Let me pay a small tribute of praise. How often have you and I

complained of familiarity’s blunting the edge of every sense on which

she lays her hand? At her bidding, beauty fades even in the eye of

love; and the son of pity smiles at sorrow’s bleeding breast. In

her presence, who is he that still continues to behold the scene of

delight, or that still hears the voice of mourning? What, then, is the

praise of that gaoler, who in the midst of misery, and crimes, and

death, sets familiarity at defiance, and still preserves the feelings

of a man? The author of the life of Savage gives celebrity to the

Bristol gaoler, by whose humanity the latter part of that strange man’s

life was rendered more comfortable. Shall no one give celebrity to the

present keeper of Newgate? Mr. Akerman marks every day of his existence

by more than one such deed as this. Know, ye rich and powerful, ye

who might save hundreds of your fellow-creatures from starving by the

sweepings of your tables—know that, among the various feelings of

almost every wretch who quits Newgate for Tyburn, a concern neither

last nor least is that which he feels upon leaving the gaol of which

_this man_ is the keeper.

But I can now no longer fly from myself. In a few short hours, the hand

which is now writing to you, the hand which——

I will not distress either you or myself. My life I owe to the laws of

my country, and I will pay the debt. How I felt for poor Dodd! Well,

you shall hear that I died like a man and a Christian. I cannot have

a better trust than in the mercy of an all-just God. And, in your

letters, when you shall these unhappy deeds relate, tell of me as I am.

I forget the passage, it is in Othello.

You must suffer me to mention the tenderness and greatness of mind of

my dear Booth. The last moments of my life cannot be better spent than

in recording this complicated act of friendship and humanity. When we

parted, a task too much for us both, he asked me if there was anything

for which I wished to live. Upon his pressing me, I acknowledged I was

uneasy, very uneasy, lest Lord Sandwich might withdraw an allowance of

fifty pounds a year, which I knew he made to her father. “Then,” said

Booth, squeezing my hand, bursting into tears, and hurrying out of the

room, “I will allow it him.” The affectionate manner in which he spoke

of my sister would have charmed you. God for ever bless and prosper

him! And my sister and you!

* * * * *

While he was in Newgate he received, says the author of Hackman’s “Case

and Memoirs,” many anonymous letters, one, as the handwriting showed,

was from Galli, saying:

“O! Mr. Hackman, for God’s sake, die in the Roman Catholick faith!”

He also had a letter from a woman he did not know, saying that she had

long privately loved him, but that her love was hopeless because she

was poor, without beauty, and had nothing to boast of. The author of

the “Case and Memoirs” goes on to say that Hackman also received many

letters from “those superabundant good Christians called Methodists,

who, negligent of themselves, affect the highest concern for the future

welfare of others.... Bedlam is the place for such men to rave in,

rather than the chamber of an invalid, or the apartments of a condemned

prisoner.”

Hackman spent the evening preceding his execution with his friend,

Mr. Porter; he went to bed at eleven, and slept for some hours. At

five he arose, and after he was dressed, drank a “bason of tea” and

remained in prayer until half-past seven. Mr. Porter and Mr. Vilette,

the prison chaplain, then went to him, and led him to the chapel, where

they remained until nine. By this time the sheriffs were waiting,

and Hackman was taken to the press-yard, where a rope was fastened

round his shoulders and under his arms. He was, however, spared the

additional degradation of having a rope put round his neck, and his

hands were not tied at the wrists. He was then brought out and put into

a coach, and, accompanied by the two clergymen and a sheriff’s officer,

the dreary progress to Tyburn commenced. Owing to the enormous crowds

that blocked the streets he did not arrive there until eleven o’clock.

In a second coach were seated the Earl of Carlisle and Boswell—the

latter, however, did not deem it expedient to mention this fact to

Dr. Johnson. As soon as he was in the cart, which in those days took

the place of a fixed platform, he spent some time in prayer, kneeling

down with his face towards Paddington. His friends then took leave of

him, and it is recorded that he behaved with the utmost fortitude,

although Mr. Porter was so moved by his emotions that he had to be

supported. Hackman, desiring that he might drop his handkerchief as a

signal when he was ready, kneeled down again, and, amid the silence

and suspense of the largest crowd that had ever witnessed an execution

at Tyburn, prayed for five minutes. When he dropped the handkerchief

it fell underneath the cart, causing a delay of half a minute while

the executioner and his assistants scrambled for it. Then the horses

were whipped up, and James Hackman paid the last earthly penalty for

the crime of having loved Martha Reay so passionately that he was

irresistibly impelled to murder her. In his last moments he scribbled a

few words in pencil to his friend, Mr. Porter:

“Farewell for ever in this world! I die a sincere Christian and

penitent, and everything I hope that you can wish me. Would it prevent

my example’s having any bad effect if the world should know how I abhor

my former ideas of suicide, my crime ... will be the best judge. Of her

fame I charge you to be careful. My poor sister will....”

APPENDIX

The following account of the life of Chatterton, which Croft prefaces

with a few sentences in clumsy imitation of Hackman’s style, is copied

from a reprint of “Love and Madness,” which was issued by an Ipswich

bookseller in 1810. It is more connected and concise than the versions

in the earlier editions.

* * * * *

The task you have set me about Chatterton is only a further proof of

your regard for me. You know the warmth of my passions, and you think

that if I do not employ myself they may flame out and consume me. Well,

then, I will spend a morning or two in arranging what I have collected

respecting the author of Rowley’s poems. Every syllable you will read I

assure you shall be _authentic_.

Did you start at “The author of Rowley’s poems?” My mind does not now

harbour a doubt that Chatterton wrote the whole, whatever I thought

when we read them together at H. The internal evidence of the matter

shall not puzzle you, but you shall tell me whether you do not think

it easier for Chatterton to have imitated the style of Rowley’s age

(which he has not done exactly, if you believe those who think as I

think), than for Rowley to write in a style which did not exist till

so many ages after his time. To suppose him to have found half, and to

have added to them, or to consider him as a cat’s paw in the business

to some contemporary Rowley, in order to extricate a fictitious Rowley

from oblivion, would in my humble opinion be nonsense. For my own

part, though he might find some old MSS., I cannot believe he found

a syllable which he has attributed to Rowley. Who will engage to

prove from internal evidence the antiquity of _any one_ of Rowley’s

compositions? What he did find certainly suggested to him the idea of

pretending to have found more; but how shall we persuade credulity to

believe that all Rowley’s poems were copied from old MSS., when the

only MSS. produced in confirmation of the story are indisputably proved

to be modern? Is any one fool enough to believe C. was the only blind,

subterraneous channel through which these things were to emerge to-day,

and float for ever down the stream of fame? This (without mentioning

other objections to such a ridiculous belief) were to suppose two

people to determine on the same strange conduct, and two people (the

real and the foster father) to keep with equal fidelity the same

secret. And would the foster father have been as fond and careful of

another’s secret, as of the offspring of his own invention?

It is not clear to me that C.’s life (if such a scrap of existence

can be called a life) does not exhibit circumstances still more

extraordinary, if possible, than his being the author of Rowley’s

poems. But I possess not the abilities which Johnson displayed in his

famous life of Savage, nor is this a formal life of Chatterton; though

such a thing might well employ even the pen of Johnson. This is only an

idle letter to my dear M. Oh, my M., you, who contributed so liberally

last year to extricate from distress the abilities of a——; what would

you not have done for Chatterton!

Thomas Chatterton, destined to puzzle at least, if not to impose upon,

the ablest critics and antiquarians which the most polished age of

England has produced, was born at Bristol, Nov. 20, 1752. His father

had been master of the free school in Pile Street in that city, and

was sexton of St. Mary Redcliffe Church. History condescends not to

relate anything more of such an ignoble family, than that they had been

sextons of the same church for near a century and a half.

