THE ROUTE.

It was a struggle between Aurora and the moon which of them should rule

the sky, when our bugle rang its clear _reveille_, rousing the rangers

from their slumber, and startling their steeds at the stall. The

goddess of morning soon triumphed, and under her soft blue light, men

and horses could be seen moving about, until the bugle again sounded--

this time to "boot and saddle"--and the rangers began to form in the

piazza, and prepare for the route.

A single wagon with its white tilt and long team of mules, already

"hitched up," stood near the centre of the square. It constituted the

whole baggage-train of the corps, and served as an ambulance for our

invalids. Both baggage and sick had been safely stowed, and the vehicle

was ready for the road. The bugler, already in his saddle, awaited

orders to sound the "forward."

I had climbed to my favourite "smoking-room," the azotea. Perhaps it

was the last time I should ever set foot on those painted tiles. My

eyes wandered over the piazza, though I little heeded what was passing

there. Only the salient points of the picture were noted by me--steeds

under saddle and bridle; men buckling on folded blankets, holsters, and

valises; a few already in the saddle; a few more standing by the heads

of their horses, and still another few grouped round the door of the

_pulperia_, having a last drink of _mezcal_ or _Catalan_ with their

swarthy Mexican acquaintances.

Here and there, in front of some adobe hut, might be observed a more

tender leave-taking. The ranger fully equipped--with arms, haversack,

and canteen--leaning against the heavy bars of a window, his face turned

inward, as though he was talking to some prisoner through the grating of

a jail. But he is himself the real captive, ensnared during his short

sojourn, and still held in chains by the olive-skinned _poblana_, whose

dark liquid eyes may be seen on the other side of the reja, flashing

with love, or melting with sad tenderness at the prospect of parting.

Others, again, are bidding their _adios_ in retired corners, under the

shadow of the church walls, or in groups of four or five more openly in

the piazza itself. Early as is the hour, the people have all arisen;

and not a few of the brown, rebosa-clad, short-skirted wenches are

already on their way, _jarro_ on crown, to the fountain. There the

pitchers are filled, and lifted on their heads--perhaps for the last

time--by the rangers, who perform the office with all the rude grace in

their power. Then follows a profusion of smiles and bows, and a

dialogue, on the ranger's part extending to the whole of his Spanish,

which consists of the phrase--

"Mucho bueno, muchacha!"

The War Trail: The Hunt of the Wild Horse · 第 136 / 249 题