If there is anything in the world that Jimmieboy likes better than
custard and choo-choo cars, it is to snuggle down in his papa's lap
about bedtime and pretend to keep awake. It doesn't matter at all how
tired he is, or how late bedtime may on special occasions be delayed, he
is never ready to be undressed and "filed away for the night," as his
Uncle Periwinkle puts it.
It was just this way the other night. He was as sleepy as he possibly
could be. The sandman had left enough sand in his eyes, or so it seemed
to Jimmieboy, to start a respectable sea-beach, and he really felt as if
all he needed to make a summer resort of himself was a big hotel, a band
of music, and an ocean. But in spite of all this he didn't want to go to
bed, and he had apparently made up his mind that he wasn't going to
want to go to bed for some time to come; and as his papa was in an
unusually indulgent mood, the little fellow was permitted to nestle up
close under his left arm and sit there on his lap in the library after
dinner, while his mamma read aloud an article in one of the magazines on
the subject of dream poetry.
It was a very interesting article, Jimmieboy thought. The idea of
anybody's writing poetry while asleep struck him as being very comical,
and he laughed several times in a sleepy sort of way, and then all of a
sudden he thought, "Why, if other people can do it, why can't I?"
"Why?" he answered--he was quite fond of asking himself questions and
then answering them--"why? Because you can't write at all. You don't
know an H from a D, unless there's a Horse in the picture with the H,
and a Donkey with the D. That's why."
"True; but that's only when I'm awake."
"Try it and see," whispered the Pencil in his papa's vest pocket. "I'll
help, and maybe our old friend the Scratch Pad will help too."
"That's a good idea," said Jimmieboy, taking the Pencil out of his
papa's pocket, and assisting it to climb down to the floor, so that it
could run over to the desk and tell the Scratch Pad it was wanted.
"Don't you lose my pencil," said papa.
"No, I won't," replied Jimmieboy, his eyes following the Pencil in its
rather winding course about the room to where the desk stood.
"I have to keep out of sight, you know, Jimmieboy," the Pencil said, in
a low tone of voice. "Because if I didn't, and your papa saw me walking
off, he'd grab hold of me and put me back in his pocket again."
Suddenly the Pencil disappeared over by the waste-basket, and then
Jimmieboy heard him calling, in a loud whisper: "Hi! Pad! Paddy!
Pad-dee!"
"What's wanted?" answered the Pad, crawling over the edge of the desk
and peering down at the Pencil, who was by this time hallooing himself
hoarse.
"Jimmieboy and I are going to write some dream poetry, and we want you
to help," said the Pencil.
"Oh, I'm not sleepy," said the Pad.
"Neither am I," returned the Pencil. "But that needn't make any
difference. Jimmieboy, does the sleeping and dreaming, and you and I do
the rest."
"Oh, that's it, eh? Well, then, I don't mind; but--er--how am I ever
going to get down there?" asked the Pad. "It's a pretty big jump."
"That's so," answered the Pencil. "I wouldn't try jumping. Can't the
Twine help you?"
"No. He's all used up."
"Then I have it," said the Pencil. "Put a little mucilage on your back
and slide down. The mucilage will keep you from going too fast."
"Good scheme," said the Pad, putting the Pencil's suggestion into
practice, and finding that it worked beautifully, even if it did make
him feel uncomfortably sticky.
[Illustration: ARM IN ARM THEY TIPTOED SOFTLY ACROSS THE ROOM.]
And then, arm in arm, they tip-toed softly across the room and climbed
up into Jimmieboy's lap. So quietly did they go that neither Jimmieboy's
mamma, nor his papa noticed them at all, as they might have had the
conspirators been noisy, although mamma was reading and papa's head was
thrown back, so that his eyes rested on the picture moulding.
"Here we are, Jimmieboy," said the Pad. "Pen here tells me you're going
to try a little dream poetry."
"Yes," said Jimmieboy. "I am, if you two will help."
"Count on us," said the Pencil. "What do you do first?"
"I don't exactly know," said Jimmieboy. "But I rather think I take
Pencil in my hand, Pad in my lap, and fall asleep."
"All right," said the Pad, lying flat on his back. "I'm ready."
"So am I," put in the Pencil, settling down between two of Jimmieboy's
fingers.
"All aboard for sleep," said Jimmieboy, with a smile, and then he fell
into a doze. In about two minutes he opened his eyes again, and found
both Pad and Pencil in a great state of excitement.
"Did I write anything?" asked Jimmieboy, in an excited whisper.
"Yes," said the Pad. "You just covered me up with a senseless mass of
words. This isn't any fun."
"No," said the Pencil. "It's all nonsense. Just see here what you've
got."
[Illustration: JIMMIEBOY FINDS NOTHING BUT DREAM-WRITING ON THE PAD.]
Jimmieboy looked anxiously at the Pad, and this is what he saw:
I seen since,
memory's wrong,
They both dressed
couple walked
And straightway change
upstairs with me,
"I think it's
"If that's the case,"
catch the early in."
to leave the shop,
for it's pla
Polypop.
two weeks yesterday."
haven't uttered
Oh, Polypop, I
ersnee, "See here,
He didn't pay
moon was shining bright.
To see the
Polypop came down
"Dear me!" he said. "Why, that doesn't mean anything, does it?"
