CHAPTER X—THE BATTLE OF THE UMBRELLA; “WHOM THE GODS WISH TO

DESTROY....” I.

DURING the month that followed, the battle raged furiously, and within a

week of that original incident there was no one in the establishment

who had not his or her especial grievance against someone else. In the

Senior common room, at the middle morning hour, the whole staff might

be seen, silent, grave, bending with sheer resolution over the daily

papers, eloquent backs turned to their enemies, every now and again

abstract sarcasm designed for some very concrete resting-place.

That original umbrella had, long ago, been forgotten, or, rather the

original borrowing of it. It had now become a flag, a banner—something

that stood for any kind of principle that it might serve one's purpose

to support. One hated one's neighbor—well, let any small detail be the

provocation, the battle was the thing.

Imagine, moreover, the effect on the young generation, assembled to

watch and imitate the thoughts and actions of their elders and betters;

what a delightful and admirable system!—with their Greek accents

and verbs in with their principal parts of savior and dire and their

conclusive decisions concerning vulgar fractions and the imports and

exports of Sardinia, they should learn the delicate art of cutting

your neighbor, of hating your fellow-creatures, of malicious

misconception—all this within so small an area of ground, so slight a

period of time, at so wonderfully inconsiderable an expense.

The question at issue passed of course speedily to the very smallest boy

in the school, but here there was not so intense a division—there was

indeed scarcely a division at all, because there could not, on the

whole, be two opinions about it. When it came to choosing between Old

Pompous with his stupid manners and his uncertain temper, with all the

custom of his twenty years' stay at the school so that he was simply

a tiresome tradition that present fathers of grown families had once

accepted as a fearful authority—between this and the novel and athletic

Traill, with his splendid football and his easy fellowship... why?

There was nothing more to be said. Why should n't one take Old Pompous's

umbrella? Who was he to be so particular about his property? He would

n't hesitate to take someone else's things if he wanted them....

Meanwhile there was an encouragement to rebellion amongst all those who

came beneath his discipline—as to the way that he took this, there is

more to be said later.

But the point about this month is not the question of individual quarrel

and disturbance. Of that there was enough and to spare, but there was

nothing extraordinary about its progress, and every successive term saw

something of the kind: the two questions as to whether Traill should

have taken Perrin's umbrella and whether Isabel Desart should, under the

circumstances, have allowed herself to be engaged to Traill, simply took

the place of other questions that had, in their time, served to rouse

combat. No—the peculiar fact about this month was that at the end of it,

when their quarrels and hatreds should have reached their climax, they

were sunk suddenly almost to the point of disappearance—they were almost

lost and forgotten—and the reason of this was that everyone in the

place, in some cases unconsciously and in nearly every instance

silently, was watching Perrin.... It had become during that time an

issue between two men, and one of those men was passive. It was being

worked out in silence—even the spectators themselves made no comment,

but Mrs. Comber afterwards put it into words when she said that

“Everyone was so afraid that talking about it might make it happen that

no one said anything at all”—and that indeed was the remarkable fact.

Amongst all the eyes that were turned on the developing incident those

most fitted for our purpose of elucidation belonged to Isabel Desart,

and her experience of it all will do very well for everyone else's

experience of it, because the only difference between herself and

the rest was that she was more acute in her judgment and had a more

discerning intuition.

In the first place she had very crucially indeed to fight her own

battles. It did not take her a day to discover that every lady in the

place, with the single exception of Mrs. Comber, was, for the time

being at any rate, up in arms against her. She ought not to have allowed

herself to be engaged to Mr. Traill—there were no two opinions about it.

It was not ladylike—she was allying herself, to disorder and tumult, she

was encouraging the stealing of things, and the knocking down of persons

in authority—above all, she was setting herself up, whatever that might

mean: all this was foreshadowed on the very first day in Mrs. Comber's

drawing-room.

These things did not, in the very least, surprise or dismay Isabel. She

loved a battle—she had never realized before how dearly she loved it,

she gave no quarter and she asked none. She went about with her head up

and her eyes flashing fire—she was quiet unless she was attacked; but so

soon as there were signs of the enemy, the armor would be buckled on

and the trumpet sounded. In a way—and it seemed to her curious when

she looked back upon it—this month of hers was stirring and even rather

delightful.

But there were other and more serious sides to it. She saw at once that

something had happened in the Comber family, and with all the tenderness

and gentleness that was so wonderfully hers she sought to put it right.

