ELENA BRUMIDI

This letter from Elena, written about six months before her father’s

death expressing fear at her father’s silence and concern about his

“private interest” is practically all we know about Elena, the daughter

Brumidi left behind in Italy. We do know, however, that she received her

half of the $500 paid by Congress to the Brumidi heirs, as this payment

is recorded in an old Department of Interior account book now in the

National Archives. This Archives’ record contains an itemized statement

of the actual expenditure of the $700 asked for in the Senate Bill

introduced four days after Brumidi’s death. Even the $200 set aside for

funeral expenses for the artist is accounted for by the Department of

Interior, item by item.

The old artist fell from the frieze scaffolding on October 1, 1879. Six

weeks later a petition, written in a strange hand but signed by Brumidi,

was sent to the Congress of the United States. It gives Brumidi’s

account of his accident and formally asks that he be put on the regular

payroll of the Capitol employees. The petition is preserved in the

Capitol’s Brumidi file and is given here in complete form:

Washington, D. C., November 17, 1879

_To the Senate and House of Representatives_:

Your petitioner, C. Brumidi, seventy-five years of age, the artist

of the Capitol, originally from Rome, Italy, but now for

twenty-seven years past a duly naturalized citizen of the United

States,

Respectfully represents--That upon the 1st day of October ult, he

was engaged at work upon the Historical Painting in fresco in the

Frieze of the Rotunda of the Capitol, and while sitting upon a

temporary scaffold and near the edge, the chair turned from under

him and threw him over. He caught the round of a ladder and

remained suspended by the strength of his arms for the space of

fifteen minutes, till officer Lammond descended from the top of the

Dome to the scaffold and called two men from the floor of the

Rotunda to assist in the rescue of your petitioner.

A miraculous escape from falling to the floor of the Rotunda a

distance of fifty-eight feet was effected but the fright and shock

to the nerves of your petitioner resulted in a

[Illustration: MR. AND MRS. C. BRUMIDI

Pictured here are the artist and his young American wife, Lola Germon,

taken from old photographs saved by Lola in her album of memories. The

originals have been cherished through the years by Mildred Thompson (of

Washington, D. C.), Lola’s great-grandniece. We believe that both

photographs were taken about the time of the Brumidi-Germon marriage,

around 1860. From 1860 to 1865 was Brumidi’s period of greatest

financial success in America and probably his years of greatest acclaim

and happiness. It was on the back of this photograph of Lola Germon that

her little boy Laurence chose to write, “This is my lovely Mamma.”]

very severe attack of asthma which now prevents him from constant

work upon the scaffold but he is able and desirous, however, to

continue work in his studio upon the Designs and Cartoons which of

course require to be made before they can be copied or painted upon

the walls.

The late Senator S. Foot, acting President of the Senate, at one

time placed your petitioner upon regular payroll of the Capitol

employees.

Now, therefore, in view of these facts that your petitioner became

injured in the performance of his duty, that he is unable to

perform continuous service on the scaffold, your petitioner

respectfully requests that the Honorable Committee will cause his

name to be again placed upon the regular Payroll of Capitol

employees in order that the work may be continued as the health of

the petitioner may permit him to work upon the scaffold in fresco

or upon the cartoons.

The petitioner hopes to obtain this benefit as a reward of the long

life spent in the service of the government.

Constantino Brumidi, Michelangelo of the United States Capitol · 第 75 / 138 题