CHAPTER VI

CONQUEST AND VOLUPTUOUSNESS

If man elevates his loves to the highest spheres of the ideal; if he can

be called the most sublime lover on the terrestrial planet, he can boast

of having had from nature the largest cup at the banquet of

voluptuousness; he can also boast of being able, alone among the living

creatures, to die of pleasure and to end his life with lasciviousness.

Certainly, a tremendous thing is the embrace of a man and a woman who

love each other! So tremendous that, before this hurricane of the

senses, the painter lets the brush fall from his hand, the physiologist

loses the thread of analysis, and the philosopher is bewildered by the

ferocious grandeur and the brutish sublimity of that act, in which every

human force seems to be offered as a holocaust to animal fecundation.

The avowed or secret aim of every love, the dream of every virgin and

rage of every lust, the torment and delight of every man, voluptuousness

is the greatest pleasure of the senses; but it is also the deepest abyss

into which vulgar loves fall at every step, and where the great ones too

are submerged. Voluptuousness! Tremendous word that recalls the most

ardent scene of life and the greatest chaos, which concentrates wherever

an organism is born or destroyed; formless chaos, from which flashes

radiate and where elements quiver and earthquakes rumble and thunder;

chaos in which good and evil are so near as to mingle, confuse and melt

together; chaos in which angel and brute join in close embrace, and

human individuality vanishes for a moment to give way to a fantastic

monster, half man and half woman, half god and half demon; chaos from

which a man is born, just as from another chaos arose the cry that

generated light. I open the book of human deeds and read:

"In Sardinia the San Luri belle killed with her exuberance of

carnality the young King Martin II. of Sicily, of the House of

Aragon, him who gave the last blow to the independence of Sardinia,

subjecting to his dynasty that part of the island which was still

free. In 1409 he had gained a splendid victory over Brancaleone

Doria and the Viscount of Narbonne, when he himself was defeated in

turn by the belle of San Luri, who, modern Judith, killed the

Aragonese king with the fury of her kisses." ("La Marmora,

Itinerario in Sardegna," etc., p. 270.)

"The Empress Theodora was the source of such exquisite delight that

it was said that painting and poetry were incapable of delineating

the matchless excellence of her form. The satirical historian has

not blushed to describe the naked scenes which Theodora was not

ashamed to exhibit in the theatre. After the mention of a narrow

girdle, which she wore, as none could appear stark naked in the

theatre, Procopius adds: [Greek: anapeptôkuia]. After exhausting

the arts of sensual pleasure, she most ungratefully murmured

against the parsimony of nature, wishing a _fourth altar_, on which

she might pour libations to the god of love. After having been

possessed by everybody, she seduced Justinian, who made her his

wife and called her _a gift of the Deity_." (Gibbon, "Decline and

Fall of the Roman Empire.")

"The old age of David was warmed by the young Shunammite, and

Hermippus lived to be one hundred and five years old, sustained by

the spirit of many young women." (Bible.)

These few examples will be sufficient to delineate in a general way the

frontiers within which human voluptuousness struggles, an insatiable

author of so much good and so much evil. And yet, in the eyes of

science it is nothing but "the most powerful of chemical affinities

comprehended by the most perfect of living brains." Prepared in the slow

laboratory of a man and a woman, the gemmulæ of life intensely seek each

other and are reciprocally attracted; and when love gathers them by

millions and millions, they kiss and join and, quivering, restore one of

the most prodigious equilibriums of nature and generate a man.

If it is true that at every second a leaf detaches itself and falls from

the human tree, it is most true that in the same unit of time ten

existences at least are fused in order to relight the torch of life; and

if all the gigantic forces which are condensed in those aggregations

could be summed up, they would certainly be sufficient to send the world

through infinite space without the aid of the laws of Newton. In the hut

of the savage and in the gilded halls of the prince, on the soft

cushions of new-mown hay and on the glaciers of the Sorata; on the swift

train and on two camels crossing the desert, within the damp walls of

the prison and in the deep mines where the rays of the sun never

penetrate, in the forest and on the sands of the sea-shore, wherever a

man and a woman find themselves near and can desire each other,

voluptuousness wreathes its garlands and says to the man and the woman:

"Be gods for an instant!"

