FREETHOUGHT IN GREECE
The highest of all the ancient civilizations, that of Greece,
was naturally the product of the greatest possible complex of
culture-forces; [396] and its rise to pre-eminence begins after
the contact of the Greek settlers in Æolia and Ionia with the higher
civilizations of Asia Minor. [397] The great Homeric epos itself stands
for the special conditions of Æolic and Ionic life in those colonies;
[398] even Greek religion, spontaneous as were its earlier growths, was
soon influenced by those of the East; [399] and Greek philosophy and
art alike draw their first inspirations from Eastern contact. [400]
Whatever reactions we may make against the tradition of Oriental
origins, [401] it is clear that the higher civilization of antiquity
had Oriental (including in that term Egyptian) roots. [402] At no point
do we find a "pure" Greek civilization. Alike the "Mycenæan" and the
"Minoan" civilizations, as recovered for us by modern excavators,
show a composite basis, in which the East is implicated. [403] And
in the historic period the connection remains obvious. It matters
not whether we hold the Phrygians and Karians of history to have
been originally an Aryan stock, related to the Hellenes, and thus
to have acted as intermediaries between Aryans and Semites, or to
have been originally Semites, with whom Greeks intermingled. [404]
On either view, the intermediaries represented Semitic influences,
which they passed on to the Greek-speaking races, though they in turn
developed their deities in large part on psychological lines common
to them and the Semites. [405]
As to the obvious Asiatic influences on historic Greek
civilization, compare Winwood Reade, The Martyrdom of Man, 1872,
p. 64; Von Ihering, Vorgeschichte der Indo-Europäer, Eng. tr. ("The
Evolution of the Aryan"), p. 73; Schömann, Griech. Alterthümer,
2te Aufl. 1861, i, 10; E. Meyer, Gesch. des Alterth. ii, 155;
A. Bertrand, Études de mythol. et d'archéol. grecques, 1858,
pp. 40-41; Bury, introd. p. 3. It seems clear that the Egyptian
influence is greatly overstated by Herodotos (ii. 49-52, etc.),
who indeed avows that he is but repeating what the Egyptians
affirm. The Egyptian priests made their claim in the spirit
in which the Jews later made theirs. Herodotos, besides, would
prefer an Egyptian to an Asiatic derivation, and so would his
audience. But it must not be overlooked that there was an Egyptian
influence in the "Minoan" period.
A Hellenistic enthusiasm has led a series of eminent scholars to carry
so far their resistance to the tradition of Oriental beginnings [406]
as to take up the position that Greek thought is "autochthonous." [407]
If it were, it could not conceivably have progressed as it did. Only
the tenacious psychological prejudice as to race-characters and racial
"genius" could thus long detain so many students at a point of view so
much more nearly related to supernaturalism than to science. It is safe
to say that if any people is ever seen to progress in thought, art, and
life, with measurable rapidity, its progress is due to the reactions of
foreign intercourse. The primary civilizations, or what pass for such,
as those of Akkad and Egypt, are immeasurably slow in accumulating
culture-material; the relatively rapid developments always involve
the stimulus of old cultures upon a new and vigorous civilization,
well-placed for social evolution for the time being. There is no
point in early Greek evolution, so far as we have documentary trace
of it, at which foreign impact or stimulus is not either patent or
inferrible. [408] In the very dawn of history the Greeks are found
to be a composite stock, [409] growing still more composite; and the
very beginnings of its higher culture are traced to the non-Grecian
people of Thrace, [410] who worshipped the Muses. As seen by Herodotos
and Thucydides, "the original Hellenes were a particular conquering
tribe of great prestige, which attracted the surrounding tribes to
follow it, imitate it, and call themselves by its name. The Spartans
were, to Herodotos, Hellenic; the Athenians, on the other hand,
were not. They were Pelasgian, but by a certain time 'changed into
Hellenes and learnt their language.' In historical times we cannot
really find any tribe of pure Hellenes in existence." [411] The later
supremacy of the Greek culture is thus to be explained in terms not
of an abnormal "Greek genius," [412] but of the special evolution of
intelligence in the Greek-speaking stock, firstly through constant
crossing with others, and secondarily through its furtherance by the
special social conditions of the more progressive Greek city-states,
of which conditions the most important were their geographical
dividedness and their own consequent competition and interaction. [413]
The whole problem of Oriental "influence" has been obscured, and
the solution retarded, by the old academic habit of discussing
questions of mental evolution in vacuo. Even the reaction against
idolatrous Hellenism proceeded without due regard to historical
sequence; and the return reaction against that is still somewhat
lacking in breadth of inference. There has been too much on
one side of assumption as to early Oriental achievement; and
too much tendency on the other to assume that the positing of
an "influence" on the Greeks is a disparagement of the "Greek
mind." The superiority of that in its later evolution seems too
obvious to need affirming. But that hardly justifies so able a
writer as Professor Burnet in concluding (Early Greek Philosophy,
2nd ed. introd. pp. 22-23) that "the" Egyptians knew no more
arithmetic than was learned by their children in the schools;
or in saying (id. p. 26) that "the" Babylonians "studied and
recorded celestial phenomena for what we call astrological
purposes, not from any scientific interest." How can we have
the right to say that no Babylonians had a scientific interest
in the data? Such interest would in the nature of the case miss
the popular reproduction given to astrological lore. But it might
very well subsist.
Professor Burnet, albeit a really original investigator, has
not here had due regard to the early usage of collegiate or
corporate culture, in which arcane knowledge was reserved for the
few. Thus he writes (p. 26) concerning the Greeks that "it was not
till the time of Plato that even the names of the planets were
known." Surely they must have been "known" to some adepts long
before: how else came they to be accepted? As Professor Burnet
himself notes (p. 34), "in almost every department of life we find
that the corporation at first is everything and the individual
nothing. The peoples of the East hardly got beyond this stage at
all: their science, such as it is, is anonymous, the inherited
property of a caste or guild, and we still see clearly in some
cases that it was once the same among the Hellenes." Is it not then
probable that astronomical knowledge was so ordered by Easterns,
and passed on to Hellenes?
There still attaches to the investigation of early Greek philosophy
the drawback that the philosophical scholars do not properly posit
the question: What was the early Ionic Greek society like? How did
the Hellenes relate to the older polities and cultures which they
found there? Professor Burnet makes justifiable fun (p. 21, note)
of Dr. Gomperz's theory of the influence of "native brides"; but he
himself seems to argue that the Greeks could learn nothing from the
men they conquered, though he admits (p. 20) their derivation of
"their art and many of their religious ideas from the East." If
religion, why not religious speculation, leading to philosophy
and science? This would be a more fruitful line of inquiry than
one based on the assumption that "the" Babylonians went one way
and "the" Greeks another. After all, only a few in each race
carried on the work of thought and discovery. We do not say that
"the English" wrote Shakespeare. Why affirm always that "the"
Greeks did whatever great Greeks achieved?
On the immediate issue Professor Burnet incidentally concedes what
is required. After arguing that the East perhaps borrowed more
from the West than did the West from the East, he admits (p. 21):
"It would, however, be quite another thing to say that Greek
philosophy originated quite independently of Oriental influence."
§ 1
By the tacit admission of one of the ablest opponents of the theory
of foreign influence, Hellenic religion as fixed by Homer for the
Hellenic world was partly determined by Asiatic influences. Ottfried
Müller decided not only that Homer the man (in whose personality he
believed) was probably a Smyrnean, whether of Æolic or Ionic stock,
[414] but that Homer's religion must have represented a special
selection from the manifold Greek mythology, necessarily representing
his local bias. [415] Now, the Greek cults at Smyrna, as in the other
Æolic and Ionic cities of Asia Minor, would be very likely to reflect
in some degree the influence of the Karian or other Asiatic cults
around them. [416] The early Attic conquerors of Miletos allowed
the worship of the Karian Sun-God there to be carried on by the old
priests; and the Attic settlers of Ephesos in the same way adopted the
neighbouring worship of the Lydian Goddess (who became the Artemis
or "Great Diana" of the Ephesians), and retained the ministry of
the attendant priests and eunuchs. [417] Smyrna was apparently not
like these a mixed community, but one founded by Achaians from the
Peloponnesos; but the genera] Ionic and Æolic religious atmosphere,
set up by common sacrifices, [418] must have been represented in an
epic brought forth in that region. The Karian civilization had at
one time spread over a great part of the Ægean, including Delos and
Cyprus. [419] Such a civilization must have affected that of the Greek
conquerors, who only on that basis became civilized traders. [420]
It is not necessary to ask how far exactly the influence may have
gone in the Iliad: the main point is that even at that stage of
comparatively simple Hellenism the Asiatic environment, Karian
or Phoenician, counted for something, whether in cosmogony or in
furthering the process of God-grouping, or in conveying the cult of
Cyprian Aphrodite, [421] or haply in lending some characteristics to
Zeus and Apollo and Athênê, [422] an influence none the less real
because the genius of the poet or poets of the Iliad has given to
the whole Olympian group the artistic stamp of individuality which
thenceforth distinguishes the Gods of Greece from all others. Indeed,
the very creation of a graded hierarchy out of the independent local
deities of Greece, the marrying of the once isolated Pelasgic Hêrê
to Zeus, the subordination to him of the once isolated Athênê and
Apollo--all this tells of the influence of a Semitic world in which
each Baal had his wife, and in which the monarchic system developed on
earth had been set up in heaven. [423] But soon the Asiatic influence
becomes still more clearly recognizable. There is reason to hold
with Schrader that the belief in a mildly blissful future state,
as seen even in the Odyssey [424] and in the Theogony ascribed to
Hesiod, [425] is "a new belief which is only to be understood in
view of oriental tales and teaching." [426] In the Theogony, again,
the Semitic element increases, [427] Kronos being a Semitic figure;
[428] while Semelê, if not Dionysos, appears to be no less so. [429]
But we may further surmise that in Homer, to begin with, the conception
of Okeanos, the earth-surrounding Ocean-stream, as the origin of all
things, [430] comes from some Semitic source; and that Hesiod's more
complicated scheme of origins from Chaos is a further borrowing of
oriental thought--both notions being found in ancient Babylonian lore,
whence the Hebrews derived their combination of Chaos and Ocean in
the first verses of Genesis. [431] It thus appears that the earlier
oriental [432] influence upon Greek thought was in the direction
of developing religion, [433] with only the germ of rationalism
conveyed in the idea of an existence of matter before the Gods, [434]
which we shall later find scientifically developed. But the case is
obscure. Insofar as the Theogony, for instance, partly moralizes the
more primitively savage myths, [435] it may be that it represents
the spontaneous need of the more highly evolved race to give an
acceptable meaning to divine tales which, coming from another race,
have not a quite sacrosanct prescription, though the tendency is to
accept them. On the other hand, it may have been a further foreign
influence that gave the critical impulse.