It seems to have been determined by fortune that this poor lad—I ought

rather to say this extraordinary human being—should have no obligation

but to genius and himself. His father, as he was a schoolmaster, and

reported to have been a tolerable poet for a sexton, might perhaps have

given his son a free-school education, had he lived to see him old

enough for instruction. The sexton died very soon after, if not before,

the birth of his son; who indisputably received no other education than

what he picked up at a charity school at a place called St. Augustine’s

Back in Bristol. Reading, writing, and accounts, composed the whole

circle of sciences which were taught at this university of our Bristol

Shakespeare.

On July 1, 1767, he was articled clerk to an attorney of Bristol, whom

I have not been able to find out. From him, I understand, has been

procured a strange, mad MS. of Chatterton, which he called his _will_.

When the new bridge at Bristol was finished, there appeared, in

Farly’s _Bristol Journal_, an account of the ceremonies on opening

the old bridge (the piece is prefixed to the volume of Chatterton’s

“Miscellanies”), preceded by these words: “To the Printer. Oct. 1,

1768. The following description of the ‘fryars’ first passing over the

old bridge, taken from an old MS., may not at this time be unacceptable

to the generality of your readers. Yours, Dunhelmus Bristoliensis.”

Curiosity at last traced the insertion of this curious memoir to

Chatterton. To the threats of those who treated him (agreeably to his

age and appearance) as a child, he returned nothing but haughtiness

and a refusal to give any account. To milder usages and many promises,

the boy, after some time, confessed that he had received that and

other MSS. from his father, which he had found in an iron chest

placed by William Canynge (the founder of the church of which C.’s

family had so long been sextons) in a muniment room over the northern

portico of St. Mary Redcliffe. Warton (in his history of English

poetry) says when this appeared he was about seventeen. Days are more

material in C.’s life than years in the lives of others. He wanted,

you see, something of sixteen. One fact is curious, that, though

it was not possible for him to have picked up Latin at a charity

school where Latin was not taught, his note to the printer has, for

no apparent reason, a Latin signature, Dunhelmus Bristoliensis. This

Latin certainly was not Rowley’s. It must have been C.’s. The memoir

procured C. the acquaintance of some gentlemen of Bristol, who,

because they condescended to receive from him the compositions which

he brought them, without giving him much, if anything, in return,

fondly imagined themselves the patrons of genius. Mr. Catcott and Mr.

Barrett, a pewterer and a surgeon, of his obligations to whom he speaks

in his letters, were his principal, if not his only, patrons. To these

gentlemen he produced, between October 1768 and April 1770 (besides

many things which he confessed to be his own, and many which, in the

interval, appeared in the _Town and Country Magazine_), all Rowley’s

poems, except the “Ballad of Charitie.” Of these only two, I think, and

those the shortest, he pretended to be the original MSS. The rest were

transcripts, in his own hand, of some of which he acknowledged himself

the author. Concerning these curiosities no distinct or satisfactory

account, by friend or enemy, by threat or promise, could ever be

drawn from him. For these curiosities how much he received from his

Bristol patrons does not appear. His patrons do not boast of their

generosity to him. They (Catcott at least) received no inconsiderable

sum for Rowley’s poems; nor has the sale of them turned out badly.

In consequence of the money got by poems which Chatterton certainly

brought to light, and which I firmly believe C. to have written, his

mother acknowledges to have received the immense sum of five guineas,

by the hands of Mr. Catcott; and Mr. Barrett, without fee or reward,

cured the whitlowed finger of the sister. Talk no more of the neglect

of genius in any age or country, when _in this age and country_

Rowley’s poems have produced such fortunes to the author and his

family. Should I ever appear in print on this subject, I would publicly

call upon the gentlemen concerned in this transaction to state their

accounts.

Has not the world a right to know what Catcott fairly bought of

Chatterton (he does not pretend to have bought all), and what was the

fair purchase-money of these inestimable treasures? Let us know what

the editors of Rowley’s poems gave and received for them, and what the

sale of them has produced? Is the son to be declared guilty of forgery?

Are his forgeries to be converted into (I believe, no inconsiderable

sums of) money? And is the mother and sister’s share to be five guineas?

Either mean envy of C.’s extraordinary genius, or manly abhorrence of

his detestable death, leads almost every person, who talks or writes

about this boy, to tell you of his shocking profligacy and his total

want of principle.

When C. left this world in August, 1770, he wanted as many months as

intervene between August and November to complete his eighteenth year.

If into so small a space he had contrived to crowd much profligacy and

much want of principle, some perhaps may be ascribed to his youth,

and to want of friends. Johnson, I remember, defends even the life of

Savage, which differed from Chatterton’s in more circumstances than its

length, by some such observation as this: that the sons of affluence

are improper judges of his conduct, and that few wise men will venture

to affirm they should have lived better than Savage in Savage’s

situation. Do _profligate_ and _unprincipled_, some of the tenderest

epithets vouchsafed unto poor Chatterton, mean dishonest or undutiful,

an unkind brother or an unfeeling child? The dullest enemies of his

genius can produce no proofs of any such crime. Some of the papers that

I shall send you will contain the fullest proof of the negative. Do

they mean that, being a young man, he was addicted to women, like all

youths of strong imaginations? Do the epithets mean that he exhibited

those damnable proofs of his crimes which Bougainville exported into

the country of Omiah? The proofs (if there were any, which his

bedfellow at his first lodging in town denies) only show that he was

unlucky. The crimes must be admitted. Do they mean that, writing to

procure bread for himself, his mother, and his sister, he wrote on any

side and on any subject which would afford bread?

Let me now make you acquainted with the indisputable history of this

boy till he left Bristol. As he says, in his “Story of Canynge.”

In all his sheepen gambols, and child’s play,

At every merry-making, fair or wake,

I kenn a purpled light of wisdom’s ray;

He ate down learning with the wastle cake,

As wise as any of the aldermen,

He’d wit enough to make a mayor at ten.

Beattie has hardly been able to invent a more striking picture of his

minstrel than is exhibited of Chatterton in a letter written by his

sister, last year, to a gentleman who desired her to recollect every

circumstance concerning him, however trifling it might seem to her. The

letter is lent to me, with many charges of care. Pray be careful of it.

In transcribing it, you will naturally preserve the false spelling and

stops. Let Chatterton’s sister tell her own story in her own way. The

anxiety shown in this letter to prove “he was a lover of truth from the

earliest dawn of reason,” is owing to what these two poor women (the

mother and sister) have heard about deceit, imposter and _forgery_.

For Chatterton’s sake the English language should add another word

to its dictionary; and should not suffer the same term to signify a

crime for which a man suffers the most ignominious punishment, and the

deception of ascribing a false antiquity of two or three centuries to

compositions, for which the author’s name deserves to live for ever.

Suffer me to ask what the prudery of our critics would have said

had the song to Ælla, or the chorus to Godwin, been produced by Mr.

Warton’s nephew, or by a relation of Mr. Walpole? Should we then have

been stunned in this manner with repetitions of imposter and forgery?

The sins of the forgery and the imposter would then have been boasted

by the child’s most distant relations, unto the third and fourth

generations. Is lady A. L. accused of _forgery_ for her “Auld Robin

Gray?” Is Macpherson’s name mentioned in the same sentence with this

unfeeling word _forgery_, even by those who believe Macpherson and

Ossian to be the same? “When a rich man speaketh,” says the son of

Sirach (you see I have not taken orders in vain), “every man holdeth

his tongue: and lo! what he says is extolled to the clouds: but if a

poor man speak, they say, ‘What fellow is this?’”

A gentleman, who saw these two women last year, declares that, in his

opinion, they might easily have been persuaded that injured justice

demanded their lives at Tyburn, for being the mother and sister of him

who was suspected to have _forged_ the poems of Rowley. Such terror had

the humanity of certain curious enquirers impressed upon their minds,

by worrying them to declare the truth, the whole truth, and nothing but

the truth about the _forgery_. Strange-fated Chatterton! Hadst thou

possessed fewer and less eminent abilities, the world would now give

thee credit for more and for greater.

