Billy feared if she did not mail the letter at once she would not have
the courage to mail it at all. So she slipped down-stairs very quietly
and went herself to the post box a little way down the street; then she
came back and sobbed herself to sleep--though not until after she had
sobbed awake for long hours of wretchedness.
When she awoke in the morning, heavy-eyed and unrested, there came to
her first the vague horror of some shadow hanging over her, then the
sickening consciousness of what that shadow was. For one wild minute
Billy felt that she must run to the telephone, summon Bertram, and
beseech him to return unread the letter he would receive from her that
day. Then there came to her the memory of Bertram's face as it had
looked the night before when she had asked him if she were the cause of
his being troubled. There came, too, the memory of Kate's scathing
“Do you want to ruin his career?” Even the hated magazine article and
Marie's tragic “I've _hindered_ him!” added their mite; and Billy knew
that she should not go to the telephone, nor summon Bertram.
The one fatal mistake now would be to let Bertram see her own distress.
If once he should suspect how she suffered in doing this thing, there
would be a scene that Billy felt she had not the courage to face. She
must, therefore, manage in some way not to see Bertram--not to let him
see her until she felt more sure of her self-control no matter what he
said. The easiest way to do this was, of course, to go away. But where?
How? She must think. Meanwhile, for these first few hours, she would not
tell any one, even Aunt Hannah, what had happened. There must _no one_
speak to her of it, yet. That she could not endure. Aunt Hannah would,
of course, shiver, groan “Oh, my grief and conscience!” and call for
another shawl; and Billy just now felt as if she should scream if she
heard Aunt Hannah say “Oh, my grief and conscience!”--over that. Billy
went down to breakfast, therefore, with a determination to act exactly
as usual, so that Aunt Hannah should not know--yet.
When people try to “act exactly as usual,” they generally end in acting
quite the opposite; and Billy was no exception to the rule. Hence her
attempted cheerfulness became flippantness, and her laughter giggles
that rang too frequently to be quite sincere--though from Aunt Hannah
it all elicited only an affectionate smile at “the dear child's high
spirits.”
A little later, when Aunt Hannah was glancing over the morning
paper--now no longer barred from the door--she gave a sudden cry.
“Billy, just listen to this!” she exclaimed, reading from the paper in
her hand. “'A new tenor in “The Girl of the Golden West.” Appearance
of Mr. M. J. Arkwright at the Boston Opera House to-night. Owing to the
sudden illness of Dubassi, who was to have taken the part of Johnson
tonight, an exceptional opportunity has come to a young tenor singer,
one of the most promising pupils at the Conservatory school. Arkwright
is said to have a fine voice, a particularly good stage presence, and
a purity of tone and smoothness of execution that few of his age and
experience can show. Only a short time ago he appeared as the duke at
one of the popular-priced Saturday night performances of “Rigoletto”;
and his extraordinary success on that occasion, coupled with his
familiarity with, and fitness for the part of Johnson in “The Girl
of the Golden West,” led to his being chosen to take Dubassi's place
to-night. His performance is awaited with the greatest of interest.' Now
isn't that splendid for Mary Jane? I'm so glad!” beamed Aunt Hannah.
“Of course we're glad!” cried Billy. “And didn't it come just in time?
This is the last week of opera, anyway, you know.”
“But it says he sang before--on a Saturday night,” declared Aunt Hannah,
going back to the paper in her hand. “Now wouldn't you have thought we'd
have heard of it, or read of it? And wouldn't you have thought he'd have
told us?”
“Oh, well, maybe he didn't happen to see us so he could tell us,”
returned Billy with elaborate carelessness.
“I know it; but it's so funny he _hasn't_ seen us,” contended Aunt
Hannah, frowning. “You know how much he used to be here.”
Billy colored, and hurried into the fray.