"It is plain enough that Homer and Hesiod represent, both
theologically and socially, the close of a long epoch, and
not the youth of the Greek world, as some have supposed. The
real signification of many myths is lost to them, and so is
the import of most of the names and titles of the elder Gods,
which are archaic and strange, while the subordinate personages
generally have purely Greek names" (Professor Mahaffy, History
of Classical Greek Literature, 1880, i, 17).
§ 2
Whatever be the determining conditions, it is clear that the Homeric
epos stands for a new growth of secular song, distinct from the earlier
poetry, which by tradition was "either lyrical or oracular." The
poems ascribed to the pre-Homeric bards "were all short, and they
were all strictly religious. In these features they contrasted
broadly with the epic school of Homer. Even the hexameter metre
seems not to have been used in these old hymns, and was called a new
invention of the Delphic priests. [436] Still further, the majority
of these hymns are connected with mysteries apparently ignored by
Homer, or with the worship of Dionysos, which he hardly knew." [437]
Intermediate between the earlier religious poetry and the Homeric
epic, then, was a hexametric verse, used by the Delphic priesthood;
and to this order of poetry belongs the Theogony which goes under
the name of Hesiod, and which is a sample of other and older works,
[438] probably composed by priests. And the distinctive mark of the
Homeric epos is that, framed as it was to entertain feudal chiefs and
their courts, it turned completely away from the sacerdotal norm and
purpose. "Thus epic poetry, from having been purely religious, became
purely secular. After having treated men and heroes in subordination
to the Gods, it came to treat the Gods in relation to men. Indeed,
it may be said of Homer that in the image of man created he God." [439]
As to the non-religiousness of the Homeric epics, there is a
division of critical opinion. Meyer insists (Gesch. des Alt. ii,
395) that, as contrasted with the earlier religious poetry, "the
epic poetry is throughout secular (profan); it aims at charming
its hearers, not at propitiating the Gods"; and he further sees in
the whole Ionian mood a certain cynical disillusionment (id. ii,
723). Cp. Benn, Philos. of Greece, p. 40, citing Hegel. E. Curtius
(G. G. i, 126) goes so far as to ascribe a certain irony to the
portraiture of the Gods (Ionian Apollo excepted) in Homer, and to
trace this to Ionian levity. To the same cause he assigns the lack
of any expression of a sense of stigma attaching to murder. This
sense he holds the Greek people had, though Homer does not
hint it. (Cp. Grote, i, 24, whose inference Curtius implicitly
impugns.) Girard (Le Sentiment religieux en Grèce, 1869), on the
contrary, appears to have no suspicion of any problem to solve,
treating Homer as unaffectedly religious. The same view is taken
by Prof. Paul Decharme. "On chercherait vainement dans l'Iliade et
dans l'Odyssée les premières traces du scepticisme grec à l'égard
des fables des dieux. C'est avec une foi entière en la réalité
des événements mythiques que les poètes chantent les légendes ...;
c'est en toute simplicité d'âme aussi que les auditeurs de l'épopée
écoutent...." (La critique des traditions religieuses chez les
grecs, 1904, p. 1.) Thus we have a kind of balance of contrary
opinions, German against French. Any verdict on the problem must
recognize on the one hand the possibilities of naïve credulity in
an unlettered age, and on the other the probability of critical
perception on the part of a great poet. I have seen both among
Boers in South Africa. On the general question of the mood of
the Homeric poems compare Gilbert Murray, Four Stages of Greek
Religion, 1912, p. 77, and Hist. of Anc. Greek Lit. pp. 34, 35;
and A. Benn, The Philosophy of Greece in Relation to the Character
of its People, 1898, pp. 29-30.
Still, it cannot be said that in the Iliad there is any clear hint of
religious skepticism, though the Gods are so wholly in the likeness of
men that the lower deities fight with heroes and are worsted, while
Zeus and Hêrê quarrel like any earthly couple. In the Odyssey there
is a bare hint of possible speculation in the use of the word atheos;
but it is applied only in the phrase ouk atheei, "not without a
God," [440] in the sense of similar expressions in other passages
and in the Iliad. [441] The idea was that sometimes the Gods directly
meddled. When Odysseus accuses the suitors of not dreading the Gods,
[442] he has no thought of accusing them of unbelief. [443] Homer
has indeed been supposed to have exercised a measure of relative
freethought in excluding from his song the more offensive myths about
the Gods, [444] but such exclusion may be sufficiently explained on
the score that the epopees were chanted in aristocratic dwellings,
in the presence of womenkind, without surmising any process of doubt
on the poet's part.
On the other hand, it was inevitable that such a free treatment of
things hitherto sacred should not only affect the attitude of the
lay listener towards the current religion, but should react on the
religious consciousness. God-legends so fully thrust on secular
attention were bound to be discussed; and in the adaptations of
myth for liturgical purposes by Stesichoros (fl. circa 600 B.C.) we
appear to have the first open trace of a critical revolt in the
Greek world against immoral or undignified myths. [445] In his
work, it is fair to say, we see "the beginning of rationalism":
"the decisive step is taken: once the understanding criticizes the
sanctified tradition, it raises itself to be the judge thereof;
no longer the common tradition but the individual conviction is the
ground of religious belief." [446] Religious, indeed, the process
still substantially is. It is to preserve the credit of Helena as
a Goddess that Stesichoros repudiates the Homeric account of her,
[447] somewhat in the spirit in which the framers of the Hesiodic
theogony manipulated the myths without rejecting them, or the Hebrew
redactors tampered with their text. But in Stesichoros there is a new
tendency to reject the myth altogether; [448] so that at this stage
freethought is still part of a process in which religious feeling,
pressed by an advancing ethical consciousness, instinctively clears
its standing ground.
It is in Pindar, however (518-442 B.C.), that we first find such a
mental process plainly avowed by a believer. In his first Olympic
Ode he expressly declares the need for bringing afterthought to bear
on poetic lore, that so men may speak nought unfitting of the Gods;
and he protests that he will never tell the tale of the blessed ones
banqueting on human flesh. [449] In the ninth Ode he again protests
that his lips must not speak blasphemously of such a thing as strife
among the immortals. [450] Here the critical motive is ethical, though,
while repudiating one kind of scandal about the Gods, Pindar placidly
accepts others no less startling to the modern sense. His critical
revolt, in fact, is far from thoroughgoing, and suggests rather a
religious man's partial response to pressure from others than any
independent process of reflection. [451]
"He [Pindar] was honestly attached to the national religion and to
its varieties in old local cults. He lived a somewhat sacerdotal
life, labouring in honour of the Gods, and seeking to spread a
reverence for old traditional beliefs. He, moreover, shows an
acquaintance with Orphic rites and Pythagorean mysteries, which
led him to preach the doctrine of immortality, and of rewards
and punishments in the life hereafter. [Note.--The most explicit
fragment (thrênoi, 3), is, however, not considered genuine by
recent critics.]... He is indeed more affected by the advance of
freethinking than he imagines; he borrows from the neologians the
habit of rationalizing myths, and explaining away immoral acts
and motives in the Gods; but these things are isolated attempts
with him, and have no deep effect upon his general thinking"
(Mahaffy, Hist. of Greek Lit. i, 213-14).