"No. There isn't much in dream poetry, I guess," said the Pad. "I'm
going back home. Good-by."
"Oh, don't go," said the Pencil. "Let's try it again--just once more.
Eh?"
"Very well," returned the Pad, good-naturedly, tearing off one of his
leaves. "Go ahead, Jimmieboy."
And Jimmieboy dozed off again.
"Wake up, wake up!" cried the Pencil in about three minutes. "We've got
something this time."
But they were all disappointed, for, when they looked, all that they
could see was this:
have not them
And if my not
were in chintz;
With that the along;
your vest."
For you to go
Replied best,
the Snickersnee,
And tra
I hadn't time
"My reason in;
"I know it," said the
Since
You one small cheer,
say,
Then quoth the Snick
his fee.
And as the
Snickersnee,
The one night,
"Rubbish!" said the Pad, indignantly. "There's two leaves of myself
wasted now on your old dream poetry. I think that's enough. I'm off.
Good-by."
"Don't be hasty, Pad," retorted the Pencil. "That's a great deal better
than the other. Why, there's one part there with all the lines beginning
with capitals, and when that happens it's generally a sign that there's
poetry around."
"There isn't much there, though," said Jimmieboy, a little disappointed
by the result. "I guess Pad's right. We'd better give it up."
"Not yet," pleaded the Pencil. "There's luck in odd numbers, you know.
Let's try it just once more."
"Shall we, Jimmieboy?" asked the Pad.
"Yes. Let's," assented Jimmieboy, as he dropped off to sleep for the
third time.
This time he must have slept five minutes. When he opened his eyes he
saw the Pencil staring blankly at the Pad, on which was written nothing
more than this curious looking formula:
2
2
-
4
"How aggravating!" said Jimmieboy.
"Abominable!" ejaculated the Pad.
"I believe it's a key to what has gone before," said the Pencil, shaking
his rubber wisely. "Two and two make four--two and two make four. Ah! I
know. You've got to put two and two together to make four. If we put
those two leaves of nonsensical words together, maybe we'll have a poem.
Let's try."
"It'll use me up, I'm afraid," sighed the Pad.
"Oh, no. It won't take more than a half of you," said the Pencil,
putting the two leaves on which Jimmieboy had first written together.
"It looks like a poem," he said, when he had fitted the two together.
"Let's see how it reads.
"I have not seen them since.
And if my memory's not wrong,
They both were dressed in chintz,
With that the couple walked along;"
"That doesn't mean a blessed thing," said the Pad.
"It's nonsense," said Jimmieboy.
"Just wait!" said the Pencil, beginning to read again:
And straightway change your vest."
For you to go upstairs with me,
Replied, "I think it's best
"If that's the case," the Snickersnee
And catch the early train."
I hadn't time to leave the shop
"My reason for it's plain;
"I know it," said the Polypop;
"Since two weeks yesterday."
You haven't uttered one small cheer
Oh, Polypop, I say,
Then quoth the Snickersnee, "See here,
He didn't pay his fee.
And as the moon was shining bright,
To see the Snickersnee,
The Polypop came down one night
"Ho!" jeered the Pad. "That's elegant poetry, that is. You might get
paid five cents a mile for stuff like that, if you wanted to sell it and
had luck."
"I don't care," said the Pencil. "It rhymes well."
"Oh, I know what's the matter," said Jimmieboy, gleefully. "Why, of
course it's poetry. Read it upside down, and it's all right. It's dream
poetry, and dreams always go the other way. Why, it's fine. Just
listen:
"The Polypop came down one night
To see the Snickersnee,
And, as the moon was shining bright,
He didn't pay his fee."
"That is good," said the Pad. "Let me say the next:
"Then, quoth the Snickersnee, 'See here,
Oh, Polypop, I say,
You have not uttered one small cheer
Since two weeks yesterday.'"
"I thought it would come out right," said the Pencil. "The next two
verses are particularly good, too:
"'I know it,' said the Polypop;
'My reason for it's plain;
I hadn't time to leave the shop
And catch the early train.'
"'If that's the case,' the Snickersnee
Replied, 'I think it's best
For you to go upstairs with me,
And straightway change your vest.'"
"Now altogether," cried the Pad, enthusiastically. "One, two, three!"
And then they all recited:
"With that the couple walked along;
They both were dressed in chintz;
And if my memory's not wrong,
I have not seen them since."
"Hooray!" cried Jimmieboy, as they finished--so loudly that it nearly
deafened the Pad, which jumped from his lap and scurried back to the
table as fast as it could go.
"What's that cheer for?" asked papa, looking down into Jimmieboy's face,
and grabbing the Pencil, which was on the point of falling to the floor.
"It's for Dream Poetry," murmured Jimmieboy, getting drowsy again. "I've
just dreamed a lot. It's on the Pad."
"Indeed!" said papa, with a sly wink at mamma. "Let's get the Pad and
read it."
The little fellow straightened up and ran across to the desk, and,
grasping the Pad firmly in his hands, handed it to his father to read.
"H'm!" said papa, staring at the leaf before him. "Blank verse."
"Read it," said Jimmieboy.
"I can't to-night, my boy," he answered. "My eyes are too weak for me to
see dream writing."
For between you and me that was the only kind of writing there was on
that Pad.