In these first circumstances of life, the infant, of course, cannot

know that he has a bodily frame, or a single organ of that frame, more

than he can know, that there are other bodies in nature, that act upon

his own; and we are not entitled to suppose,--however difficult it may

be for us to accommodate our supposition to the true circumstances of

the case,--that because _we_, the inquirers, know, that external bodies

are pressing on his organ of touch, the little sensitive being is to

have any knowledge, but of the mental affections, which these external

bodies excite. How the knowledge of any thing more than his own mind is

acquired, is, in truth, the very difficulty, which it is our labour to

solve.

In conformity with this view, then,--when we look on the infant,--one

of the most remarkable circumstances, which strike us, is its tendency

to use its muscles, with almost incessant exercise, particularly the

muscles of those parts, which are afterwards its principal organs

of measurement. Its little fingers are continually closing and

opening, and its little arms extending and contracting. The feelings,

therefore,--whatever these may be,--which attend the progressive

contraction of those parts,--and some feeling unquestionably attends

the contraction in all its stages,--must be continually arising in its

mind, beginning and finishing, in regular series, and varying exactly,

with the quantity of the contraction.

A _succession_ of feelings, however, when remembered by the mind, which

looks back upon them, we found to involve, necessarily, the notion of

divisibility into separate parts, and, therefore, of length, which is

only another name for continued divisibility. Time, in short, is to

our conception, a series in constant onward progress, and cannot be

conceived by us, but as a progressive series, of which our separate

feelings are parts; the remembrance of the events of our life, whenever

we take any distant retrospect of them, being like the remembrance

of the space, which we have traversed in a journey,--an indistinct

continuity of length, as truly divisible, in our conception, into the

separate events which we remember, as the space, which we remember to

have traversed, into its separate variety of scenes.

_Time_, then, or remembered succession, we found to involve, not

metaphorically, as is commonly said, but truly and strictly, in its

very essence, the notions of length and divisibility,--the great

elements of extension; and whatever other feelings may be habitually

and uniformly associated with these, will involve, of course, these

elementary notions.

The series of muscular feelings, of which the infant is conscious,--in

incessantly closing and opening his little hand,--must, on these

principles, be accompanied with the notion,--not, indeed, of the

existence of his hand, or of any thing external,--but of a certain

length of succession; and each stage of the contraction, by frequent

renewal, gradually becomes significant of a particular length,

corresponding with the portion of the series. When any hard body,

therefore, is placed in the infant's hand,--though he cannot, indeed,

have any knowledge of the object, or of the hand,--he yet feels, that

he can no longer perform the accustomed contraction,--or, to speak

more accurately,--since he is unacquainted with any parts that are

contracted, he feels, that he can no longer produce his accustomed

series of feelings; and he knows the quantity of contraction, which

remained to be performed, or rather the length of the series, which

remained to be felt. The place of this remaining length is now supplied

by a new feeling, partly muscular, and partly the result of the

affection of the compressed organ of touch,--and is supplied by the

same feeling, at the same point of the series, as often, as he attempts

to renew the contraction, while the body remains within his hand. The

_tactual feeling_, therefore,--whatever it may be,--becomes, by this

frequent repetition, associated with the notion of that particular

progressive series, or length, of which it thus uniformly supplies the

place; and at last becomes representative of this particular length,

precisely in the same manner, as, in the acquired perceptions of

vision, certain shades of colour become representative of distance, to

which they have, of themselves, no resemblance or analogy, whatever;

and we thus learn to feel length, as we learn to see length,--not

directly by the mere affections of our tactual or visual organs, but by

the associated notions which they suggest.

If _time_,--as perceived by us in the continued series of our

feelings,--do involve conceptual length and divisibility, it seems,

indeed, scarcely possible, that, in the circumstances supposed, the

notions supposed should not arise,--that the infant should be conscious

of a regular series of feelings, in the contraction of its fingers

and arms, and yet that portions of this series should not become

significant of various proportional lengths;--and, if the notion of

certain proportional lengths do truly accompany certain degrees of

progressive contraction, it seems equally impossible, according to

the general principles of our mental constitution, that the compound

tactual and muscular feeling, which must arise in every case, in which

any one of these degrees of contraction is impeded, should not become

associated with the notion of that particular length, of which it

supplies the place, so as at last to become truly representative of it.