For such a development we are not, of course, forced to assume a
foreign influence: mere progress in refinement and in mental activity
could bring it about; yet none the less it is probable that foreign
influence did quicken the process. It is true that from the beginnings
of the literary period Greek thought played with a certain freedom on
myth, partly perhaps because the traditions visibly came from various
races, and there was no strong priesthood to ossify them. After Homer
and Hesiod, men looked back to those poets as shaping theology to
their own minds. [452] But all custom is conservative, and Pindar's
mind had that general cast. On the other hand, external influence was
forthcoming. The period of Pindar and Æschylus [525-455 B.C.] follows
on one in which Greek thought, stimulated on all sides, had taken
the first great stride in its advance beyond all antiquity. Egypt
had been fully thrown open to the Greeks in the reign of Psammetichos
[453] (650 B.C.); and a great historian, who contends that the "sheer
inherent and expansive force" of "the" Greek intellect, "aided but
by no means either impressed or provoked from without," was the true
cause, yet concedes that intercourse with Egypt "enlarged the range
of their thoughts and observations, while it also imparted to them
that vein of mysticism which overgrew the primitive simplicity of the
Homeric religion," and that from Asia Minor in turn they had derived
"musical instruments and new laws of rhythm and melody," as well as
"violent and maddening religious rites." [454] And others making
similar à priori claims for the Greek intelligence are forced likewise
to admit that the mental transition between Homer and Herodotos cannot
be explained save in terms of "the influence of other creeds, and the
necessary operation of altered circumstances and relations." [455]
In the Persae of Æschylus we even catch a glimpse of direct contact
with foreign skepticism; [456] and again in the Agamemnon there is
a reference to some impious one who denied that the Gods deigned
to have care of mortals. [457] It seems unwarrantable to read as
"ridicule of popular polytheism" the passage in the same tragedy:
[458] "Zeus, whosoever he be; if this name be well-pleasing to
himself in invocation, by this do I name him." It may more fitly be
read [459] as an echo of the saying of Herakleitos that "the Wise
[= the Logos?] is unwilling and willing to be called by the name of
Zeus." [460] But in the poet's thought, as revealed in the Prometheus,
and in the Agamemnon on the theme of the sacrifice of Iphigeneia, there
has occurred an ethical judgment of the older creeds, an approach to
pantheism, a rejection of anthropomorphism, and a growth of pessimism
that tells of their final insufficiency.
The leaning to pantheism is established by the discovery that
the disputed lines, "Zeus is sky, earth, and heaven: Zeus is all
things, yea, greater than all things" (Frag. 443), belonged to the
lost tragedy of the Heliades (Haigh, Tragic Drama of the Greeks,
1896, p. 88). For the pessimism see the Prometheus, 247-51. The
anti-anthropomorphism is further to be made out from the lines
ascribed to Æschylus by Justin Martyr (De Monarchia, c. 2)
and Clemens Alexandrinus (Stromata, v, 14). They are expressly
pantheistic; but their genuineness is doubtful. The story that
Æschylus was nearly killed by a theatre audience on the score
that he had divulged part of the mysteries in a tragedy (Haigh,
The Attic Theatre, 1889, p. 316; Tragic Drama, pp. 49-50)
does not seem to have suggested to Aristotle, who tells it
(Nicomachean Ethics, iii, 2), any heterodox intention on the
tragedian's part; but it is hard to see an orthodox believer
in the author either of the Prometheus, wherein Zeus is posed
as brutal might crucifying innocence and beneficence, or of
the Agamemnon, where the father, perplexed in the extreme, can
but fall back helplessly on formulas about the all-sufficiency
of Zeus when called upon to sacrifice his daughter. Cp. Haigh,
Tragic Drama, p. 86 sq. "Some critics," says Mr. Haigh (p. 88),
"have been led to imagine that there is in Æschylus a double
Zeus--the ordinary God of the polytheistic religion and the one
omnipotent deity in whom he really believed. They suppose that he
had no genuine faith in the credibility of the popular legends,
but merely used them as a setting for his tragedies; and that his
own convictions were of a more philosophical type," as seen in
the pantheistic lines concerning Zeus. To this Mr. Haigh replies
that it is "most improbable that there was any clear distinction
in the mind of Æschylus" between the two conceptions of Zeus;
going on, however, to admit that "much, no doubt, he regarded
as uncertain, much as false. Even the name 'Zeus' was to him a
mere convention." Mr. Haigh in this discussion does not attempt
to deal with the problem of the Prometheus.
The hesitations of the critics on this head are noteworthy. Karl
Ottfried Müller, who is least himself in dealing with fundamental
issues of creed, evades the problem (Lit. of Anc. Greece, 1847,
p. 329) with the bald suggestion that "Æschylus, in his own
mind, must have felt how this severity [of Zeus], a necessary
accompaniment of the transition from the Titanic period to the
government of the Gods of Olympus, was to be reconciled with the
mild wisdom which he makes an attribute of Zeus in the subsequent
ages of the world. Consequently, the deviation from right ... would
all lie on the side of Prometheus." This nugatory plea--which is
rightly rejected by Burckhardt (Griech. Culturgesch. ii, 25)--is
ineffectually backed by the argument that the friendly Oceanides
recur to the thought, "Those only are wise who humbly reverence
Adrasteia (Fate)"--as if the positing of a supreme Fate were not
a further belittlement of Zeus.
Other critics are similarly evasive. Patin (Eschyle, éd. 1877,
p. 250 sq.), noting the vagaries of past criticism, hostile and
other, avowedly leaves the play an unsolved enigma, affirming only
the commonly asserted "piety" of Æschylus. Girard (Le sentiment
religieux en Grèce, pp. 425-29) does no better, while dogmatically
asserting that the poet is "the Greek faithful to the faith of his
fathers, which he interprets with an intelligent and emotional
(émue) veneration." Meyer (iii, §§ 257-58) draws an elaborate
parallel between Æschylus and Pindar, affirming in turn the "tiefe
Frömmigkeit" of the former--and in turn leaves the enigma of the
Prometheus unsolved. Professor Decharme, rightly rejecting the
fanciful interpretations of Quinet and others who allegorize
Prometheus into humanity revolting against superstition,
offers a very unsatisfying explanation of his own (p. 107),
which practically denies that there is any problem to solve.
Prof. Mahaffy, with his more vivacious habit of thought, comes
to the evaded issue. "How," he asks, "did the Athenian audience,
who vehemently attacked the poet for divulging the mysteries,
tolerate such a drama? And still more, how did Æschylus, a pious
and serious thinker, venture to bring such a subject on the
stage with a moral purpose?" The answers suggested are: (1) that
in all old religions there are tolerated anomalous survivals;
(2) that "a very extreme distortion of their Gods will not
offend many who would feel outraged at any open denial of them";
(3) that all Greeks longed for despotic power for themselves,
and that "no Athenian, however he sympathized with Prometheus,
would think of blaming Zeus for ... crushing all resistance to his
will." But even if these answers--of which the last is the most
questionable--be accepted, "the question of the poet's intention
is far more difficult, and will probably never be satisfactorily
answered." Finally, we have this summing-up: "Æschylus was, indeed,
essentially a theologian ... but, what is more honourable and
exceptional, he was so candid and honest a theologian that he did
not approach men's difficulties for the purpose of refuting them
or showing them weak and groundless. On the contrary, though an
orthodox and pious man, though clearly convinced of the goodness
of Providence, and of the profound truth of the religion of
his fathers, he was ever stating boldly the contradictions and
anomalies in morals and in myths, and thus naturally incurring
the odium and suspicion of the professional advocates of religion
and their followers. He felt, perhaps instinctively, that a vivid
dramatic statement of these problems in his tragedies was better
moral education than vapid platitudes about our ignorance, and
about our difficulties being only caused by the shortness of our
sight" (Hist. of Greek Lit. i, 260-61, 273-74).
Here, despite the intelligent handling, the enigma is merely
transferred from the great tragedian's work to his character: it is
not solved. No solution is offered of the problem of the pantheism
of the fragment above cited, which is quite irreconcilable with
any orthodox belief in Greek religion, though such sayings are
at times repeated by unthinking believers, without recognition
of their bearing. That the pantheism is a philosophical element
imported into the Greek world from the Babylonian through the early
Ionian thinkers seems to be the historical fact (cp. Whittaker,
as last cited): that the importation meant the dissolution of
the national faith for many thinking men seems to be no less
true. It seems finally permissible, then, to suggest that the
"piety" of Æschylus was either discontinuous or a matter of
artistic rhetoric and public spirit, and that the Prometheus is
a work of profound and terrible irony, unburdening his mind of
reveries that religion could not conjure away. The discussion
on the play has unduly ignored the question of its date. It is,
in all probability, one of the latest of the works of Æschylus
(K. O. Müller, Lit. of Anc. Greece, p. 327; Haigh, Tragic Drama,
p. 109). Müller points to the employment of the third actor--a
late development--and Haigh to the overshadowing of the choruses
by the dialogue; also to the mention (ll. 366-72) of the eruption
of Etna, which occurred in 475 B.C. This one circumstance goes
far to solve the dispute. Written near the end of the poet's life
the play belongs to the latest stages of his thinking; and if it
departs widely in its tone from the earlier plays, the reasonable
inference is that his ideas had undergone a change. The Agamemnon,
with its desolating problem, seems to be also one of his later
works. Rationalism, indeed, does not usually emerge in old age,
though Voltaire was deeply shaken in his theism by the earthquake
of Lisbon; but Æschylus is unique even among men of genius; and
the highest flight of Greek drama may well stand for an abnormal
intellectual experience.
