distinguished from the other Trojans by a dissatisfaction with Priam
and a sympathy with the Greeks, which is by Sophoklês and others
construed as treacherous collusion,[775]—a suspicion indirectly
glanced, though emphatically repelled, by the Æneas of Virgil.[776]
In the old epic of Arktinus, next in age to the Iliad and Odyssey,
Æneas abandons Troy and retires to Mount Ida, in terror at the
miraculous death of Laocoôn, before the entry of the Greeks into the
town and the last night-battle: yet Leschês, in another of the ancient
epic poems, represented him as having been carried away captive by
Neoptolemus.[777] In a remarkable passage of the Iliad, Poseidôn
describes the family of Priam as having incurred the hatred of Zeus,
and predicts that Æneas and his descendants shall reign over the
Trojans: the race of Dardanus, beloved by Zeus more than all his other
sons, would thus be preserved, since Æneas belonged to it. Accordingly,
when Æneas is in imminent peril from the hands of Achilles, Poseidôn
specially interferes to rescue him, and even the implacable miso-Trojan
goddess Hêrê assents to the proceeding.[778] These passages have
been construed by various able critics to refer to a family of
philo-Hellenic or semi-Hellenic Æneadæ, known even in the time of the
early singers of the Iliad as masters of some territory in or near the
Troad, and professing to be descended from, as well as worshipping,
Æneas. In the town of Skêpsis, situated in the mountainous range of
Ida, about thirty miles eastward of Ilium, there existed two noble and
priestly families who professed to be descended, the one from Hectôr,
the other from Æneas. The Skêpsian critic Dêmêtrius (in whose time both
these families were still to be found) informs us that Skamandrius son
of Hectôr, and Ascanius son of Æneas, were the archegets or heroic
founders of his native city, which had been originally situated on
one of the highest ranges of Ida, and was subsequently transferred
by them to the less lofty spot on which it stood in his time.[779]
In Arisbê and Gentinus there seem to have been families professing
the same descent, since the same archegets were acknowledged.[780] In
Ophrynium, Hectôr had his consecrated edifice, and in Ilium both he and
Æneas were worshipped as gods:[781] and it was the remarkable statement
of the Lesbian Menekratês, that Æneas, “having been wronged by Paris
and stripped of the sacred privileges which belonged to him, avenged
himself by betraying the city, and then became one of the Greeks.”[782]
[775] Dionys. Hal. i. 46-48; Sophokl. ap. Strab. xiii. p. 608;
Livy, i. 1; Xenophon, Venat. i. 15.
[776] Æn. ii. 433.
[777] Argument of Ἰλίου Πέρσις; Fragm. 7. of Leschês, in
Düntzer’s Collection, p. 19-21.
Hellanikus seems to have adopted this retirement of Æneas to the
strongest parts of Mount Ida, but to have reconciled it with
the stories of the migration of Æneas, by saying that he only
remained in Ida a little time, and then quitted the country
altogether by virtue of a convention concluded with the Greeks
(Dionys. Hal. i. 47-48). Among the infinite variety of stories
respecting this hero, one was, that after having effected his
settlement in Italy, he had returned to Troy and resumed the
sceptre, bequeathing it at his death to Ascanius (Dionys. Hal. i.
53): this was a comprehensive scheme for apparently reconciling
_all_ the legends.
[778] Iliad, xx. 300. Poseidôn speaks, respecting Æneas—
Ἀλλ᾽ ἄγεθ᾽ ἡμεῖς πέρ μιν ὑπ᾽ ἐκ θανάτου ἀγάγωμεν,
Μήπως καὶ Κρονίδης κεχολώσεται, αἴκεν Ἀχιλλεὺς
Τόνδε κατακτείνῃ· μόριμον δέ οἱ ἐστ᾽ ἀλέασθαι,
Ὄφρα μὴ ἄσπερμος γενεὴ καὶ ἄφαντος ὄληται
Δαρδάνου, ὃν Κρονίδης περὶ πάντων φίλατο παίδων,
Οἱ ἕθεν ἐξεγένοντο, γυναικῶν τε θνητάων.
Ἤδη γὰρ Πριάμου γενεὴν ἤχθῃρε Κρονίων·
Νῦν δὲ δὴ Αἰνείαο βίη Τρώεσσιν ἀνάξει,
Καὶ παίδων παῖδες, τοί κεν μετόπισθε γένωνται.
Again, v. 339, Poseidôn tells Æneas that he has nothing to dread
from any other Greek than Achilles.
[779] See O. Müller, on the causes of the mythe of Æneas and
his voyage to Italy, in Classical Journal, vol. xxvi. p. 308;
Klausen, Æneas und die Penaten, vol. i. p. 43-52.
Dêmêtrius Skêps. ab. Strab. xiii. p. 607; Nicolaus ap. Steph.
Byz. v. Ἀσκανία. Dêmêtrius conjectured that Skêpsis had been the
regal seat of Æneas: there was a village called Æneia near to it
(Strabo, xiii. p. 603).
[780] Steph. Byz. v. Ἀρίσβη, Γεντῖνος. Ascanius is king of Ida
after the departure of the Greeks (Conôn, Narr. 41; Mela, i. 18).
_Ascanius portus_ between Phokæ and Kymê.
[781] Strabo, xiii. p. 595; Lycophrôn, 1208, and Sch.;
Athenagoras, Legat. 1. Inscription in Clarke’s Travels, vol. ii.
p. 86, Οἱ Ἰλιεῖς τὸν πάτριον θεὸν Αἰνείαν. Lucian, Deor. Concil.
c. 12. i. 111. p. 534, Hemst.
