DORIAN MODES

Being known in these parts for a friendly soul, and trusted, moreover,

I have fallen into the position among the peasantry which the parson

used to hold, and does still when he takes the trouble to qualify for

it. If I can't always tell them what to do I may be able to put them

in the way of the man who can. One learns how to make a dictionary of

life as one gets on in it. Another use which they can have of me: I

can tell them how to put their requests or demands. They have no sense

whatever of a written language.

I must not betray confidences, or I could relate some curious matters

on this head. I know, for instance, a farmer who is worth a couple of

hundred thousand at the least, and who can neither write nor read.

He has learned somehow a cross between a scratch and a blot which is

accepted as a signature to cheques--but no more than that. And there

is no harm in saying that I often need an interpreter. I had a

case the other night when a man I know brought in a friend for

consultation--a youth of the round-headed, flaxen, Teutonic type,

rather rare here, who came from a village still more remote from the

world than this one. Not one word of his fluent and frequent speeches

could I understand. It was largely a question of intonation I

believe--but there it was.

He had the wild, inspired look of a savage. He again could neither

read nor write, though he must have been at school within the last

ten or twelve years; but, as I think I have said elsewhere, it is not

uncommon for boys to go through the school course and fail to pass

the standards. There are here two families in particular, admirable

workmen, who for two generations have left school without having

acquired either writing or reading. One wonders deeply what kind of

processes go on in the minds of these fine young men, steady workmen,

as they are, good husbands, kind fathers, useful citizens oftener

than not. What is their conception of God, of human destiny? How does

Religion get at them? Or does it? Shall we ever know? Not if Mr. Hardy

cannot tell us. No other poet of peasant origin has done so--neither

Clare, nor Blomfield, nor even Burns. Mr. Hardy has told us something,

and might have told us a good deal more if by the time he had learned

his craft, he had not learned to be chiefly interested in himself.

That is the way of poets.

Then there's _The Shropshire Lad_, a fake perhaps, since its author

was not a peasant, but a divine little book. _The Shropshire Lad_ is

morbid, unless lads are so in Shropshire--in which case they, too, are

morbid; but it is a golden book of whose beauty and felicity I never

tire. Technically it is by far the most considerable thing since _In

Memoriam_: "Loveliest of trees, the Cherry," makes me cry for sheer

pleasure. But it is haunted by the fear of death and old age; it is

afraid of love; it is sometimes cynical--none of which things are true

of youth in Salop or Salonika. The young peasant is a fatalist to the

core; but fatalists are not afraid of death. Youth is ephemeral and so

is the young peasant. He is always happy when the sun is out.

As for love, it is truly the hot-and-cold disease with him. He is

himself his "own fever and pain," like the rest of us; but I think

love is a physical passion, until marriage. After marriage it may grow

into something very beautiful indeed, and the more beautiful for being

incapable of bodily utterance. I have a pair often under my eye down

here who are, I know, all in all to each other; yet their conversation

is that of two old gossips. But at fortunate moments I may induce one

of them to tell of the other, and then you find out. My _Village Wife_

was no imagination of mine. She lives and suffers not so many miles

from where I write. Indeed, you may say of our peasantry very much

what French people will tell you of their marriage custom, that love

at its best follows that ceremony. It is not bred by romance, but by

intimacy. The romantic attachment flames up, and satiety quenches it.

The other kind glows red-hot but rarely breaks into a flame. You may

have which you choose: you are lucky indeed if you get both.

To return, however, to dialect, intonation, as I say, has much to do

with it. It is attractive, and in poetry can be very touching. I have

had the advantage of hearing Barnes's poems read by a lady who has the

accent perfectly. One does not know Barnes or Wessex who does not

hear him read. That is true of all poetry, no doubt--but Barnes is

uncommonly dull to read. As for words, we have enough of our own to

support a small lexicon, which I used to possess, but have just been

hunting, in vain. Perhaps after the pattern of the arrow, I shall find

it again in the shelf of a friend. I remember that we call the roots

of a tree the _mores_; that a dipper is a _spudgell_; that we say

"_dout_ the candle" when we mean extinguish it. We say "to-year" as

you say "to-morrow," and call the month of March "Lide." February used

to be "Soul-grove," but I have never heard it called so. The pole of

a scythe is the _snead_; the two handles are the _nibs_. They are

fastened by rings called _quinnets_. Isaac Taylor says that the few

remaining Celtic words we have in use (other than hill or river

names) are words for obscure parts of tools. We have some queer

intensives--"terriblish" or "tarblish" is one, and "ghastly," meaning

ugly, is another. "A terrible ghastly sight" we say, meaning that a

thing looks rather ugly.

Our demonstrative pronoun is _thic_, or more properly _dhic_; "dhic

meäd" means "that meadow." _Suent_ means pleasant or proper--really

both. It always has a sense of right consequence, of one thing

following another as it ought. "Suently" would be "duly." But that

now is common to the West, and will be heard from Land's End to

Hengistbury Head, as well as in every one of Mr. Phillpotts' novels.

Doubtless it is too late to protest--since I am upon words--against a

current barbarism which is at least ten years old, and against which

I have publicly cried out at least twenty times. For the twenty-first

time, then, let me object to "wage" for "wages." _Is_ the wages of sin

death, or _are_ they? Do you give a man an alms, or an alm?

In a Green Shade: A Country Commentary · 第 8 / 34 题