“Oh, but he must have been so busy, with all this, you know. And of
course we didn't see it in the paper--because we didn't have any paper
at that time, probably. Oh, yes, that's my fault, I know,” she laughed;
“and I was silly, I'll own. But we'll make up for it now. We'll go, of
course, I wish it had been on our regular season-ticket night, but I
fancy we can get seats somewhere; and I'm going to ask Alice Greggory
and her mother, too. I'll go down there this morning to tell them, and
to get the tickets. I've got it all planned.”
Billy had, indeed, “got it all planned.” She had been longing for
something that would take her away from the house--and if possible away
from herself. This would do the one easily, and might help on the other.
She rose at once.
“I'll go right away,” she said.
“But, my dear,” frowned Aunt Hannah, anxiously, “I don't believe I can
go to-night--though I'd love to, dearly.”
“But why not?”
“I'm tired and half sick with a headache this morning. I didn't sleep,
and I've taken cold somewhere,” sighed the lady, pulling the top shawl a
little higher about her throat.
“Why, you poor dear, what a shame!”
“Won't Bertram go?” asked Aunt Hannah.
Billy shook her head--but she did not meet Aunt Hannah's eyes.
“Oh, no. I sha'n't even ask him. He said last night he had a banquet
on for to-night--one of his art clubs, I believe.” Billy's voice was
casualness itself.
“But you'll have the Greggorys--that is, Mrs. Greggory _can_ go, can't
she?” inquired Aunt Hannah.
“Oh, yes; I'm sure she can,” nodded Billy. “You know she went to the
operetta, and this is just the same--only bigger.”
“Yes, yes, I know,” murmured Aunt Hannah.
“Dear me! How can she get about so on those two wretched little sticks?
She's a perfect marvel to me.”
“She is to me, too,” sighed Billy, as she hurried from the room.
Billy was, indeed, in a hurry. To herself she said she wanted to get
away--away! And she got away as soon as she could.
She had her plans all made. She would go first to the Greggorys' and
invite them to attend the opera with her that evening. Then she would
get the tickets. Just what she would do with the rest of the day she did
not know. She knew only that she would not go home until time to dress
for dinner and the opera. She did not tell Aunt Hannah this, however,
when she left the house. She planned to telephone it from somewhere down
town, later. She told herself that she _could not_ stay all day under
the sharp eyes of Aunt Hannah--but she managed, nevertheless, to bid
that lady a particularly blithe and bright-faced good-by.
Billy had not been long gone when the telephone bell rang. Aunt Hannah
answered it.
“Why, Bertram, is that you?” she called, in answer to the words that
came to her across the wire. “Why, I hardly knew your voice!”
“Didn't you? Well, is--is Billy there?”
“No, she isn't. She's gone down to see Alice Greggory.”
“Oh!” So evident was the disappointment in the voice that Aunt Hannah
added hastily:
“I'm so sorry! She hasn't been gone ten minutes. But--is there any
message?”
“No, thank you. There's no--message.” The voice hesitated, then went on
a little constrainedly. “How--how is Billy this morning? She--she's all
right, isn't she?”
Aunt Hannah laughed in obvious amusement.
“Bless your dear heart, yes, my boy! Has it been such a _long_ time
since last evening--when you saw her yourself? Yes, she's all right. In
fact, I was thinking at the breakfast table how pretty she looked with
her pink cheeks and her bright eyes. She seemed to be in such high
spirits.”
An inarticulate something that Aunt Hannah could not quite catch
came across the line; then a somewhat hurried “All right. Thank you.
Good-by.”
The next time Aunt Hannah was called to the telephone, Billy spoke to
her.
“Aunt Hannah, don't wait luncheon for me, please. I shall get it in
town. And don't expect me till five o'clock. I have some shopping to
do.”
“All right, dear,” replied Aunt Hannah. “Did you get the tickets?”
“Yes, and the Greggorys will go. Oh, and Aunt Hannah!”
“Yes, dear.”
“Please tell John to bring Peggy around early enough to-night so we can
go down and get the Greggorys. I told them we'd call for them.”
