HEADGEAR FOR HEROES.

[A contemporary, having heard of the hat specially designed for M.

CLEMENCEAU, has decided that the bowler, the topper, the Homburg,

the straw, the cloth cap and all other styles at present more

or less in vogue leave much to be desired, and has therefore

inaugurated a search for the ideal male headdress.]

THE SMILLIE.--A Phrygian model, executed in red Russia leather.

Special features are the asbestos lining, the steam vents and the

water-jacket, which combine to minimise the natural heat of the head.

Embellished with an heraldic cock's-comb _gules_, it is a striking

conception.

THE PREMIER.--A semi-Tyrolean type in resilient chamois, which can

be readily converted to any desired shape, with or without extra

stiffening. Its adaptability and the patent sound-proof ear-flaps make

it particularly suitable for travellers. Detachable edelweiss and leek

trimming.

THE ERIC.--An adaptation of the _cap of maintenance_ in a special

elastic material, warranted not to burst under pressure of abnormal

expansion of the head of the wearer. Practically fool-proof.

THE WINNIE.--A fore-and-aft derived from a French model of the First

Empire period, the severity of which is mitigated by the addition of

little bells. A novelty is the mouthpiece in the crown, which enables

the hat to be used as a megaphone at need. An elastic loop holds a

fountain-pen in position. The whole to be worn on a head several sizes

too big for it.

THE CONAN.--A straw bonnet of bee-hive shape. Medium weight. In a

diversity of shades. The special puggaree of goblin blue material is

designed to protect the wearer from moonstroke without obscuring the

vision.

THE WARNER.--An easy-fitting crown carried out in harlequin flannel

surmounts a full brim of restful willow-green. Garnished with

intertwined laurel and St. John's-Wort, and decorated with the tail

feather of a Surrey fowl, it makes a comfortable and distinguished

headdress for a middle-aged gentleman.

* * * * *

[Illustration: _Teacher._ "AND RUTH WALKED BEHIND THE REAPERS, PICKING

UP THE CORN THAT THEY LEFT. JOHN, WHAT DO WE CALL THAT?"

_John_ (_very virtuously_). "PINCHING."]

* * * * *

Punch, or the London Charivari, Volume 159, September 22, 1920 · 第 24 / 46 题