In this primary entrance of critical doubt into drama we have one of
the sociological clues to the whole evolution of Greek thought. It
has been truly said that the constant action of the tragic stage, the
dramatic putting of arguments and rejoinders, pros and cons--which
in turn was a fruit of the actual daily pleadings in the Athenian
dikastery--was a manifold stimulus alike to ethical feeling and
to intellectual effort, such as no other ancient civilization ever
knew. "The appropriate subject-matter of tragedy is pregnant not only
with ethical sympathy, but also with ethical debate and speculation,"
to an extent unapproached in the earlier lyric and gnomic poetry
and the literature of aphorism and precept. "In place of unexpanded
results, or the mere communication of single-minded sentiment, we
have even in Æschylus, the earliest of the great tragedians, a large
latitude of dissent and debate--a shifting point of view--a case
better or worse--and a divination of the future advent of sovereign
and instructed reason. It was through the intermediate stage of
tragedy that Grecian literature passed into the Rhetoric, Dialectics,
and Ethical speculation which marked the fifth century B.C." [461]
This development was indeed autochthonous, save insofar as the
germ of the tragic drama may have come from the East in the cult
of Dionysos, with its vinous dithyramb: the "Greek intellect"
assuredly did wonderful things at Athens, being placed, for a time,
in civic conditions peculiarly fitted for the economic evocation of
certain forms of genius. But the above-noted developments in Pindar
and in Æschylus had been preceded by the great florescence of early
Ionian philosophy in the sixth century, a growth which constrains
us to look once more to Asia Minor for a vital fructification of the
Greek inner life, of a kind that Athenian institutions could not in
themselves evoke. For while drama flourished supremely at Athens,
science and philosophy grew up elsewhere, centuries before Athens
had a philosopher of note; and all the notable beginnings of Hellenic
freethought occurred outside of Hellas proper.
§ 3
The Greeks varied from the general type of culture-evolution seen
in India, Persia, Egypt, and Babylon, and approximated somewhat to
that of ancient China, in that their higher thinking was done not by
an order of priests pledged to cults, but by independent laymen. In
Greece, as in China, this line of development is to be understood as a
result of early political conditions--in China, those of a multiplicity
of independent feudal States; in Greece, those of a multiplicity of
City States, set up first by the geographical structure of Hellas,
and reproduced in the colonies of Asia Minor and Magna Graecia by
reason of the acquired ideal and the normal state of commercial
competition. To the last, many Greek cults exhibited their original
character as the sacra of private families. Such conditions prevented
the growth of a priestly caste or organization. [462] Neither China
nor Pagan Greece was imperialized till there had arisen enough of
rationalism to prevent the rise of a powerful priesthood; and the
later growth of a priestly system in Greece in the Christian period
is to be explained in terms first of a positive social degeneration,
accompanying a complete transmutation of political life, and secondly
of the imposition of a new cult, on the popular plane, specially
organized on the model of the political system that adopted it. Under
imperialism, however, the two civilizations ultimately presented a
singular parallel of unprogressiveness.
In the great progressive period, the possible gains from the absence of
a priesthood are seen in course of realization. For the Greek-speaking
world in general there was no dogmatic body of teaching, no written
code of theology and moral law, no Sacred Book. [463] Each local
cult had its own ancient ritual, often ministered by priestesses,
with myths, often of late invention, to explain it; [464] only
Homer and Hesiod, with perhaps some of the now lost epics, serving
as a general treasury of myth-lore. The two great epopees ascribed
to Homer, indeed, had a certain Biblical status; and the Homerids
or other bards who recited them did what in them lay to make the
old poetry the standard of theological opinion; but they too lacked
organized influence, and could not hinder higher thinking. [465] The
special priesthood of Delphi, wielding the oracle, could maintain
their political influence only by holding their function above all
apparent self-seeking or effort at domination. [466] It only needed,
then, such civic conditions as should evolve a leisured class, with
a bent towards study, to make possible a growth of lay philosophy.
Those conditions first arose in the Ionian cities; because there first
did Greek citizens attain commercial wealth, [467] as a result of
adopting the older commercial civilization whose independent cities
they conquered, and of the greater rapidity of development which
belongs to colonies in general. [468] There it was that, in matters
of religion and philosophy, the comparison of their own cults with
those of their foreign neighbours first provoked their critical
reflection, as the age of primitive warfare passed away. And there
it was, accordingly, that on a basis of primitive Babylonian science
there originated with Thales of Miletos (fl. 586 B.C.), a Phoenician by
descent, [469] the higher science and philosophy of the Greek-speaking
race. [470]
It is historically certain that Lydia had an ancient and close
historical connection with Babylonian and Assyrian civilization,
whether through the "Hittites" or otherwise (Sayce, Anc. Emp. of
the East, 1884, pp. 217-19; Curtius, Griech. Gesch. i, 63, 207;
Meyer, Gesch. des Alterth. i, 166, 277, 299, 305-10; Soury,
Bréviaire de l'hist. du matérialisme, 1881, pp. 30, 37 sq. Cp. as
to Armenia, Edwards, The Witness of Assyria, 1893, p. 144); and in
the seventh century the commercial connection between Lydia and
Ionia, long close, was presumably friendly up to the time of the
first attacks of the Lydian Kings, and even afterwards (Herodotos
i, 20-23), Alyattes having made a treaty of peace with Miletos,
which thereafter had peace during his long reign. This brings us
to the time of Thales (640-548 B.C.). At the same time, the Ionian
settlers of Miletos had from the first a close connection with the
Karians (Herod. i, 146, and above pp. 120-21), whose near affinity
with the Semites, at least in religion, is seen in their practice
of cutting their foreheads at festivals (id. ii, 61; cp. Grote,
ed. 1888, i, 27, note; E. Curtius, i, 36, 42; Busolt, i, 33;
and Spiegel, Eranische Alterthumskunde, i, 228). Thales was thus
in the direct sphere of Babylonian culture before the conquest
of Cyrus; and his Milesian pupils or successors, Anaximandros
and Anaximenes, stand for the same influences. Herakleitos in
turn was of Ephesus, an Ionian city in the same culture-sphere;
Anaxagoras was of Klazomenai, another Ionian city, as had been
Hermotimos, of the same philosophic school; the Eleatic school,
founded by Xenophanes and carried on by Parmenides and the elder
Zeno, come from the same matrix, Elea having been founded by
exiles from Ionian Phokaia on its conquest by the Persians; and
Pythagoras, in turn, was of the Ionian city of Samos, in the same
sixth century. Finally, Protagoras and Demokritos were of Abdera,
an Ionian colony in Thrace; Leukippos, the teacher of Demokritos,
was either an Abderite, a Milesian, or an Elean; and Archelaos,
the pupil of Anaxagoras and a teacher of Sokrates, is said to
have been a Milesian. Wellhausen (Israel, p. 473 of vol. of
Prolegomena, Eng. tr.) has spoken of the rise of philosophy
on the "threatened and actual political annihilation of Ionia"
as corresponding to the rise of Hebrew prophecy on the menace
and the consummation of the Assyrian conquest. As regards Ionia,
this may hold in the sense that the stoppage of political freedom
threw men back on philosophy, as happened later at Athens. But
Thales philosophized before the Persian conquest.
§ 4
Thales, like Homer, starts from the Babylonian conception of a
beginning of all things in water; but in Thales the immediate motive
and the sequel are strictly cosmological and neither theological
nor poetical, though we cannot tell whether the worship of a God
of the Waters may not have been the origin of a water-theory of the
cosmos. The phrase attributed to him, "that all things are full of
Gods," [471] clearly meant that in his opinion the forces of things
inhered in the cosmos, and not in personal powers who spasmodically
interfered with it. [472] It is probable that, as was surmised by
Plutarch, a pantheistic conception of Zeus existed for the Ionian
Greeks before Thales. [473] To the later doxographists he "seems to
have lost belief in the Gods." [474] From the mere second-hand and
often unintelligent statements which are all we have in his case,
it is hard to make sure of his system; but that it was pantheistic
[475] and physicist seems clear. He conceived that matter not only
came from but was resolvable into water; that all phenomena were
ruled by law or "necessity"; and that the sun and planets (commonly
regarded as deities) were bodies analogous to the earth, which he
held to be spherical but "resting on water." [476] For the rest, he
speculated in meteorology and in astronomy, and is credited with having
predicted a solar eclipse [477]--a fairly good proof of his knowledge
of Chaldean science [478]--and with having introduced geometry into
Greece from Egypt. [479] To him, too, is ascribed a wise counsel to
the Ionians in the matter of political federation, [480] which, had
it been followed, might have saved them from the Persian conquest;
and he is one of the many early moralists who laid down the Golden
Rule as the essence of the moral law. [481] With his maxim, "Know
thyself," he seems to mark a broadly new departure in ancient thought:
the balance of energy is shifted from myth and theosophy, prophecy
and poesy, to analysis of consciousness and the cosmic process.