With regard to the fact, the mother and sister, either believe, or

pretend to believe, that all Rowley’s poems came out of the old chest

in the church. The case is, not one of the three knows anything of

the matter. Most readily I admit that, if Chatterton be an impostor

(_i.e._, the wonderful human being I firmly believe him), he imposed

upon every soul who knew him. This, with me, is one trait of his

greatness.

It has been thought that murders and other crimes are pointed out to

discovery by the finger of Providence. But “God’s revenge against

murder” is, in fact, only the sociableness of man’s disposition. That

we may have been wisely formed for this purpose, among others, I do not

deny. But Tyburn would see fewer executions were man a less sociable

animal. It is not good for him to be alone. Joy or sorrow, villainy

or otherwise, _we must have society, we must communicate it_. Man, in

spite of grammar, is a noun adjective. Does any one admire Junius for

saying that his secret should die with him, and for keeping his word?

But this was only saying he would not enlarge the circle of those to

whom his secret was already known, for that he was, as he says, “the

sole depositary of his own secret,” I cannot think.

The original letters are clearly written in a female hand. But Junius

is now known.

Let any man, at any time of life, make an experiment of not

communicating to a single individual, during twelve months, a single

scheme, a single prospect, a single circumstance respecting himself.

Let him try how it is to lock up everything, trifling or serious, sad

or merry, within his own solitary breast. There are easier tasks. This

boy did it during his whole life.

Very few such men as John the Painter[13] have appeared in the world,

from whom his secret was only stolen by the traitorous hand of

friendship. No such human being as this boy, at any period of life,

has ever been known, or possibly ever will be known. The Spartan lad

was far inferior, and that was the effect of education. Psalmanazar

and D’Eon are not to be compared with him. That, at his timid and

sociable age, when other children are almost afraid to be left alone,

Chatterton should wrap his arms round him, stand aloof from the whole

world, and never lean upon a single individual for society in his

schemes (in schemes, too, neither odious nor criminal), is with me

almost more wonderful than the schemes which I firmly believe him,

without any assistance, to have planned and executed. It shall make

a trait in the character of a general, if he have strength of mind

enough not to communicate his plans to his first favourite, till the

communication is no longer dangerous. Shall not a boy of eighteen, of

seventeen, of _sixteen_, have merit for secrecy much more singular?

[13] Do not smile at my lugging in John the Painter till you consider

how it applies. His secrecy was wonderful, yet less wonderful that

Chatterton’s in exact proportion as his secret was more criminal, and

more nearly concerned his life. But you will not deny it to be _odd_,

what I know for a fact, that among his papers were some observations

on Rowley’s poems. If they have not been destroyed, they might surely

be published. They could not endanger our dockyards, though written by

John the Painter. Cannot you give a hint of this kind, some day, at

your house? Most probably _he_ has them.

In one part of the sister’s letter, you will not fail to recollect

Dryden, who speaks of the alliance between understanding and madness. I

am sure that “Love and Madness” are near relations.

* * * * *

“Conscious, of my own inability’s to write to a man of letters. And

reluctant to engage in the painful recollection of the particulars of

the life of my poor deceased brother. Together with the ill-state of

health I’ve enjoyed since it has been required of me, are Sir, the

real causes of my not writing sooner. But I am invited to write as to a

friend, inspired with the sacred name, I will forget the incorrectness

of my epistle and proceed.

“My brother very early discover’d a thurst for preheminence, I remember

before he was 5 years old he would always preside over his play mates

as their master and they his hired servants. He was dull in learning

not knowing many letters at 4 years old, and always objected to read in

a small book. He learnt the Alphabet from an old Folio musick book of

father’s my mother was then tearing up for waste paper, the capitals at

the beginning of the verses. I assisted in teaching him. I recollect

nothing remarkable till he went into the school, which was in his 8th

year. Excepting his promising my mother and me a deal of finery when

he grew up as a reward of her care. About his 10th year he began (with

the trifle my mother allowed him for pocket money) to hire books from

the circulating library and we were informed by the usher made rapid

progress in arithmetick. Between his 11th and 12th year he wrote a

caterlogue of the books he had read to the number of 70. History and

divinity were the chief subjects, his school mates informed us he

retired to read at the hours allotted for play. At 12 years old he was

confirmed by the bishop, he made very sencible serious remarks on the

awfullness of the ceremony and his own feelings and convictions during

it. Soon after this in the week he was door-keeper he made some verses

on the last day, I think about 18 lines, paraphrased the 9 chapter of

Job and not long after some chapters in Isaiah. He had been gloomy from

the time he began to learn, but we remark’d he was more cheerfull after

he began to write poetry. Some saterical peicis we saw soon after. His

intimates in the school were but few and they solid lads and except the

next neighbour’s sons I know of none acquaintance he had out. He was 14

the 20th of Novr. and bound apprentice the 1st of July following. Soon

after his apprenticeship he corresponded with one of his school mates

that had been his bedfellow, and was I believe bound to a merchant

at New York. He read a letter at home that he wrote to his friend, a

collection of all the hard words in the English language, and requested

him to answer it. He was a lover of truth from the earlyest dawn of

reason, and nothing would move him so much as being bely’d. When in

the school we were informed by the usher, his master depended on his

verasity on all occations. Till this time he was remarkably indifferent

to females, one day he was remarking to me the tendency sever study

had to sour the temper and declared he had always seen all the sex

with equal indifference but those that nature made dear, he thought of

makeing an acquaintance with a girl in the neighbourhood, supposeing it

might soften the austerity of temper study had ocationed, he wrote a

poem to her and they commenced corrisponding acquaintance. About this

time the parchments belonging to my father that was left of covering

his boys books, my brother carried to the office. He would often speak

in great raptures of the undoubted success of his plan for future life.

He was introduced to Mr. Barret, Mr. Catcot, his ambition increas’d

daily. His spirits was rather uneven. Some time so gloom’d that for

many days together he would say very little and that by constraint. At

other times exceeding chearfull. When in spirits he would injoy his

rising fame. Confident of advancement he would promise my mother and me

should be partakers of his success. Mr. Barret lent him many books on

surgery and I believe he bought many more as I remember to have packt

them up to send to him when in London and no demand was ever made for

them. About this time he wrote several saterical poems. One in the

papers of Mr. Catcot’s putting the pewter plates in St. Nicholas tower.

He began to be universally known among the young men. He had many cap

acquaintance but I am confident but few intimates. At about 17, he

became acquainted with Mr. Clayfield, distiller in Castle-street, who

lent him many books on astronomy. Mr. Cator likewise assisted him with

books on that subject, from thence he applyd himself to that study. His

hours in the office was from 8 in the morning to 8 in the evening. He

had little of his masters business to do. Sometimes not 2 hours in the

day, which gave him an opportunity to pursue his genius. He boarded at

Mr. Lambert’s, but we saw him most evenings before 9 o’clock and would

in general stay to the limits of his time which was 10 o’clock. He was

seldom 2 evenings together without seeing us. I had almost forgotten

to add, we had heard him frequently say that he found he studied best

towards the full of the moon and would often sit up all night and write

by moon light. A few months before he left Bristol he wrote letters

to several booksellers in London I believe to learn if there was any

probability of his getting an employment there but that I cannot affirm

as the subject was a secret at home. He wrote one letter to Sir Horace

Warpool, and except his corrispondence with Miss Rumsey, the girl I

before mentioned, I know of no other. He would frequently walk the

colledge green with the young girls that statedly paraded there to

show their finery. But I really believe he was no debauchee (tho some

have reported it), the dear unhappy boy had faults enough I saw with

concern. He was proud and exceedingly impetious but that of venality he

could not be accused justly with. Mrs. Lambert informed me not 2 months

before he left Bristol, he had never been once found out of the office

in the stated hours as they frequently sent the footman and other

servants there to see. Nor but once stayd out till 11 o’clock; then he

had leave, as we entertained some friends at our house at Christmas.