In this manner, I endeavoured to explain to you, how our knowledge

of the mere length of bodies may have been acquired, from varieties

of length that are recognized as coexisting and proximate, and

are felt to unite, as it were, and terminate in our sensation of

resistance, which interrupts them equally, and interrupts always a

greater number of the coexisting truths, in proportion to the size

of the body compressed; and, in a similar manner, our notions of the

other dimensions of bodies, which are only these varieties of length

in different directions. I cannot conclude this summary, however,

without recalling to your attention, a very simple experiment, which

I requested you to make for yourselves,--an experiment, that, even in

the unfavourable circumstances in which it must now be tried, is yet,

I conceive, demonstrative of the influence of mere time, as an element

of that complex notion, which we have been examining, when the more

rapid measurements of vision,--which are confessedly not original but

acquired,--are excluded. If, in passing our finger, with different

degrees of slowness or rapidity, along the same surface, with our eyes

shut,--even though we should previously know the exact boundaries

of the extent of surface,--we feel it almost impossible not to

believe,--and but for the contrary evidence of vision, could not have

hesitated a single moment in believing,--that this extent is greater

or less, according as the time employed in performing exactly the same

quantity of motion, with exactly the same force of pressure, on the

same quantity of our organ of touch, may have been greater or less,--it

must surely be admitted, that the notion of the length, which thus

uniformly varies with the time, when all other circumstances are the

same, is not absolutely independent of the time,--or it must, in like

manner, be believed, that our notion of visual distance, which varies

with the distribution of a few rays of light on the small expanse of

the optic nerve, is yet independent of those faint shades of colouring,

according to the mere varieties of which, it seems at one time to lay

open to our view a landscape of many miles, and at another time to

present to us, as it were before our very eyes, an object of scarcely

an inch in diameter. The greater dimness, and diminished size of a

few objects in the back ground of a picture, which is in itself one

coloured plane of light, does not more truly seem to increase the line

of distance of those objects, than, in the other case, the increased

slowness of the motion of our hand along any surface, seems to lengthen

the line which separates one of its boundaries from the other.

That we now seem to perceive extension, immediately by _touch_, cannot

be denied; and, in a case so obscure as this,--with our very limited

knowledge, and our very limited power of adding to this knowledge,--it

may seem the most prudent, and perhaps even the most suitable,--as

it is, without all question, by far the easiest part,--to acquiesce

in the opinion, that the perception, which now seems immediate,

was so originally,--that the belief of the presence of an external

figured body, is, by the very constitution of our nature, attached

to a certain affection of the mere organ of touch. But, since there

are circumstances,--as we have seen,--which show this opinion, when

very nicely examined, to be inadmissible, we may, at least, attempt

to proceed a little farther, if we do this with a sufficient sense of

the very great difficulty of the attempt, in relation to our power

and knowledge, and consequently with a very humble assurance, as to

the certainty of any opinion which we may be led to form. To know the

mind _well_, is to know its _weaknesses_ as well as its _powers_;

and it is precisely in a case of this sort, that he, whose knowledge

is least imperfect, will be the best judge of its imperfection, and,

therefore, the least disposed to put complete reliance on it in his

own speculations,--or to assert it dogmatically, when he offers it, as

all opinions, on so very obscure a subject, should be offered, to the

inquiry, rather than to the undoubting assent.

The analysis, I own, is one which must require a considerable effort of

attention on your part, because it is truly one of the most subtile

on which I could call you to enter. But you must be aware, that this

subtlety is in the nature of the very inquiry itself; since it is

an inquiry into the elements and progressive growth of feelings,

which seem to us, at present, simple and immediate, and that the

alternatives, therefore, are not those of greater or less subtlety and

refinement of analysis, but of attempting the analysis, or abandoning

it altogether.

Before proceeding farther, in our inquiry with respect to the origin of

the notion of extension, it may, however, be of advantage, to take a

short retrospect of the progress which we have already made; for, if we

have found nothing more, we have, at least, as I conceive, found reason

to reject a considerable part of our former belief on the subject,

which, though a negative acquisition, is yet a very important one.

Though we should not be able to discover the true source of the notion

which we seek, it is something, at least, to know, that we have little

reason to expect to find it, where we have uniformly been accustomed to

seek it.

In the first place, then, we have seen the fallacy of the supposition,

that our knowledge of extension may be easily accounted for, by the

similarity in figure of the compressed part of the organ of touch to

the compressing body, since the notion of extension is not a state of

the material organ, compressed and figured, which, as mere matter,

however exquisitely organized, is as little capable of this notion,

as of smell, or taste, love or aversion, but, a state of the _mind

itself_, which is susceptible of shape or pressure, being as little

square, when it perceives a square, as when it perceives a circle; and

any affection of which, therefore, may be supposed as much to follow

any one shape, as any other shape of the mere external organ. If,

indeed, as this explanation most strangely seems to assume, we could

be supposed to have any previous knowledge of the shape of our organ

of touch, nothing more would be necessary, for we should then have

a perfect knowledge of extension, though no other extended body but

our own organ of touch were in existence. To refer us to the organ

is, however, only to bring the very same difficulty one step nearer,

since previously to the application of an external body, the mind has

as little knowledge of the shape of its organ of touch, as it has of

the body compressing it; and it is manifestly most absurd, to ascribe

the origin of our knowledge of extension, to our knowledge of the

resemblance in figure of an external body to our organ; since this

very knowledge of the resemblance must imply the previous knowledge of

the figure of both, and consequently of _that very extension_, which,

according to this supposition, must be known to us BEFORE it is known.