[782] Menekrat. ap. Dionys. Hal. i. 48. Ἀχαιοὺς δὲ ἀνίη εἶχε
(after the burial) καὶ ἐδόκεον τῆς στρατιῆς τὴν κεφαλὴν
ἀπηράχθαι. Ὅμως δὲ τάφον αὐτῷ δαίσαντες, ἐπολέμεον γῇ πάσῃ,
ἄχρις Ἴλιος ἑάλω Αἰνείεω ἐνδόντος. Αἰνείης γὰρ ἄτιτος ἐὼν ὑπὸ
Ἀλεξάνδρου, καὶ ἀπὸ γερέων ἱερῶν ἐξειργόμενος, ἀνέτρεψε Πρίαμον,
ἐργασάμενος δὲ ταῦτα, εἷς Ἀχαιῶν ἐγεγόνει.
Abas, in his _Troica_, gave a narrative different from any
other preserved: “Quidam ab Abante, qui _Troica_ scripsit,
relatum ferunt, post discessum a Trojâ Græcorum Astyanacti ibi
datum regnum, hunc ab Antenore expulsum sociatis sibi finitimis
civitatibus, inter quas et Arisba fuit: Ænean hoc ægre tulisse,
et pro Astyanacte arma cepisse ac prospere gestâ re Astyanact
restituisse regnum” (Servius ad Virg. Æneid. ix. 264). According
to Diktys, Antenôr remains king and Æneas goes away (Dikt. v.
17): Antenôr brings the Palladium to the Greeks (Dikt. v. 8).
Syncellus, on the contrary, tells us that the sons of Hectôr
recovered Ilium by the suggestions of Helenus, expelling the
Atenorids (Syncell. p. 322, ed. Bonn).
One tale thus among many respecting Æneas, and that too the most
ancient of all, preserved among the natives of the Troad, who
worshipped him as their heroic ancestor, was, that after the capture
of Troy he continued in the country as king of the remaining Trojans,
on friendly terms with the Greeks. But there were other tales
respecting him, alike numerous and irreconcilable: the hand of
destiny marked him as a wanderer (_fato profugus_), and his ubiquity
is not exceeded even by that of Odysseus. We hear of him at Ænus
in Thrace, in Pallênê, at Æneia in the Thermaic Gulf, in Delus, at
Orchomenos and Mantineia in Arcadia, in the islands of Kythêra and
Zakynthus, in Leukas and Ambrakia, at Buthrotum in Epirus, on the
Salentine peninsula and various other places in the southern region
of Italy; at Drepana and Segesta in Sicily, at Carthage, at Cape
Palinurus, Cumæ, Misenum, Caieta, and finally in Latium, where he lays
the first humble foundation of the mighty Rome and her empire.[783]
And the reason why his wanderings were not continued still further
was, that the oracles and the pronounced will of the gods directed
him to settle in Latium.[784] In each of these numerous places his
visit was commemorated and certified by local monuments or special
legends, particularly by temples and permanent ceremonies in honor of
his mother Aphroditê, whose worship accompanied him everywhere: there
were also many temples and many different tombs of Æneas himself.[785]
The vast ascendency acquired by Rome, the ardor with which all the
literary Romans espoused the idea of a Trojan origin, and the fact
that the Julian family recognized Æneas as their gentile primary
ancestor,—all contributed to give to the Roman version of his legend
the preponderance over every other. The various other places in which
monuments of Æneas were found came thus to be represented as places
where he had halted for a time on his way from Troy to Latium. But
though the legendary pretensions of these places were thus eclipsed
in the eyes of those who constituted the literary public, the local
belief was not extinguished: they claimed the hero as their permanent
property, and his tomb was to them a proof that he had lived and died
among them.
[783] Dionys. Halic. A. R. i. 48-54; Heyne, Excurs. 1 ad Æneid.
iii.; De Æneæ Erroribus, and Excurs. 1 ad Æn. v.; Conôn. Narr.
46; Livy, xl. 4; Stephan. Byz. Αἴνεια. The inhabitants of Æneia
in the Thermaic Gulf worshipped him with great solemnity as their
heroic founder (Pausan. iii. 22, 4; viii. 12, 4). The tomb of
Anchisês was shown on the confines of the Arcadian Orchomenus and
Mantineia (compare Steph. Byz. v. Κάφυαι), under the mountain
called Anchisia, near a temple of Aphroditê: on the discrepancies
respecting the death of Anchisês (Heyne. Excurs. 17 ad Æn. iii.):
Segesta in Sicily founded by Æneas (Cicero, Verr. iv. 33).
[784] Τοῦ δὲ μηκέτι προσωτέρω τῆς Εὐρώπης πλεῦσαι τὸν Τρωϊκὸν
στόλον, οἵ τε χρησμοὶ ἐγένοντο αἴτιοι, etc. (Dionys. Hal. i. 55).
[785] Dionys. Hal. i. 54. Among other places, his tomb was shown
at Berecynthia, in Phrygia (Festus, v. _Romam_, p. 224, ed.
Müller): a curious article, which contains an assemblage of the
most contradictory statements respecting both Æneas and Latinus.
Antenôr, who shares with Æneas the favorable sympathy of the Greeks,
is said by Pindar to have gone from Troy along with Menelaus and Helen
into the region of Kyrênê in Libya.[786] But according to the more
current narrative, he placed himself at the head of a body of Eneti or
Veneti from Paphlagonia, who had come as allies of Troy, and went by
sea into the inner part of the Adriatic Gulf, where he conquered the
neighboring barbarians and founded the town of Patavium (the modern
Padua); the Veneti in this region were said to owe their origin to his
immigration.[787] We learn further from Strabo, that Opsikellas, one
of the companions of Antenôr, had continued his wanderings even into
Ibêria, and that he had there established a settlement bearing his
name.[788]
[786] Pindar, Pyth. v., and the citation from the Νόστοι of
Lysimachus in the Scholia; given still more fully in the Scholia
ad Lycophrôn. 875. There was a λόφος Ἀντηνορίδων at Kyrênê.
[787] Livy, i. 1. Servius ad Æneid. i. 242. Strabo, i. 48; v.
212. Ovid, Fasti, iv. 75.
[788] Strabo, iii. p. 157.
