SPLINTERS

While I stand in reverence before the fact of Humanity, the People, I

will confess, in writing my L. of G., the least consideration out of

all that has had to do with it has been the consideration of "the

public"--at any rate as it now exists. Strange as it may sound for

a democrat to say so, I am clear that no free and original and

lofty-soaring poem, or one ambitious of those achievements, can

possibly be fulfill'd by any writer who has largely in his thought _the

public_--or the question, What will establish'd literature--What will

the current authorities say about it?

As far as I have sought any, not the best laid out garden or parterre

has been my model--but Nature has been. I know that in a sense the

garden is nature too, but I had to choose--I could not give both.

Besides the gardens are well represented in poetry; while Nature (in

letter and in spirit, in the divine essence,) little if at all.

Certainly, (while I have not hit it by a long shot,) I have aim'd at the

most ambitious, the best--and sometimes feel to advance that aim (even

with all its arrogance) as the most redeeming part of my books. I have

never so much cared to feed the esthetic or intellectual palates--but if

I could arouse from its slumbers that eligibility in every soul for its

own true exercise! if I could only wield that lever!

Out from the well-tended concrete and the physical--and in them and from

them only--radiate the spiritual and heroic.

Undoubtedly many points belonging to this essay--perhaps of the

greatest necessity, fitness and importance to it--have been left out

or forgotten. But the amount of the whole matter--poems, preface and

everything--is merely to make one of those little punctures or eyelets

the actors possess in the theatre-curtains to look out upon "the

house"--one brief, honest, living glance.

Complete Prose Works Specimen Days and Collect, November Boughs and Goodbye My Fancy · 第 411 / 435 题