PLATE 3

_The Slaughter of an Innocent_

Illustration to the _Bhagavata Purana_

Kangra, Punjab Hills, c. 1790

J.K. Mody collection, Bombay

Following the expansion of Indian miniature painting in the early

seventeenth century, illustrated versions of the tenth book of the

_Bhagavata Purana_ began to be produced in parts of Hindu India. It was in

the Punjab Hills, at the end of the eighteenth century, however, that

romance and religion achieved their most delicate expression. The artist

chiefly responsible was a certain Nainsukh who had arrived at the State of

Guler in about 1740. His way of painting had marked affinities with that

of Basawan (Plate 1) and represents a blend of early Mughal naturalism

with later Hindu sentiment. The style founded by him influenced members of

his own family, including his nephew Kushala and ultimately spread to

Kangra and Garhwal where it reached its greatest heights. The present

picture, together with Plates 5, 6, 8, 9, 11 and 16, is possibly by the

Kangra artist Purkhu and with others of the series illustrates perhaps the

greatest interpretation of the _Bhagavata Purana_ ever produced in Indian

painting.

In the picture, the tyrant ruler Kansa is sleeping on a bed as a courtier

prepares to break the fateful news of Krishna's birth. To the right,

Devaki, Krishna's mother, nurses the baby girl whom her husband, Vasudeva,

has substituted for the infant Krishna. Kansa is wresting the baby from

her in order to dash its head against a boulder. As he does so, she eludes

his grasp and ascends to heaven in a flash, being, in fact, the

eight-armed goddess Devi.

[Illustration]

The Loves of Krishna in Indian Painting and Poetry · 第 29 / 72 题