Thus endeth the Trojan war; together with its sequel, the dispersion
of the heroes, victors as well as vanquished. The account here
given of it has been unavoidably brief and imperfect; for in a work
intended to follow consecutively the real history of the Greeks, no
greater space can be allotted even to the most splendid gem of their
legendary period. Indeed, although it would be easy to fill a large
volume with the separate incidents which have been introduced into the
“Trojan cycle,” the misfortune is that they are for the most part so
contradictory as to exclude all possibility of weaving them into one
connected narrative. We are compelled to select one out of the number,
generally without any solid ground of preference, and then to note
the variations of the rest. No one who has not studied the original
documents can imagine the extent to which this discrepancy proceeds;
it covers almost every portion and fragment of the tale.[789]
[789] These diversities are well set forth in the useful
Dissertation of Fuchs De Varietate Fabularum Troicarum (Cologne,
1830).
Of the number of romantic statements put forth respecting Helen
and Achilles especially, some idea may be formed from the fourth,
fifth and sixth chapters of Ptolemy Hêphæstion (apud Westermann,
Scriptt. Mythograph. p. 188, etc.).
But though much may have been thus omitted of what the reader
might expect to find in an account of the Trojan war, its genuine
character has been studiously preserved, without either exaggeration
or abatement. The real Trojan war is that which was recounted by
Homer and the old epic poets, and continued by all the lyric and
tragic composers. For the latter, though they took great liberties
with the particular incidents, and introduced to some extent a new
moral tone, yet worked more or less faithfully on the Homeric scale:
and even Euripidês, who departed the most widely from the feeling
of the old legend, never lowered down his matter to the analogy
of contemporary life. They preserved its well-defined object, at
once righteous and romantic, the recovery of the daughter of Zeus
and sister of the Dioskuri—its mixed agencies, divine, heroic and
human—the colossal force and deeds of its chief actors—its vast
magnitude and long duration, as well as the toils which the conquerors
underwent, and the Nemesis which followed upon their success. And
these were the circumstances which, set forth in the full blaze of
epic and tragic poetry, bestowed upon the legend its powerful and
imperishable influence over the Hellenic mind. The enterprise was one
comprehending all the members of the Hellenic body, of which each
individually might be proud, and in which, nevertheless, those feelings
of jealous and narrow patriotism, so lamentably prevalent in many of
the towns, were as much as possible excluded. It supplied them with
a grand and inexhaustible object of common sympathy, common faith,
and common admiration; and when occasions arose for bringing together
a Pan-Hellenic force against the barbarians, the precedent of the
Homeric expedition was one upon which the elevated minds of Greece
could dwell with the certainty of rousing an unanimous impulse, if not
always of counterworking sinister by-motives, among their audience.
And the incidents comprised in the Trojan cycle were familiarized, not
only to the public mind but also to the public eye, by innumerable
representations both of the sculptor and the painter,—those which were
romantic and chivalrous being better adapted for this purpose, and
therefore more constantly employed, than any other.
Of such events the genuine Trojan war of the old epic was for the most
part composed. Though literally believed, reverentially cherished,
and numbered among the gigantic phænomena of the past, by the
Grecian public, it is in the eyes of modern inquiry essentially a
legend and nothing more. If we are asked whether it be not a legend
embodying portions of historical matter, and raised upon a basis of
truth,—whether there may not really have occurred at the foot of
the hill of Ilium a war purely human and political, without gods,
without heroes, without Helen, without Amazons, without Ethiopians
under the beautiful son of Eôs, without the wooden horse, without the
characteristic and expressive features of the old epical war,—like
the mutilated trunk of Deïphobus in the under-world; if we are asked
whether there was not really some such historical Trojan war as this,
our answer must be, that as the possibility of it cannot be denied,
so neither can the reality of it be affirmed. We possess nothing but
the ancient epic itself without any independent evidence: had it
been an age of records indeed, the Homeric epic in its exquisite and
unsuspecting simplicity would probably never have come into existence.
Whoever therefore ventures to dissect Homer, Arktinus and Leschês,
and to pick out certain portions as matters of fact, while he sets
aside the rest as fiction, must do so in full reliance on his own
powers of historical divination, without any means either of proving
or verifying his conclusions. Among many attempts, ancient as well as
modern, to identify real objects in this historical darkness, that of
Dio Chrysostom deserves attention for its extraordinary boldness. In
his oration addressed to the inhabitants of Ilium, and intended to
demonstrate that the Trojans were not only blameless as to the origin
of the war, but victorious in its issue—he overthrows all the leading
points of the Homeric narrative, and re-writes nearly the whole from
beginning to end: Paris is the lawful husband of Helen, Achilles is
slain by Hectôr, and the Greeks retire without taking Troy, disgraced
as well as baffled. Having shown without difficulty that the Iliad,
if it be looked at as a history, is full of gaps, incongruities and
absurdities, he proceeds to compose a more plausible narrative of his
own, which he tenders as so much authentic matter of fact. The most
important point, however, which his Oration brings to view is, the
literal and confiding belief with which the Homeric narrative was
regarded, as if it were actual history, not only by the inhabitants of
Ilium, but also by the general Grecian public.[790]
[790] Dio Chrysost. Or. xi. p. 310-322.
The small town of Ilium, inhabited by Æolic Greeks,[791] and raised
into importance only by the legendary reverence attached to it, stood
upon an elevated ridge forming a spur from Mount Ida, rather more than
three miles from the town and promontory of Sigeium, and about twelve
stadia, or less than two miles, from the sea at its nearest point.