But she soon realized that it had all gone far too deep for any outside

help. She did not know what had occurred on that evening when she had

dined at the Squire's. Mrs. Comber told her nothing—she only begged her

not to speak to Freddie about the umbrella quarrel and not to attempt to

bring Archie to the house, at present at any rate.

But Mrs. Comber was now a different person—her animated volubility had

disappeared altogether, she went about her house very quietly with a

pale face and tired eyes, and she did not speak unless she was spoken

to. But the change in Freddie Comber was still more marked. Isabel

had never liked him so much before. His harsh dogmatism seemed to have

disappeared. He said very little to anybody, but in his own house at any

rate he was quiet, reserved, and even submissive. Isabel noticed that he

was on the watch to do things for his wife, and sometimes she saw that

his eyes would leave his work and stray about the room as though he were

searching for something. He scarcely seemed to notice her at all,

and sometimes when she spoke to him he would start and look at her

curiously, almost suspiciously, as though he were wondering how much she

knew. He was not kind and attentive to her, as he had been before—she

felt sure that he had now a great dislike for her. All this made her

miserable, and she loved to wonder sometimes what it was that held her

back from speaking to Mrs. Comber about it all—but something prevented

her.

The masters, she knew, were divided about her. They were, she thought,

more occupied with their own quarrels and disputes than with any

attitude towards herself. At first she was amused by their divided

camps—it all seemed so childish and absurd, and for its very

childishness it could not have a serious conclusion; but as the days

went on and she saw into it all more deeply, the pathos of it caught

her heart and she could have cried to think of what men they might have

been, of the things that they might have done. Some of them seemed to

seek her out now with a courtliness and deference that they had

never shown her before. Birkland, of whom she had always been rather

frightened, spoke to her now whenever there was an opportunity, and his

sharp, sarcastic eyes softened, and she saw the sadness in their gray

depths, and she felt in the pressure of his hands that he wanted now to

be friends with her. White, too, was different now. He said very little

to her, and he was so quiet that for him to speak at all was a wonderful

thing, but there were a few words about his affection for Archie.

With all of this Isabel got a profound sense of its being her duty to

do something; as far as her own affairs were concerned she was perfectly

able to manage them, and if the matter in dispute had been simply her

engagement to Archie, there would be no difficulty—it was a case

of waiting, and then escaping; but things were more serious than

that—something was in the air, and she knew enough of that life and that

atmosphere to be afraid. But it was not until later than this that she

began to be afraid definitely of Mr. Perrin.

But this feeling that she had of the necessity of doing something

grew when she perceived the inertia of the others—inertia was perhaps

scarcely the word: it was rather, as the matter advanced, an increasing

impulse to sink their own quarrels and sit back in the chairs and wait

for the result.

And, with this before her, Isabel set out on a determined campaign,

having for its ultimate issue the hope of possible reconciliation—she

could not put it more optimistically than that—before the end of the

term came.

It was not at all a desire to do good that drove her—indeed, her

flashing disputes with Mrs. Dormer, her skirmishes with the younger Miss

Madder, were very far away from any evangelistic principles whatever—but

rather some hint of future trouble that was hard to explain. She wished

to prevent things happening, was the way that she herself would have put

it; but that did not hinder her from feeling a natural anxiety that Miss

Madder, Mrs. Dormer, and the rest should have some of their own shots

back before the end of the term was reached. II.

But she began her campaign with her own Archie, and found him difficult.

Going down the hill by the village on one of those sharp, tightly

drawn days with the horizon set like marble and nothing moving save the

brittle leaves blowing like brown ghosts up and down, she tried to get

him to see the difficulties as she saw them, She attacked him at first

on the question of making peace with Mr. Perrin, and came up at

once against a bristling host of obstinacies and traditions that her

ignorance of public school and university laws had formerly hidden from

her.

Perrin was a bounder, and young Traill's eyes were cold and hard as he

summed it all up in this sentence. He would do anything in the world

for Isabel, but she did n't probably altogether understand what a fellow

felt—there were things a man couldn't do. She found that the laws of

the Medes and Persians were nothing at all in comparison with the stone

tables of public school custom: “The man was a bounder”—“There were

things a fellow couldn't do.”

She had not expected him to go and beg for peace—she had not probably

altogether wished him to; but the way that he looked at it all left her

with a curious mixture of feelings: she felt that he was so immensely

young, and therefore to be—most delightful of duties—looked after.

