See note to the essay "On Some of the Old Actors."

See also "A Vision of Horns" (Vol. I.) for, as it seems to me, a

whimsical extension to the point of absurdity of the theory expressed

in this essay--a theory which Lord Macaulay, in his review of Leigh

Hunt's edition of the Dramatic Works of Wycherley, Congreve, etc., in

1840, opposed with characteristic vigour.

Hartley Coleridge, in a letter to Edward Moxon concerning Leigh Hunt's

edition of Wycherley and Congreve, happily remarked: "Nothing more or

better can be said in defence of these writers than what Lamb has said

in his delightful essay ... which is, after all, rather an apology for

the audiences who applauded and himself who delighted in their plays,

than for the plays themselves.... But Lamb always took things by the

better handle."

Page 163, line 16. _The Fainalls, etc_. Fainall in Congreve's "Way

of the World," Mirabel in Farquhar's "Inconstant," Dorimant in

Etheredge's "Man of Mode," and Lady Touchstone in Congreve's "Double

Dealer."

The Works of Charles and Mary Lamb — Volume 2 Elia and The Last Essays of Elia · 第 139 / 155 题