From Sigeium and the neighboring town of Achilleium (with its monument
and temple of Achilles), to the town of Rhœteium on a hill higher
up the Hellespont (with its monument and chapel of Ajax called the
Aianteium[792]), was a distance of sixty stadia, or seven miles and a
half in the straight course by sea: in the intermediate space was a bay
and an adjoining plain, comprehending the embouchure of the Scamander,
and extending to the base of the ridge on which Ilium stood. This plain
was the celebrated plain of Troy, in which the great Homeric battles
were believed to have taken place: the portion of the bay near to
Sigeium went by the name of the Naustathmon of the Achæans (_i. e._ the
spot where they dragged their ships ashore), and was accounted to have
been the camp of Agamemnôn and his vast army.[793]
[791] Herodot. v. 122. Pausan. v. 8, 3: viii. 12, 4. Αἰολεὺς ἐκ
πόλεως Τρῴαδος, the title proclaimed at the Olympic games; like
Αἰολεὺς ἀπὸ Μουρίνας, from Myrina in the more southerly region of
Æolis, as we find in the list of visitors at the Charitêsia, at
Orchomenos in Bϙtia (Corp. Inscrip. Boeckh. No. 1583).
[792] See Pausanias, i. 35, 3, for the legends current at Ilium
respecting the vast size of the bones of Ajax in his tomb. The
inhabitants affirmed that after the shipwreck of Odysseus, the
arms of Achilles, which he was carrying away with him, were
washed up by the sea against the tomb of Ajax. Pliny gives the
distance at thirty stadia: modern travellers make it some thing
more than Pliny, but considerably less than Strabo.
[793] Strabo, xiii. p. 596-598. Strabo distinguishes the Ἀχαιῶν
Ναύσταθμον, which was near to Sigeium, from the Ἀχαιῶν λιμήν,
which was more towards the middle of the bay between Sigeium and
Rhœteium; but we gather from his language that this distinction
was not universally recognized. Alexander landed at the Ἀχαιῶν
λιμήν (Arrian, i. 11).
Historical Ilium was founded, according to the questionable statement
of Strabo, during the last dynasty of the Lydian kings,[794] that is,
at some period later than 720 B. C. Until after the days of Alexander
the Great—indeed until the period of Roman preponderance—it always
remained a place of inconsiderable power and importance, as we learn
not only from the assertion of the geographer, but also from the fact
that Achilleium, Sigeium and Rhœteium were all independent of it.[795]
But inconsiderable as it might be, it was the only place which ever
bore the venerable name immortalized by Homer. Like the Homeric Ilium,
it had its temple of Athênê,[796] wherein she was worshipped as the
presiding goddess of the town: the inhabitants affirmed that Agamemnôn
had not altogether destroyed the town, but that it had been reoccupied
after his departure, and had never ceased to exist.[797] Their
acropolis was called Pergamum, and in it was shown the house of Priam
and the altar of Zeus Herkeius where that unhappy old man had been
slain: moreover there were exhibited, in the temples, panoplies which
had been worn by the Homeric heroes,[798] and doubtless many other
relics appreciated by admirers of the Iliad.
[794] Strabo, xiii. p. 593.
[795] Herodot. v. 95 (his account of the war between the
Athenians and Mitylenæans about Sigeium and Achilleium); Strabo,
xiii. p. 593. Τὴν δὲ τῶν Ἰλιέων πόλιν τὴν νῦν τέως μὲν κωμόπολιν
εἶναί φασι, τὸ ἱερὸν ἔχουσαν τῆς Ἀθηνᾶς μικρὸν καὶ εὐτελές.
Ἀλέξανδρον δὲ ἀναβάντα μετὰ τὴν ἐπὶ Γρανίκῳ νίκην, ἀναθήμασι τε
κοσμῆσαι τὸ ἱερὸν καὶ προσαγορεῦσαι πόλιν, etc.
Again, Καὶ τὸ Ἴλιον, ὃ νῦν ἐστὶ, κωμόπολίς τις ἦν ὅτε πρῶτον
Ῥωμαῖοι τῆς Ἀσίας ἐπέβησαν.
[796] Besides Athênê, the Inscriptions authenticate Ζεὺς Πολιεὺς
at Ilium (Corp. Inscrip. Bœckh. No. 3599).
[797] Strabo, xiii. p. 600. Λέγουσι δ᾽ οἱ νῦν Ἰλιεῖς καὶ τοῦτο,
ὡς οὐδὲ τέλεως συνέβαινεν ἠφανίσθαι τὴν πόλιν κατὰ τὴν ἅλωσιν ὑπὸ
τῶν Ἀχαιῶν, οὐδ᾽ ἐξηλείφθη οὐδέποτε.
The situation of Ilium (or as it is commonly, but erroneously,
termed, _New Ilium_) appears to be pretty well ascertained, about
two miles from the sea (Rennell, On the Topography of Troy, p.
41-71; Dr. Clarke’s Travels, vol. ii. p. 102).
[798] Xerxês passing by Adramyttium, and leaving the range of
Mount Ida on his left hand, ἤϊε ἐς τὴν Ἰλιάδα γῆν.... Ἀπικομένου
δὲ τοῦ στρατοῦ ἐπὶ τὸν Σκάμανδρον ... ἐς τὸ Πριάμου Πέργαμον
ἀνέβη, ἵμερον ἔχων θεήσασθαι. Θεησάμενος δὲ, καὶ ~πυθόμενος
κείνων ἕκαστα~, τῇ Ἀθηναίῃ τῇ Ἰλιάδι ἔθυσε βοῦς χιλίας· χοὰς δὲ
οἱ μάγοι τοῖσιν ἥρωσιν ἐχέαντο.... Ἅμα ἡμέρῃ δὲ ἐπορεύετο, ἐν
ἀριστερῇ μὲν ἀπέργων Ῥοιτεῖον πόλιν καὶ Ὀφρυνεῖον καὶ Δάρδανον,
ἥπερ δὴ Ἀβύδῳ ὅμουρος ἐστιν· ἐν δεξιῇ δὲ, Γέργιθας Τευκρούς
(Herod. vii. 43).