“Very well, dear. I'll tell him.”
“Thank you. How's the poor head?”
“Better, a little, I think.”
“That's good. Won't you repent and go, too?”
“No--oh, no, indeed!”
“All right, then; good-by. I'm sorry!”
“So'm I. Good-by,” sighed Aunt Hannah, as she hung up the receiver and
turned away.
It was after five o'clock when Billy got home, and so hurried were the
dressing and the dinner that Aunt Hannah forgot to mention Bertram's
telephone call till just as Billy was ready to start for the Greggorys'.
“There! and I forgot,” she confessed. “Bertram called you up just after
you left this morning, my dear.”
“Did he?” Billy's face was turned away, but Aunt Hannah did not notice
that.
“Yes. Oh, he didn't want anything special,” smiled the lady,
“only--well, he did ask if you were all right this morning,” she
finished with quiet mischief.
“Did he?” murmured Billy again. This time there was a little sound after
the words, which Aunt Hannah would have taken for a sob if she had not
known that it must have been a laugh.
Then Billy was gone.
At eight o'clock the doorbell rang, and a minute later Rosa came up
to say that Mr. Bertram Henshaw was down-stairs and wished to see Mrs.
Stetson.
Mrs. Stetson went down at once.
“Why, my dear boy,” she exclaimed, as she entered the room; “Billy said
you had a banquet on for to-night!”
“Yes, I know; but--I didn't go.” Bertram's face was pale and drawn. His
voice did not sound natural.
“Why, Bertram, you look ill! _Are_ you ill?” The man made an impatient
gesture.
“No, no, I'm not ill--I'm not ill at all. Rosa says--Billy's not here.”
“No; she's gone to the opera with the Greggorys.”
“The _opera!_” There was a grieved hurt in Bertram's voice that
Aunt Hannah quite misunderstood. She hastened to give an apologetic
explanation.
“Yes. She would have told you--she would have asked you to join them,
I'm sure, but she said you were going to a banquet. I'm _sure_ she said
so.”
“Yes, I did tell her so--last night,” nodded Bertram, dully.
Aunt Hannah frowned a little. Still more anxiously she endeavored to
explain to this disappointed lover why his sweetheart was not at home to
greet him.
“Well, then, of course, my boy, she'd never think of your coming here
to-night; and when she found Mr. Arkwright was going to sing--”
“Arkwright!” There was no listlessness in Bertram's voice or manner now.
“Yes. Didn't you see it in the paper? Such a splendid chance for him!
His picture was there, too.”
“No. I didn't see it.”
“Then you don't know about it, of course,” smiled Aunt Hannah. “But he's
to take the part of Johnson in 'The Girl of the Golden West.' Isn't that
splendid? I'm so glad! And Billy was, too. She hurried right off this
morning to get the tickets and to ask the Greggorys.”
“Oh!” Bertram got to his feet a little abruptly, and held out his hand.
“Well, then, I might as well say good-by then, I suppose,” he suggested
with a laugh that Aunt Hannah thought was a bit forced. Before she could
remind him again, though, that Billy was really not to blame for not
being there to welcome him, he was gone. And Aunt Hannah could only go
up-stairs and meditate on the unreasonableness of lovers in general, and
of Bertram in particular.
Aunt Hannah had gone to bed, but she was still awake, when Billy came
home, so she heard the automobile come to a stop before the door, and
she called to Billy when the girl came upstairs.
“Billy, dear, come in here. I'm awake! I want to hear about it. Was it
good?”
Billy stopped in the doorway. The light from the hall struck her face.
There was no brightness in her eyes now, no pink in her cheeks.
“Oh, yes, it was good--very good,” she replied listlessly.
“Why, Billy, how queer you answer! What was the matter? Wasn't Mary
Jane--all right?”
“Mary Jane? Oh!--oh, yes; he was very good, Aunt Hannah.”
