Act i. sc. 1.—

“You do not meet a man, but frowns: our bloods

No more obey the heavens, than our courtiers’

Still seem, as does the king’s.”

There can be little doubt of Mr. Tyrwhitt’s emendations of “courtiers” and

“king,” as to the sense;—only it is not impossible that Shakespeare’s

dramatic language may allow of the word “brows” or “faces” being

understood after the word “courtiers’,” which might then remain in the

genitive case plural. But the nominative plural makes excellent sense, and

is sufficiently elegant, and sounds to my ear Shakespearian. What,

however, is meant by “our bloods no more obey the heavens?”—Dr. Johnson’s

assertion that “bloods” signify “countenances,” is, I think, mistaken both

in the thought conveyed—(for it was never a popular belief that the stars

governed men’s countenances)—and in the usage, which requires an

antithesis of the blood,—or the temperament of the four humours, choler,

melancholy, phlegm, and the red globules, or the sanguine portion, which

was supposed not to be in our own power, but to be dependent on the

influences of the heavenly bodies,—and the countenances which are in our

power really, though from flattery we bring them into a no less apparent

dependence on the sovereign, than the former are in actual dependence on

the constellations.

I have sometimes thought that the word “courtiers” was a misprint for

“countenances,” arising from an anticipation, by foreglance of the

compositor’s eye, of the word “courtier” a few lines below. The written

_r_ is easily and often confounded with, the written _n_. The compositor

read the first syllable _court_, and—his eye at the same time catching the

word “courtier” lower down—he completed the word without reconsulting the

copy. It is not unlikely that Shakespeare intended first to express,

generally, the same thought, which a little afterwards he repeats with a

particular application to the persons meant;—a common usage of the

pronominal “our,” where the speaker does not really mean to include

himself; and the word “you” is an additional confirmation of the “our,”

being used in this place for “men” generally and indefinitely,—just as

“you do not meet” is the same as “one does not meet.”

Shakespeare, Ben Jonson, Beaumont and Fletcher · 第 44 / 186 题