XVIII

Finally, the blessed peace and solitude, when the last stranger with the

curious stare that was now common to them all had quitted the house, and

the last motor had rolled away. Chase, leaning against a column of the

porch, thought that thus must married lovers feel when after the

confusion of their wedding they are at length left alone together.

Certainly—with a wry twist to his lip—the events of the sale had tried

him as sorely as any wedding. But here he was, having won, in

possession, having driven away all that rabble; here he was in the

warmth, and in the hush that sank back upon everything after the ceasing

of all that hubbub; here he was left alone upon the field after that

reckless victory. Poor? yes! but he could work, he would manage; his

poverty would not be bitter, it would be sweet. He suddenly stretched

out his hands and passionately laid them, palms flattened, against the

bricks; bricks warm as their own rosiness with the sun they had drunk

since morning.

Midsummer day. Swallows skimming after the insects above the moat. Their

level wings almost grazed the water as they swooped. Midsummer day. All

the mellowness of Blackboys, all the blood of the Chases, to culminate

in this midsummer day. A marvellous summer. A persistently marvellous

summer. He remembered the procession of days, the dawns and the dusks

and the moon-bathed nights, that had hallowed his romance. He was

inclined to believe that neither hatred nor its ugly kin could any

longer find any place in his heart, which had been so uplifted and had

seen so radiantly the flare of so many beacons lighting up the fields of

wisdom. To cast off the slavery of the Wolverhamptons of this world. To

know what one really wanted, what one really cared for, and to go for it

straight. Wasn’t that a good enough and simple enough working wisdom for

a man to have attained? Simple enough, when it did nobody any harm—yet

so few seemed to learn it.

Blackboys! Wolverhampton! what was Wolverhampton beside Blackboys? What

was the promise of that mediocre ease beside the certainty of these

exquisite privations? What was that drudgery beside this beauty, this

pride, this Quixotism?

Thane gambolled out, fawning and leaping round Chase, as Fortune opened

the door of the house.

“Will you be having dinner, sir,” he asked demurely, “in the dining-room

or in the garden this evening?”

THE CHRISTMAS PARTY

_To A._

I

The street door opened straight into the shop. The shop went back a long

way, and was very dark and crowded with objects; everything seemed to

have something else super-imposed upon it, either set down or hanging;

thus against the walls dangled bunches of masks, like bunches of

bananas, weapons of all kinds, shields and breastplates, swags of tinsel

jewellery, wigs; upon the tops of the cupboards stood ewers, goblets,

candelabra, all in sham gold plate; and the counters themselves were

strewn with a miscellany of smaller theatrical necessities. It was only

little by little that the glance, growing accustomed to the obscurity of

the shop, began to disentangle object from object in this assortment.

Everything was very dusty, with the exception of the shields and stray

pieces of armour, which were brightly furbished and detached themselves

like mirrors in their places on the walls, giving a distorted reflection

in miniature of the recesses of the shop. There were stuffed animals,

particularly dusty, with glass eyes and red open mouths showing two rows

of teeth. There were grotesque cardboard heads, four times life-size,

for giants. There was the figure of a knight in a complete suit of

armour, with a faded blue cloak embroidered with the lilies of France

hanging from his shoulders, and a closed helmet from which sprang a tuft

of plumes that had once been white, but that were now grey with dust and

age. This knight stood on the lowest step of the staircase that started

in the middle of the shop and led to the upper floors of the house. A

door across the top of the flight shut off the secrets of the upper

storey from the observation of customers in the shop on the ground

floor.

On the upper floors the house was old and rambling. It straggled up and

down on different levels, along dark passages and into irregular little

rooms, badly lit by small windows, and, like the shop, encumbered with

objects; not only by the furniture, which was much too bulky for the

size of the rooms, but also by properties which belonged to the shop,

and which at various times had been huddled upstairs in the course of a

clearance below. There were rows of dresses hanging on hooks, halberts

and muskets propped up in the corners, albums of photographs for

reference lying on the tables, pairs of boots and buskins thrust away

behind the curtains and under the valences. You felt convinced that

every drawer was packed so that it could only just be induced to shut,

and that if you opened the door of a cupboard a crowd of imprisoned

articles would come tumbling out helter-skelter. Everything was old and

fusty; tawdry, and pretentious under its grime. Outside, the snow had

gathered in tiny drifts along the leadwork of the latticed windows,

making the rooms darker than they already were, and had heaped itself

against the panes two or three inches above the window-sills. In the

mornings the frost left fern-frond patterns on the panes; but although

it was thus rendered almost impossible to see out, the bright frost and

snow were a not unpleasant relief, for they were something clean and

fresh, something of quite recent arrival and of certain departure, in

contrast to the contents of the house, which had lain there accumulating

for so many years, and which offered no promise of a disturbing hand in

the years to come.

The heir: A love story · 第 24 / 49 题