IX

They arrived in response to her invitation, on Christmas-eve, all four

of them, driving up in the station fly, Bertie on the box. She stood on

the doorway, awaiting them, and “LYDIA PROTHEROE, Theatrical Costumier

and Wig-maker,” flaunted over her head in the gilt lettering on the

black ground. She was conscious of her exquisite disparity with this

description. Sleek bands, and snuff-coloured gown; Bertie and Emily

should find her as they had left her; the difference should only by

degrees dawn upon them. She was glad now that she should have rejected

the alteration in her appearance which, to a less subtle mind, would

have been so blatantly indicated. There was nothing blatant about Lydia

Protheroe; oh no! it was all very surreptitious, very delicate; she was

an artist; everybody said so; her touch very light, but very certain.

She was a rapier to Bertie’s bludgeon. Bertie: he had descended from the

fly, he had taken both her hands in his, he had grown whiskers like his

father’s, his father’s watch-chain (she recognized it) spanned his

stomach, he was pressing her hands and looking into her eyes with what

she was sure he inwardly phrased as “a world of tenderness and

forgiveness,” while simultaneously he tried to scan out of the corner of

his eye the wares displayed in her shop-window—the dragon’s head, the

waxen figure of a fairy, the crowns and harps—and she saw him wince, but

at the same time, she saw his determination to ignore all this, or to

accept it, if he was forced to, in a spirit of jovial resignation; and

now Emily was kissing her, Emily with those same thin ungenerous lips

and pointed nose, so like her own features and yet so different, because

of a recklessness in Lydia’s eyes which was not in Emily’s—subtle

again—and now Bertie’s wife enveloped her in a soft, fat little hug; and

there was Emily’s husband, whom they called Fred, and who was a

pink-faced little man in a bowler hat and, for some reason, an evening

tie, pushed forward to embrace his sister-in-law with a reluctance he

tried to turn into enthusiasm.

Lydia brought the brood into the shop; it gave her a strange pang to see

them cross her threshold, succeeded by an exaltation to have got them

safely there. She did not talk much; she let them do the talking while

she surveyed them. Bertie was voluble; he had a lot of information to

give her, mixed in with small outbursts of sentimentality. He had grown

portly, and he was most anxious to conciliate her; she took the measure

of Bertie in a moment. The others, clearly, were in his charge. His

wife, as ever, watched him for her cues with little twinkling, admiring

eyes. Emily produced a sour and unconvincing smile whenever Lydia’s eyes

rested on her. As for Fred, he smiled nervously the whole time, and

looked as though he felt himself very much of a stranger.

X

She had got them all into their rooms for the night. She relished the

feeling that she had got them all safely shut in, and as she stood at

the top of the stairs looking first to left and then to right along the

dim passage, she felt the jailer of all those four people behind the

closed doors. She would have liked a bunch of keys dangling from her

belt. Squeezing her hands tightly together, she swayed backwards and

forwards as she controlled her laughter. A single gas-jet, turned low,

lit the passage. She wandered away. She wandered down into the shop,

where the polished shields on the walls threw back the sharp flame of

her candle, and the indistinct, peopled obscurity of the shop. She

thought vaguely that the shop was too full—had always been too full—she

must have a clearance—but there was no longer any room upstairs—she

ought to scrap half her things—but no, they were too precious. She

wandered away again, up into the attic. She peered round, thrusting the

candle into the dark corners. A rat scurried past. Old trunks, too full

to shut; velvet and damask and leather protruded; too full. Like life;

too full. Like her head; too full. She wandered back to the dim passage.

Closed doors. The gas-jet. She could turn off the gas at the main; that

would put the house in darkness. They would not understand what had

happened. They would run out of their rooms, and up and down the house,

looking for light; finding none; blundering against objects in the dark.

She would hear their footsteps, running; their hands, perhaps, beating

at last upon the shutters. She had seen clearly enough that they already

thought her strange. She had accompanied Bertie and his wife to their

rooms, and under her scrutiny they had continued their talk; they had

drawn a picture of the social life in their town; they had spoken of

nice little parties. “Not so nice as the little party I’m giving now,”

Lydia had cried, and left them.

Husband and wife indeed thought her very odd; the wife was puzzled and

uneasy. All through dinner Miss Protheroe had been very silent, from her

place at the head of the table where she sat surveying her guests, only

occasionally she had given vent to some such outburst, which she had at

once restrained; and the dining-room had been odd too, a room at the

back of the shop, full of queer theatrical things, and a great figure of

a Javanese warrior in one corner, seven feet high, with a bearded yellow

mask under his helmet, and a lantern swinging from the top of the spear

he held in his hand. Bertie’s wife thought this a novel and unpleasing

method of lighting a room. She had begun to wish they had never come.

For the rest, there had been a barbaric flavour about the meal,

unsuitable to one so obviously an English spinster; they had eaten off

the sham gold plate, and had drunk out of the sham gold goblets; the

sham gold candelabra had flared in the middle of the table with its

eight or ten candles, above a great golden bowl of artificial fruit.

It was difficult to believe that that setting was the invention of

Lydia, sitting there so prim in the unchanged gown of bombazine. It was

as disconcerting an indication as if Lydia had gotten up and danced.

Out in the dim passage Lydia paused before Emily’s door. If she despised

Bertie, she fairly hated Emily. Not one of Emily’s childish sneakings

and whinings was forgotten; and Emily was unchanged: she had been

dragged here, reluctant, by Bertie, tempted by the pictures Bertie drew

of Lydia’s wealth; unable to resist that, she had come, but she was

bitter and ungracious, wringing out that thin, sour little smile

whenever Lydia looked at her. That supposed wealth, now become one of

Lydia’s dearest jokes! They wouldn’t find much—the vultures—they would

find that Lydia hadn’t hoarded, hadn’t kept back more than the little

necessary to her own livelihood, so long as charity had stretched out to

her its piteous hands. It was not part of Lydia’s creed to feast while

others went hungry. Not for that had she broken away from her traditions

and her family. She would have liked now to sham dead just for the sake

of seeing their faces and hearing their comments.

She wasted no time on Emily; she needed no sight of Emily’s face in

order to whet her vindictiveness. She knew well enough what was going on

behind all those closed doors. Whispers of cupidity, to the ugly

accompaniment of the calculation of Lydia’s prosperity, oh, she knew,

she knew! Mean souls! mean, prudent souls! They had thrown her out when

she was poor; they fawned on her now that they thought her rich. Well,

she would teach them a lesson; she would give them twenty-four hours’

entertainment which they would not be likely to forget.

She crept away, down the dark stairs into her shop. At home again, among

her fanciful and extravagant confederates! She held out her arms towards

her shop, as though to embrace it. They were allies, she and it, the

world of illusion against the world of fact.

She set to work.

The heir: A love story · 第 31 / 49 题