Japanese Female Names

[Decoration]

I

BY the Japanese a certain kind of girl is called a

Rose-Girl,--_Bara-Musume_. Perhaps my reader will think of Tennyson's

"queen-rose of the rosebud-garden of girls," and imagine some analogy

between the Japanese and the English idea of femininity symbolized by

the rose. But there is no analogy whatever. The _Bara-Musume_ is not so

called because she is delicate and sweet, nor because she blushes, nor

because she is rosy; indeed, a rosy face is not admired in Japan. No;

she is compared to a rose chiefly for the reason that a rose has thorns.

The man who tries to pull a Japanese rose is likely to hurt his fingers.

The man who tries to win a _Bara-Musume_ is apt to hurt himself much

more seriously,--even unto death. It were better, alone and unarmed, to

meet a tiger than to invite the caress of a Rose-Girl.

Now the appellation of _Bara-Musume_--much more rational as a simile

than many of our own floral comparisons--can seem strange only because

it is not in accord with our poetical usages and emotional habits. It is

one in a thousand possible examples of the fact that Japanese similes

and metaphors are not of the sort that he who runs may read. And this

fact is particularly well exemplified in the _yobina_, or personal names

of Japanese women. Because a _yobina_ happens to be identical with the

name of some tree, or bird, or flower, it does not follow that the

personal appellation conveys to Japanese imagination ideas resembling

those which the corresponding English word would convey, under like

circumstances, to English imagination. Of the _yobina_ that seem to us

especially beautiful in translation, only a small number are bestowed

for aesthetic reasons. Nor is it correct to suppose, as many persons

still do, that Japanese girls are usually named after flowers, or

graceful shrubs, or other beautiful objects. AEsthetic appellations are

in use; but the majority of _yobina_ are not aesthetic. Some years ago a

young Japanese scholar published an interesting essay upon this

subject. He had collected the personal names of about four hundred

students of the Higher Normal School for Females,--girls from every part

of the Empire; and he found on his list only between fifty and sixty

names possessing aesthetic quality. But concerning even these he was

careful to observe only that they "_caused_ an aesthetic sensation,"--not

that they had been given for aesthetic reasons. Among them were such

names as _Saki_ (Cape), _Mine_ (Peak), _Kishi_ (Beach), _Hama_ (Shore),

_Kuni_ (Capital),--originally place-names;--_Tsuru_ (Stork), _Tazu_

(Ricefield Stork), and _Chizu_ (Thousand Storks);--also such

appellations as _Yoshino_ (Fertile Field), _Orino_ (Weavers' Field),

_Shirushi_ (Proof), and _Masago_ (Sand). Few of these could seem

aesthetic to a Western mind; and probably no one of them was originally

given for aesthetic reasons. Names containing the character for "Stork"

are names having reference to longevity, not to beauty; and a large

number of names with the termination "_no_" (field or plain) are names

referring to moral qualities. I doubt whether even fifteen per cent of

_yobina_ are really aesthetic. A very much larger proportion are names

expressing moral or mental qualities. Tenderness, kindness, deftness,

cleverness, are frequently represented by _yobina_; but appellations

implying physical charm, or suggesting aesthetic ideas only, are

comparatively uncommon. One reason for the fact may be that very

aesthetic names are given to _geisha_ and to _joro_, and consequently

vulgarized. But the chief reason certainly is that the domestic virtues

still occupy in Japanese moral estimate a place not less important than

that accorded to religious faith in the life of our own Middle Ages. Not

in theory only, but in every-day practice, moral beauty is placed far

above physical beauty; and girls are usually selected as wives, not for

their good looks, but for their domestic qualities. Among the middle

classes a very aesthetic name would not be considered in the best taste;

among the poorer classes, it would scarcely be thought respectable.

Ladies of rank, on the other hand, are privileged to bear very poetical

names; yet the majority of the aristocratic yobina also are moral rather

than aesthetic.

* * * * *

But the first great difficulty in the way of a study of _yobina_ is the

difficulty of translating them. A knowledge of spoken Japanese can help

you very little indeed. A knowledge of Chinese also is indispensable.

The meaning of a name written in _kana_ only,--in the Japanese

characters,--cannot be, in most cases, even guessed at. The Chinese

characters of the name can alone explain it. The Japanese essayist,

already referred to, found himself obliged to throw out no less than

thirty-six names out of a list of two hundred and thirteen, simply

because these thirty-six, having been recorded only in _kana_, could not

be interpreted. _Kana_ give only the pronunciation; and the

pronunciation of a woman's name explains nothing in a majority of cases.