In the second place, we have seen, that, if the configuration of the

sensorial organ were the only circumstance necessary, to induce,

immediately, in mind, the notion of figure, this notion should

accompany every sensation of every kind; the smell of a rose, for

example, as much as the pressure of a cube or a sphere: for the nervous

expansion, in the organ of smell, and in every other organ, is of a

certain figure, _before_ sensation, _during_ sensation, and _after_

sensation, as much as the nervous expansion of the organ of touch. And,

though we were to confine ourselves wholly to this organ, the nervous

matter in it is, at all times, of a certain shape, as much when there

is no pressure on it, as when it is exposed to such pressure; yet the

mere figure of the organ of touch, is not then accompanied with the

mental notion of its figure; nor is this the case, merely when the

sense is quiescent, but, in many cases, in which it is affected in the

most lively manner; as, for example, when we are exposed to great cold

or heat, in which cases, the shape of this very tactual organ, thus

strongly affected, is as much unperceived by us, as when there is no

affection of it whatever.

Lastly, which is a point of much more importance, because it has

relation to the only philosophic view of touch, as the immediate

organ of extension; the view, in which the mere configuration of

the compressed organ, as similar to that of the compressing body,

is laid out of account, and the immediate belief of extension is

supposed to depend on the original constitution of the mind, by which

its affections have been arranged, so as to correspond with certain

affections of the bodily organs; the mental state which constitutes

the perception of a _square_, arising immediately when the organ of

touch is affected, in a certain manner, as that mental state which

constitutes the sensation of the fragrance of a _rose_, arises

immediately, when the organ of smell is affected, in a certain manner;

this opinion too, philosophic as it is, compared with those which we

before considered, though, in truth, it only assumes the point in

question, without attempting to solve any difficulty, supposed to be

connected with it, we have yet found to be as little tenable, as the

opinions that suppose the mental notion of figure to depend on the

peculiar figure of the compressed material organ. The consideration

which, as I stated in my last Lecture, seems to me decisive on this

point, is, that, if touch inform us of extension immediately, as

smell informs us of fragrance, sight of colour, and hearing of sound;

it must do this in every instance, without relation to particular

figure, as smell, sight, and hearing, extend to all odours, hues, and

sounds; for it would certainly be, as I said, a very strange abuse

of the license of supposition, to imagine that we perceive a square

immediately by touch, but not a circle; or a circle, but not a square;

or any one figure, but not any other figure. In short, if figure be the

direct primary object of touch, as sight is of vision, we should feel

immediately every form impressed, as we see immediately every colour.

It is only when the figures are very simple and regular, however, such

as we might be supposed to have easily learned, in the same manner

as we learn, visually, to judge of distances, that we are able to

discover them, as it were, immediately, by touch; and, even when we

are able, in this manner, to determine the _species of figure_, that

is to say, the mere outline of a body, we are rarely able to determine

the exact magnitude which that outline comprehends; yet, as our organ

must be affected by each part of the compressing surface, by the

central parts, as much as by the exterior parts which form its outline,

and by these, as much as by the central parts; and as every feeling

which the organ directly affords, must be immediate, when there is no

change of the position, or other circumstances of the object, that

might vary the sensation, we should, if mere touch communicated to us

the knowledge supposed, be able to determine, exactly and instantly,

the magnitude and figure; or, it is evident, that the determination

of magnitude and figure must depend wholly, or in part, on something

that is different from touch. The magnitude we are far from being able

to discover exactly, even of simple figures; and when the form is

very irregular, and we know nothing more, than that a certain body is

pressed against our hand,--the magnitude and figure are alike difficult

to be discovered; so difficult, that I may safely say, that no one, who

makes the experiment, will find, on opening his eyes, that his tactual

or intellectual measurement has, in any one case, been exact, or his

notion of the figure half so distinct as it now is, after a single

glance. Can we then think that it is by mere touch we discover figure,

as exactly as by the glance of our mature vision,--that we discover

it, in all its varieties, originally by touch, and as accurately at

first, as after innumerable trials,--when we discover it, only in a

few cases, that are previously familiar to us, and even in these very

imperfectly? The _determination_ of the form impressed, in which we are

almost conscious of a sort of intellectual measurement, has surely a

much greater resemblance to the perceptions, which we term _acquired_,

than to those which are _immediate_. In vision, for example, when the

original power of that sense has been strengthened and enriched, by the

acquisitions which it is capable of receiving from other sources, we

see a long line of distance before us; and the _small_ distances with

which we are familiar, we distinguish with sufficient accuracy; but, in

our visual measurement of _greater_ distances, we are almost certain

to err, taking often the less for the greater, and the greater for the

less. It is precisely the same in touch. When a small body, which we

have never seen, is pressed upon our hand, we are able, if its surface

be square, or circular, or of any other form, with which we are well

acquainted, to determine its figure, without much hesitation; because

we have learned, tactually, to distinguish these regular figures.