“Thus Sir have I given you, as before the great searcher of hearts the

whole truth as far as my memory have been faithful the particulars of

my dear brother. The task have been painfull, and for want of earlier

recollection much have been nay the greatest part have been lost. My

mother joins with me in best respects which conclude me.

“Sir,

“Your very humble servant,

“+Mary Newton+.

“+Bristol, Somersetshire Square+,

“_Sept. 22, 1778_.”

Chatterton remained in the attorney’s office at Bristol till April

1770. The life he led there you may collect from Mrs. Newton’s letter.

In addition to that, she and her mother relate that his Sundays were

generally spent in walking alone into the country round Bristol, as far

as the day would allow his return before night. From these excursions

he never failed to bring home with him drawings of churches, or of

something which had struck him. That he had a turn of drawing you will

see by the figure of a warrior (perhaps Ælla) presenting a church on

his knee, which shall accompany this letter (and you are now a judge of

drawing, you know). It was one of his first attempts.

But any single self-acquired accomplishment ceases to surprise, when

we recollect his other acquisitions of heraldry, architecture, music,

astronomy, surgery, &c. Our surprise has been long since called

forth. Had Chatterton, without any instruction but reading, writing,

and accounts, _before he was 18_, arrived at the ability of _only_

putting together, in prose or in verse, something which was deemed

worth insertion in the most worthless magazine, it would have been

surprising. What master would not be astonished to discover such a

talent in a servant (grown grey in the acquisition of it) who had only

learnt to read and write? Stephen Duck, and others, have been lifted to

independence, to wealth, for little more. The author of our existence

can alone determine to what He has made his creatures equal.

That Chatterton should acquire particular things, without instruction,

is not singular, since it was with him a favourite maxim that man

was equal to _anything_ and that _everything_ might be acquired by

diligence and abstinence. Was anything of this sort mentioned in his

hearing? All boy as he was, he would only observe that the person in

question merited praise; but that God had sent His creatures into the

world with arms long enough to reach anything, if they would be at the

trouble of extending them. This idea he could not but feel confirmed

by what he knew of a Mr. Burgum (I think), Mr. Catcott’s partner, who

taught himself Latin and Greek.

How very strongly the idea, that a human being may accomplish anything,

had taken possession of Chatterton. He desires his sister to improve

herself in copying music, drawing, and _everything which requires

genius_; as if genius were no less common to man and woman than a pair

of eyes or a nose. He gave all his fellow-creatures credit for what he

felt so plainly himself.

When Voltaire tells us, in his history of Charles XII., that on such

a day he quitted Stockholm, _to which he never returned_, we are

interested enough, even in such a savage, to feel something like

concern. In April 1770 Chatterton quitted Bristol (from which place

he never had before been absent further than he could walk in half a

Sunday, and to which place _he never returned_), to try his fortune in

London.

He lodged first at Shoreditch, afterwards (when his employment made

it necessary for him to frequent public places, I suppose) in Brook

Street, Holborn. The man and woman where he first lodged are still

living in the same house. He is a plaisterer. They and their nephew,

niece, and Mrs. Ballance, who lodged in the house, and desired them to

let Chatterton (her relation) lodge there also. The little collected

from them you shall have in their own words. But the life he led did

not afford them any opportunities to observe him, could they have

imagined that such a being was under the same roof with them, or that

they would be asked for their observations upon him, after an interval

of so many years. Mrs. Ballance says he was as proud as Lucifer. He

very soon quarrelled with her for calling him “Cousin _Tommy_,” and

asked her if she ever heard of a poet’s being called _Tommy?_ But she

assured him she knew nothing of poets, and only wished he would not set

up for a gentleman. Upon her recommending it to him to get into some

office, when he had been in town two or three weeks, he stormed about

the room like a madman, and frightened her not a little by telling

her, he hoped, with the blessing of God, very soon to be sent prisoner

to the Tower, which would make his fortune. He would often look

steadfastly in a person’s face without speaking, or seeming to see the

person, for a quarter of an hour or more, till it was quite frightful,

during all which time (she supposes, from what she has since heard)

that his thoughts _were gone about something else_. When Beckford died,

he was perfectly frantic, and out of his mind, and said he was ruined.

He frequently said he should settle the nation before he had done; but

how could she think her poor cousin Tommy was so great a man as she now

finds he was? His mother should have written word of his greatness, and

then, to be sure, she would have humoured the gentleman accordingly.

Mr. Walmsley saw nothing of him, but that there was something manly

and pleasing about him, and that he did not dislike the wenches. Mrs.

Walmsley’s account is that she never saw any harm of him, that he

never _mislisted_ her; but was always very civil whenever they met in

the house by accident; that he would never suffer the room, in which

he used to read and write, to be swept, because, he said, poets hated

brooms; that she told him she did not anything that _poet folks_ were

good for, but to sit in a dirty cap and gown in a garret, and at last

to be starved; that, during the nine weeks he was at her house, he

never stayed out after the family hours, except once, when he did not

come home all night, and had been, she heard, _poeting_ a song about

the streets. The night, Mrs. Ballance says, she knows he lodged at a

relation’s; Mr. Walmsley’s house was shut up when he came home.

The niece says, for her part, she always took him more for a mad boy

than anything else, he would have such flights and _vagaries_; that,

but for his face, and her knowledge of his age, she should never have

thought him a boy, he was so manly, _and so much himself_; that no

women came after him, nor did she know of any connection; but still

that he was a sad rake, and terribly fond of women, and would sometimes

be saucy to her; that he ate what he chose to have with his relation

(Mrs. B.) who lodged in the house, but he never touched meat, and drank

only water and seemed to live on the air.

The niece adds that he was good-tempered, and agreeable, and obliging,

but sadly proud and haughty; nothing was too good for him, nor was

anything too good for his grandmother, &c., at a time when she (the

niece) knew he was almost in want; that he used to sit up almost all

night, reading and writing, and that her brother said he was afraid to

lie with him; for, to be sure, he was a _spirit_, and never slept; for

he never came to bed until it was morning, and then, for what he saw,

never closed his eyes.

The nephew (Chatterton’s bedfellow, during the first six weeks he

lodged there) says, that, notwithstanding his pride and haughtiness,

it was impossible to help liking him; that he lived chiefly upon a bit

of bread, or a tart, and some water, but he once or twice saw him take

a sheep’s tongue out of his pocket; that Chatterton, to his knowledge,

never slept while they lay together; that he never came to bed until

very late, sometimes three or four o’clock, and was always awake when

he (the nephew) waked, and got up at the same time, about five or

six; that almost every morning the floor was covered with pieces of

paper not so big as sixpences, into which he had torn what he had been

writing before he came to bed. In short, they all agree that no one

would have taken him, from his behaviour, &c., to have been a poor boy

of seventeen, and a sexton’s son: they never saw such another person

before nor since—he appeared to have something wonderful about him.

They say he gave no reason for quitting their house. They found the

floor of his room covered with little pieces of paper, the remains of

his _poeting_, as they term it.

And yet poor Edwin was no vulgar boy;

Deep thought oft seem’d to fix his infant eye.

Dainties he heeded not, not gaude, nor toy,

Save one short pipe of rudest minstrelsy.

Silent, when glad; affectionate, though shy:

And now his look was most demurely sad;

And now he laugh’d aloud, yet none knew why.

The neighbours stared and sigh’d, yet bless’d the lad

_Some deem’d him wondrous wise, and some believ’d him mad._

Mrs. Angel, to whose house he removed from Shoreditch, I have in

vain endeavoured repeatedly to find out. A person in distressed

circumstances, as I understand her to be, is slow to believe that an

inquiry after her hiding-place is only set on foot by the curiosity of

honest enthusiasm. Little versed in the history of mankind, she cannot

imagine how any one can be curious or concerned about a person, so

many years after his death, for whom in his lifetime no one cared a

farthing. Every stranger is to her imagination a bailiff in disguise.

In every hasty tread she hears “the monster Bumbailiano, keeper of

the dark and black cave.” Poor hunted animal! If thou wert kind to

Chatterton; if, by thy charitable means, his young hairs were brought

down with somewhat less of sorrow to the grave, never may the monster

lay his cruel paw upon thy shoulder!

