VII.

Douglas Raymond, who was habitually a late riser, came down to the

breakfast table of the early birds one morning, and there were polite

expressions of astonishment at seeing him.

“Say, you look as though you’d slept in a chair, with all your clothes

on!” exclaimed Ralph Atwood. “I don’t mean to be personal, of course,

but you have that fresh and breezy appearance.”

“I sat in a chair all night, but I didn’t sleep,” Douglas said with a

dull and glassy stare at the other man.

“My boy, what a spell of conscience!” cried Ralph. “I get that way, but

never for all night. I can foot up all the columns of my evil deeds and

strike a trial balance in about half an hour; and I always sleep better

for it, at that.”

Douglas was not moved to mirth.

“I was working,” he explained soberly. “I’m going to ask Miss Bascom if

she’s got some back room or a corner in the basement where I can run a

typewriter without keeping all the people awake.”

“Ha, ha! You’re off on another tack, eh?”

“No, not exactly. I’m a slow writer, and I’m just trying to make up all

the continuity for the programs at the studio.”

“Continuity! That’s movie stuff, not radio!” declared Ralph, who was

informed on all subjects.

“It’s radio now,” said Douglas. “From the time the announcer says ‘Good

evening, ladies and gentlemen,’ right to the end of the program, he

reads all his stuff off a script. And some of ’em have a new script for

every program.

“Our studio doesn’t have a continuity writer, like the big ones, so I’m

trying to work it up myself. But—gosh! It begins to look as though I’d

have to find some way of cutting out rest and sleep altogether.”

A fresh surprise was afforded the boarders when Dora came tripping into

the room, but she was bright and well rested.

“What’s hit the house?” inquired Ralph. “Everybody getting wide awake

and ambitious!”

“I’m getting to be a busy little person,” said Dora winsomely. “I have a

lot of writing to do now. Letters! I think every letter that is written

to an artist, or any one in public life, should be answered carefully

and conscientiously.”

“Mash notes?” suggested Ralph.

“Indeed, no! No mash notes, Mr. Atwood. Applause! Very honest and

sincere applause. Ever since the first night I tried announcing at the

studio, the letters have been coming by the basketful. A—a couple of

hundred people, I guess, have written to ask who the little Southern

lady was. Isn’t it rich?”

Douglas looked at her appealingly, moving restlessly in his chair.

“I’m getting poor Douglas positively worried,” she went on. “Quite a lot

of people have written in that they’d much prefer a woman for an

announcer all the time. Lots of them wanted an autographed photograph,

and some suggested that my picture should be sent to the Sunday papers

so they would know how I looked.”

[Illustration: portrait of Miss Etta Upham]

“What fine weather we aren’t having, isn’t it?” said Ottilie Eldom to

Etta Upham.

Horace Sheldon, the cigar store owner, stared at Dora with his frank

appreciation of good looks.

“Hollywood’ll get you if you don’t watch out, Miss Perkins,” he said.

“Better not start broadcasting any pictures of yourself, m’ dear.

Ziegfeld’s scouts are on the lookout for the good ones all the time, and

we—we need you here!”

“Oh, Mr. Sheldon!” Dora cried, and her face became suffused with sunrise

blushes.

Douglas coughed violently as he came downstairs to start for the studio

one evening, and halted, leaning on the newel post till he recovered

from the paroxysm.

“Great Scott, man! You ought not to go out,” protested Dr. Hillary,

stepping out into the hall. “You’ve had this cold a week or more, I’ve

noticed.”

He touched the young man’s forehead.

“Ha! I thought so; you’re burning up with fever. I advise you to phone

your studio that you can’t come. Go to bed and send for a doctor at

once.”

Douglas laughed deprecatingly.

“I’m all right,” he insisted. “Too much midnight-oil stuff. I’ve got to

lay off working all night and not sleeping in the daytime, I guess. I

went to a doctor and he said that I was trying to do too much and I’d

have to quit. But sometimes you can’t quit when things have got to be

done.”

He looked anxiously up the stairs, and when Dora came tripping lightly

and airily from her room presently, he betrayed a slight impatience.

“We’re going to be late, Dora,” he said.

“Then why wait for me?” she demanded sharply. “Nobody asked you to! Too

bad you couldn’t phone for a taxi.”

Dr. Hillary turned away with a shrug, and returned to the parlor.