Respecting Alexander (Arrian, i. 11), Ἀνελθόντα δὲ ἐς Ἴλιον, τῇ
Ἀθηνᾷ θῦσαι τῇ Ἰλιάδι, καὶ τὴν πανοπλίαν τὴν αὑτοῦ ἀναθεῖναι ἐς
τὸν ναὸν, καὶ καθελεῖν ἀντὶ ταύτης τῶν ἱερῶν τινα ὅπλων ἔτι ἐκ
τοῦ Τρωϊκοῦ ἔργου σωζόμενα· καὶ ταῦτα λέγουσιν ὅτι οἱ ὑπασπισταὶ
ἔφερον πρὸ αὐτοῦ ἐς τὰς μάχας. Θῦσαι δὲ αὐτὸν ἐπὶ τοῦ βωμοῦ τοῦ
Διὸς τοῦ Ἑρκείου λόγος κατέχει, μῆνιν Πριάμου παραιτούμενον τῷ
Νεοπτολέμου γένει, ὃ δὴ ἐς αὐτὸν καθῆκε.
The inhabitants of Ilium also showed the lyre which had belonged
to Paris (Plutarch, Alexand. c. 15).
Chandler, in his History of Ilium, chap. xxii. p. 89, seems to
think that the place called by Herodotus the Pergamum of Priam
is different from the historical Ilium. But the mention of the
Iliean Athênê identifies them as the same.
These were testimonies which few persons in those ages were inclined
to question, when combined with the identity of name and general
locality; nor does it seem that any one did question them until the
time of Dêmêtrius of Skêpsis. Hellanikus expressly described this Ilium
as being the Ilium of Homer, for which assertion Strabo (or probably
Dêmêtrius, from whom the narrative seems to be copied) imputes to him
very gratuitously an undue partiality towards the inhabitants of the
town.[799] Herodotus relates, that Xerxês in his march into Greece
visited the place, went up to the Pergamum of Priam, inquired with
much interest into the details of the Homeric siege, made libations to
the fallen heroes, and offered to the Athênê of Ilium his magnificent
sacrifice of a thousand oxen: he probably represented and believed
himself to be attacking Greece as the avenger of the Priamid family.
The Lacedæmonian admiral Mindarus, while his fleet lay at Abydus, went
personally to Ilium to offer sacrifice to Athênê, and saw from that
elevated spot the battle fought between the squadron of Dorieus and
the Athenians, on the shore near Rhœteium.[800] During the interval
between the Peloponnesian war and the Macedonian invasion of Persia,
Ilium was always garrisoned as a strong position; but its domain was
still narrow, and did not extend even to the sea which was so near to
it.[801] Alexander, on crossing the Hellespont, sent his army from
Sestus to Abydus, under Parmenio, and sailed personally from Elæeus
in the Chersonese, after having solemnly sacrificed at the Elæuntian
shrine of Prôtesilaus, to the harbor of the Achæans between Sigeium and
Rhœteium. He then ascended to Ilium, sacrificed to the Iliean Athênê,
and consecrated in her temple his own panoply, in exchange for which
he took some of the sacred arms there suspended, which were said to
have been preserved from the time of the Trojan war. These arms were
carried before him when he went to battle by his armor-bearers. It is
a fact still more curious, and illustrative of the strong working of
the old legend on an impressible and eminently religious mind, that he
also sacrificed to Priam himself, on the very altar of Zeus Herkeius
from which the old king was believed to have been torn by Neoptolemus.
As that fierce warrior was his heroic ancestor by the maternal side, he
desired to avert from himself the anger of Priam against the Achilleid
race.[802]
[799] Strabo, xiii. p. 602. Ἑλλάνικος δὲ χαριζόμενος τοῖς
Ἰλιεῦσιν, οἷος ὁ ἐκείνου μῦθος, συνηγορεῖ τῷ τὴν αὐτὴν εἶναι
πόλιν τὴν νῦν τῇ τότε. Hellanikus had written a work called
Τρωϊκά.
[800] Xenoph. Hellen. i. 1, 10. Skylax places Ilium twenty-five
stadia, or about three miles, from the sea (c. 94). But I do not
understand how he can call Skêpsis and Kebrên πόλεις ἐπὶ θαλάσσῃ.
[801] See Xenoph. Hellen. iii. i. 16; and the description of the
seizure of Ilium, along with Skêpsis and Kebrên, by the chief of
mercenaries, Charidêmus, in Demosthen. cont. Aristocrat. c. 38.
p. 671: compare Æneas Poliorcetic. c. 24, and Polyæn. iii. 14.
[802] Arrian, _l. c._ Dikæarchus composed a separate work
respecting this sacrifice of Alexander, περὶ τῆς ἐν Ἰλίῳ θυσίας
(Athenæ. xiii. p. 603; Dikæarch. Fragm. p. 114, ed. Fuhr).
Theophrastus, in noticing old and venerable trees, mentions the
φηγοὶ (_Quercus æsculus_) on the tomb of Ilus at Ilium, without
any doubt of the authenticity of the place (De Plant. iv. 14);
and his contemporary, the harper Stratonikos, intimates the same
feeling, in his jest on the visit of a bad sophist to Ilium
during the festival of the Ilieia (Athenæ. viii. p. 351). The
same may be said respecting the author of the tenth epistle
ascribed to the orator Æschinês (p. 737), in which his visit of
curiosity to Ilium is described—as well as about Apollônius of
Tyana, or the writer who describes his life and his visit to the
Trôad; it is evident that he did not distrust the ἀρχαιολογία
of the Ilieans, who affirmed their town to be the real Troy
(Philostrat. Vit. Apollôn. Tyan. iv. 11).
The goddess Athênê of Ilium was reported to have rendered
valuable assistance to the inhabitants of Kyzikus, when they were
besieged by Mithridatês, commemorated by inscriptions set up in
Ilium (Plutarch, Lucull. 10).