Could Mrs. Angel be found, much might not be learnt from her short

knowledge of Chatterton, for he remained nine weeks in Shoreditch—at

least, not much more, perhaps, than has been gotten from Mrs. Walmsley

and her family. Mrs. Wolfe, a barber’s wife, within a few doors of the

house in which Mrs. Angel lived, remembers him, and remembers his

death. She speaks also of his proud and haughty spirit, and adds, that

he appeared both to her and Mrs. Angel as if he were born for something

great. Mrs. Angel told her, after his death, that, as she knew he had

not eaten anything for two or three days, she begged he would take

some dinner with her on the 24th of August; but he was offended at her

expressions, which seemed to hint that he was in want, and assured her

he was not hungry.

Ah! who can tell how hard it is to climb

The steep where Fame’s proud temple shines afar!

Ah! who can tell how many a soul sublime

Hath felt the influence of malignant star,

And wag’d with fortune an eternal war!

Check’d by the scoff of pride, and envy’s frown,

And poverty’s unconquerable bar,

In life’s low vale remote hath pin’d alone,

_Then dropt into the grave, unpitied and unknown_!

Such was the short and incredible life of Thomas Chatterton. Over

his death, for the sake of the world (he is out of the reach of our

pity or concern), I would willingly draw a veil. But this must not

be. They who are in a condition to patronise merit, and they who

feel a consciousness of merit which is not patronised, may form their

own resolutions from the catastrophe of his tale: those, to lose no

opportunity of befriending genius; these, to seize every opportunity

of befriending themselves; and, upon no account, to harbour the most

distant idea of quitting the world, however it may be unworthy of them,

lest despondency should at last deceive them into so unpardonable

a step. Chatterton, as appears by the coroner’s inquest, swallowed

arsenic in water on the 24th of August, 1770, and died in consequence

thereof the next day. He was buried in a shell in the burying-ground

of Shoe-land workhouse. His taking such a rash and unjustifiable step

is almost as strange as his fathering his poems upon Rowley. That he

should have been driven to it by _absolute_ want (though I do not say

it was _not_ so) is not very possible, since he never indulged himself

in meat and drank nothing but water. The coroner has no minutes of the

melancholy business, and is unable to recall any of the circumstances

at this distance of time to his memory. The witnesses before the

inquest, as appears by his memorandum, were Frederick Angel, Mary

Foster, and William Hamsley, none of whom I have been able to find

out. That his despair should fix on August, that it should not have

staid at least till the gloomier months of winter, must surprise

those who are sensible of the influence of such a climate as ours.

Recollecting what Mrs. Newton says of the effect which the moon had

upon her brother, I searched for the moon’s changes in August 1770.

Much cannot be presumed from them. The moon was at the full on the

6th, and in the last quarter the 14th. The 20th, at eleven at night,

there was a new moon. The fatal day was the 24th. But who can bear to

dwell upon, or argue about, the self-destruction of such a being as

Chatterton? The motives for everything he did are past finding out.

His room, when it was broke open after his death, was found, like

the room he quitted at Mrs. Walmsley’s, covered with little scraps

of paper. What a picture he would have made, with the fatal cup by

his bedside, destroying plans of future Ællas and Godwins, and of

unfinished books of The Battle of Hastings? M. I have had the (call

it what you will) to spend half an hour in the room. It was half an

hour of most exquisite sensations. My visit of devotion was paid in

the morning, I remember; but I was not myself again all day. To look

round the room; to say to myself, here stood his bed; there the poison

was set; in that window he loitered for some hours before he retired

to his last rest, envying the meanest passenger, and wishing he could

exchange his own feelings and intellects for their manual powers and

insensibility! Then, abhorrence of his death, abhorrence of the world,

and I know not how many different and contradictory but all distracting

ideas! Nothing should tempt me to undergo such another half-hour.

Bristol, stand forth! Too just are even these rhymes

Without a trial to condemn thy crimes.

Come forward, answer to thy cursed name;

Stand, if thou dare, before the bar of fame.

Bristol, hold up thine hand, that damned hand

Which scatters misery over half the land,

The land of Genius!

We come now to the question of most difficulty, but of least

consequence. What could induce Chatterton to lay such a plan? Was it

the credit of imposing upon the world, which he was determined never

to claim, since he never owned the imposition? My answer is, that I

neither know nor care; and the conjectures of the _rustiest fellow_ of

the Antiquarian Society cannot give an answer much more to the purpose.

Are the motives of men’s and women’s conduct so plain that he who runs

may read them? How much less obvious are we to expect the motives of

a boy’s conduct? Chatterton, with some, with many things about him,

superior to most, to all men, was still but a boy. Though he did see

seventeen before his death, he must have been _literally_ a boy when he

laid the foundation of his plans. If Macpherson and Ossian be the same,

if Chatterton thought them to be the same, Chatterton is an original

in poetry only, not in suppositiousness. Good men are satisfied with

the applause of their own consciences, and scatter charity with the

invisible hand of bounty. May not great men be formed in the same

mould? May not obscurity appear to enlarge an ideal as well as a real

object? God would, perhaps, be something less of God were He visible.

But, as I said, I neither know nor care what was Chatterton’s motive.

Am I still asked for it? Like many a man in conversation, I will

get off by telling a story. D’Alembert, in his pamphlet upon the

destruction of the Jesuits, relates that one of the Order, who had

spent twenty years upon a mission in Canada, did not believe even the

existence of a God. Notwithstanding this, he had, numerous times run

the hazard of his life in defence of that religion which he preached

with success among the savages. To a friend, who expressed surprise at

the warmth of his zeal, the missionary observed: “Ah, you have no idea

of the pleasure there is in having 20,000 men to listen to you, and in

persuading them what you do not believe yourself.”

By what was the scheme suggested to Chatterton’s invention? This

question, it is, perhaps, still more impossible to answer, nor do I

pretend to answer it. If you can ground any conjecture on a few facts I

will mention, so: Psalmanazar died about the time Chatterton’s scheme

was born, and bequeathed his methodistical memoirs to the world.

Walpole, about the same time, endeavoured to turn a whole national

current of belief with respect to Richard III., and not long before,

acknowledged the imposition he had put upon the public in the preface

to “Otranto.” The Douglas cause was, about the same time, in high

agitation. Ossian, with Blair’s dissertation, in which the name of

_Ælla_ is mentioned, had not long made its appearance. “The Concubine,”

in Spenser’s manner, appeared in 1767. Percy’s “Reliques” had not long

been published. Page xxiv. of the first volume (second edition, 1767),

mention is made of “Colgrin, son of that _Ælla_ who was elected King

of the Saxons in the room of Hengist.” Chatterton must have admired

“Hardyknute” (vol. ii. p. 94), which Mrs. Wardlaw _pretended_ to have

found on “shreds of paper employed for what is called the bottoms of

clues,” and must have seen through the _pretended_ extract of a letter

from _Canton_ to James Carland, Esq., at the end of the third volume,

which vouches for the _truth_ of Percy’s _Hau Kiou Choaau_, there

advertised as _translated from the Chinese_. On the 21st of January,

1769, the _invisible_ Junius printed his first letter. In May 1769,

Mrs. Montague published her Essay on Shakespeare, from which it is not

impossible that Chatterton’s _tindery_ ambition might catch the fire

of rivalry. Farrer’s Essay on the learning of Shakespeare had appeared

about a twelvemonth. In the wonderful extent of his reading, Chatterton

could not be ignorant of Parnell’s imposition on Pope, by means of

a pretended Leonine translation of some of his lines in the Rape of

the Lock, or of Parnell’s Fairy Tale, _in the Ancient English style_.

