CHAPTER XIII--PHOENICIAN WRITING, LANGUAGE, AND LITERATURE

The Phoenician alphabet--Its wide use--Its merits--Question

of its origin--Its defects--Phoenician writing and language--

Resemblance of the language to Hebrew--In the vocabulary--

In the grammar--Points of difference between Phoenician and

Hebrew--Scantiness of the literature--Phoenician history of

Philo Byblius--Extracts--Periplus of Hanno--Phoenician

epigraphic literature--Inscription of Esmunazar--Inscription

of Tabnit--Inscription of Jehav-melek--Marseilles

inscription--Short inscriptions on votive offerings and

tombs--Range of Phoenician book-literature.

The Phoenician alphabet, like the Hebrew, consisted of twenty-two

characters, which had, it is probable, the same names with the Hebrew

letters,[0131] and were nearly identical in form with the letters used

anciently by the entire Hebrew race. The most ancient inscription in the

character which has come down to us is probably that of Mesha,[0132] the

Moabite king, which belongs to the ninth century before our era.

The next in antiquity, which is of any considerable length, is that

discovered recently in the aqueduct which brings the water into the pool

of Siloam,[0133] which dates probably from the time of Hezekiah, ab. B.C.

727-699. Some short epigraphs on Assyrian gems, tablets, and cylinders

belong apparently to about the same period. The series of Phoenician and

Cilician coins begins soon after this, and continues to the time of the

Roman supremacy in Western Asia. The soil of Phoenicia Proper, and of

the various countries where the Phoenicians established settlements or

factories, as Cyprus, Malta, Sicily, Sardinia, Southern Gaul, Spain, and

North Africa, has also yielded a large crop of somewhat brief legends,

the “inscription of Marseilles”[0134] being the most important of them.

Finally there have been found within the last few years, in Phoenicia

itself, near Byblus and Sidon, the three most valuable inscriptions of

the entire series--those of Jehavmelek, Esmunazar and Tabnit--which have

enabled scholars to place the whole subject on a scientific basis.

It is now clear that the same, or nearly the same, alphabet was in

use from a very early date over the greater part of Western Asia--in

Phoenicia, Moab, Judæa, Samaria, Lycia, Caria, Phrygia, &c.--that it was

adopted, with slight alterations only, by the Etruscans and the Greeks,

and that from them it was passed on to the nations of modern Europe, and

acquired a quasi-universality. The invention of this alphabet was, by

the general consent of antiquity, ascribed to the Phoenicians;[0135]

and though, if their claim to priority of discovery be disputed, it is

impossible to prove it, their practical genius and their position among

the nations of the earth are strong subsidiary arguments in support of

the traditions.

The Phoenician alphabet, or the Syrian script, as some call it,[0136]

did not obtain its general prevalence without possessing some peculiar

merits. Its primary merit was that of simplicity. The pictorial systems

of the Egyptians and the Hittites required a hand skilled in drawing to

express them; the cuneiform syllabaries of Babylonia, Assyria, and Elam

needed an extraordinary memory to grasp the almost infinite variety in

the arrangement of the wedges, and to distinguish each group from all

the rest; even the Cypriote syllabary was of awkward and unnecessary

extent, and was expressed by characters needlessly complicated. The

Phoenician inventor, whoever he was, reduced letters to the smallest

possible number, and expressed them by the simplest possible forms.

Casting aside the idea of a syllabary, he reduced speech to its ultimate

elements, and set apart a single sign to represent each possible variety

of articulation, or rather each variety of which he was individually

cognisant. How he fixed upon his signs, it is difficult to say.

According to some, he had recourse to one or other of previously

existing modes of expressing speech, and merely simplified the

characters which he found in use. But there are two objections to this

view. First, there is no known set of characters from which the early

Phoenician can be derived with any plausability. Resemblances no doubt

may be pointed out here and there, but taking the alphabet as a whole,

and comparing it with any other, the differences will always be quite

as numerous and quite as striking as the similarities. For instance, the

writer of the article on the “Alphabet” in the “Encyclopædia Britannica”

(1876) derives the Phoenician letters from letters used in the Egyptian

hieratic writing,[0137] but his own table shows a marked diversity in at

least eleven instances, a slight resemblance in seven or eight, a strong

resemblance in no more than two or three. Derivation from the Cypriote

forms has been suggested by some; but here again eight letters are very

different, if six or seven are similar. Recently, derivation from the

Hittite hieroglyphs has been advocated,[0138] but the alleged instances

of resemblance touch nine characters only out of the twenty-two. And

real resemblance is confined to three or four. Secondly, no theory of

derivation accounts for the Phoenician names of their letters, which

designate objects quite different from those represented by the Egyptian

hieroglyphs, and equally different from those represented by the Hittite

letters. For instance, the Egyptian _a_ is the ill-drawn figure of an

eagle, the Phoenician _alef_ has the signification of “ox;” the _b_

of the Egyptians is a hastily drawn figure of a crane, the Phoenician

_beth_ means “a house.”

On the whole, it seems most probable that the Phoenicians began with

their own hieroglyphical system, selecting an object to represent the

initial sound of its name, and at first drawing that object, but that

they very soon followed the Egyptian idea of representing the original

drawing in a conventional way, by a few lines, straight or curved.