Alexander made to the inhabitants of Ilium many munificent promises,
which he probably would have executed, had he not been prevented
by untimely death: for the Trojan war was amongst all the Grecian
legends the most thoroughly Pan-Hellenic, and the young king of
Macedôn, besides his own sincere legendary faith, was anxious to
merge the local patriotism of the separate Greek towns in one general
Hellenic sentiment under himself as chief. One of his successors,
Antigonus,[803] founded the city of Alexandreia in the Trôad, between
Sigeium and the more southerly promontory of Lektum; compressing into
it the inhabitants of many of the neighboring Æolic towns in the region
of Ida,—Skêpsis, Kebrên, Hamaxitus, Kolônæ, and Neandria, though the
inhabitants of Skêpsis were subsequently permitted by Lysimachus to
resume their own city and autonomous government. Ilium however remained
without any special mark of favor until the arrival of the Romans in
Asia and their triumph over Antiochus (about 190 B. C.). Though it
retained its walls and its defensible position, Dêmêtrius of Skêpsis,
who visited it shortly before that event, described it as being then
in a state of neglect and poverty, many of the houses not even having
tiled roofs.[804] In this dilapidated condition, however, it was still
mythically recognized both by Antiochus and by the Roman consul
Livius, who went up thither to sacrifice to the Iliean Athênê. The
Romans, proud of their origin from Troy and Æneas, treated Ilium with
signal munificence; not only granting to it immunity from tribute,
but also adding to its domain the neighboring territories of Gergis,
Rhœteium and Sigeium—and making the Ilieans masters of the whole
coast[805] from the Peræa (or continental possessions) of Tenedos
(southward of Sigeium) to the boundaries of Dardanus, which had its own
title to legendary reverence as the special sovereignty of Æneas. The
inhabitants of Sigeium could not peaceably acquiesce in this loss of
their autonomy, and their city was destroyed by the Ilieans.
[803] Strabo, xiii. p. 603-607.
[804] Livy, xxxv. 43; xxxvii. 9. Polyb. v. 78-111 (passages which
prove that Ilium was fortified and defensible about B. C. 218).
Strabo, xiii. p. 594. Καὶ τὸ Ἴλιον δ᾽, ὃ νῦν ἐστι, κωμόπολίς τις
ἦν, ὅτε πρῶτον Ῥωμαῖοι τῆς Ἀσίας ἐπέβησαν καὶ ἐξέβαλον Ἀντίοχον
τὸν μέγαν ἐκ τῆς ἐντὸς τοῦ Ταύρου. Φησὶ γοῦν Δημήτριος ὁ Σκήψιος,
μειράκιον ἐπιδημήσας εἰς τὴν πόλιν κατ᾽ ἐκείνους τοὺς καιροὺς,
οὕτως ὠλιγωρημένην ἰδεῖν τὴν κατοικίαν, ὥστε μηδὲ κεραμωτὰς
ἔχειν τὰς στέγας. Ἡγησιάναξ δὲ, τοὺς Γαλάτας περαιωθέντας ἐκ τῆς
Εὐρώπης, ἀναβῆναι μὲν εἰς τὴν πόλιν δεομένους ἐρύματος, παραχρῆμα
δ᾽ ἐκλιπεῖν διὰ τὸ ἀτείχιστον· ὕστερον δ᾽ ἐπανόρθωσιν ἔσχε
πολλήν. Εἶτ᾽ ἐκάκωσαν αὐτὴν πάλιν οἱ μετὰ Φιμβρίου, etc.
This is a very clear and precise statement, attested by an
eye-witness. But it is thoroughly inconsistent with the statement
made by Strabo in the previous chapter, a dozen lines before, as
the text now stands; for he there informs us that Lysimachus,
after the death of Alexander, paid great attention to Ilium,
surrounded it with a wall of forty stadia in circumference,
erected a temple, and aggregated to Ilium the ancient cities
around, which were in a state of decay. We know from Livy that
the aggregation of Gergis and Rhœteium to Ilium was effected, not
by Lysimachus, but by the Romans (Livy, xxxviii. 37); so that the
_first_ statement of Strabo is not only inconsistent with his
second, but is contradicted by an independent authority.
I cannot but think that this contradiction arises from a
confusion of the text in Strabo’s _first_ passage, and that
in that passage Strabo really meant to speak only of the
improvements brought about by Lysimachus in _Alexandreia Trôas_;
that he never meant to ascribe to Lysimachus any improvements in
_Ilium_, but, on the contrary, to assign the remarkable attention
paid by Lysimachus to _Alexandreia Trôas_, as the reason why
he had neglected to fulfil the promises held out by Alexander
to _Ilium_. The series of facts runs thus:—1. Ilium is nothing
better than a κώμη; at the landing of Alexander; 2. Alexander
promises great additions, but never returns from Persia to
accomplish them; 3. Lysimachus is absorbed in Alexandreia Trôas,
into which he aggregates several of the adjoining old towns,
and which flourishes under his hands; 4. Hence Ilium remained a
κώμη when the Romans entered Asia, as it had been when Alexander
entered.
This alteration in the text of Strabo might be effected by the
simple transposition of the words as they now stand, and by
omitting ὅτε καὶ, ἤδη ἐπεμελήθη, without introducing a single
new or conjectural word, so that the passage would read thus:
Μετὰ δὲ τὴν ἐκείνου (Alexander’s) τελευτὴν Λυσίμαχος μάλιστα τῆς
Ἀλεξανδρείας ἐπεμελήθη, συνῳκισμένης μὲν ἤδη ὑπ᾽ Ἀντιγόνου, καὶ
προσηγορευμένης Ἀντιγόνιας, μεταβαλούσης δὲ τοὔνομα· (ἔδοξε γὰρ
εὐσεβὲς εἶναι τοὺς Ἀλεξάνδρον διαδεξαμένους ἐκείνου πρότερον
κτίζειν ἐπωνύμους πόλεις, εἶθ᾽ ἑαυτῶν) καὶ νέων κατεσκεύασε καὶ
τεῖχος περιεβάλετο ὅσον 40 σταδίων· συνῴκισε δὲ εἰς αὐτὴν τὰς
κύκλῳ πόλεις ἀρχαίας, ἤδη κεκακωμένας. Καὶ δὴ καὶ συνέμεινε
... πόλεων. If this reading be adopted, the words beginning
that which stands in Tzschucke’s edition as sect. 27, and which
immediately follow the last word πόλεων, will read quite suitably
and coherently,—Καὶ τὸ Ἴλιον δ᾽, ὃ νῦν ἐστὶ, κωμόπολίς τις ἦν,
ὅτε πρῶτον Ῥωμαῖοι τῆς Ἀσίας ἐπέβησαν, etc., whereas with the
present reading of the passage they show a contradiction, and the
whole passage is entirely confused.