Better memories may, perhaps, recollect other things of this kind. That

Chatterton had Walpole and Ossian in some measure present to his mind,

is manifest from his fixing upon the same person (Mr. W.) to introduce

Rowley to the world, whom Macpherson chose for Ossian. And, surely, to

prove Earl Godwin a good man and true, in spite of history, is much

such an attempt as Mr. Walpole’s concerning Richard. The first stanza

of Canynge’s prologue to Godwin, is little more than a versification of

the ingenious supposition in the article _Godwin_, in the “Biographia

Britannica,” and is rather the language of our _distant_ age, than of

a man writing _three hundred years nearer_ Godwin, who was not then

_ungently_ treated in _so many_ histories as now.

Whilomme, by pensmen, much ungentle name

Has upon Godwin Earl of Kent been laid,

Thereby bereaving him of faith and fame.

The unforgiving clergymen have said,

That he was known to no holy wurche,

But this was all his fault, he gifted not the church.

It may be said that hardly one of the schemes which I have mentioned

succeeded. Let me, in my turn, tell what Fontenelle, in his

“Dialogues,” puts into the mouth of the Russian Pretender. When he is

asked how he dared to assert a claim, for which two or three impostors

had suffered the cruellest death, he answers, it was upon that very

circumstance he grounded the probability of passing for a true man and

no impostor.

Of the impossibility to prove imitation I am well aware. But for

intentional imitation I do not here contend. The originality of his

sublime genius would not have stooped from its height to imitate any

man that ever existed. By the nature of his plan, the folding-doors

of imitation were effectually shut against Chatterton. His hands were

tied up from picking and stealing. What other poet, ancient or modern,

except Homer (and even Homer had his ancients, perhaps), can produce

an octavo volume, in the whole course of which, after a search of

some years, the best and oldest heads are not able to detect him with

certainty more than six or eight times? And those coincidences must of

course have been the effect more of memory than design.

If Chatterton did endeavour to catch the public by other baits besides

genius who can blame him?

Ill-fated Chatterton! Why didst thou not attend to _Orestes_ “On the

Poverty of Authors”? (_Town and Country Magazine_, Aug. 1769, p.

399.) How couldst thou imagine that even thy parts would prevent thy

adding one to his long but faithful list of the starved children of

genius? Could thy penetrating sight discover no truth in his borrowed

observation, that “We more readily assist the lame and the blind than

a poor man of genius; for every one is sensibly affected with the

apprehension of blindness or lameness; but who is in the least dread of

the accidents which attend on genius?”

Here let me stop a moment to rescue the world from blame it does not

merit. The world is not accountable for the death of every man of

abilities who has perished, however miserably, in an alehouse, or a

prison. Profligacy and genius, ability and prodigality, are not, as

many imagine, the same things. But genius too often thinks it necessary

to be profligate, and profligacy often demands to pass for genius.

To behold genius confined in a prison, or skulking in an alehouse,

and not to lend relief, were infamous, provided the spectator could

be sure he was lending _effectual relief_. But if to rescue from one

prison, be only to give an opportunity to visit another—whose humanity

is sturdy enough to bear such insults even from a friend or from a

child? Churchill reproached the world with suffering Lloyd to pine in

the Fleet, and Johnson has moistened many an eye with the sufferings of

Savage. But the world, if it be ever accountable, is only accountable

for the death of such a being as Chatterton, who (let his enemies

or enviers persist, as they choose, in asserting what they cannot

prove) was not extravagant, was not profligate, was not unprincipled.

All his profligacy consisted in quitting the attorney’s office, and

penning Ælla—“when he should have engrossed.” His only extravagance

was lavishing unnecessary presents upon his grandmother, mother,

and sister, a few shillings, the earnings of his genius, which might

otherwise, perhaps, have saved him from starving. Unprinciples belongs

to those who accuse him of crimes without a shadow of proof.

One other question remains to be answered. It may be asked why

Chatterton’s own “Miscellanies” are inferior to Rowley? Let me ask

another question. _Are_ they inferior? Genius, abilities, application,

we _may_ bring into the world with us; these rare ingredients _may_ be

mixed up in our compositions by the hand of Nature; but Nature herself

cannot create a human being possest of a complete knowledge of the

world almost the moment he is born into it. Is the knowledge of the

world, which his “Miscellanies” contain, no proof of his astonishing

quickness in seizing everything he chose? Is it remembered when, and at

what age, Chatterton for the first time quitted Bristol, and how few

weeks he lived afterwards? Chatterton’s “Letters” and “Miscellanies”

exhibit an insight into men, manners, and things, for the want of

which in their writings, authors who have died old men, with more

opportunities to know the world (who could have fewer than Chatterton?)

have been thought to make amends by other merits.

Again, in his own character, he painted for booksellers and bread; in

Rowley’s, for fame and eternity. Why are a boy’s _tasks_ at school

inferior to what he writes for his amusement? Then it is not impossible

that he might designedly underwrite himself. He certainly did when he

wrote “Ladgate’s answer to the Song of Ælla.” After all, he was no

modern; the boy was born an ancient; and he knew mankind well enough to

see that, in the present age, there was a greater facility of emergence

from obscurity to fame, through the channel of curiosity, for a monk

of the fifteenth century than for a sexton’s son of the eighteenth.

Shame upon that age, which still persists in bearing testimony to his

knowledge of it!

With regard to Chatterton’s face and person, all agree that he was

a manly, good-looking boy, that there was something about him which

instantaneously prepossessed you in his favour. Mr. Barrett and Mr.

Catcott, as well as all who remember him, speak particularly of his

eye. Catcott says he could never look at it long enough to see what

sort of an eye it was; but it seemed to be a kind of hawk’s eye, he

thinks; you could see his soul through it. Mr. Barrett says he took

particular notice of his eyes from the nature of his profession. He

never saw such. One was still more remarkable than the other. You might

see the fire roll at the bottom of them, as you sometimes do in a black

eye, but never in grey ones, which his were. Mr. Barrett adds, that

he used often to send for him from the charity school (which is close

to his house) and differ from him in opinion on purpose to make him

earnest, and to see how wonderfully his eye would strike fire, kindle,

and blaze up....

So ends what I have to say about Chatterton, when I shall have just

observed that his _innocent_ imposition on the world is exactly the

story of M. Angelo’s buried statue of Cupid; and, finally, that Miss

More is oftener boasted of by Bristol, and has acquired more fame and

wealth for an “Ode to Garrick’s Dog” than Chatterton for all Rowley’s

poems. Prefix to this letter, if you please, the _comforting_ discovery

of Lord Shaftesbury in his “Characteristics,” that “an ingenious man

never starves unknown.” Such a being as Chatterton should not have been

suffered to starve at all. But _comfort_ like this is to be expected

from “Knights and Barons.”

Bards may be Lords, but ’tis not in the cards,

Play as you will, to turn Lords into Bards.

The employment has been of the service to me that you meant it should.

In some measure I have forgotten myself, and, as much as it was

possible, forgotten my M. during the hours I have spent upon this

business. If the story be not told as regularly as it might, the

situation of my mind with regard to you must be my excuse. Besides,

were I cold enough to tell such a tale as Chatterton’s with as much

regularity as I put a common occurrence upon paper I should despise

myself. All I shall further add is, that I do not hold out Chatterton

as the first character in the world. An army of Macedonian and Swedish

butchers, indeed, fly before him; nor does my memory supply me with

any human being who, at such an age, with such disadvantages, has

produced such compositions. Under the heathen mythology superstition

and admiration would have explained all by bringing Apollo upon earth.

Nor would the god ever have descended with more credit to himself.

But, after all, the world is only indebted to Chatterton for a few

inimitable poems. If barbarity and fanaticism be suffered to destroy

mankind, genius will write in vain, when there is none to read. To

preserve our fellow-creatures is still a greater praise than to

instruct or amuse them. Perhaps, all circumstances considered, the

first character that ever existed was Bartholomew las Casas.