Their hieroglyphic alphabet which is extant is an alphabet in the second

stage, corresponding to the Egyptian hieratic, but not derived from it.

Having originally represented their _alef_ by an ox’s head, they found

a way of sufficiently indicating the head by three lines {...}, which

marked the horns, the ears, and the face. Their _beth_ was a house in

the tent form; their _gimel_ a camel, represented by its head and neck;

their _daleth_ a door, and so on. The object intended is not always

positively known; but, where it is known, there is no difficulty in

tracing the original picture in the later conventional sign.

The Phoenician alphabet was not without its defects. The most remarkable

of these was the absence of any characters expressive of vowel sounds.

The Phoenician letters are, all of them, consonants; and the reader is

expected to supply the vowel sounds for himself. There was not even any

system of pointing, so far as we know, whereby, as in Hebrew and Arabic,

the proper sounds were supplied. Again, several letters were made to

serve for two sounds, as _beth_ for both _b_ and _v_, _pe_ for both _p_

and _f_, _shin_ for both _s_ and _sh_, and _tau_ for both _t_ and _th_.

There were no forms corresponding to the sounds _j_ or _w_. On the other

hand, there was in the alphabet a certain amount of redundancy. _Tsade_

is superfluous, since it represents, not a simple elemental sound, but a

combination of two sounds, _t_ and _s_. Hence the Greeks omitted it, as

did also the Oscans and the Romans. There is redundancy in the two forms

for _k_, namely _kaph_ and _koph_; in the two for _t_, namely _teth_

and _tau_; and in the two for _s_, namely _samech_ and _shin_. But no

alphabet is without some imperfections, either in the way of excess or

defect; and perhaps we ought to be more surprised that the Phoenician

alphabet has not more faults than that it falls so far short of

perfection as it does.

The writing of the Phoenicians was, like that of the majority of the

Semitic nations, from right to left. The reverse order was entirely

unknown to them, whether employed freely as an alternative, as in Egypt,

or confined, as in Greece, to the alternate lines. The words were, as

a general rule, undivided, and even in some instances were carried over

the end of one line into the beginning of another. Still, there are

examples where a sign of separation occurs between each word and the

next;[0139] and the general rule is, that the words do not run over

the line. In the later inscriptions they are divided, according to the

modern fashion, by a blank space;[1310] but there seems to have been an

earlier practice of dividing them by small triangles or by dots.

The language of the Phoenicians was very close indeed to the Hebrew,

both as regards roots and as regards grammatical forms. The number

of known words is small, since not only are the inscriptions few and

scanty, but they treat so much of the same matters, and run so nearly in

the same form, that, for the most part, the later ones contain nothing

new but the proper names. Still they make known to us a certain number

of words in common use, and these are almost always either identical

with the Hebrew forms, or very slightly different from them, as the

following table will demonstrate:--

Phoenician Hebrew English

Ab {...} {...} father

Aben {...} {...} stone

Adon {...} {...} lord

Adam {...} {...} man

Aleph {...} {...} an ox

Akh {...} {...} brother

Akhar {...} {...} after

Am {...} {...} mother

Anak {...} {...} I

Arets {...} {...} earth, land

Ash {...} {...} who, which

Barak {...} {...} to bless

Bath {...} {...} daughter

Ben {...} {...} son

Benben {...} {...} grandson

Beth {...} {...} house, temple

Ba’al {...} {...} lord, citizen

Ba’alat {...} {...} lady, mistress

Barzil {...} {...} iron

Dagan {...} {...} corn

Deber {...} {...} to speak, say

Daleth {...} {...} door

Zan {...} {...} this

Za {...} {...} this

Zereng {...} {...} seed, race

Har {...} {...} mountain

Han {...} {...} grace, favour

Haresh {...} {...} carpenter

Yom {...} {...} day, also sea

Yitten {...} {...} to give

Ish {...} {...} man

Ishath {...} {...} woman, wife

Kadesh {...} {...} holy

Kol {...} {...} every, all

Kol {...} {...} voice

Kohen {...} {...} priest

Kohenath {...} {...} priestess

Kara {...} {...} to call

Lechem {...} {...} bread

Makom {...} {...} a place

Makar {...} {...} a seller

Malakath {...} {...} work

Melek {...} {...} king

Mizbach {...} {...} altar

Na’ar {...} {...} boy, servant

Nehusht {...} {...} brass

Nephesh {...} {...} soul

Nadar {...} {...} to vow

‘Abd {...} {...} slave, servant

‘Am {...} {...} people

‘Ain {...} {...} eye, fountain

‘Ath {...} {...} time

‘Olam {...} {...} eternity

Pen {...} {...} face

Per {...} {...} fruit

Pathach {...} {...} door

Rab {...} {...} lord, chief

Rabbath {...} {...} lady

Rav {...} {...} rain, irrigation

Rach {...} {...} spirit

Rapha {...} {...} physician

Shamam {...} {...} the heavens

Shemesh {...} {...} the sun

Shamang {...} {...} to hear

Shenath {...} {...} a year

Shad {...} {...} a field

Sha’ar {...} {...} a gate

Shalom {...} {...} peace

Shem {...} {...} a name

Shaphat {...} {...} a judge

Sopher {...} {...} a scribe

Sakar {...} {...} memory

Sar {...} {...} a prince

Tsedek {...} {...} just

The Phoenician numerals, so far as they are known to us, are identical,

or nearly identical, with the Hebrew. _’Ahad_ {...} is “one;” _shen_

{...}, “two;” _shalish_ {...}, “three;” _arba_ {...}, “four;” _hamesh_

{...}, “five;” _eshman_ {...}, “eight;” _’eser_ {...}, “ten;” and so on.

