PLATE 39

_The Triumph of Radha_

Kishangarh, Rajasthan, c. 1770

C.K. Kanoria collection, Calcutta

During the eighteenth century, Radha was often regarded as Krishna's

permanent consort and was accorded divine honours--the present picture

illustrating her final apotheosis. Seated together, their heads surrounded

by haloes, the two lovers display their courtly charms. Krishna has now

the mannered luxury of a high-born prince and Radha, no longer the simple

cowgirl, is the very embodiment of aristocratic loveliness. As the lovers

sit together, their forms offset by a carpet of lotus petals, Krishna

attempts to put betel-nut in Radha's mouth--the gesture subtly indicating

their loving intimacy.

The Loves of Krishna in Indian Painting and Poetry · 第 66 / 72 题