Let me conclude these tedious sheets of paper with a most capital

subject for a painter, from Chatterton’s _tournament_, which you

may add to the subjects I have before suggested to you. It will

surprise you to find how _very_ modern it is. The advocates to Rowley

must explain this to you, if they can, and if Rowley has still any

advocates; for I do assure you, as you will find by turning to the

poem, that I have only altered _four_ words, and those _only_ by

changing them for Chatterton’s words of explanation in his notes to the

poem.

When battle, steaming with new-quicken’d gore,

Bending with spoils and bloody dropping head,

Did the dark wood of ease and rest explore,

Seeking to lie on pleasure’s downy bed—

Pleasure, dancing from her wood,

Wreath’d with flowers of eglantine,

From his visage wash’d the blood,

Hid his sword and gaberdine.

The manner in which you account for the self-destruction of that most

wonderful boy, Chatterton, is physical, I assure you, as well as

sensible. Tissot, in his “Essay on the Diseases Incident to Literary

Persons,” starts some ideas very much like yours, only they are wrapped

up in harder words. You shall see:

* * * * *

“When the mind, long time occupied, has forcibly impressed an action

upon the brain, she is unable to repress that forcible action. The

shock continues after its cause; and, re-acting upon the mind, makes it

experience ideas which are truly delirious: for they no longer answer

to the external impressions of objects, but to the internal disposition

of the brain, some parts of which are now become incapable to receive

new movements transmitted to it by the senses.”

“The brain of Pascal was so vitiated by passing his life in the

laborious exercises of study, thought, and imagination, that certain

fibres, agitated by incessant motion, made him perpetually feel a

sensation which seemed to be excited by a gulph of fire situated on one

side of him; and his reason, overpowered by the disorder of his nerves,

could never banish the idea of this fiery abyss. Spinello painted the

fall of the rebel angels, and gave so fierce a countenance to Lucifer,

that he was struck with horror himself; and during the remainder of his

life, his imagination was continually haunted by the figure of that

dæmon, upbraiding him with having made his portrait so hideous. Gasper

Barlæis, the orator, poet, and physician, was not ignorant of these

dangers. He warned his friend Hughens against them: but, blind with

regard to himself, by immoderate studies he so weakened his brain, that

he thought his body was made of butter, and carefully shunned the fire,

lest it should melt him; till at last, worn out with his continual

fears, he leapt into a well. Peter Jurieu, so famous in theological

dispute, and for his “Commentary on the Apocalypse,” disordered his

brain in such a manner that, though he thought like a man of sense in

other respects, he was firmly persuaded his frequent fits of the cholic

were occasioned by a constant engagement between seven horsemen, who

were shut up in his belly. There have been many instances of literature

persons who thought themselves metamorphosed into lanterns; and who

complained of having lost their thighs.”

* * * * *

No one can deny that Chatterton must have gone through as much wear

and tear of the imagination as any person whom Tissot mentions. But I

would give a good deal, were it possible for me never again to think

about Chatterton, or about his death, as long as I live, for I never do

without being miserable.

What you let fall about the propensity of the English to suicide, is

not true; though a very popular idea. And yet I will relate to you, in

the words of another person, an instance of English suicide much more

cool and deliberate than any you ever heard, I daresay. It is a fact,

and happened in 1732.

Richard Smith, a bookbinder, and prisoner for debt within the

liberties of the King’s Bench, persuaded his wife to follow his

example, in making away with herself, after they had murdered their

little infant. This wretched pair were, in the month of April, found

hanging in their bedchamber at about a yard’s distance from each

other; and in a separate apartment the child lay dead in a cradle.

They left two papers inclosed in a short letter to their landlord,

whose kindness they implored in favour of their dog and cat. They even

left money to the porter, who should carry the inclosed papers to

the person to whom they were addressed. In one of these the husband

thanked that person for the marks of friendship he had received at

his hands; and complained of the ill-offices he had undergone from a

different quarter. The other papers, subscribed by the husband and

wife, contained the reasons which induced them to act such a tragedy on

themselves and their offspring. This letter was altogether surprising

for the calm resolution, the good humour, and the propriety, with

which it was written. They declared that they withdrew themselves from

poverty and rags; evils that, through a train of unlucky accidents,

were become inevitable. They appealed to their neighbours for the

industry with which they had endeavoured to earn a livelihood. They

justified the murder of their child by saying, it was less cruelty to

take her with them, than to leave her friendless in the world, exposed

to ignorance and misery. They professed their belief and confidence

in an Almighty God, the fountain of goodness and beneficence, who

could not possibly take delight in the misery of His creatures:

they therefore, resigned up their lives to Him without any terrible

apprehensions; submitting themselves to those ways, which, in His

goodness, He should appoint after death. These unfortunate suicides had

been always industrious and frugal, invincibly honest, and remarkable

for conjugal affection.

* * * * *

This tragedy I have shown you, because I think France, lively France,

in whose language suicide is an _Anglicism_, can supply me with an

anecdote as authentic of something still more cool and more deliberate,

since the motives to the crime (to which no motive can be sufficiently

strong) were so much weaker.

On the day before Christmas Day, 1773, about eleven o’clock, two

soldiers came to the Cross-Bow Inn, at St. Dennis, and ordered a

dinner. Bordeaux, one of the soldiers, went out and bought a little

paper of powder and a couple of bullets, observing to the person

who sold them to him, that as St. Dennis seemed to be so pleasant a

place, he should not dislike to spend the remainder of his life there.

Returning to the inn, he and his companion passed the day together

very merrily. On Christmas Day they again dined as merrily, ordered

wine, and about five o’clock in the afternoon were found at the fire,

on breaking open the door, sitting on the opposite sides of a table,

whereon were three empty champaign bottles, the following will and

letter, and a half-crown. They were both shot through the head; two

pistols lay upon the floor. The noise of the pistols brought up the

people of the house, who immediately sent for M. de Rouilleres, the

Commandant of the _Maréchaussée_ at St. Dennis.

The will I translated myself from a formal copy, which was taken for a

friend of mine at St. Dennis in 1774.

+The Will.+

A man, who knows he is to die, should take care to do everything which

his survivors can wish him to have done. We are more particularly in

that situation. Our intention is to prevent uneasiness to our host, as

well as to lighten the labours of those whom curiosity, under pretence

of form and order, will bring hither to pay us visits.

Humain is the bigger, and I, Bourdeaux, am the lesser of the two.

He is drum-major of _mestre de camp des dragons_, and I am simply a

dragoon of Belzunce.

Death is a passage I address to the gentleman of the law of St. Dennis

(who, with his first clerk as assistant, must come hither for the

sake of justice) the principle; which, joined to the reflexion that

everything must have an end, put these pistols into our hands. The

future presents nothing to us but what is agreeable. Yet that future is

short and must end.

Humain is but twenty-four years of age; as for me, I have not yet

completed four lustres. No particular reason forces us to interrupt our

career, except the disgust we feel at existing for a moment under the

continual apprehension of ceasing to exist. An eternity is the point of

re-union; a longing-after which leads us to prevent the despotic act of

fate. In fine, disgust of life is our sole inducement to quit it.

If all those who are wretched would dare to divest themselves of

prejudice, and to look their destruction in the face, they would see

it is as easy to lay aside existence as to throw off an old coat, the

colour of which displeases. The proof of this may be referred to our

experience.

We have enjoyed every gratification in life, even that of obliging our

fellow-creatures. We could still procure to ourselves gratifications:

but all gratifications must have a period. That period is our poison.

We are disgusted at the perpetual sameness of the scene. The curtain is

dropped: and we leave our parts to those who are weak enough to feel an

inclination to play them a few hours longer.

Two or three grains of powder will soon break the springs of this

moving mass of flesh, which our haughty fellow-creatures stile the King

of Beings.

Messrs. the officers of justice, our carcases are at your discretion!

We despise them too much to give ourselves any trouble about what

becomes of them.

As to what we shall leave behind, for myself, Bordeaux, I give to M.

de Rouilleres, commandant of the _maréchaussée_ at St. Dennis, my

steel-mounted sword. He will recollect, that, last year, about this

very day, as he was conducting a recruit, he had the civility to grant

me a favour for a person of the name of St. Germain, who had offended

him.

