A BURNT PRAIRIE.

The earth offers no aspect more drear and desolate than that of a burnt

prairie. The ocean when its waves are grey--a blighted heath--a flat

fenny country under a rapid thaw--all these impress the beholder with a

feeling of chill monotony; but the water has motion, the heath, colour,

and the half-thawed flat exhibits variety in its mottling of white and

ground.

Not so the steppe that has been fired and burned. In this, the eye

perceives neither colour, nor form, nor motion. It roams over the

limitless level in search of one or other, but in vain; and in the

absence of all three, it tires, and the heart grows cheerless and sick.

Even the sky scarcely offers relief. It, too, by refraction from the

black surface beneath, wears a dull livid aspect; or perhaps the eye,

jaundiced by the reflection of the earth, beholds not the brightness of

the heavens.

A prairie, when green, does not always glad the eye,--not even when

enamelled with fairest flowers. I have crossed such plains, verdant or

blooming to the utmost verge of vision, and longed for _something_ to

appear _in sight_--a rock, tree, a living creature--anything to relieve

the universal sameness; just as the voyager on the ample ocean longs for

ships, for _cetaceae_, or the sight of land, and is delighted with a

nautilus, polypi, phosphorescence, or a floating weed.

Colour alone does not satisfy the sense. What hue more charming than

the fresh verdure of the grassy plain? what more exquisite than the deep

blue of the ocean? and yet the eye grows aweary of both! Even the

"flower-prairie," with its thousands of gay corollas of every tint and

shade--with its golden helianthus, its white argemone, its purple

cleome, its pink malvaceae, its blue lupin--its poppy worts of red and

orange--even these fair tints grow tiresome to the sight, and the eye

yearns for form and motion.

If so, what must be the prairie when divested of all these verdant and

flowery charms--when burned to black ashes? It is difficult to conceive

the aspect of dreary monotony it then presents--more difficult to

describe it. Words will not paint such a scene.

And such presented itself to our eyes as we rode out from the chapparal.

The fire was past--even the smoke had ceased to ascend--except in spots

where the damp earth still reeked under the heat--but right and left,

and far ahead, on to the very hem of the horizon, the surface was of one

uniform hue, as if covered with a vast crape. There was nought of form

to be seen, living or lifeless; there was neither life nor motion, even

in the elements; all sounds had ceased: an awful stillness reigned above

and around--the world seemed dead and shrouded in a vast sable pall!

Under other circumstances, I might have stayed to regard such a scene,

though not to admire it. On that interminable waste, there was nought

to be admired, not even sublimity; but no spectacle, however sublime,

however beautiful, could have won from me a thought at that moment.

The trackers had already ridden far out, and were advancing, half

concealed by the cloud of black "stoor" flung up from the heels of their

horses.

For some distance, they moved straight on, without looking for the

tracks of the steed. Before meeting the fire, they had traced them

beyond the edge of the chapparal, and therefore knew the direction.

After a while, I observed them moving more slowly, with their eyes upon

the ground as if they had lost it, I had doubts of their being able

either to find or follow it now. The shallow hoof-prints would be

filled with the debris of the burnt herbage--surely they could no longer

be traced?

By myself, they could not, nor by a common man; but it seemed that to

the eyes of those keen hunters, the trail was as conspicuous as ever. I

saw that, after searching a few seconds, they had taken it up, and were

once more moving along, guided by the tracks.

Some slight hollows I could perceive, distributed here and there over

the ground, and scarcely distinguishable from the surrounding level.

Certainly, without having been told what they were, I should not have

known them to be the tracks of a horse.

It proved a wide prairie, and we seemed to be crossing its central part.

The fire had spread far.

At one place, nearly midway, where the trail was faint, and difficult to

make out, we stopped for a short while to give the trackers time. A

momentary curiosity induced me to gaze around. Awful was the scene--

awful without sublimity. Even the thorny chapparal no longer relieved

the eye; the outline of its low shrubbery had sunk below the horizon;

and on all sides stretched the charred plain up to the rim of the leaden

canopy, black--black--illimitable. Had I been alone, I might easily

have yielded to the fancy, that the world was dead.

Gazing over this vast opacity, I for a moment forgot my companions, and

fell into a sort of lethargic stupor. I fancied that I too was dead or

dreaming--I fancied that I was in hell--the Avernus of the ancients. In

my youth, I had the misfortune to be well schooled in classic lore--to

the neglect of studies more useful--and often in life have the poetical

absurdities of Greek and Latin mythology intruded themselves upon my

spirit--both asleep and awake. I fancied, therefore, that some

well-meaning Anchises had introduced me to the regions below; and that

the black plain before me was some landscape in the kingdom of Pluto.

Reflection--had I been capable of that--would have convinced me of my

error. No part of that monarch's dominions can be so thinly peopled.

I was summoned to reason again by the voices of my followers. The lost

trail had been found, and they were moving on.

The War Trail: The Hunt of the Wild Horse · 第 182 / 249 题