Numbers were, however, by the Phoenicians ordinarily expressed by signs,

not words--the units by perpendicular lines: | for “one,” || for “two,”

||| for “three,” and the like; the tens by horizontal ones, either

simple, {...}, or hooked at the right end, {...}; twenty by a sign

resembling a written capital _n_, {...}; one hundred by a sign still

more complicated, {...}.

The grammatical inflexions, the particles, the pronouns, and the

prepositions are also mostly identical. The definite article is

expressed, as in Hebrew, by _h_ prefixed. Plurals are formed by the

addition of _m_ or _th_. The prefix _eth_ {...} marks the accusative.

There is a _niphal_ conjugation, formed by prefixing _n_. The full

personal pronouns are _anak_ {...} = “I” (compare Heb. {...}); _hu_

{...}, “he” (compare Heb. {...}); _hi_ {...}, “she” (compare Heb.

{...}); _anachnu_, “we” (compare Heb. {...}); and the suffixed pronouns

are _-i_, “me, my;” _-ka_, “thee, thy;” _-h_ (pronounced as _-oh_ or

_-o_), “him, his” (compare Heb. {...}); _-n_ “our,” perhaps pronounced

_nu_; and _-m_, “their, them,” pronounced _om_ or _um_ (compare Heb.

{...}). _Vau_ prefixed means “and;” _beth_ prefixed “in;” _kaph_

prefixed “as;” _lamed_ prefixed “of” or “to;” _’al_ {...} is “over;”

_ki_ {...} “because;” _im_ {...}, “if;” _hazah_, _zath_, or _za_ {...},

“this” (compare Heb. {...}); and _ash_ {...}, “who, which” (compare

Heb. {...}). _Al_ {...} and _lo_ {...} are the negatives (compare Heb.

{...}). The redundant use of the personal pronoun with the relative is

common.

Still, Phoenician is not mere Hebrew; it has its own genius, its idioms,

its characteristics. The definite article, so constantly recurring in

Hebrew, is in Phoenician, comparatively speaking, rare. The quiescent

letters, which in Hebrew ordinarily accompany the long vowels, are in

Phoenician for the most part absent. The employment of the participle

for the definite tenses of the verb is much more common in Phoenician

than in Hebrew, and the Hebrew prefix _m_ is wanting. The ordinary

termination of feminine singular nouns is _-th_, not _-h_. Peculiar

forms occur, as _ash_ for _asher_, _’amath_ for _’am_ (“people”), _zan_

for _zah_ (“this”), &c. Words which in Hebrew are confined to poetry

pass among the Phoenicians into ordinary use, as _pha’al_ ({...}, Heb.

{...}), “to make,” which replaces the Hebrew {...}.[1311]

“It is strange,” says M. Renan, “that the people to which all antiquity

attributes the invention of writing, and which has, beyond all doubted,

transmitted it to the entire civilised world, has scarcely left us

any literature.”[1312] Certainly it is difficult to give the name

of literature either to the fragments of so-called Phoenician works

preserved to us in Greek translations, or to the epigraphic remains of

actual Phoenician writing which have come down to our day. The works

are two, and two only, viz. the pretended “Phoenician History” of

Sanchoniathon, and the “Periplus” of Hanno. Of the former, it is perhaps

sufficient to say that we have no evidence of its genuineness. Philo of

Byblus, who pretends that he translated it from a Phoenician original,

though possibly he had Phoenician blood in his veins, was a Greek in

language, in temperament, and in tone of thought, and belonged to the

Greece which is characterised by Juvenal as “Græcia mendax.” It is

impossible to believe that the Euemerism in which he indulges, and

which was evidently the motive of his work, sprang from the brain of

Sanchoniathon nine hundred years before Euemerus existed. One is tempted

to suspect that Sanchoniathan himself was a myth--an “idol of the cave,”

evolved out of the inner consciousness of Philo. Philo had a certain

knowledge of the Phoenician language, and of the Phoenician religious

system, but not more than he might have gained by personal communication

with the priests of Byblus and Aphaca, who maintained the old worship

in, and long after, his day. It is not clear that he drew his statements

from any ancient authorities, or from books at all. So far as the extant

fragments go, a smattering of the language, a very moderate acquaintance

with the religion, and a little imagination might readily have produced

them.