[805] Livy, xxxviii. 39; Strabo, xiii. p. 600. Κατέσκαπται δὲ καὶ
τὸ Σίγειον ὑπὸ τῶν Ἰλιέων διὰ τὴν ἀπείθειαν· ὑπ᾽ ἐκείνοις γὰρ ἦν
ὕστερον ἡ παραλία πᾶσα ἡ μέχρι Δαρδάνου, καὶ νῦν ὑπ᾽ ἐκείνοις
ἔστι.
The dignity and power of Ilium being thus prodigiously enhanced, we
cannot doubt that the inhabitants assumed to themselves exaggerated
importance as the recognized parents of all-conquering Rome. Partly,
we may naturally suppose, from the jealousies thus aroused on the
part of their neighbors at Skêpsis and Alexandreia Trôas—partly from
the pronounced tendency of the age (in which Kratês at Pergamus and
Aristarchus at Alexandria divided between them the palm of literary
celebrity) towards criticism and illustration of the old poets—a
blow was now aimed at the mythical legitimacy of Ilium. Dêmêtrius of
Skêpsis, one of the most laborious of the Homeric critics, had composed
thirty books of comment upon the Catalogue in the Iliad: Hestiæa, an
authoress of Alexandreia Trôas, had written on the same subject: both
of them, well-acquainted with the locality, remarked that the vast
battles described in the Iliad could not be packed into the narrow
space between Ilium and the Naustathmon of the Greeks; the more so,
as that space, too small even as it then stood, had been considerably
enlarged since the date of the Iliad by deposits at the mouth of the
Skamander.[806] They found no difficulty in pointing out topographical
incongruities and impossibilities as to the incidents in the Iliad,
which they professed to remove by the startling theory that the Homeric
Ilium had not occupied the site of the city so called. There was a
village, called the village of the Ilieans, situated rather less than
four miles from the city in the direction of Mount Ida, and further
removed from the sea; here, they affirmed the “holy Troy” had stood.
[806] Strabo, xiii. 599. Παρατίθησι δὲ ὁ Δημήτριος καὶ τὴν
Ἀλεξανδρίνην Ἑστίαιαν μάρτυρα, τὴν συγγράψασαν περὶ τῆς Ὁμήρου
Ἰλιάδος, πυνθανομένην, εἰ περὶ τὴν νῦν πόλιν ὁ πόλεμος συνέστη,
καὶ τὸ Τρωϊκὸν πεδίον ποῦ ἔστιν, ὃ μέταξυ τῆς πόλεως καὶ τῆς
θαλάσσης ὁ ποιητὴς φράζει· τὸ μὲν γὰρ πρὸ τῆς νῦν πόλεως
ὁρώμενον, πρόχωμα εἶναι τῶν ποταμῶν, ὕστερον γεγονός.
The words ποῦ ἔστιν are introduced conjecturally by Grosskurd,
the excellent German translator of Strabo, but they seem to me
necessary to make the sense complete.
Hesitæa is cited more than once in the Homeric Scholia (Schol.
Venet. ad Iliad, iii. 64; Enstath. ad Iliad, ii. 538).
No positive proof was produced to sustain the conclusion, for Strabo
expressly states that not a vestige of the ancient city remained at
the Village of the Ilieans:[807] but the fundamental supposition was
backed by a second accessory supposition, to explain how it happened
that all such vestiges had disappeared. Nevertheless Strabo adopts the
unsupported hypothesis of Dêmêtrius as if it were an authenticated
fact—distinguishing pointedly between Old and New Ilium, and even
censuring Hellanikus for having maintained the received local faith.
But I cannot find that Dêmêtrius and Hestiæa have been followed in
this respect by any other writer of ancient times excepting Strabo.
Ilium still continued to be talked of and treated by every one as the
genuine Homeric Troy: the cruel jests of the Roman rebel Fimbria, when
he sacked the town and massacred the inhabitants—the compensation made
by Sylla, and the pronounced favor of Julius Cæsar and Augustus,—all
prove this continued recognition of identity.[808] Arrian, though a
native of Nicomedia, holding a high appointment in Asia Minor, and
remarkable for the exactness of his topographical notices, describes
the visit of Alexander to Ilium, without any suspicion that the place
with all its relics was a mere counterfeit: Aristidês, Dio Chrysostom,
Pausanias, Appian, and Plutarch hold the same language.[809] But modern
writers seem for the most part to have taken up the supposition from
Strabo as implicitly as he took it from Dêmêtrius. They call Ilium by
the disrespectful appellation of _New_ Ilium—while the traveller in the
Trôad looks for _Old_ Ilium as if it were the unquestionable spot where
Priam had lived and moved; the name is even formally enrolled on the
best maps recently prepared of the ancient Trôad.[810]
[807] Strabo, xiii. p. 599. Οὐδὲν δ᾽ ἴχνος σώζεται τῆς ἀρχαίας
πόλεως—εἰκότως· ἅτε γὰρ ἐκπεπορθημένων τῶν κύκλῳ πόλεων, οὐ
τελέως δὲ κατεσπασμένων, οἱ λίθοι πάντες εἰς τὴν ἐκείνων ἀνάληψιν
μετηνέχθησαν.