There is no love without voluptuousness, but voluptuousness alone is not

love, as that is not love which is ridiculously termed platonic. Lust

and platonic love are maladies or monsters of love and are possible,

nay, even too prevalent, like the deaf-mutes, the lame, the deformed,

the giants and the dwarfs.

There is no conquest without possession of the thing conquered, just as

there can be no love without voluptuousness. Take the flower from the

tree, the fruit from the flower, and you will have a faithful image of

all those amorous reticences which hypocritically stop at the threshold

of the temple and, incapable alike of chastity and courage, of vice and

virtue, drag a wretched existence in the limbo of bastardly affections.

Often duty must be stronger than love, and, the principles of honesty

forbidding, love must be conquered with a cruel and incredible torture;

but it is better to be heroes of duty than brigands acquitted for lack

of proofs, often despised, despicable always. If you truly love, if you

can love, then love in the name of the most powerful of the gods of

Olympus, love in the name of nature, in the name of the most sacred of

rights. Leave aside all amorous casuistry, the worst of human

hypocrisies; leave aside the hope of winning with your reticences and

your compromises with conscience the Goliath of the sentiments. How many

have I beheld, after long sentimental tirades on platonic love, and

after bitter tears and vows of virtue, sink from hypocrisy into

hypocrisy and down to lasciviousness! How many guilty lovers did not

wish sin and had vice, did not wish guilt and had prostitution! All or

nothing: such is love's command. Break down the tree that you cannot

cultivate, be everything to somebody; demand to be everything to your

companion; do not try to divide the indivisible; do not attempt to

overthrow the omnipotent, to win over the invincible. With love you

cannot jest; any compromise is impossible.

Voluptuousness, even in its purest and simplest forms, without love is

always lasciviousness; it is immoral even when it seems hygienic. With

love, even lust is virtue; and the studied casuistry of theologians is

more immodest than the most ardent kiss ever exchanged between two

lovers educated by a long experience of embraces. Voluptuousness is as

penetrating as light, as inexhaustible as the sun, and, enclosed between

two infinities, one of desire and the other of languor, it will never be

all known by the human family, were it to live for millions of

centuries. All forms of the beautiful are conquered by the blandishments

of art; all forms of virtue are the delight of the sentiment of the

good; every great and true idea is the joy of our thought; but

voluptuousness relishes simultaneously all the joys of the senses, of

sentiment and of intellect, calms all morbosities, extinguishes all

fires, intoxicates itself with all inebriations, high and low, with all

languors, all human flashes. Voluptuousness is a light which gilds

every object it strikes and encircles it with a halo of celestial

iridescence. Nor is the embrace of love alone voluptuous; for

voluptuousness is in every contact of quivering robes, of glossy hair;

voluptuousness is in every quiver of the skin, in every shock of the

nerves, in every kiss of the flesh. Unfortunate he who has tasted

voluptuousness only out of the one cup of Venus! Let him take lessons of

woman, wisest teacher of every exquisite and sublime sensuality. A

Boeotian in art, let him go to Athens and study the beautiful. There is

no worse enemy of voluptuousness than lust, no sister more faithful than

chastity. If the poet, the painter, the sculptor could conceive this

divine group, "the joy of Love guided by the hand of Chastity," that

representation, whether due to pen, brush or chisel, would be as holy a

thing as an altar, a lesson in virtue and a great work of art; fire

enclosed in alabaster, the sun abducted by the wave, enamored and

jealous; Hercules led by a child!

Lovers who love and possess each other, lovers whom voluptuousness

inebriates every hour, if you still have an instant to devote to

prudence, remember that voluptuousness should not be the bread but the

wine of love; that if you wish that your lips be eternally thirsty, your

voluptuousness must be chaste and modest; you must swim, but not drown;

you must quiver, but not fall into convulsions; you must be in the grasp

of death, but not dead. Modest voluptuousness, this priceless treasure,

was given by nature to woman, that she may restore it to you with

unbounded joys; and you should respect it as a palladium of domestic

happiness and nurture it in your daughters, because verily I say unto

you that in modern society there is often more pudicity in the lowest of

courtesans than in some married women whose nuptial education has been

imparted by an aged and libertine husband.

The Book of Love · 第 6 / 21 章