Transliterated into Romaji, a _yobina_ may signify two, three, or even

half-a-dozen different things. One of the names thrown out of the list

was _Banka_. _Banka_ might signify "Mint" (the plant), which would be a

pretty name; but it might also mean "Evening-haze." _Yuka_, another

rejected name, might be an abbreviation of _Yukabutsu_, "precious"; but

it might just as well mean "a floor." _Nochi_, a third example, might

signify "future"; yet it could also mean "a descendant," and various

other things. My reader will be able to find many other homonyms in the

lists of names given further on. _Ai_ in Romaji, for instance, may

signify either "love" or "indigo-blue";--_Cho_, "a butterfly," or

"superior," or "long";--_Ei_, either "sagacious" or "blooming";--_Kei_,

either "rapture" or "reverence";--_Sato_, either "native home" or

"sugar";--_Toshi_, either "year" or "arrow-head";--_Taka_, "tall,"

"honorable," or "falcon." The chief, and, for the present, insuperable

obstacle to the use of Roman letters in writing Japanese, is the

prodigious number of homonyms in the language. You need only glance into

any good Japanese-English dictionary to understand the gravity of this

obstacle. Not to multiply examples, I shall merely observe that there

are nineteen words spelled _cho_; twenty-one spelled _ki_; twenty-five

spelled _to_ or _to_; and no less than forty-nine spelled _ko_ or _ko_.

* * * * *

Yet, as I have already suggested, the real signification of a woman's

name cannot be ascertained even from a literal translation made with the

help of the Chinese characters. Such a name, for instance, as _Kagami_

(Mirror) really signifies the Pure-Minded, and this not in the

Occidental, but in the Confucian sense of the term. _Ume_

(Plum-blossom) is a name referring to wifely devotion and virtue.

_Matsu_ (Pine) does not refer, as an appellation, to the beauty of the

tree, but to the fact that its evergreen foliage is the emblem of

vigorous age. The name _Take_ (Bamboo) is given to a child only because

the bamboo has been for centuries a symbol of good-fortune. The name

_Sen_ (Wood-fairy) sounds charmingly to Western fancy; yet it expresses

nothing more than the parents' hope of long life for their daughter and

her offspring,--wood-fairies being supposed to live for thousands of

years.... Again, many names are of so strange a sort that it is

impossible to discover their meaning without questioning either the

bearer or the giver; and sometimes all inquiry proves vain, because the

original meaning has been long forgotten.

Before attempting to go further into the subject, I shall here offer a

translation of the Tokyo essayist's list of names,--rearranged in

alphabetical order, without honorific prefixes or suffixes. Although

some classes of common names are not represented, the list will serve to

show the character of many still popular _yobina_, and also to

illustrate several of the facts to which I have already called

attention.

SELECTED NAMES OF STUDENTS AND GRADUATES

OF THE HIGHER NORMAL SCHOOL FOR

FEMALES (1880-1895):--

Number of

students

so named.

_Ai_ ("Indigo,"--the color) 1

_Ai_ ("Love") 1

_Akasuke_ ("The Bright Helper") 1

_Asa_ ("Morning") 1

_Asa_ ("Shallow")[33] 2

[33] Probably a place-name originally.

_Au_ ("Meeting") 2

_Bun_ ("Composition"--in the literary sense)[34] 1

[34] Might we not quaintly say, "A Fair Writing"?

_Chika_ ("Near")[35] 5

[35] Probably in the sense of "near and dear"--but not

certainly so.

_Chitose_ ("A Thousand Years") 1

_Chiyo_ ("A Thousand Generations") 1

_Chizu_ ("Thousand Storks") 1

_Cho_ ("Butterfly") 1

_Cho_ ("Superior") 2

_Ei_ ("Clever") 1

_Ei_ ("Blooming") 2

_Etsu_ ("Delight") 1

_Fude_ ("Writing-brush") 1

_Fuji_ ("Fuji,"--the mountain) 1

_Fuji_ ("Wistaria-flower") 2

_Fuki_ ("Fuki,"--name of a plant, _Nardosmia

Japonica_) 1

_Fuku_ ("Good-fortune") 2

_Fumi_ ("Letter")[36] 5

[36] _Fumi_ signifies here a letter written by a woman

only--a letter written according to the rules of

feminine epistolary style.