Also she felt, for the first time, all the purpose and obstinacy of his

nature, so that she foresaw that there would in the future between them

be a great many tussles and battles.

But she was very much cleverer than he was, and dealt with him very

gently, and then suddenly gave him a sharp, little moral rap, and then

kissed him afterwards. She found, in fact, that this trouble with Mr.

Perrin was worrying him dreadfully. He hid it as well as he could, and

hid it on the whole very successfully; but Isabel dragged it all out

and saw that he hated quarreling with anybody, and that he now dimly

discovered that he was the center of a vulgar dispute and that people

were taking sides about him—all this was horrible.

He also felt very strongly the injustice of it. “I never meant to knock

the fellow down. I never knew I'd taken his beastly umbrella—all this

fuss!”—which was, Isabel thought, so very like a man, because the thing

was done and there was no more to be said about it. He thought a great

deal about her in the matter and was very anxious to stand up for

her; indeed, that was the only aspect of the affair that gave him any

satisfaction—that they should be fighting shoulder to shoulder against

the “low, bounding” world, and he declared, as he looked at her, that he

loved her more and more every day.

But all of this did not touch on his relations with Perrin, and his eyes

with regard to that gentleman could only look one way—he would not make

advances.

The more Isabel felt his determination, the more, curiously enough,

she felt Mr. Perrin's pathos. She had not yet arrived at the definite

watching of him that was to come upon them all soon so curiously; but

when she thought of him she thought of Archie's definition of him, and

she realized, as she had not realized before, that that would be a

great many other persons' definition of him also. Whatever he was—cross,

irritable, violent, even wicked—he was, at any rate, lonely, and that

was enough to make Isabel sorry, and more than sorry.

She could not, of course, make Archie see that. “The fellow's always

wanted to be lonely—thinks himself much too good for other people's

society, that's the fact, and if a man behaves like a beast, he must

expect to be left alone.”

That did not worry Archie. The whole of his annoyance arose from the

fact that there should be such a fuss. He had never really quarreled

with anyone before—people never did quarrel with him; and now suddenly

here were Comber and West and the little French worm Pons, stiff and

sulky whenever they met him, and Moy-Thompson bullying him whenever he

got the opportunity.

Of course he wasn't going to stay! he couldn't stay under these

circumstances—but it was all unpleasant and disagreeable. Isabel herself

was only too anxious to take him out of it all as soon as possible. He

wasn't wearing well under it. He had been full of light and sunshine at

the beginning of the term, pleasant to everyone, equable, comfortable,

a splendid creature to be with. Now the boys of his class found that

nothing pleased him, little things roused him to a fury, and he snapped

at people when they spoke to him. With Isabel he was always gentle, but

his eager eyes were tired, and once he wasn't very far away from tears.

But she did not allow any of these things to worry her. She was proud

with Miss Madder, haughty with Moy-Thompson, gentle with Mrs. Comber,

always amusing and cheerful with Archie. But when she had gone to bed

and was at last alone, she would lie there, trying to puzzle it all out,

afraid of what the future might bring, and praying that she might drag

Archie out of it all before they had damaged him. He was such a boy, and

all this discussion was so new to him; but she felt that she herself was

ninety at least, and she would wonder sometimes that all men's difficult

education seemed to leave them just where they began, which was several

stages earlier than the place where women commenced. Love and death were

very simple things, it seemed to her, beside the tangled daily worries

of people getting along together. Her present feeling was something

akin to Alice's sensation at the Croquet party when the hoops (being

flamingoes) would walk away and climb up trees, and the balls (being

hedge-hogs) would wander off the ground. They were all flamingoes and

hedge-hogs at Moffatt's. III.

But towards the end of this month, Isabel became suddenly conscious of

Mr. Perrin in a very different way. It was now only three weeks before

the end of term, and in another week examinations would begin. That

something in the atmosphere that signified the coming of examinations

was busy about the place. People were very quiet, and then suddenly in

the most singular way would break out; there was continual quarreling in

the common room, strange rumors were carried of things that people had

said—it was all a question of strain.

There came, it now being the first week in December, the first day of

snow, and the light, feathery flakes fell throughout the afternoon, and

when the sun set there was a soft, white world with the buildings black

and grim and a sky of hurrying gray cloud. Isabel and Mrs. Comber sat in

Mrs. Comber's little drawing-room over a roaring fire, and there was no

other light in the room.