A few extracts from the remains must be given to justify this

judgement:--“The beginning of all things,” Philo says,[1313] “was a dark

and stormy air, or a dark air and a turbid chaos, resembling Erebus;

and these were at first unbounded, and for a long series of ages had

no limit. But after a time this wind became enamoured of its own first

principles, and an intimate union took place between them, a connection

which was called Desire {pothos}: and this was the beginning of the

creation of all things. But it (i.e. the Desire) had no consciousness of

its own creation: however, from its embrace with the wind was generated

Môt, which some call watery slime, and others putrescence of watery

secretion. And from this sprang all the seed of creation, and the

generation of the universe. And first there were certain animals without

sensation, from which intelligent animals were produced, and these were

called ‘Zopher-Sêmin,’ i.e. ‘beholders of the heavens;’ and they were

made in the shape of an egg, and from Môt shone forth the sun, and the

moon, and the lesser and the greater stars. And when the air began

to send forth light, by the conflagration of land and sea, winds were

produced, and clouds, and very great downpours, and effusions of the

heavenly waters. And when these were thus separated, and carried,

through the heat of the sun, out of their proper places, and all met

again in the air, and came into collision, there ensued thunderings

and lightnings; and through the rattle of the thunder, the intelligent

animals, above mentioned, were woke up, and, startled by the noise,

began to move about both in the sea and on the land, alike such as

were male and such as were female. All these things were found in the

cosmogony of Taaut (Thoth), and in his Commentaries, and were drawn from

his conjectures, and from the proofs which his intellect discovered, and

which he made clear to us.”

Again, “From the wind, Colpia, and his wife Bahu (Heb. {...}), which is

by interpretation ‘Night,’ were born Æon and Protogonus, mortal men so

named; of whom one, viz. Æon, discovered that life might be sustained by

the fruits of trees. Their immediate descendants were called Genos and

Genea, who lived in Phoenicia, and in time of drought stretched forth

their hands to heaven towards the sun; for him they regarded as the sole

Lord of Heaven, and called him Baal-samin, which means ‘Lord of Heaven’

in the Phoenician tongue, and is equivalent to Zeus in Greek. And from

Genos, son of Æon and Protogonus, were begotten mortal children, called

Phôs, and Pyr, and Phlox (i.e. Light, Fire, and Flame). These persons

invented the method of producing fire by rubbing two pieces of wood

together, and taught men to employ it. They begat sons of surprising

size and stature, whose names were given to the mountains whereof they

had obtained possession, viz. Casius, and Libanus, and Antilibanus, and

Brathy. From them were produced Memrumus and Hypsuranius, who took

their names from their mothers, women in those days yielding themselves

without shame to any man whom they happened to meet. Hypsuranius lived

at Tyre, and invented the art of building huts with reeds and rushes and

the papyrus plant. He quarrelled with his brother, Usôus, who was the

first to make clothing for the body out of the skins of the wild beasts

which he slew. On one occasion, when there was a great storm of rain

and wind, the trees in the neighbourhood of Tyre so rubbed against each

other that they took fire, and the whole forest was burnt; whereupon

Usôus took a tree, and having cleared it of its boughs, was the first

to venture on the sea in a boat. He also consecrated two pillars to Fire

and Wind, and worshipped them, and poured upon them the blood of the

animals which he took by hunting. And when the two brothers were dead,

those who remained alive consecrated rods to their memory, and continued

to worship the pillars, and to hold a festival in their honour year by

year.”[1314]

Once more--“It was the custom among the ancients, in times of great

calamity and danger, for the rulers of the city or nation to avert the

ruin of all by sacrificing to the avenging deities the best beloved of

their children as the price of redemption; and such as were thus devoted

were offered with mystic ceremonies. Kronus, therefore, who was called

El by the Phoenicians, and who, after his death, was deified and

attached to the planet which bears his name, having an only son by a

nymph of the country, who was called Anobret, took his son, whose name

was Ieoud, which means ‘only son’ in Phoenician, and when a great

danger from war impended over the land, adorned him with the ensigns

of royalty, and, having prepared an altar for the purpose, voluntarily

sacrificed him.”[1315]

It will be seen from these extracts that the literary value of Philo’s

work was exceedingly small. His style is complicated and confused;

his matter, for the most part, worthless, and his mixture of Greek,

Phoenician, and Egyptian etymologies absurd. If we were bound to believe

that he translated a real Phoenician original, and that that original

was a fair specimen of Phoenician literary talent, the only conclusion

to which we could come would be, that the literature of the nation was

beneath contempt.

But the “Periplus” of Hanno will lead us to modify this judgment. It is

so short a work that we venture to give it entire from the translation

of Falconer,[1316] with a few obvious corrections.

The voyage of Hanno, King of the Carthaginians, round the parts of Libya

beyond the Pillars of Hercules, which he deposited in the Temple of

Kronos.

“It was decreed by the Carthaginians that Hanno should undertake a

voyage beyond the Pillars of Hercules, and there found Liby-Phoenician

cities. He sailed accordingly with sixty ships of fifty oars each, and a

body of men and women, to the number of thirty thousand, and provisions,

and other necessaries.

“When we had weighed anchor, and passed the Pillars, and sailed

beyond them for two days, we founded the first city, which we named

Thymiaterium. Below it lay an extensive plain. Proceeding thence towards

the west, we came to Soloeis, a promontory of Libya thickly covered

with trees, where we erected a temple to Neptune (Poseidon), and again

proceeded for the space of half a day towards the east, until we arrived

at a lake lying not far from the sea, and filled with abundance of large

reeds. Here elephants and a great number of other wild animals were

feeding.