From this point Greek rationalism is continuous, despite reactions,
till the Roman conquest, Miletos figuring long as a general source
of skepticism. Anaximandros (610-547 B.C.), pupil and companion
of Thales, was like him an astronomer, geographer, and physicist,
seeking for a first principle (for which he may or may not have
invented the name [482]); rejecting the idea of a single primordial
element such as water; affirming an infinite material cause, without
beginning and indestructible, [483] with an infinite number of worlds;
and--still showing the Chaldean impulse--speculating remarkably on
the descent of man from something aquatic, as well as on the form and
motion of the earth (figured by him as a cylinder [484]), the nature
and motions of the solar system, and thunder and lightning. [485]
It seems doubtful whether, as affirmed by Eudemus, he taught the
doctrine of the earth's motion; but that this doctrine was derived
from the Babylonian schools of astronomy is so probable that it may
have been accepted in Miletos in his day. Only by inferring a prior
scientific development of remarkable energy can we explain the striking
force of the sayings of Anaximandros which have come down to us. His
doctrine of evolution stands out for us to-day like the fragment of a
great ruin, hinting obscurely of a line of active thinkers. The thesis
that man must have descended from a different species because, "while
other animals quickly found food for themselves, man alone requires
a long period of suckling: had he been originally such as he is now,
he could never have survived," is a quite masterly anticipation of
modern evolutionary science. We are left asking, how came an early
Ionian Greek to think thus, outgoing the assimilative power of the
later age of Aristotle? Only a long scientific evolution can readily
account for it; and only in the Mesopotamian world could such an
evolution have taken place. [486]
Anaximenes (fl. 548 B.C.), yet another Milesian, pupil or at least
follower in turn of Anaximandros, speculates similarly, making his
infinite and first principle the air, in which he conceives the earth
to be suspended; theorizes on the rainbow, earthquakes, the nature
and the revolution of the heavenly bodies (which, with the earth, he
supposed to be broad and flat); and affirms the eternity of motion and
the perishableness of the earth. [487] The Ionian thought of the time
seems thus to have been thoroughly absorbed in problems of natural
origins, and only in that connection to have been concerned with the
problems of religion. No dogma of divine creation blocked the way:
the trouble was levity of hypothesis or assent. Thales, following a
Semitic lead, places the source of all things in water. Anaximandros,
perhaps following another, but seeking a more abstract idea, posited
an infinite, the source of all things; and Anaximenes in turn reduces
that infinite to the air, as being the least material of things. He
cannot have anticipated the chemical conception of the reduction
of all solids to gases: the thesis was framed either à priori or in
adaptation of priestly claims for the deities of the elements; and
others were to follow with the guesses of earth and fire and heat and
cold. Still, the speculation is that of bold and far-grasping thinkers,
and for these there can have been no validity in the ordinary God-ideas
of polytheism.
There is reason to think that these early "schools" of thought
were really constituted by men in some way banded together, [488]
thus supporting each other against the conservatism of religious
ignorance. The physicians were so organized; the disciples of
Pythagoras followed the same course; and in later Greece we shall
find the different philosophic sects formed into societies or
corporations. The first model was probably that of the priestly
corporation; and in a world in which many cults were chronically
disendowed it may well have been that the leisured old priesthoods,
philosophizing as we have seen those of India and Egypt and Mesopotamia
doing, played a primary part in initiating the work of rational
secular thought.
The recent work of Mr. F. M. Cornford, From Philosophy to Religion
(1912), puts forth an interesting and ingenious theory to the
effect that early Greek philosophy is a reduction to abstract
terms of the practice of totemistic tribes. On this view, when
the Gods are figured in Homer as subject to Moira (Destiny),
there has taken place an impersonation of Nomos, or Law; and just
as the divine cosmos or polity is a reflection of the earthly,
so the established conception of the absolute compulsoriness of
tribal law is translated into one of a Fate which overrules the
Gods (p. 40 sq.). So, when Anaximandros posits the doctrine of
four elements [he did not use the word, by the way; that comes
later; see Burnet, ch. i, p. 56, citing Diels], "we observe that
this type of cosmic structure corresponds to that of a totemic
tribe containing four clans" (p. 62). On the other hand, the
totemistic stage had long before been broken down. The "notion
of the group-soul" had given rise to the notion of God (p. 90);
and the primitive "magical group" had dissolved into a system of
families (p. 93), with individual souls. On this prior accumulation
of religious material early philosophy works (p. 138).
It does not appear why, thus recognizing that totemism was at
least a long way behind in Thales's day, Mr. Cornford should
trace the Ionian four elements straight back to the problematic
four clans of the totemistic tribe. Dr. Frazer gives him no data
whatever for Aryan totemism; and the Ionian cities, like those
of Mesopotamia and Egypt, belong to the age of commerce and of
monarchies. It would seem more plausible, on Mr. Cornford's own
premises, to trace the rival theories of the four elements to
religious philosophies set up by the priests of four Gods of water,
earth, air, and fire. If the early philosophers "had nothing but
theology behind them" (p. 138), why not infer theologies for the
old-established deities of Mesopotamia? Mr. Cornford adds to the
traditional factors that of "the temperaments of the individual
philosophers, which made one or other of those schemes the more
congenial to them." Following Dr. F. H. Bradley, he pronounces
that "almost all philosophic arguments are invented afterwards, to
recommend, or defend from attack, conclusions which the philosopher
was from the outset bent on believing before he could think of
any arguments at all. That is why philosophical reasonings are
so bad, so artificial, so unconvincing."
Upon this very principle it is much more likely that the
philosophic cults of water, earth, air, and fire originated in
the worships of Gods of those elements, whose priests would tend
to magnify their office. It is hard to see how "temperament"
could determine a man's bias to an air-theory in preference to a
water-theory. But if the priests of Ea the Water-God and those
of Bel the God of Air had framed theories of the kind, it is
conceivable that family or tribal ties and traditions might set
men upon developing the theory quasi-philosophically when the
alien Gods came to be recognized by thinking men as mere names
for the elements. [489] (Compare Flaubert's Salammbô as to the
probable rivalry of priests of the Sun and Moon.) A pantheistic
view, again, arose as we saw among various priesthoods in the
monarchies where syncretism arose out of political aggregations.
What is clear is that the religious or theistic basis had ceased to
exist for many educated Greeks in that environment. The old God-ideas
have disappeared, and a quasi-scientific attitude has been taken
up. It is apparently conditioned, perhaps fatally, by prior modes of
thought; but it operates in disregard of so-called religious needs,
and negates the normal religious conception of earthly government
or providence. Nevertheless, it was not destined to lead to the
rationalization of popular thought; and only in a small number of
cases did the scientific thinkers deeply concern themselves with the
enlightenment of the mass.
In another Ionian thinker of that age, indeed, we find alongside of
physical and philosophical speculation on the universe the most direct
and explicit assault upon popular religion that ancient history
preserves. Xenophanes of Kolophon (? 570-470), a contemporary
of Anaximandros, was forced by a Persian invasion or by some
revolution to leave his native city at the age of twenty-five; and
by his own account his doctrines, and inferribly his life, had gone
"up and down Greece"--in which we are to include Magna Graecia--for
sixty-seven years at the date of writing of one of his poems. [490]
This was presumably composed at Elea (Hyela or Velia), founded
about 536 B.C., on the western Italian coast, south of Paestum, by
unsubduable Phokaians seeking a new home after the Persian conquest,
and after they had been further defeated in the attempt to live as
pirates in Corsica. [491] Thither came the aged Xenophanes, perhaps
also seeking freedom. He seems to have lived hitherto as a rhapsode,
chanting his poems at the courts of tyrants as the Homerids did the
Iliad. It is hard indeed to conceive that his recitations included the
anti-religious passages which have come down to us; but his resort in
old age to the new community of Elea is itself a proof of a craving
and a need for free conditions of life. [492]
Setting out on his travels, doubtless, with the Ionian predilection for
a unitary philosophy, he had somewhere and somehow attained a pantheism
which transcended the concern for a "first principle"--if, indeed,
it was essentially distinct from the doctrine of Anaximandros. [493]
"Looking wistfully upon the whole heavens," says Aristotle, [494]
"he affirms that unity is God." From the scattered quotations which
are all that remain of his lost poem, On Nature (or Natural Things),
[495] it is hard to deduce any full conception of his philosophy;
but it is clear that it was monistic; and though most of his later
interpreters have acclaimed him as the herald of monotheism, it is only
in terms of pantheism that his various utterances can be reconciled. It
is clearly in that sense that Aristotle and Plato [496] commemorate
him as the first of the Eleatic monists. Repeatedly he speaks of
"the Gods" as well as of "God"; and he even inculcates the respectful
worship of them. [497] The solution seems to be that he thinks of the
forces and phenomena of Nature in the early way as Gods or Powers, but
resolves them in turn into a whole which includes all forms of power
and intelligence, but is not to be conceived as either physically or
mentally anthropomorphic. "His contemporaries would have been more
likely to call Xenophanes an atheist than anything else." [498]
The common verdict of the historians of philosophy, who find
in Xenophanes an early and elevated doctrine of "Monotheism,"
is closely tested by J. Freudenthal, Ueber die Theologie des
Xenophanes, 1886. As he shows, the bulk of them (cited by him,
pp. 2-7) do violence to Xenophanes's language in making him
out the proclaimer of a monotheistic doctrine to a polytheistic
world. That he was essentially a pantheist is now recognized by
a number of writers. Cp. Windelband, as cited, p. 48; Decharme,
as cited, p. 46 sq. Bréton, Poésie philos. en Grèce, pp. 47,
64 sq., had maintained the point, against Cousin, in 1882,
before Freudenthal. But Freudenthal in turn glosses part of the
problem in ascribing to Xenophanes an acceptance of polytheism
(cp. Burnet, p. 142), which kept him from molestation throughout
his life; whereas Anaxagoras, who had never attacked popular
belief with the directness of Xenophanes, was prosecuted for
atheism. Anaxagoras was of a later age, dwelling in an Athens in
which popular prejudice took readily to persecution, and political
malice resorted readily to religious pretences. Xenophanes
could hardly have published with impunity in Periklean Athens
his stinging impeachments of current God-ideas; and it remains
problematic whether he ever proclaimed them in face of the
multitude. It is only from long subsequent students that we get
them as quotations from his poetry; there is no record of their
effect on his contemporaries. That his God-idea was pantheistic
is sufficiently established by his attacks on anthropomorphism,
taken in connection with his doctrine of the All.