Mrs. Comber sat, as she so often sat now, with her chin resting in her

hand, silently staring at the fire.

Isabel was unhappy; the silent whiteness of the world outside, the

consciousness of Miss Madder's rudeness to her that afternoon, the

trouble that she had seen in Archie's eyes when she had said good night

to him after Chapel, above all, a general sense of strain and nerves

stretched to breaking-point—all this overwhelmed her. She had never felt

so strongly before that she and Archie, if they were to keep anything at

all of their vitality, must escape at once... to-night... to-morrow; it

might be too late.

She knew that Archie had lost his temper with West that afternoon, that

he had called him a “rotten little counter-jumper,” and that West had

made an allusion to “stealing things.” Where were they all? What were

they all doing to be fighting like this?

They sat in silence opposite to one another, one on each side of the

fire, and the ticking of the clock, and every now and again a tumbling

coal, were the only sounds. Then suddenly Isabel broke out.

“Oh! I can't stand it any longer; I feel as though I should go mad. What

is the matter with everybody? Why are we all fighting like this? Oh!

I do want to be pleasant to somebody again, just for a change. For the

last three weeks, ever since that wretched quarrel, there has been no

peace at all.”

“I know,” Mrs. Comber answered without raising her eyes from the fire;

“I am very tired, too, and it's a good thing there are only three weeks

more of the term, because I 'm sure that somebody would be cutting

somebody's throat if it lasted any longer, and I wouldn't mind very much

if somebody would cut mine.” She gave a little choke in her throat, and

then suddenly her head fell forward into her hands, and she burst into

passionate sobbing.

Isabel said nothing, but came over to her and knelt down by her chair

and took her other hand. They stayed together in silence for a long

time, and the burning fire flung great shadows on the walls, and the

snow had begun to fall again and rustled very softly and gently against

the window.

At last Mrs. Comber looked up and wiped her eyes, and tried to smile.

“Ah! my dear! you are so good to me. I don't know what I should have

done this terrible term if you hadn't been, and now my eyes are a

perfect sight, and Freddie will be coming in; but I could n't help it.

Things only seem to get worse and worse and worse, and I've stood it as

long as I can, and I can't stand it any longer. I think I shall go away

and be a nun or a hospital nurse or something where you 're let alone.”

“Dear Mrs. Comber;” said Isabel, still holding her hand, “do tell me

about these last few weeks, if it would help you. Of course, I 've seen

that something 's happened between you and Mr. Comber. I can see that

he is most dreadfully sorry about something, and I know that he wants to

make it up. But this silence is worse than anything, and if you 'd only

have it out, both of you, I'm sure it would get all right.”

“No, dear.” Mrs. Comber shook her head and wiped her eyes. “It's not

that so much. Freddie and I will get all right again, I expect, and even

be better together than we were be-for; but all this business has shown

me, my dear, that I'm a failure. I 've known it really all the time, and

I used to pretend that if one was nice enough to people one could n't

be altogether a failure, because they wanted one to like them—and that's

the truth. Nobody wants me to like them, and I'm the loneliest woman in

the world. I'm not grumbling about it, because I suppose I'm careless

and silly and untidy, but I don't think anyone's wanted friends quite so

badly as I have, and some people have such a lot. I used to think it was

all just accidents, but now I know it's really me; and now you 're going

to be married there's an end of you, the only person I had.”

“Archie and I,” said Isabel softly, “will care for you to the end of

your days, and you will come and stay with us, won't you? And you know

that Freddie loves you. Why, I 've seen him looking at you during these

last weeks as though he could die for you, and then he's been afraid

to say anything. It's only this horrid place that has got in the way so

dreadfully.”

Mrs. Comber caught her hand eagerly. “Do you really think so, my

dear? Oh! if I could only think that, because I have fancied he's been

different lately, and he's such a dear when he likes to be and is n't

worried about his form; but things are always worse at examination time,

and I always pray that the two weeks may be got through as quickly as

possible; and something dreadful did happen the other day, and I know

he was ashamed of himself, the poor dear.... Perhaps things will be all

right.”

Mrs. Comber gave a great sigh and looked a little more cheerful. Then,

after a pause, she began again, but a little doubtfully: “You know,

Isabel dear, there's something else. I don't want to frighten you, but

Mrs. Dormer noticed it as well, and I know it's silly of me, but I don't

quite like it—”

“Like what?” said Isabel. “Well, Mr. Perrin; he's been looking so queer

ever since that quarrel with your Archie. I daresay you haven't noticed

anything, and I daresay it may be all my own imaginations, and I'm sure

in a place like this one might imagine anything—”

“How does he look queer,” said Isabel quietly.

