TO FRANZ LISZT.

What is a thyrsus? According to the moral and poetical sense, it is a

sacerdotal emblem in the hand of the priests or priestesses celebrating

the divinity of whom they are the interpreters and servants. But

physically it is no more than a baton, a pure staff, a hop-pole, a

vine-prop; dry, straight, and hard. Around this baton, in capricious

meanderings, stems and flowers twine and wanton; these, sinuous and

fugitive; those, hanging like bells or inverted cups. And an astonishing

complexity disengages itself from this complexity of tender or brilliant

lines and colours. Would not one suppose that the curved line and the

spiral pay their court to the straight line, and twine about it in a

mute adoration? Would not one say that all these delicate corollæ, all

these calices, explosions of odours and colours, execute a mystical

dance around the hieratic staff? And what imprudent mortal will dare to

decide whether the flowers and the vine branches have been made for the

baton, or whether the baton is not but a pretext to set forth the beauty

of the vine branches and the flowers?

The thyrsus is the symbol of your astonishing duality, O powerful and

venerated master, dear bacchanal of a mysterious and impassioned Beauty.

Never a nymph excited by the mysterious Dionysius shook her thyrsus over

the heads of her companions with as much energy as your genius trembles

in the hearts of your brothers. The baton is your will: erect, firm,

unshakeable; the flowers are the wanderings of your fancy around it: the

feminine element encircling the masculine with her illusive dance.

Straight line and arabesque--intention and expression--the rigidity of

the will and the suppleness of the word--a variety of means united for a

single purpose--the all-powerful and indivisible amalgam that is

genius--what analyst will have the detestable courage to divide or to

separate you?

Dear Liszt, across the fogs, beyond the flowers, in towns where the

pianos chant your glory, where the printing-house translates your

wisdom; in whatever place you be, in the splendour of the Eternal City

or among the fogs of the dreamy towns that Cambrinus consoles;

improvising rituals of delight or ineffable pain, or giving to paper

your abstruse meditations; singer of eternal pleasure and pain,

philosopher, poet, and artist, I offer you the salutation of

immortality!

The Poems and Prose Poems of Charles Baudelaire with an Introductory Preface by James Huneker · 第 90 / 97 题