Whether as teaching meant for public currency or as a philosophic
message for the few, the pantheism of Xenophanes expressed itself in
an attack on anthropomorphic religion, no less direct and much more
ratiocinative than that of any Hebrew prophet upon idolatry. "Mortals,"
he wrote, in a famous passage, "suppose that the Gods are born, and
wear man's clothing, [499] and have voice and body. But if cattle
or lions had hands, so as to paint with their hands and make works
of art as men do, they would paint their Gods and give them bodies
like their own--horses like horses, cattle like cattle." And again:
"Ethiopians make their Gods black and snub-nosed; the Thracians say
theirs have reddish hair and blue eyes; so also they conceive the
spirits of the Gods to be like themselves." [500] On Homer and Hesiod,
the myth-singers, his attack is no less stringent: "They attributed
to the Gods all things that with men are of ill-fame and blame;
they told of them countless nefarious things--thefts, adulteries,
and deception of each other." [501] It is recorded of him further
that, like Epicurus, he absolutely rejected all divination. [502]
And when the Eleans, perhaps somewhat shaken by such criticism, asked
him whether they should sacrifice and sing a dirge to Leukothea,
the child-bereft Sea-Goddess, he bade them not to sing a dirge if
they thought her divine, and not to sacrifice if she were human. [503]
Beside this ringing radicalism, not yet out of date, the physics of
the Eleatic freethinker is less noticeable. His resort to earth as a
material first principle was but another guess or disguised theosophy
added to those of his predecessors, and has no philosophic congruity
with his pantheism. It is interesting to find him reasoning from
fossil-marks that what was now land had once been sea-covered, and
been left mud; and that the moon is probably inhabited. [504] Yet,
with all this alertness of speculation, Xenophanes sounds the note
of merely negative skepticism which, for lack of fruitful scientific
research, was to become more and more common in Greek thought: [505]
"no man," he avows in one verse, "knows truly anything, and no man
ever will." [506] More fruitful was his pantheism or pankosmism. "The
All (oulos)" he declared, "sees, thinks, and hears." [507]
"It was thus from Xenophanes that the doctrine of Pankosmism first
obtained introduction into Greek philosophy, recognizing nothing real
except the universe as an indivisible and unchangeable whole." [508]
His negative skepticism might have guarded later Hellenes against
baseless cosmogony-making if they had been capable of a systematic
intellectual development. His sagacity, too, appears in his protest
[509] against that extravagant worship of the athlete which from
first to last kept popular Greek life-philosophy unprogressive. But
here least of all was he listened to.
It is after a generation of such persistent questioning of Nature
and custom by pioneer Greeks that we find in Herakleitos of Ephesus
(fl. 500 B.C.)--still in the Ionian culture-sphere--a positive and
unsparing criticism of the prevailing beliefs. No sage among the
Ionians (who had already produced a series of powerful thinkers) left
a deeper impression than he of massive force and piercing intensity:
above all of the gnomic utterances of his age, his have the ring of
character and the edge of personality; and the gossiping Diogenes,
after setting out by calling him the most arrogant of men, concedes
that the brevity and weight of his expression are not to be matched. It
was due rather to this, probably, than to his metaphysic--though that
has an arresting quality--that there grew up a school of Herakliteans
calling themselves by his name. And though doubt attaches to some of
his sayings, and even to his date, there can be small question that
he was mordantly freethinking, though a man of royal descent. He has
stern sayings about "bringing forth untrustworthy witnesses to confirm
disputed points," and about eyes and ears being "bad witnesses for
men, when their souls lack understanding." [510] "What can be seen,
heard, and learned, this I prize," is one of his declarations; and
he is credited with contemning book-learning as having failed to
give wisdom to Hesiod, Pythagoras, Xenophanes, and Hekataios. [511]
The belief in progress, he roundly insists, stops progress. [512] From
his cryptic utterances it maybe gathered that he too was a pantheist;
[513] and from his insistence on the immanence of strife in all things,
[514] as from others of his sayings, that he was of the Stoic mood. It
was doubtless in resentment of immoral religion that he said [515]
Homer and Archilochos deserved flogging; as he is severe on the
phallic worship of Dionysos, [516] on the absurdity of prayer to
images, and on popular pietism in general. [517] One of his sayings,
êthos anthrôpô daimôn, [518] "character is a man's dæmon," seems
to be the definite assertion of rationalism in affairs as against
the creed of special providences.
A confusion of tradition has arisen between the early Herakleitos,
"the Obscure," and the similarly-named writer of the first century
of our era, who was either one Herakleides or one using the
name of Herakleitos. As the later writer certainly allegorized
Homer--reducing Apollo to the Sun, Athenê to Thought, and so
on--and claimed thus to free him from the charge of impiety,
it seems highly probable that it is from him that the scholiast
on the Iliad, xv, 18, cites the passage scolding the atheists
who attacked the Homeric myths. The theme and the tone do not
belong to 500 B.C., when only the boldest--as Herakleitos--would
be likely to attack Homer, and when there is no other literary
trace of atheism. Grote, however (i, 374, note), cites the
passages without comment as referring to the early philosopher,
who is much more probably credited, as above, with denouncing
Homer himself. Concerning the later Herakleitos or Herakleides,
see Dr. Hatch's Hibbert Lectures on The Influence of Greek Ideas
and Usages upon the Christian Church, 1890, pp. 61, 62.
But even apart from the confusion with the late Herakleides,
there is difficulty in settling the period of the Ephesian
thinker. Diogenes Laërtius states that he flourished about
the 69th Olympiad (504-500 B.C.). Another account, preserved by
Eusebius, places him in the 80th or 81st Olympiad, in the infancy
of Sokrates, and for this date there are other grounds (Ueberweg,
i, 40); but yet other evidences carry us back to the earlier. As
Diogenes notes five writers of the name--two being poets, one a
historian, and one a "serio-comic" personage--and there is record
of many other men named Herakleitos and several Herakleides,
there is considerable room for false attributions. The statement
of Diogenes that the Ephesian was "wont to call opinion the
sacred disease" (i, 6, § 7) is commonly relegated to the spurious
sayings of Herakleitos, and it suggests the last mentioned of his
namesakes. But see Max Müller, Hibbert Lectures on Indian Religion,
p. 6, for the opinion that it is genuine, and that by "opinion"
was meant "religion." The saying, says Dr. Müller, "seems to me
to have the massive, full, and noble ring of Herakleitos." It is
hardly for rationalists to demur.
Much discussion has been set up by the common attribution
to Herakleitos in antiquity of the doctrine of the ultimate
conflagration of all things. But for this there is no ground in any
actual passage preserved from his works; and it appears to have
been a mere misconception of his doctrine in regard to Fire. His
monistic doctrine was, in brief, that all the opposing and contrasted
things in the universe, heat and cold, day and night, evil and good,
imply each other, and exist only in the relation of contrast; and he
conceived fire as something in which opposites were solved. [519]
Upon this stroke of mysticism was concentrated the discussion
which might usefully have been turned on his criticism of popular
religion; his negative wisdom was substantially ignored, and his
obscure speculation, treated as his main contribution to thought,
was misunderstood and perverted.
A limit was doubtless soon set to free speech even in Elea; and the
Eleatic school after Xenophanes, in the hands of his pupil Parmenides
(fl. 500 B.C.), Zeno (fl. 464), Melissos of Samos (fl. 444), and
their successors, is found turning first to deep metaphysic and
then to verbal dialectic, to discussion on being and not being,
the impossibility of motion, and the trick-problem of Achilles and
the tortoise. It is conceivable that thought took these lines because
others were socially closed. Parmenides, a notably philosophic spirit
(whom Plato, meeting him in youth, felt to have "an exceptionally
wonderful depth of mind," but regarded as a man to be feared as well
as reverenced), [520] made short work of the counter-sense of not
being, but does not seem to have dealt at close quarters with popular
creeds. Melissos, a man of action, who led a successful sally to
capture the Athenian fleet, [521] was apparently the most pronounced
freethinker of the three named, [522] in that he said of the Gods
"there was no need to define them, since there was no knowledge of
them." [523] Such utterance could not be carried far in any Greek
community; and there lacked the spirit of patient research which
might have fruitfully developed the notable hypothesis of Parmenides
that the earth is spherical in form. [524] But he too was a loose
guesser, adding categories of fire and earth and heat and cold to the
formative and material "principles" of his predecessors; and where he
divagated weaker minds could not but lose themselves. From Melissos
and Parmenides there is accordingly a rapid descent in philosophy
to professional verbalism, popular life the while proceeding on the
old levels.