But, in endeavouring to determine, in this manner, by touch alone,

the figure of any irregular body, less familiar to us, though, as a

direct object of sense, if touch be the sense of figure, it should

be equally and as immediately tangible as the most regular form, we

feel a hesitation of the same sort, as when we attempt to ascertain by

our eye, the exact distance of a remote object. To know extension or

figure, is to know, not one point merely in the surface of a body, but

many continuous points; and if, when the surface, is circular, we know

these continuous points, and their relation to each other, immediately

on pressure, we must know, as immediately, the same points and their

relations, though the surface comprehending them, instead of being

circular, should be of an outline more irregular. We certainly cannot

know this irregular surface to have any extension at all, unless we

know some parts of it; and, when the pressure is uniform from every

point, and the organ of touch uniform, on which the pressure is made,

it would be absurd to suppose, that we know fifty, or eighty, of the

hundred points which form the impressing surface, but cannot determine

its figure, because we are ignorant of the twenty of fifty remaining

points; when these remaining points are acting on our organ of touch,

in exactly the same manner as the fifty or eighty which we know, and

when, if the surface containing merely the same number of points, had

been circular, or of any other single form, as familiar to us, the

whole hundred points would have been known to us equally and at once.

When our perceptions of form, then, are so various and irregular, and

are more or less quick and precise, exactly as the shape which we

endeavour to determine, has more or less resemblance to shapes that are

familiar to us, it does not seem too bold an inference to conclude,

that the knowledge of figure, which, as all extension that is capable

of being perceived by us, must have some boundary, is nothing more

than the knowledge of extension, is not the state of mind originally

and immediately subsequent to affections of our organs of touch, any

more than the perception of distance is the state of mind originally

and immediately subsequent to affections of our organ of sight; and

the very striking analogy of these two cases, it will be of great

importance for you to have constantly in view; as it will render it

less difficult for you to admit many circumstances, with respect to

touch, which you might otherwise have been slower to conceive. That we

should seem to perceive _extension_ immediately by touch, though touch

originally, and of itself, could not have afforded this perception,

will not then appear more wonderful, than the apparently immediate

perception of _distance_ by the eye, which, of itself, originally

afforded us no perception of that sort; nor the impossibility of

feeling a body, without the notion of it, as extended, be more

wonderful than the similar impossibility of separating colour from

extension, in the case of distant vision. Above all, the analogy is

valuable, as shewing the closeness and indissolubleness of the union,

which may be formed of feelings that have in themselves no resemblance.

What common properties, could we have conceived in vision, and that

absolute blindness, which has never had a single sensation from light!

and, yet, it is worthy of remark, that the perceptions of the blind,

in consequence of this singular power of association, form truly the

most important part of those very perceptions of vision, of which, as

a whole, they are unfortunately deprived. We do not merely see with our

eyes, what we may have felt with our hands; but our eyes, in the act of

vision, have borrowed, as it were, those very sensations.

The proof, that our perception of extension by touch, is not an

original and immediate perception of that sense, is altogether

independent of the success of any endeavour which may be made, to

discover the elements of the compound perception. It would not be less

true, that touch does not afford it, though we should be incapable of

pointing out any other source, from which it can be supposed to be

derived. Of the difficulty of the attempt, and the caution with which

we should venture to form any conclusion on the subject, I have already

spoken. But the analysis, difficult as it is, is too interesting not to

be attempted, even at the risk, or perhaps I should rather say, with

the very great probability, of failure.

In such an analysis, however, though we are to proceed with the

greatest caution, it may be necessary to warn you, that it is a part

of this very caution, not to be easily terrified, by the appearance of

paradox, which the result of our analysis may present. This appearance

we may be certain, that any analysis which is at all accurate must

present, because the very object of the analysis is to shew, that

sensations, which appear simple and direct, are not simple,--that

our senses, in short, are not fitted, of themselves, to convey that

information, which they now appear, and through the whole course of

our memory have appeared to us instantly to convey. It is very far,

indeed from following, as a necessary consequence, that every analysis

of our sensations which affords a paradoxical result, is, therefore, a

just one--for error may be extravagant in _appearance_ as well as in

_reality_. But it may truly be regarded as a necessary consequence,

that every accurate and original analysis of our sensations must afford

a result, that, as first stated, will appear paradoxical.

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