“Having passed the lake about a day’s sail, we founded cities near

the sea, called Caricon-Teichos, and Gytta, and Acra, and Melitta,

and Arambys. Thence we came to the great river Lixus, which flows from

Libya. On its banks the Lixitæ, a wandering tribe, were feeding flocks,

amongst whom we continued some time on friendly terms. Beyond the

Lixitæ dwelt the inhospitable Ethiopians, who pasture a wild country

intersected by large mountains, from which they say the river Lixus

flows. In the neighbourhood of the mountains lived the Troglodytes, men

of various appearances, whom the Lixitæ described as swifter in running

than horses. Having procured interpreters from them, we coasted along

a desert country towards the south for two days; and thence again

proceeded towards the east the course of a day. Here we found in the

recess of a certain bay a small island, having a circuit of five stadia,

where we settled a colony, and called it Cerne. We judged from our

voyage that this place lay in a direct line with Carthage; for the

length of our voyage from Carthage to the Pillars was equal to that

from the Pillars to Cerne. We then came to a cape, which we reached

by sailing up a large river called Chrete. The lake had three islands

larger than Cerne; from which, proceeding a day’s sail, we came to the

extremity of the lake. This was overhung by huge mountains, inhabited

by savage men, clothed in skins of wild beasts, who drove us away by

throwing stones, and hindered us from landing. Sailing thence, we came

to another river, that was deep and broad, and full of crocodiles and

river horses (hippopotami), whence returning back, we came again to

Cerne. Thence we sailed towards the south for twelve days, coasting

along the shore, the whole of which is inhabited by Ethiopians, who

would not wait our approach, but fled from us. Their language was

unintelligible, even to the Lixitæ who were with us. On the last day we

approached some large mountains covered with trees, the wood of which

was sweet-scented and variegated. Having sailed by these mountains for

two days, we came to an immense opening of the sea; on each side of

which, towards the continent, was a plain; from which we saw by night

fire arising at intervals, either more or less.

“Having taken in water there, we sailed forward during five days near

the land, until we came to a large bay, which our interpreter informed

us was called ‘the Western Horn.’ In this was a large island, and in the

island a salt-water lake, and in this another island, where, when we had

landed, we could discover nothing in the daytime except trees; but

in the night we saw many fires burning, and heard the sound of pipes,

cymbals, drums, and confused shouting. We were then afraid, and our

diviners ordered us to abandon the island. Sailing quickly away thence,

we passed by a country burning with fires and perfumes; and streams of

fire supplied thence fell into the sea. The country was untraversable

on account of the heat. So we sailed away quickly from there also, being

much terrified; and, passing on for four days, we observed at night a

country full of flames. In the middle was a lofty fire, larger than the

rest, which seemed to touch the stars. When day came, we discovered it

to be a huge hill, called ‘the Chariot of the Gods.’ On the third day

after our departure thence, after sailing by streams of fire, we arrived

at a bay, called ‘the Southern Horn;’ at the bottom of which lay an

island like the former one, having a lake, and in the lake another

island full of savage people, far the greater part of whom were women,

whose bodies were hairy, and whom our interpreters called ‘gorillæ.’

Though we pursued the men, we could not catch any of them; but all

escaped us, climbing over the precipices, and defending themselves

with stones. Three women were, however, taken; but they attacked their

conductors with their teeth and nails, and could not be prevailed upon

to accompany us. So we killed them, and flayed them, and brought their

skins with us to Carthage. We did not sail further on, our provisions

failing us.”

The style of this short work, though exceedingly simple and

inartificial, is not without its merits. It has the directness, the

perspicuity, and the liveliness of Cæsar’s Commentaries or of the Duke

of Wellington’s Despatches. Montesquieu[1317] says of it:--“Hanno’s

Voyage was written by the very man who performed it. His recital is

not mingled with ostentation. Great commanders write their actions with

simplicity, because they receive more honour from facts than words.”

If we may take the work as a specimen of the accounts which Phoenician

explorers commonly gave of their travels in unknown regions, we must

regard them as having set a pattern which modern travellers would do

well to follow. Hanno gives us facts, not speculations--the things which

he has observed, not those of which he has dreamt; and he delivers his

facts in the fewest possible words, and in the plainest possible way. He

does not cultivate flowers of rhetoric; he does not unduly spin out his

narrative. It is plain that he is especially bent on making his meaning

clear, and he succeeds in doing so.

The epigraphic literature of the Phoenicians, which M. Renan considers

to supply fairly well the almost complete loss of their books,[1318]

scarcely deserves to be so highly rated. It consists at present of

five or six moderately long, and some hundreds of exceedingly short,

inscriptions; the longer ones being, all of them, inscribed on stones,

the shorter on stones, vases, pateræ, gems, coins, and the like. The

longest of all is that engraved on the sarcophagus of Esmunazar, king of

Sidon, discovered near the modern Saida in the year 1855, and now in the

museum of the Louvre. This has a length of twenty-two long lines, and

contains 298 words.[1319] It is fairly legible throughout; and the sense

is, for the most part, fairly well ascertained, though the meaning of

some passages remains still more or less doubtful. The following is the

translation of M. Renan:--

“In the month of Bul (October), in the fourteenth year of the reign of

King Esmunazar, king of the Sidonians, son of King Tabnit, king of the

Sidonians, King Esmunazar, king of the Sidonians, spake, saying--I am

snatched away before my time, the child of a few days, the orphan son

of a widow; and lo! I am lying in this coffin, and in this tomb, in the

place which I have built. I adjure every royal personage and every

man whatsoever, that they open not this my chamber, and seek not for

treasures there, since there are here no treasures, and that they remove

not the coffin from my chamber, nor build over this my chamber any other

funeral chamber. Even if men speak to thee, listen not to their words;