It was in this epoch of declining energy and declining freedom that
there grew up the nugatory doctrine, associated with the Eleatic
school, [525] that the only realities are mental, [526] a formula
which eluded at once the problems of Nature and the crudities
of religion, and so made its fortune with the idle educated
class. Meant to support the cause of reason, it was soon turned,
as every slackly-held doctrine must be, to a different account. In
the hands of Plato it developed into the doctrine of ideas, which in
the later Christian world was to play so large a part, as "Realism,"
in checking scientific thought; and in Greece it fatally fostered
the indolent evasion of research in physics. [527] Ultimately this
made for supernaturalism, which had never been discarded by the main
body even of rationalizing thinkers. [528] Thus the geographer and
historian Hekataios of Miletos (fl. 500 B.C.), living at the great
centre of rationalism, while rejecting the mass of Greek fables as
"ridiculous," and proceeding in a fashion long popular to translate
them into historical facts, yet affected, in the poetic Greek fashion,
to be of divine descent. [529] At the same time he held by such fables
as that of the floating island in the Nile and that of the supernormal
Hyperboreans. This blending of old and new habits of mind is indeed
perhaps the strongest ground for affirming the genuineness of his
fragments, which has been disputed. [530] But from his time forward
there are many signs of a broad movement of criticism, doubt, inquiry,
and reconstruction, involving an extensive discussion of historical
as well as religious tradition. [531] There had begun, in short,
for the rapidly-developing Greeks, a "discovery of man" such as is
ascribed in later times to the age of the Italian Renaissance. In the
next generation came the father of humanists, Herodotos, who implicitly
carries the process of discrimination still further than did Hekataios;
while Sophocles [496-405 B.C.], without ever challenging popular faith,
whether implicitly as did Æschylus, or explicitly as did Euripides,
"brought down the drama from the skies to the earth; and the drama
still follows the course which Sophocles first marked out for it. It
was on the Gods, the struggles of the Gods, and on destiny that
Æschylus dwelt; it is with man that Sophocles is concerned." [532]
Still, there was only to be a partial enlightenment of the race,
such as we have seen occurring, perhaps about the same period, in
India. Sophocles, even while dramatizing the cruel consequences of
Greek religion, never made any sign of being delivered from the
ordinary Greek conceptions of deity, or gave any help to wiser
thought. The social difference between Greece and the monarchic
civilizations was after all only one of degree: there, as elsewhere,
the social problem was finally unsolved; and the limits to Greek
progress were soon approached. But the evolution went far in many
places, and it is profoundly interesting to trace it.
§ 5
Compared with the early Milesians and with Xenophanes, the elusive
Pythagoras (fl. 540-510 B.C.) is not so much a rationalistic as a
theosophic freethinker; but to freethought his name belongs insofar
as the system connected with it did rationalize, and discarded
mythology. If the biographic data be in any degree trustworthy,
it starts like Milesian speculation from oriental precedents. [533]
Pythagoras was of Samos in the Ægean; and the traditions have it that
he was a pupil of Pherekydes the Syrian, and that before settling at
Krôton, in Italy, he travelled in Egypt, and had intercourse with the
Chaldean Magi. Some parts of the Pythagorean code of life, at least,
point to an eastern derivation.
The striking resemblance between the doctrine and practice of the
Pythagoreans and those of the Jewish Essenes has led Zeller to
argue (Philos. der Griechen, Th. iii, Abth. 2) that the latter were
a branch of the former. Bishop Lightfoot, on the other hand, noting
that the Essenes did not hold the specially prominent Pythagorean
doctrines of numbers and of the transmigration of souls, traces
Essenism to Zoroastrian influence (Ed. of Colossians, App. on
the Essenes, pp. 150-51; rep. in Dissertations on the Apostolic
Age, 1892, pp. 369-72). This raises the issue whether both
Pythagoreanism and Essenism were not of Persian derivation; and
Dr. Schürer (Jewish People in the Time of Jesus, Eng. tr. Div. II,
vol. ii, p. 218) pronounces in favour of an oriental origin for
both. The new connection between Persia and Ionia just at or before
the time of Pythagoras (fl. 530 B.C.) squares with this view;
but it is further to be noted that the phenomenon of monasticism,
common to Pythagoreans and Essenes, arises in Buddhism about the
Pythagorean period; and as it is hardly likely that Buddhism
in the sixth century B.C. reached Asia Minor, there remains
the possibility of some special diffusion of the new ideal
from the Babylonian sphere after the conquest by Cyrus, there
being no trace of a Persian monastic system. The resemblances
to Orphicism likewise suggest a Babylonian source, as does the
doctrine of numbers, which is not Zoroastrian. As to Buddhism,
the argument for a Buddhist origin of Essenism shortly before our
era (cp. A. Lillie, Buddhism in Christendom and The Influence of
Buddhism on Primitive Christianity; E. Bunsen, The Angel-Messiah;
or, Buddhists, Essenes, and Christians--all three to be read
with much caution) does not meet the case of the Pythagorean
precedents for Essenism. Prof. Burnet (Early Greek Philos. 2nd
ed. p. 102) notes close Indian parallels to Pythagoreanism,
but overlooks the intermediate Persian parallels, and falls back
very unnecessarily on the bald notion that "the two systems were
independently evolved from the same primitive systems."
As regards the mystic doctrine that numbers are, as it were, the moving
principle in the cosmos--another thesis not unlikely to arise in that
Babylonian world whence came the whole system of numbers for the later
ancients [534]--we can but pronounce it a development of thought in
vacuo, and look further for the source of Pythagorean influence in
the moral and social code of the movement, in its science, in its
pantheism, [535] its contradictory dualism, [536] and perhaps in its
doctrine of transmigration of souls. On the side of natural science,
its absurdities [537] point to the fatal lack of observation which
so soon stopped progress in Greek physics and biology. [538] Yet in
the fields of astronomy, mathematics, and the science of sound the
school seems to have done good scientific work; being indeed praised
by the critical Aristotle for doing special service in that way. [539]
It is recorded that Philolaos, the successor of Pythagoras, was the
first to teach openly (about 460 B.C.) the doctrine of the motion
of the earth [540]--which, however, as above noted, was also said
to have been previously taught by Anaximandros [541] (from whom some
incline to derive the Pythagorean theory of numbers in general [542])
and by Hiketas or Iketas (or Niketas) of Syracuse. [543] Ekphantos,
of that city, is also credited with asserting the revolution of
the earth on its axis; and he too is grouped with the Pythagoreans,
though he seems to have had a pantheism of his own. [544] Philolaos
in particular is said to have been prosecuted for his teaching, [545]
which for many was a blasphemy; and it may be that this was the reason
of its being specially ascribed to him, though current in the East
long before his day. In the fragments ascribed to him is affirmed,
in divergence from other Pythagoreans, the eternity of the earth; and
in other ways he seems to have been an innovator. [546] In any case,
the Pythagorean conception of the earth's motion was a speculative
one, wide of the facts, and not identical with the modern doctrine,
save insofar as Pythagoras--or Philolaos--had rightly conceived the
earth as a sphere. [547]
It is noteworthy, however, that in conjecturing that the whole
solar system moves round a "central fire," Pythagoras carried his
thought nearly as far as the moderns. The fanciful side of his
system is seen in his hypothesis of a counter-earth (Anti-chthon)
invented to bring up the number of celestial bodies in our system
to ten, the "complete" number. (Berry, as cited.) Narrien (p. 163)
misses this simple explanation of the idea.
As to politics, finally, it seems hard to solve the anomaly that
Pythagoras is pronounced the first teacher of the principle of
community of goods, [548] and that his adherents at Krôton formed an
aristocratic league, so detested by the people for its anti-democratism
that its members were finally massacred in their meeting-place,
their leader, according to one tradition, being slain with them,
while according to a better grounded account he had withdrawn
and died at Metapontion. The solution seems to be that the early
movement was in no way monastic or communistic; that it was, however,
a secret society; that it set up a kind of puritanism or "methodism"
which repelled conservative people; and that, whatever its doctrines,
its members were mostly of the upper class. [549] If they held by the
general rejection of popular religion attributed to Pythagoras, they
would so much the more exasperate the demos; for though at Krôton,
as in the other Grecian colonial cities, there was considerable
freedom of thought and speech, the populace can nowhere have been
freethinking. [550] In any case, it was after its political overthrow,
and still more in the Italian revival of the second century B.C.,
that the mystic and superstitious features of Pythagoreanism were
most multiplied; and doubtless the master's teachings were often much
perverted by his devotees. It was only too easy. He had laid down, as
so many another moralist, that justice consisted in reciprocity; but
he taught of virtue in terms of his theory of numbers [551]--a sure way
of putting conduct out of touch with reality. Thus we find some of the
later Pythagoreans laying it down as a canon that no story once fully
current concerning the Gods was to be disbelieved [552]--the complete
negation of philosophical freethought and a sharp contradiction of the
other view which represented the shade of Pythagoras as saying that he
had seen in Tartaros the shade of Homer hanged to a tree, and that of
Hesiod chained to a pillar of brass, for the monstrous things they had
ascribed to the Gods. [553] It must have taken a good deal of decadence
to bring an innovating sect to that pass; and even about 200 B.C. we
find the freethinking Ennius at Rome calling himself a Pythagorean;
[554] but the course of things in Magna Graecia was mostly downward
after the sixth century; the ferocious destruction of Sybaris by the
Krotoniates helping to promote the decline. [555] Intellectual life,
in Magna Graecia as in Ionia, obeyed the general tendency.