_Fumino_ ("Letter-field") 1

_Fusa_ ("Tassel") 3

_Gin_ ("Silver") 2

_Hama_ ("Shore") 3

_Hana_ ("Blossom") 3

_Harue_ ("Spring-time Bay") 1

_Hatsu_ ("The First-born") 2

_Hide_ ("Excellent") 4

_Hide_ ("Fruitful") 2

_Hisano_ ("Long Plain") 2

_Ichi_ ("Market") 4

_Iku_ ("Nourishing") 3

_Ine_ ("Springing Rice") 3

_Ishi_ ("Stone") 1

_Ito_ ("Thread") 4

_Iwa_ ("Rock") 1

_Jun_ ("The Obedient")[37] 1

[37] _Jun suru_ means to be obedient unto death. The

word _jun_ has a much stronger signification than

that which attaches to our word "obedience" in

these modern times.

_Kagami_ ("Mirror") 3

_Kama_ ("Sickle") 1

_Kame_ ("Tortoise") 2

_Kameyo_ ("Generations-of-the-Tortoise")[38] 1

[38] The tortoise is supposed to live for a thousand

years.

_Kan_ ("The Forbearing")[39] 11

[39] Abbreviation of _kannin_, "forbearance,"

"self-control," etc. The name might equally well

be translated "Patience."

_Kana_ ("Character"--in the sense of written

character)[40] 2

[40] _Kana_ signifies the Japanese syllabary,--the

characters with which the language is written. The

reader may imagine, if he wishes, that the name

signifies the Alpha and Omega of all feminine

charm; but I confess that I have not been able to

find any satisfactory explanation of it.

_Kane_ ("Bronze") 3

_Katsu_ ("Victorious") 2

_Kazashi_ ("Hair-pin,"--or any ornament worn

in the hair) 1

_Kazu_ ("Number,"--i.e., "great number") 1

_Kei_ ("The Respectful") 3

_Ken_ ("Humility") 1

_Kiku_ ("Chrysanthemum") 6

_Kikue_ ("Chrysanthemum-branch") 1

_Kikuno_ ("Chrysanthemum-field") 1

_Kimi_ ("Sovereign") 1

_Kin_ ("Gold") 4

_Kinu_ ("Cloth-of-Silk") 1

_Kishi_ ("Beach") 2

_Kiyo_ ("Happy Generations") 1

_Kiyo_ ("Pure") 5

_Ko_ ("Chime,"--the sound of a bell) 1

_Ko_ ("Filial Piety") 11

_Ko_ ("The Fine") 1

_Koma_ ("Filly") 1

_Kome_ ("Cleaned Rice") 1

_Koto_ ("Koto,"--the Japanese harp) 4

_Kuma_ ("Bear") 1

_Kumi_ ("Braid") 1

_Kuni_ ("Capital,"--chief city) 1

_Kuni_ ("Province") 3

_Kura_ ("Treasure-house") 1

_Kurano_ ("Storehouse-field") 1

_Kuri_ ("Chestnut") 1

_Kuwa_ ("Mulberry-tree") 1

_Masa_ ("Straightforward,"--upright) 3

_Masago_ ("Sand") 1

_Masu_ ("Increase") 3

_Masue_ ("Branch-of-Increase") 1

_Matsu_ ("Pine") 2

_Matsue_ ("Pine-branch") 1

_Michi_ ("The Way,"--doctrine) 4

_Mie_ ("Triple Branch") 1

_Mikie_ ("Main-branch") 1

_Mine_ ("Peak") 2

_Mitsu_ ("Light") 5

_Mitsue_ ("Shining Branch") 1

_Morie_ ("Service-Bay")[41] 1

[41] The word "service" here refers especially to

attendance at meal-time,--to the serving of rice,

etc.

_Naka_ ("The Midmost") 4

_Nami_ ("Wave") 1

_Nobu_ ("Fidelity") 6

_Nobu_ ("The Prolonger")[42] 1

[42] Perhaps in the hopeful meaning of extending the

family-line; but more probably in the signification

that a daughter's care prolongs the life of her

parents, or of her husband's parents.

_Nobue_ ("Lengthening-branch") 1

_Nui_ ("Tapestry,"--or, Embroidery) 1

_Orino_ ("Weaving-Field") 1

_Raku_ ("Pleasure") 3

_Ren_ ("The Arranger") 1

_Riku_ ("Land,"--ground) 1

_Roku_ ("Emolument") 1

_Ryo_ ("Dragon") 1

_Ryu_ ("Lofty") 3

_Sada_ ("The Chaste") 8

_Saki_ ("Cape,"--promontory) 1

_Saku_ ("Composition")[43] 3

[43] Abbreviation of _sakubun_, a literary composition.