since every royal personage and every other man who shall open this

funeral chamber, or remove the coffin from this my chamber, or build

anything over this chamber--may they have no funeral chamber with the

departed, nor be buried in tombs, nor have any son or descendant to

succeed to their place; but may the Holy Gods deliver them into the

hand of a mighty king who shall reign over them, and destroy the royal

personage or the man who shall open this my funeral chamber, or remove

this coffin, together with the offspring of the royal personage or other

man, and let them not have either root below, or any fruit above, or

glory among such as live beneath the sun. Since I am snatched away

before my time, the child of a few days, the orphan son of a widow, even

I.

“For I am Esmunazar, king of the Sidonians, the son of King Tabnit, king

of the Sidonians, and the grandson of Esmunazar, king of the Sidonians,

and my mother is Am-Ashtoreth, priestess of our lady Ashtoreth, the

queen, the daughter of King Esmunazar, king of the Sidonians--and it is

we who have built the temples of the gods, the temple of Ashtoreth in

Sidon on the shore of the sea, and have placed Ashtoreth in her temple

to glorify her; and we too have built the temple of Esmun, and set the

sacred grove, En Yidlal, in the mountain, and made him (Esmun) dwell

there to glorify him; and it is we who have built temples to the

[other] deities of the Sidonians, in Sidon on the shore of the sea,

as the temple of Baal-Sidon, and the temple of Asthoreth, who bears the

name of Baal. And for this cause has the Lord of Kings given us Dor and

Joppa, and the fertile cornlands which are in the plains of Sharon, as

a reward for the great things which I have done, and added them to the

boundaries of the land, that they may belong to the Sidonians for ever.

I adjure every royal personage, and every man whatsoever, that they open

not this my chamber, nor empty my chamber, nor build aught over this my

chamber, nor remove the coffin from this my chamber, lest the Holy Gods

deliver them up, and destroy the royal personage, or the men [who

shall do so], and their offspring for ever.”[1320]

The inscription on the tomb of Tabnit, Esmunazar’s father, found near

Beyrout in 1886, is shorter, but nearly to the same effect. It has been

thus translated:--“I, Tabnit, priest of Ashtoreth, and king of Sidon,

lying in this tomb, say--I adjure every man, when thou shalt come upon

this sepulchre, open not my chamber, and trouble me not, for there is

not with me aught of silver, nor is there with me aught of gold, there

is not with me anything whatever of spoil, but only I myself who lie in

this sepulchre. Open not my chamber, and trouble me not; for it would be

an abomination in the sight of Ashtoreth to do such an act. And if thou

shouldest open my chamber, and trouble me, mayest thou have no

posterity all thy life under the sun, and no resting-place with the

departed.”[1321]

A stelé of a Byblian king, Jehavmelek, probably somewhat more ancient

than these,[1322] bears an inscription of a different kind, since it

is attached to a votive offering and not to a sepulchre. The king

represents himself in a bas-relief as making an offering to Beltis or

Ashtoreth, and then appends an epigraph, which runs to fifteen long

lines,[1323] and is to the following effect:--“I am Jehavmelek, king of

Gebal, the son of Jahar-baal, and the grandson of Adom-melek, king of

Gebal, whom lady Beltis of Gebal has made king of Gebal; and I invoke

my lady Beltis of Gebal, because she has heard my voice. And I have made

for my lady Beltis of Gebal the brazen altar which is in this temple,

and the golden carving which is in front of this my carving, and the

uræus of gold which is in the middle of the stone over the golden

carving. And I have made this portico, with its columns, and the

capitals that are upon the columns, and the roof of the temple also,

I, Jehavmelek, king of Gebal, have made for my lady Beltis of Gebal,

because, whenever I have invoked my lady Beltis of Gebal, she has heard

my voice, and been good to me. May Beltis of Gebal bless Jehavmelek,

king of Gebal, and grant him life, and prolong his days and his years

over Gebal, because he is a just king; and may the lady Beltis of Gebal

obtain him favour in the sight of the Gods, and in the sight of the

people of foreign lands, for ever! Every royal personage and every other

man who shall make additions to this altar, or to this golden carving,

or to this portico, I, Jehavmelek, king of Gebal, set may face against

him who shall so do, and I pray my lady Beltis of Gebal to destroy that

man, whoever he be, and his seed after him.”[1324]

The inscription of Marseilles, if it had been entire, would have been

as valuable and interesting as any of these; but, unfortunately, its

twenty-one lines are in every case incomplete, being broken off, or else

illegible, towards the left. It appears to have been a decree emanating

from the authorities of Carthage, and prescribing the amount of the

payments to be made in connection with the sacrifices and officials of

a temple of Baal which may have existed either at Marseilles or at

Carthage itself. To translate it is impossible without a vast amount of

conjecture; but M. Renan’s version[1325] seems to deserve a place in the

present collection.