An opposite view of the Pythagorean evolution is taken by
Professor Burnet. He is satisfied that the long list of the
Pythagorean taboos, which he rightly pronounces to be "of a
thoroughly primitive type" (p. 105), and not at all the subtle
"symbols" which they were latterly represented to be, were
really the lore of Pythagoras. It is not easy thus to conceive a
thinker of the great Ionian age as holding by thoroughly primitive
superstitions. Perhaps the solution lies in Aristotle's statement
that Pythagoras was first a mathematician, and only in later
life a Pherekydean miracle-monger (Burnet, p. 107, note 3). He
may actually have started the symbolic view of the taboos which
he imposed.
Before the decadence comes, however, the phenomenon of rationalism
occurs on all sides in the colonial cities, older and younger alike;
and direct criticism of creed kept pace with the indirect. About
520 B.C. Theagenes of Rhegion, in Southern Italy, had begun for
the Greeks the process of reducing the unacceptable God-stories in
Homer and Hesiod--notably the battle of the Gods in the Iliad--to
mere allegories of the cosmic elements [556]--a device natural to
and practised by liberal conservatives in all religious systems
under stress of skeptical attack, and afterwards much employed in
the Hellenic world. [557] Soon the attack became more stringent. At
Syracuse we find the great comic dramatist Epicharmos, about 470
B.C., treating the deities on the stage in a spirit of such audacious
burlesque [558] as must be held to imply unbelief. Aristophanes, at
Athens, indeed, shows a measure of the same spirit while posing as
a conservative in religion; but Epicharmos was professedly something
of a Pythagorean and philosopher, [559] and was doubtless protected by
Hiero, at whose court he lived, against any religious resentment he may
have aroused. The story of Simonides's answer to Hiero's question as
to the nature of the Gods--first asking a day to think, then two days,
then four, then avowing that meditation only made the problem harder
[560]--points to the prevalent tone among the cultured.
§ 6
At last the critical spirit finds utterance, in the great Periklean
period, at Athens, but first by way of importation from Ionia,
where Miletos had fallen in the year 494. Anaxagoras of Klazomenai
(fl. 480-450 B.C.; d. 428) is the first freethinker historically
known to have been legally prosecuted and condemned [561] for his
freethought; and it was in the Athens of Perikles, despite Perikles's
protection, that the attack was made. Coming of the Ionian line
of thinkers, and himself a pupil of Anaximenes of Miletos, he held
firmly by the scientific view of the cosmos, and taught that the sun,
instead of being animated and a deity as the Athenians believed, was
"a red-hot mass many times larger than the Peloponnesos" [562]--and
the moon a fiery (or earthy) solid body having in it plains and
mountains and valleys--this while asserting that infinite mind was
the source and introducer of all the motion in the infinite universe;
[563] infinite in extent and infinitely divisible. This "materialistic"
doctrine as to the heavenly bodies was propounded, as Sokrates tells in
his defence, in books that in his day anyone could buy for a drachma;
and Anaxagoras further taught, like Theagenes, that the mythical
personages of the poets were mere abstractions invested with name
and gender. [564] Withal he was no brawler; and even in pious Athens,
where he taught in peace for many years, he might have died in peace
but for his intimacy with the most renowned of his pupils, Perikles.
The question of the deity of the sun raised an interesting
sociological question. Athenians saw no blasphemy in saying that
Gê (Gaia) or Dêmêter was the earth: they had always understood as
much; and the earth was simply for them a Goddess; a vast living
thing containing the principle of life. They might similarly have
tolerated the description of the sun as a kind of red-hot earth,
provided that its divinity were not challenged. The trouble lay
rather in the negative than in the positive assertion, though
the latter must for many have been shocking, inasmuch as they had
never been wont to think about the sun as they did about the earth.
It is told of Perikles (499-429 B.C.) by the pious Plutarch,
himself something of a believer in portents, that he greatly admired
Anaxagoras, from whom he "seems to have learned to despise those
superstitious fears which the common phenomena of the heavens produce
in those who, ignorant of their cause, and knowing nothing about
them, refer them all to the immediate action of the Gods." [565]
And even the stately eloquence and imperturbable bearing of the great
statesman are said to have been learned from the Ionian master, whom he
followed in "adorning his oratory with apt illustrations from physical
science." [566] The old philosopher, however, whom men called "Nous"
or Intelligence because of the part the name played in his teaching,
left his property to go to ruin in his devotion to ideas; and it is
told, with small probability, that at one time, old and indigent,
he covered his head with his robe and decided to starve to death;
till Perikles, hearing of it, hastened to beseech him to live to give
his pupil counsel. [567]
At length it occurred to the statesman's enemies to strike at him
through his guide, philosopher, and friend. They had already procured
the banishment of another of his teachers, Damon, as "an intriguer and
a friend of despotism"; [568] and one of their fanatics, Diopeithes,
a priest and a violent demagogue, [569] laid the way for an attack
on Anaxagoras by obtaining the enactment of a law that "prosecutions
should be laid against all who disbelieved in religion and held
theories of their own about things on high." [570] Anaxagoras was
thus open to indictment on the score alike of his physics and of his
mythology; though, seeing that his contemporary Diogenes of Apollonia
(who before Demokritos taught "nothing out of nothing: nothing
into nothing," and affirmed the sphericity of the earth) was also
in some danger of his life at Athens, [571] it is probable that the
prosecution was grounded on his physicist teaching. Saved by Perikles
from the death punishment, but by one account fined five talents,
[572] he either was exiled or chose to leave the intolerant city;
and he made his home at Lampsakos, where, as the story runs, he won
from the municipality the favour that every year the children should
have a holiday in the month in which he died. [573] It is significant
of his general originality that he was reputed the first Greek who
wrote a book in prose. [574]
Philosophically, however, he counted for less than he did as an
innovating rationalist. His doctrine of Nous amounted in effect to a
reaffirmation of deity; and he has been not unjustly described [575]
as the philosophic father of the dualistic deism or theism which,
whether from within or from without the Christian system, has been the
prevailing form of religious philosophy in the modern world. It was, in
fact, the only form of theistic philosophy capable of winning any wide
assent among religiously biassed minds; and it is the more remarkable
that such a theist should have been prosecuted because his notion of
deity was mental, and excluded the divinization of the heavenly bodies.
In the memorable episode of his expulsion from Athens we have a
finger-post to the road travelled later by Greek civilization. At
Athens itself the bulk of the free population was ignorant and bigoted
enough to allow of the law being used by any fanatic or malignant
partisan against any professed rationalist; and there is no sign
that Perikles dreamt of applying the one cure for the evil--the
systematic bestowal of rationalistic instruction on all. The fatal
maxim of ancient skepticism, that religion is a necessary restraint
upon the multitude, brought it about that everywhere, in the last
resort, the unenlightened multitude became a restraint upon reason and
freethought. [576] In the more aristocratically ruled colonial cities,
as we have seen, philosophic speech was comparatively free: it was
the ignorant Athenian democracy that brought religious intolerance
into Greek life, playing towards science, in form of law, the part
that the fanatics of Egypt and Palestine had played towards the
worshippers of other Gods than their own.
With a baseness of which the motive may be divided between the
instincts of faction and of faith, the anti-Periklean party carried
their attack yet further; and on their behalf a comic playwright,
Hermippos, brought a charge of impiety against the statesman's unwedded
wife, Aspasia. [577] There can be no doubt that that famous woman
cordially shared the opinions and ideals of her husband, joining as
she habitually did in the philosophic talk of his home circle. As a
Milesian she was likely enough to be a freethinker; and all that was
most rational in Athens acknowledged her culture and her charm. [578]
Perikles, who had not taken the risk of letting Anaxagoras come to
trial, himself defended Aspasia before the dikastery, his indignation
breaking through his habitual restraint in a passion of tears, which,
according to the jealous Æschines, [579] won an acquittal.
Placed as he was, Perikles could but guard his own head and heart,
leaving the evil instrument of a religious inquisition to subsist. How
far he held with Anaxagoras we can but divine. [580] There is probably
no truth in Plutarch's tale that "whenever he ascended the tribune
to speak he used first to pray to the Gods that nothing unfitted for
the occasion might fall from his lips." [581] But as a party leader
he, as a matter of course, observed the conventions; and he may have
reasoned that the prosecutions of Anaxagoras and Aspasia, like that
directed against Pheidias, stood merely for contemporary political
malice, and not for any lasting danger to mental freedom. However
that might be, Athens continued to remain the most aggressively
intolerant and tradition-mongering of Hellenic cities. So marked
is this tendency among the Athenians that for modern students
Herodotos, whose history was published in 445 B.C., is relatively
a rationalist in his treatment of fable, [582] bringing as he did
the spirit of Ionia into things traditional and religious. But even
Herodotos remains wedded to the belief in oracles or prophecies,
claiming fulfilment for those said to have been uttered by Bakis;
[583] and his small measure of spontaneous skepticism could avail
little for critical thought. To no man, apparently, did it occur to
resist the religious spirit by systematic propaganda: that, like the
principle of representative government, was to be hit upon only in a
later age. [584] Not by a purely literary culture, relating life merely
to poetry and myth, tradition and superstition, were men to be made
fit to conduct a stable society. And the spirit of pious persecution,
once generated, went from bad to worse, crowning itself with crime,
till at length the overthrow of Athenian self-government wrought a
forlorn liberty of scientific speech at the cost of the liberty of
political action which is the basis of all sound life.