“'Very good,' indeed!” echoed the lady, indignantly. “He must have
been!--when you speak as if you'd actually forgotten that he sang at
all, anyway!”
Billy had forgotten--almost. Billy had found that, in spite of her
getting away from the house, she had not got away from herself once, all
day. She tried now, however, to summon her acting powers of the morning.
“But it was splendid, really, Aunt Hannah,” she cried, with some show
of animation. “And they clapped and cheered and gave him any number of
curtain calls. We were so proud of him! But you see, I _am_ tired,” she
broke off wearily.
“You poor child, of course you are, and you look like a ghost! I won't
keep you another minute. Run along to bed. Oh--Bertram didn't go to that
banquet, after all. He came here,” she added, as Billy turned to go.
“Bertram!” The girl wheeled sharply.
“Yes. He wanted you, of course. I found I didn't do, at all,” chuckled
Aunt Hannah. “Did you suppose I would?”
There was no answer. Billy had gone.
In the long night watches Billy fought it out with herself. (Billy had
always fought things out with herself.) She must go away. She knew that.
Already Bertram had telephoned, and called. He evidently meant to see
her--and she could not see him. She dared not. If she did--Billy knew
now how pitifully little it would take to make her actually _willing_ to
slay Bertram's Art, stifle his Ambition, destroy his Inspiration, and be
a nuisance generally--if only she could have Bertram while she was doing
it all. Sternly then she asked herself if she had no pride; if she had
forgotten that it was because of her that the Winthrop portrait had not
been a success--because of her, either for the reason that he loved now
Miss Winthrop, or else that he loved no girl--except to paint.
Very early in the morning a white-faced, red-eyed Billy appeared at Aunt
Hannah's bedside.
“Billy!” exclaimed Aunt Hannah, plainly appalled.
Billy sat down on the edge of the bed.
“Aunt Hannah,” she began in a monotonous voice as if she were reciting
a lesson she had learned by heart, “please listen, and please try not to
be too surprised. You were saying the other day that you would like to
visit your old home town. Well, I think that's a very nice idea. If you
don't mind we'll go to-day.”
Aunt Hannah pulled herself half erect in bed.
“_To-day_--child?”
“Yes,” nodded Billy, unsmilingly. “We shall have to go somewhere to-day,
and I thought you would like that place best.”
“But--Billy!--what does this mean?”
Billy sighed heavily.
“Yes, I understand. You'll have to know the rest, of course. I've broken
my engagement. I don't want to see Bertram. That's why I'm going away.”
Aunt Hannah fell nervelessly back on the pillow. Her teeth fairly
chattered.
“Oh, my grief and conscience--_Billy!_ Won't you please pull up that
blanket,” she moaned. “Billy, what do you mean?”
Billy shook her head and got to her feet.
“I can't tell any more now, really, Aunt Hannah. Please don't ask me;
and don't--talk. You _will_--go with me, won't you?” And Aunt Hannah,
with her terrified eyes on Billy's piteously agitated face, nodded her
head and choked:
“Why, of course I'll go--anywhere--with you, Billy; but--why did you do
it, why did you do it?”
A little later, Billy, in her own room, wrote this note to Bertram:
“DEAR BERTRAM:--I'm going away to-day.
That'll be best all around. You'll agree to that,
I'm sure. Please don't try to see me, and please
don't write. It wouldn't make either one of us
any happier. You must know that.
“As ever your friend,
“BILLY.”
Bertram, when he read it, grew only a shade more white, a degree more
sick at heart. Then he kissed the letter gently and put it away with the
other.
To Bertram, the thing was very clear. Billy had come now to the
conclusion that it would be wrong to give herself where she could not
give her heart. And in this he agreed with her--bitter as it was for
him. Certainly he did not want Billy, if Billy did not want him, he told
himself. He would now, of course, accede to her request. He would not
write to her--and make her suffer more. But to Bertram, at that moment,
it seemed that the very sun in the heavens had gone out.