can't no how be sensed." A convict being, at Mandy

Ann's estimate, an ineligible, if not dangerous guest, as Peter and

May-blossom enter at one door, she vanishes by another. Harmy dons her

cape-bonnet, and marches stiffly into the kitchen garden, leaving the

disreputable visitor to his child hostess.

Peter Floome had not figured at a tea-drinking for many a long year,

and, naturally, his company manners are somewhat rusty. Possibly, his

table etiquette (or, rather, his entire lack of it) might have shocked

his too partial entertainer (who, with fine innate courtesy, has laid

herself a cup and plate, and is keeping her guest in countenance by

taking her own tea with him), had not his evident satisfaction in the

meal entirely engrossed her mind, for (Harmy to the contrary,

notwithstanding) Peter is inherently inclined to "sense good vittels."

It is quaintly picturesque, this tea-drinking of "Bottom" and

"Titania;" this odd contrast of loutishness and elegance, although (as

I grieve to record) "Bottom" does absolutely ignore the butter-knife;

does thrust his wet spoon into the sugar bowl; and, vigourously

blowing his hot tea, in scorn of popular prejudice, lap the same from

his slopping saucer, and shovel in the apple sauce with his

knife-blade. "Titania's" pretty efforts to put "Bottom" at his ease

are, indeed, a thing to behold; for, conscious of his own want of

keeping with the unwonted occasion, Peter is, to the very last degree,

awkward and abashed. Nevertheless, the encouraging smiles of his

small hostess carry him victoriously to the end of this harrowing

experience. Other social exigencies yet await this much-tried man.

Directly after tea, he is taken by May-blossom to that inner

sanctuary, Miss Parker's parlour, where, amid oppressively elegant

surroundings, he is further weighed to earth by the disparaging sense

of his own abjectness.

Prison life, on the solitary plan, is not conducive to colloquial

glibness, nor is Peter Floome habitually garrulous. Many cups of

Harmy's strong green tea have, however, limbered his tongue, and, once

he is well seated, and has made a final, though terribly

unsatisfactory, disposal of his long arms and obtrusive legs, he finds

himself sufficiently at ease for narrative effort, and, at the request

of his gracious hostess, wades desperately into his subject.

My Fire Opal, and Other Tales · 第 6 / 9 段