The maid of the inn will take my pocket and neck handkerchiefs, as well

as the silk stockings which I now have on, and all my other linen.

The rest of our effects will be sufficient to pay the expense of the

useless law proceedings of which we shall be the subject.

The half crown upon the table will pay for the last bottle of wine

which we are going to drink.

+Bourdeaux.

Humain.+

At +St. Dennis+, _Christmas Day, 1773_.

Of the following letter from Bordeaux to his lieutenant in the regiment

of Belzunce, I have not seen the French; I cannot therefore answer for

the translation, which does not appear to have been done carefully.

Another friend supplied me with it. You shall have it as I had it from

him.

* * * * *

“+Sir+,

“During my residence at Guise, you honoured me with your friendship. It

is time that I thank you. You have often told me I appeared displeased

with my situation. It was sincere, but not absolutely true. I have

since examined myself more seriously, and acknowledge myself entirely

disgusted with every state of man, the whole world, and myself. From

these discoveries a consequence should be drawn: if disgusted with the

whole, renounce the whole. The calculation is not long. I have made it

without the aid of geometry. In short, I am on the point of putting an

end to the existence that I have possessed for nearly twenty years,

fifteen of which it has been a burden to me; and, from the moment that

I write, a few grains of powder will destroy this moving mass of

flesh, which we vain mortals call the King of Beings.

“I owe no one an excuse. I deserted, that was a crime; but I am going

to punish it; and the law will be satisfied.

“I asked leave of absence from my superiors, to have the pleasure of

dying at my ease. They never condescended to give me an answer. This

served to hasten my end.

“I wrote to Bord to send you some detached pieces I left at Guise,

which I beg you to accept. You will find they contain some well-chosen

literature. These pieces will solicit for me a place in your

remembrance.

“Adieu, my dear lieutenant; continue your esteem for St. Lambert and

Dorat. As for the rest, skip from flower to flower, and acquire the

sweets of all knowledge, and enjoy every pleasure.

“Pour moi, j’arrivé au trou

Qui n’échappe ni sage ni fou,

Pour aller je ne scais où.”

“If we exist after this life, and it is forbidden to quit it without

permission, I will endeavour to procure one moment to inform you of it;

if not, I should advise all those who are unhappy, which is by far the

greatest part of mankind, to follow my example.

“When you receive this letter, I shall have been dead at least

twenty-four hours.”

“With esteem, &c.,

“+Bourdeaux+.”

Is there any thing like this in English story?

_If we exist after this life._ Ah, my brave Bourdeaux, that is the

question; and a question which even you could not answer in the

_negative_.

... There’s the retrospect

That makes calamity of so long life,

For who would bear the whips and scorns o’ th’ time,

_The pangs of despised love_,

(Which I could never bear.)

... The law’s delay,

The insolence of office, and the spurns

Which patient merit of th’ unworthy takes?

But that the dread of something after death

Puzzles the will,

And makes us rather bear those ills we have,

Than fly to others that we know not of.

The pains these two poor fellows took (or rather Bourdeaux, for he

seems to have been the principal) to prevent any trouble or uneasiness

to their survivors, lead me to reflect how very uniformly the contrary

is the conduct of suicides with us. One would sometimes almost fancy

that they studied how they might commit the abominable crime so as

to be found by those whom the discovery would most affect. Have they

wives, children? It must be done sometimes in their presence, in bed

with them; often in their hearing; almost always in such a manner that

they may be the first spectators of it. Mr. Y., Lord F., Mr. S., Lord

C., Mr. B., are cruel instances of this. Oh, for Omnipotence, to call

such savages back to life, and chain them to the hardest tasks of

existence! Is not the crime of suicide sufficient, without adding to it

the _murder_, or a heartbroken wife or child? Hence you may, perhaps,

draw an argument that every suicide is a madman. For my part, I have no

doubt of it; and if Humain had fallen into the hands of a friend less

mad than Bourdeaux, he might have lived to have fought another day.

And here ends a long, dull letter, about a short, entertaining

conversation (on your part at least).

_Printed by_ +Ballantyne, Hanson & Co.+

_London and Edinburgh._

Transcriber’s notes

New original cover art included with this eBook is granted to the public

domain.

The text contains words in a somewhat strange spelling. This might

be due to it being older, or the use of dialect. In one letter in

particular errors might very well have been made intentionally: e.g.

“sencible”, “ocation”, “corrispondence”, “verasity” and more. These are

not corrected. There are however errors that seem most probably due to

printing errors. These have been corrected. Below is a list.

Corrections

Page 27 “Come then to morrow” changed to “Come then to-morrow”;

Page 29 “t” added to “regimen” in “I should be drummed out of my

regiment”;

Page 32 period instead of comma after “Her yielding waist should want

a zone”;

Page 34 “’ee” changed to “e’e” in “The woes of my heart fall in showers

from mine e’e”;

Page 50 “Had the frost and snow contiued” changed to “Had the frost and

snow continued”;

Page 52 “fellow creature” hyphenated in “The happiness, the existence of

a fellow-creature”, as elsewhere in the text;

Page 57 period added after “Hinchinbrook, Feb. 24, 1776”, as customary

in the rest of the text;

Page 65 “Charing-cross” de-hyphenated in “Cannon Coffee House, Charing

cross, March 17, 1776.”, as elsewhere in the text;

Page 65 “coffee-house” de-hyphenated in “from a coffee house near

Charing Cross”, as elsewhere in the text;

Page 69 “Storgè” changed to “Storgé” in “as Storgé prophetically says

in Jephtha”;

Page 89 “by-the-way” de-hyphenated in “(which, by the way, is almost

worn out)”, as is customary;

Page 99 “afte swinging in terrible suspense” changed to “after swinging

in terrible suspense”;

Page 105 “new” changed to “knew” in “because they once knew what it was

to be miserable”;

Page 106 “some some” changed to “some” in “I will send you some hasty

lines”;

Page 114 comma removed after “April” in “Ireland, April 20, 1777.”;

Page 119 comma changed to period after “I have been to see the last of

poor Dodd”;

Page 122 “might have been heard at a considerable disstance” changed to

“might have been heard at a considerable distance”;

Page 124 “weeeping” changed to “weeping” in “are weeping over the crime

and punishment”;

Page 133 period inserted at the end of the sentence “One trifling

circumstance I must mention”;

Page 135 hyphen assumed missing in “enquiring”;

Page 135 comma added after “on entering the world of spirits”;

Page 147 period added at the end of the sentence “now they rage too

fiercely”;

Page 148 “brandy-and-water” de-hyphenated in “at the Bedford Coffee

House to take brandy and water”, as elsewhere in the text;

Page 165 period added after the date in “Newgate, Saturday Night. April

17, 1779”;

Page 173 “fellow creatures” hyphenated in “Take warning from me, my

fellow-creatures”, as elsewhere in the text;

Page 177 “fellow creatures” hyphenated in “ye who might save hundreds of

your fellow-creatures”, as elsewhere in the text;

Page 185 “to day” in “through which these things were to emerge to-day”

hyphenated, as elsewhere in the text;

Page 202 capital “H” at the beginning of the sentence “He was proud and

exceedingly impetious”;

Page 203 period added after “sent the footman and other servants there

to see”;

Page 210 period added at the end of the poem, in the line “and some

believ’d him mad”;

Page 219 period added after “Mr” in “upon the same person (Mr. W.)”;

Page 233 “Commandent of the Maréchaussée at St. Dennis” changed to

“Commandant of the Maréchaussée at St. Dennis”;

Page 236 one of two occurences of “about” removed from “to give

ourselves any trouble about about what becomes of them.”;

Page 238 “and enjoy overy pleasure” changed to “and enjoy every

pleasure”.

Formating conventions

_Word_ means that “Word” is in italic;

+Word+ means that “Word” is in small capitals.

The love-letters of Mr. H. & Miss R., 1775-1779 · 第 4 / 4 章