“Well, it's his eyes, I suppose, and the things the boys say about him.

You know, my dear, I've wondered since whether perhaps he didn't care

about you rather a great deal, and whether that isn't another reason for

his disliking Archie—”

“Care about me?” said Isabel laughing; “why, no, of course not. He's

only spoken to me once or twice.”

“Well,” said Mrs. Comber, “I've seen him looking at you in the strangest

way in chapel. And his face has got so white and thin and drawn, I'm

really quite sorry for the poor man. And his eyes are so odd, as though

he was trying to see something that wasn't there. And the boys say that

he's so strange in class sometimes and stops suddenly in the middle of

a lesson and forgets where he is; and Mr. Clinton was telling me that he

never speaks to Archie, but sometimes when Archie's there he gets very

white and shakes all over and leaves the room. I only want you to warn

Archie to be careful, because when a man's lonely like that and begins

to think about things, he might do anything.”

“Why, what could he do?” Isabel said, with a little catch in her breath.

“Well, I don't know, dear,” Mrs. Comber said rather uncertainly. “Only

when examinations come on they do seem to get into the men's heads so,

and it's only that I thought that Archie might be careful and ready if

Mr. Perrin seemed odd at all...”

Mrs. Comber left it all very uncertain, and as they sat silently in the

room with the fire turning from a roaring blaze into a golden cavern and

the shadows on the wall growing smaller and smaller as the fire fell,

Isabel seemed to feel the cold black and white of the world outside

gather ominously about her.

She said good night very quietly, and the two women clung to each other

a moment longer than usual, as though they did not wish to leave each

other.

“At any rate,” said Isabel, “whatever else this place may do, it can't

alter our being together. You 've always got me, you know.”

But from this moment Isabel was afraid. Perhaps her nerves were

strained, perhaps she saw a great deal more than there was to be seen;

but she longed for the end of the term with a passionate eagerness, and

she could not sleep at nights.

And then, curiously, on the very next morning Mr. Perrin came and spoke

to her.

She always afterwards remembered him as she saw him that day. She was

just turning out of the black gate to go down the hill to the village;

there was a very pale blue sky; the ground was white with gray and

purple shadows, and the houses were brown and sharply edged, as though

cut out of paper, in the distance; the hills were a gray-white against

the sky. He came towards her very slowly, and she saw that he wanted

to speak to her, so she stopped and waited for him. When he came up

to her—with his gown hanging loosely about him and his heavy, black

mortar-board, with his thin, haggard cheeks, and staring eyes, with his

straggly, unkept mustache—she had a moment of ungovernable fear. She

could give no reason for it, but she knew that her impulse was to turn

and run away, anywhere so that she might escape from him.

Then she controlled herself and turned and faced him, and smiled and

held out her hand.

She could see him staring beyond her, over her shoulder, with eyes that

didn't see her at all. She saw that his hand was shaking.

“How do you do, Mr. Perrin? I haven't seen you for quite a long time.

Isn't this snow delightful? If it will only stay like this.”

Suddenly he came quite close to her, looking into her eyes; he grasped

her hand and held it.

“I 've been wanting to say...” he said in an odd voice, and there he

stopped and stood staring at her.

“Yes,” she said gently.

His throat was moving convulsively, and he put his hand up to his face

with a helpless gesture and pulled his mustache.

“I've wanted to say—um, ah—to congratulate you...”

He cleared his throat, and suddenly she saw tears in his eyes.

“Oh! thank you!” she said impulsively, coming up to him and putting her

hand on his arm. “Thank you so very much!” and then she could say no

more.

He moved his arm away, and his eyes passed her again, out of the distant

horizon. Then he said very rapidly, as though he were reciting a speech

that he had learnt, “I wanted to congratulate you on your engagement. I

hope you 'll be very happy. I'm sure you will. I'm afraid I 'm a

little late in my good wishes. I'm afraid I'm a little late. Yes. Good

morning!”

Then, before she could say any more, he had moved away and gone down the

path.

As she watched his black gown waving a little behind him she knew that

her vague fears of the night before had taken definite form.

The Gods and Mr. Perrin: A Tragi-Comedy · 第 9 / 14 章