_Sato_ ("Home,"--native place) 2

_Sawa_ ("Marsh") 1

_Sei_ ("Force") 1

_Seki_ ("Barrier,"--city-gate, toll-gate, etc.). 3

_Sen_ ("Fairy")[44] 3

[44] As a matter of fact, we have no English equivalent

for the word "sen," or "sennin,"--signifying a

being possessing magical powers of all kinds and

living for thousands of years. Some authorities

consider the belief in _sennin_ of Indian origin,

and probably derived from old traditions of the

Rishi.

_Setsu_ ("True,"--tender and true) 2

_Shidzu_ ("The Calmer") 1

_Shidzu_ ("Peace") 2

_Shige_ ("Two-fold") 2

_Shika_ ("Deer") 2

_Shikae_ ("Deer-Inlet") 1

_Shime_ ("The Clasp,"--fastening) 1

_Shin_ ("Truth") 1

_Shina_ ("Goods") 1

_Shina_ ("Virtue") 1

_Shino_ ("Slender Bamboo") 1

_Shirushi_ ("The Proof,"--evidence) 1

_Shun_ ("The Excellent") 1

_Sue_ ("The Last") 2

_Sugi_ ("Cedar,"--cryptomeria) 1

_Sute_ ("Forsaken,"--foundling) 1

_Suzu_ ("Little Bell") 8

_Suzu_ ("Tin") 1

_Suzue_ ("Branch of Little Bells") 1

_Tae_ ("Exquisite") 1

_Taka_ ("Honor") 2

_Taka_ ("Lofty") 9

_Take_ ("Bamboo") 1

_Tama_ ("Jewel") 1

_Tamaki_ ("Ring") 1

_Tame_ ("For-the-Sake-of--") 3

_Tani_ ("Valley") 4

_Tazu_ ("Ricefield-Stork") 1

_Tetsu_ ("Iron") 4

_Toku_ ("Virtue") 2

_Tome_ ("Stop,"--cease)[45] 1

[45] Such a name may signify that the parents resolved,

after the birth of the girl, to have no more

children.

_Tomi_ ("Riches") 3

_Tomiju_ ("Wealth-and-Longevity") 1

_Tomo_ ("The Friend") 4

_Tora_ ("Tiger") 1

_Toshi_ ("Arrowhead") 1

_Toyo_ ("Abundance") 3

_Tsugi_ ("Next,"--i. e., second in order of birth) 2

_Tsuna_ ("Bond,"--rope, or fetter) 1

_Tsune_ ("The Constant,"--or, as we should say,

Constance) 10

_Tsuru_ ("Stork") 4

_Ume_ ("Plum-blossom") 1

_Umegae_ ("Plumtree-spray") 1

_Umeno_ ("Plumtree-field") 2

_Urano_ ("Shore-field") 1

_Ushi_ ("Cow,"--or Ox)[46] 1

[46] This extraordinary name is probably to be explained

as a reference to date of birth. According to the

old Chinese astrology, years, months, days, and

hours were all named after the Signs of the Zodiac,

and were supposed to have some mystic relation to

those signs. I surmise that Miss Ushi was born at

the Hour of the Ox, on the Day of the Ox, in the

Month of the Ox and the Year of the Ox--"_Ushi no

Toshi no Ushi no Tsuki no Ushi no Hi no Ushi no

Koku._"

_Uta_ ("Poem,"--or Song) 1

_Wakana_ ("Young _Na_,"--probably the rape-plant

is referred to) 1

_Yae_ ("Eight-fold") 1

_Yasu_ ("The Tranquil") 1

_Yo_ ("The Positive,"--as opposed to Negative

or Feminine in the old Chinese

philosophy;--therefore, perhaps,

Masculine) 1

_Yone_ ("Rice,"--in the old sense of wealth) 4

_Yoshi_ ("The Good") 1

_Yoshino_ ("Good Field") 1

_Yu_ ("The Valiant") 1

_Yuri_ ("Lily") 1

It will be observed that in the above list the names referring to

Constancy, Forbearance, and Filial Piety have the highest numbers

attached to them.

Shadowings · 第 52 / 128 题