“Those two might as well be married!” chuckled Henry Caddock. “They’ve

started in on the married-life stuff a little prematurely, haven’t

they?”

“There’s a certain type of woman,” mused Hillary, “that seems to hold a

certain type of man by a system of judicious bullying. I believe they

relieve the strain at the danger point by reverting to excessive

tenderness to establish the balance. I suppose Miss Perkins

is—er—temperamental, as it’s called.”

“What that certain type of woman needs, professor,” spoke up Ralph

Atwood, “is a first-class, strong-arm wife beater. Say! I’d like the job

of being married to that cutie for a day or two; she wouldn’t have any

trouble getting a divorce, and I’d stand for six months in the

workhouse—if it wasn’t in Delaware.”

“Raymond’s in really bad shape,” said Hillary. “He might slip into

pneumonia in a moment with that cold and his run-down condition. He has

just about exhausted his vitality. Quite often a big, robust chap like

that goes all to pieces suddenly; he’s likely to collapse while he’s

fighting to keep on his feet.”

Some of the boarders were out, but the remaining ones sat about the

parlor and listened with obvious anxiety for the broadcasting of the

local station.

Douglas was at the microphone when WXL came on the air, and his voice

seemed to lack nothing of its usual strength, though there was a

perceptible huskiness, and he coughed sharply from time to time.

“The Homeland Singers—your favorite mixed quartet—will entertain you for

an hour,” he announced after the usual forms had been disposed of. “This

evening these admirable artists will build their program upon the theme

of home and family.

“That comes pretty near the heart, friends, and it’s not easily

associated with anything commercial; yet I’m going to take a chance on

mentioning that the hour is provided for you through the gracious

courtesy of the Homeland Architects and Builders, Incorporated.

“That’s about all I need to say. If you want to find out more about such

generous friends of the radio audience, the Homeland Architects and

Builders will be happy to send you some interesting and informative

literature.

“And I would like to add that some commercial and industrial houses of

today are not in business solely for purpose of piling up dividends for

their stockholders. These friends of ours actually make it possible for

young and impecunious people to start life with a real home of the sort

that they ought to have. One of their slogans is this: ‘You find the

right girl—we’ll find the right home for her.’

“Now the Homeland quartet will sing some very appropriate songs on the

theme they have chosen. And you’ll notice that their taste does not run

to the sort of thing that’s nothing but sugar and sentimentality.

They’re going to sing a special arrangement of one of Mrs. Browning’s

‘Sonnets from the Portuguese’—love! Tenderness!”

He was interrupted by an attack of coughing.

“The tenderness,” he went on hoarsely, “that is not expressed in mere

words or gestures, but that deeper, purer understanding that is the real

radio of the realm of the spirit.”

[Illustration: portrait of Miss Ottilie Eldom]

“Heck! He’ll have me sniveling in a minute!” muttered Ottilie Eldom. “An

old maid has feelings.”

“Please give the Homeland Singers your undivided attention, friends,”

the announcer implored. “The message is a rare and precious one—as rare

and precious as the spirit of the theme. Life needs so much of that

spirit to—to make it endurable—that—”

“Poor fellow’s coughing again,” said Hillary.

“I—I present the Homeland Singers!” finished the announcer somewhat

abruptly.

“I’m blamed if I know whether he was coughing or not!” exclaimed Ralph

Atwood with uncommon gravity. “Seemed like he was all worked up with his

own line of hokum—almost ready to have a good old cry.

“Hello!” he challenged. “What’s the matter with Kitty?”

There was no response. Kitty Granby had risen and walked rapidly to the

bay window, and as she stood with her back to the company there was a

suspicious little movement of her shoulders that indicated some

difficulty in breathing.

“Shut up! You poor fool!” whispered Henry Caddock, giving Ralph an ugly

look.

“I must say that Raymond is acquiring a style!” exclaimed the professor.

“He has the faculty for absolute detachment—sinking himself in his part

like an actor. That might be a mature man of considerable experience in

the world, instead of the rather diffident chap we meet at the dinner

table.”

“Might it not be, doctor,” murmured Miss Stark, “that the _real_ man is

speaking into the microphone? It’s so difficult for us all to penetrate

the masks that our friends and associates wear in public!”

“Why, that’s an interesting postulate, I grant you,” answered the

professor.

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