INSCRIPTION OF MARSEILLES

“The temple of Baal . . . Account of the payments fixed by those set

over the payments, in the time of our lords, Halats-Baal, the Suffes,

the son of Abd-Tanith, the son of Abd-Esmun, and of Halats-Baal, the

Suffes, the son of Abd-Esmun, the son of Halts-Baal, and of their

colleagues:--For an ox, whether as burnt sacrifice, or expiatory

offering, or thank offering, to the priests [shall be given] ten

[shekels] of silver on account of each; and, if it be a burnt

sacrifice, they shall have besides this payment three hundred weight of

the flesh; and if the sacrifice be expiatory, [they shall have] the

fat and the additions, and the offerer of the sacrifice shall have the

skin, and the entrails, and the feet, and the rest of the flesh. For a

calf without horns and entire, or for a ram, whether as burnt sacrifice,

or expiatory offering, or thank offering, to the priests [shall be

given] five [shekels] of silver on account of each; and if it be a

burnt sacrifice, they shall have, besides this payment, a hundred weight

and a half of the flesh; and if the sacrifice be expiatory, they shall

have the fat and the additions, and the skin, and entrails, and

feet, and the rest of the flesh shall be given to the offerer of the

sacrifice. For a he-goat, or a she-goat, whether as a burnt sacrifice,

or expiatory offering, or thank offering, to the priests [shall be

given] one [shekel] and two _zers_ of silver on account of each; and

if it be an expiatory sacrifice, they shall have, besides this payment,

the fat and the additions; and the skin, and entrails, and feet, and the

rest of the flesh shall be given to the offerer of the sacrifice. For a

sheep, or a kid, or a fawn (?), whether as burnt sacrifice, or

expiatory offering, or thank offering, to the priests [shall be given]

three-fourths of a shekel of silver and . . . _zers_, on account of

each; and if it be an expiatory sacrifice, they shall have, besides this

payment, the fat and the additions; and the skin, and the entrails, and

the feet, and the rest of the flesh [13shall be given] to the offerer of

the sacrifice. For a bird, domestic or wild, whether as thank offering,

or for augury, or for divination, to the priests [shall be given]

three-fourths of a shekel of silver and two _zers_ on account of each,

and the flesh shall be for the offerer of the sacrifice. For a bird,

or for the holy first-fruits, or for the offering of a cake, or for an

offering of oil, to the priests [shall be given] ten _zers_ of silver

on account of each, and . . . In every expiatory sacrifice that shall

be offered before the deities, to the priests [shall be given] the fat

and the additions, and in the sacrifice of . . . For a meat offering, or

for milk, or for fat, or for any sacrifice which any man shall offer

as an oblation, to the priests [there shall be given] . . . For every

offering that a man shall offer who is poor in sheep, or poor in birds,

[there shall be given] to the priests nothing at all. Every native,

and every inhabitant, and every feaster at the table of the gods, and

all the men who sacrifice . . . those men shall make a payment for every

sacrifice, according to that which is prescribed in [this] writing . . .

Every payment which is not prescribed in this tablet shall be made

proportionally to the rate fixed by those set over the payments in the

time of our lords, Halats-Baal, the son of Abd-Tanith, and Halats-Baal,

the son of Abd-Esmun, and their colleagues. Every priest who takes a

payment beyond the amount prescribed in this tablet shall be fined

. . . And every offerer of a sacrifice who shall not pay [the amount]

prescribed, beyond the payment which [is here fixed, he shall

pay] . . .”

Of the shorter inscriptions of the Phoenicians, by far the greater

number were attached either to votive offerings or to tombs. Some

hundreds have been found of both classes, but they are almost wholly

without literary merit, being bald and jejune in the extreme, and

presenting little variety. The depositor of a votive offering usually

begins by mentioning the name and title, or titles, of the deity to whom

he dedicates it. Then he appends his own name, with the names of his

father and grandfather. Occasionally, but rarely, he describes his

offering, and states the year in which it was set up. Finally, he asks

the deity to bless him. The following are examples:--

INSCRIPTION OF UM-EL-AWAMID

“To the lord Baal-Shamaïm, [the vow] which was vowed by Abdelim,

son of Mattan, son of Abdelim, son of Baal-Shomar, of the district of

Laodicea. This gateway and doors did I make in fulfilment of it. I built

it in the 180th year of the Lord of Kings, and in the 143rd year of the

people of Tyre, that it might be to me a memorial and for a good name

beneath the feet of my lord, Baal-Shamaïm, for ever. May he bless

me!”[1326]

INSCRIPTION ON A CIPPUS FROM CARTHAGE

“To the lady Tanith, and to our master, the lord Baal-Hammon; the

offerer is Abd-Melkarth, the Suffes, son of Abd-Melkarth, son of

Hanno.”[1327]

INSCRIPTION ON A CIPPUS FOUND IN MALTA

“To our lord Melkarth, the lord of Tyre. The offerer is thy servant,

Abd-Osiri, and my brother, Osiri-Shomar, both [of us] sons of

Osiri-Shomar, the son of Abd-Osiri. In hearing their voice, may he bless

them.”[1328]

INSCRIPTION ON A MARBLE ALTAR, BROUGHT FROM LARNAKA

“On the sixth day of the month Bul, in the twenty-first year of King

Pumi-yitten, king of Citium and Idalium, and Tamasus, son of King

Melek-yitten, king of Citium and Idalium, this altar and these two lions

were given by Bodo, priest of Reseph-hets, son of Yakun-shalam, son of

Esmunadon, to his lord Reseph-hets. May he bless [him].”[1329]

