IX

Whitman's democracy is the breath of his nostrils, the light of his eyes,

the blood in his veins. The reader does not feel that here is some fine

scholar, some fine poet singing the praises of democracy; he feels that

here is a democrat, probably, as Thoreau surmised, the greatest the world

has yet seen, turning the light of a great love, a great intellect, a

great soul, upon America, upon contemporary life and events, and upon the

universe, and reading new lessons, new meanings, therein. He is a great

poet and prophet, speaking through the average man, speaking as one of the

people, and interpreting life from the point of view of absolute

democracy.

True, the people in their average taste and perceptions are crude and

flippant and superficial, and often the victims of mountebanks and fools;

yet, as forming the body of our social and political organism, and the

chief factor in the world-problem of to-day, they are the exponents of

great forces and laws, and often, in emergencies, show the wisdom and

unimpeachableness of Nature herself. Deep-hidden currents and forces in

them are liable to come to the surface, and when the politicians get in

their way, or miscalculate them, as so often happens, they are crushed.

Whitman is a projection into literature of the cosmic sense and conscience

of the people, and their participation in the forces that are shaping the

world in our century. Much comes to a head in him. Much comes to joyous

speech and song, that heretofore had only come to thought and speculation.

A towering, audacious personality has appeared which is strictly the fruit

of the democratic spirit, and which has voiced itself in an impassioned

utterance touching the whole problem of national and individual life.

X

The Whitman literature is democratic, not in the sense that it caters to

the taste of the masses or to the taste of the average man; for, as a

matter of fact, the masses and the average man are likely to be the last

to recognize its value. The common people, the average newspaper-reading

citizens, are much more likely to be drawn by the artificial and the

conventional. But it is democratic because it is filled with the spirit of

absolute human equality and brotherhood, and gives out the atmosphere of

the universal, primary, human traits. The social, artificial, accidental

distinctions of wealth, culture, position, etc., have not influenced the

poet in the slightest degree. Whitman finds his joy and his triumph, not

in being better than other people or above them, but in being one with

them, and sharing their sins as well as their virtues.

"As if it harm'd me, giving others the same chances and rights as

myself--as if it were not indispensable to my own rights that

others possess the same."

This is one step further than others have taken, and makes democracy

complete in itself. Again, his work identifies itself with the democratic

ideal in getting rid of the professional and arbitrary elements of poetry,

and appealing to the reader entirely through its spirit and content. It is

as democratic in this respect as the workman in the field, or the mechanic

at his bench.

The poems are bathed and flooded with the quality of the common people;

with the commonness and nearness which they share with real things and

with all open-air nature,--with hunters, travelers, soldiers, workers in

all fields, and with rocks, trees, and woods. It is only in the spirit of

these things that a man himself can have health, sweetness, and

proportion; and only in their spirit that he can give an essentially sound

judgment of a work of art, no matter what the subject of it may be.

This spirit of the "commonest, cheapest, nearest" is the only spirit in

which man's concrete life can be carried forward. We do not live and

breathe and grow and multiply, we do not have health and sanity and

wholeness and proportion, we do not subdue and improve and possess the

earth, in the spirit of something exclusive, exceptional, faraway,

aristocratic, but in the spirit of the common and universal. The only

demand is that, in a work of art, the common or universal shall be

vitalized with poetic thought and enthusiasm, or imbued with the ideal of

a rare and high excellence.

Whitman: A Study · 第 132 / 140 题