INSCRIPTION ON A MARBLE TABLET FOUND IN CYPRUS

“On the seventh day of the month . . . in the thirty-first year of

the Lord of Kings, Ptolemæus, son of Ptolemæus . . . which was the

fifty-seventh year of the Citians, when Amarat-Osiri, daughter of . . .

son of Abd-Susim, of Gad’ath, was _canephora_ of Asinoë Philadelphus,

these statues were set up by Bathshalun, daughter of Maryichai, son

of Esmunadon, to the memory of his grandsons, Esmunadon, Shallum, and

Abd-Reseph, the three sons of Maryichai, son of Esmunadon, according to

the vow which their father, Maryichai, vowed, when he was still alive,

to their lord, Reseph-Mikal. May he bless them!”[1330]

There is a little more variety in the inscriptions on tombstones. The

great majority, indeed, are extremely curt and dry, containing scarcely

anything beyond the name of the person who is buried in the tomb,

or that together with the name of the person by whom the monument is

erected; e.g. “To Athad, the daughter of Abd-Esmun, the Suffes, and wife

of Ger-Melkarth, the son of Ben-hodesh, the son of Esmunazar”[1331];

or “This monument I, Menahem, grandson of Abd-Esmun, have erected to my

father, Abd-Shamash, son of Abd-Esmun”[1332]; or “I, Abd-Osiri, the son

of Abd-Susim, the son of Hur, have erected this monument, while I am

still alive, to myself, and to my wife, Ammat-Ashtoreth, daughter of

Taam, son of Abd-melek, [and have placed it] over the chamber of my

tomb, in perpetuity.”[1333] But, occasionally, we get a glimpse, beyond

the mere dry facts, into the region of thought; as where the erector of

a monument appends to the name of one, whom we may suppose to have been

a miser, the remark, that “the reward of him who heaps up riches is

contempt;”[1334] or where one who entertains the hope that his friend

is happier in another world than he was upon earth, thus expresses

himself--“In memory of Esmun. After rain, the sun shines forth;”[1335]

or, again, where domestic affection shows itself in the declaration

concerning the departed--“When he entered into the house that is so full

[of guests], there was grief for the memory of the sage, the man that

was hard as adamant, that bore calamities of every sort, that was

a widower through the death of my mother, that was like a pellucid

fountain, and had a name pure from crime. Erected in affection by me his

son to my father.”[1336]

With respect to the extent and range of the Phoenician book literature,

the little that can be gathered from the notices remaining to us in the

Greek and Roman writers is the following. In Phoenicia Proper there were

historical writers at least from the time of Hiram, the contemporary of

David, who wrote the annals of their country in a curt dry form somewhat

resembling that of Kings and Chronicles.[1337] The names of the kings

and the length of their reigns were carefully recorded, together with

some of the more remarkable events belonging to each reign; but there

was no attempt at the philosophy of history, nor at the graces of

composition. In some places, especially at Sidon, philosophy and science

were to a certain extent cultivated. Mochus, a Sidonian, wrote a work on

the atomic theory at a very early date, though scarcely, as Posidonius

maintained,[1338] one anterior to the Trojan war. Later on, the Sidonian

school specially affected astronomy and arithmetic, in which they made

so much progress that the Greeks acknowledged themselves their debtors

in those branches of knowledge.[1339] It is highly probable, though not

exactly capable of proof, that the Tyrian navigators from a very remote

period embodied in short works the observations which they made in their

voyages, on the geography, hydrography, ethology, and natural history

of the counties, which were visited by them. Hanno’s “Periplus” may have

been composed on a model of these earlier treatises, which at a later

date furnished materials to Marinus for his great work on geography. It

was, however, in the Phoenician colony of Carthage that authorship was

taken up with most spirit and success. Hiempsal, Hanno, Mago, Hamilcar,

and others, composed works, which the Romans valued highly, on the

history, geography, and “origines” of Africa, and also upon practical

agriculture.[1340] Mago and Hamilcar were regarded as the best

authorities on the latter subject both by the Greeks and Romans, and

were followed, among the Greeks by Mnaseas and Paxamus,[1341] among the

Romans by Varro and Columella.[1342] So highly was the work of Mago,

which ran to twenty-eight books, esteemed, that, on the taking

of Carthage, it was translated into Latin by order of the Roman

Senate.[1343] After the fall of Carthage, Tyre and Sidon once more

became seats of learning; but the Phoenician language was discarded, and

Greek adopted in its place. The Tyrian, Sidonian, Byblian and Berytian

authors, of whom we hear, bear Greek names:[1344] and it is impossible

to say whether they belonged, in any true sense, to the Phoenician race.

Philo of Byblus and Marinus of Tyre are the only two authors of this

later period who held to Phoenician traditions, and, presumably,

conveyed on to later ages Phoenician ideas and accumulations. If neither

literature nor science gained much from the work of the former, that of

the latter had considerable value, and, as the basis of the great

work of Ptolemy, must ever hold an honourable place in the history of

geographical progress.

History of Phoenicia · 第 13 / 16 章