[808] Appian, Mithridat. c. 53; Strabo, xiii. p. 594; Plutarch,
Sertorius, c. 1; Velleius Paterc. ii. 23.
The inscriptions attest Panathenaic games celebrated at Ilium
in honor of Athênê by the Ilieans conjointly with various other
neighboring cities (see Corp. Inscr. Boeckh. No. 3601-3602, with
Boeckh’s observations). The valuable inscription No. 3595 attests
the liberality of Antiochus Soter towards the Iliean Athênê as
early as 278 B. C.
[809] Arrian, i. 11; Appian _ut sup._; also Aristidês, Or. 43,
Rhodiaca, p. 820 (Dindorf p. 369). The curious Oratio xi. of Dio
Chrysostom, in which he writes his new version of the Trojan war,
is addressed to the inhabitants of Ilium.
[810] The controversy, now half a century old, respecting Troy
and the Trojan war—between Bryant and his various opponents,
Morritt, Gilbert Wakefield, the British Critic, etc., seems
now nearly forgotten, and I cannot think that the pamphlets on
either side would be considered as displaying much ability, if
published at the present day. The discussion was first raised by
the publication of Le Chevalier’s account of the plain of Troy,
in which the author professed to have discovered the true site of
Old Ilium (the supposed Homeric Troy), about twelve miles from
the sea near Bounarbashi. Upon this account Bryant published some
animadversions, followed up by a second treatise, in which he
denied the historical reality of the Trojan war, and advanced the
hypothesis that the tale was of Egyptian origin (Dissertation on
the War of Troy, and the Expedition of the Grecians as described
by Homer, showing that no such Expedition was ever undertaken,
and that no such city of Phrygia existed, by Jacob Bryant;
seemingly 1797, though there is no date in the title-page:
Morritt’s reply was published in 1798). A reply from Mr. Bryant
and a rejoinder from Mr. Morritt, as well as a pamphlet from G.
Wakefield, appeared in 1799 and 1800, besides an Expostulation by
the former addressed to the British Critic.
Bryant, having dwelt both on the incredibilities and the
inconsistencies of the Trojan war, as it is recounted in
Grecian legend generally, nevertheless admitted that Homer had
a groundwork for his story, and maintained that that groundwork
was Egyptian. Homer (he thinks) was an Ithacan, descended
from a family originally emigrant from Egypt: the war of Troy
was originally an Egyptian war, which explains how Memnôn the
Ethiopian came to take part in it: “upon this history, which
was originally Egyptian, Homer founded the scheme of his two
principal poems, adapting things to Greece and Phrygia by an
ingenious transposition:” he derived information from priests
of Memphis or Thêbes (Bryant, pp. 102, 108, 126). The Ἥρως
Αἰγύπτιος, mentioned in the second book of the Odyssey (15), is
the Egyptian hero, who affords, in his view, an evidence that the
population of that island was in part derived from Egypt. No one
since Mr. Bryant, I apprehend, has ever construed the passage in
the same sense.
Bryant’s Egyptian hypothesis is of no value; but the negative
portion of his argument, summing up the particulars of the Trojan
legend, and contending against its historical credibility, is
not so easily put aside. Few persons will share in the zealous
conviction by which Morritt tries to make it appear that the
1100 ships, the ten years of war, the large confederacy of
princes from all parts of Greece, etc., have nothing but what
is consonant with historical probability; difficulties being
occasionally eliminated by the plea of our ignorance of the time
and of the subject (Morritt, p. 7-21). Gilbert Wakefield, who
maintains the historical reality of the siege with the utmost
intensity, and even compares Bryant to Tom Paine (W. p. 17), is
still more displeased with those who propound doubts, and tells
us that “grave disputation in the midst of such darkness and
uncertainty is a conflict with chimæras” (W. p. 14).
The most plausible line of argument taken by Morritt and
Wakefield is, where they enforce the positions taken by Strabo
and so many other authors, ancient as well as modern, that a
superstructure of fiction is to be distinguished from a basis
of truth, and that the latter is to be maintained while the
former is rejected (Morritt, p. 5; Wake. p. 7-8). To this Bryant
replies, that “if we leave out every absurdity, we can make
anything plausible; that a fable may be made consistent, and we
have many romances that are very regular in the assortment of
characters and circumstances: this may be seen in plays, memoirs,
and novels. But this regularity and correspondence alone will not
ascertain the truth” (Expostulation, pp. 8, 12, 13). “That there
are a great many other fables besides that of Troy, regular and
consistent among themselves, believed and chronologized by the
Greeks, and even looked up to by them in a religious view (p.
13), which yet no one now thinks of admitting as history.”
Morritt, having urged the universal belief of antiquity as
evidence that the Trojan war was historically real, is met
by Bryant, who reminds him that the same persons believed in
centaurs, satyrs, nymphs, augury, aruspicy; Homer maintaining
that horses could speak, etc. To which Morritt replies, “What has
religious belief to do with historical facts? Is not the evidence
on which our faith rests in matters of religion totally different
in all its parts from that on which we ground our belief in
history?” (Addit. Remarks, p. 47).
The separation between the grounds of religious and historical
belief is by no means so complete as Mr. Morritt supposes, even
in regard to modern times; and when we apply his position to the
ancient Greeks, it will be found completely the reverse of the
truth. The contemporaries of Herodotus and Thucydidês conceived
their early history in the most intimate conjunction with their
religion.
Strabo has here converted into geographical matter of fact an
hypothesis purely gratuitous, with a view of saving the accuracy of
the Homeric topography; though in all probability the locality of the
pretended Old Ilium would have been found open to difficulties not
less serious than those which it was introduced to obviate.[811] It
may be true that Dêmêtrius and he were justified in their negative
argument, so as to show that the battles described in the Iliad could
not possibly have taken place if the city of Priam had stood on the
hill inhabited by the Ilieans. But the legendary faith subsisted
before, and continued without abatement afterwards, notwithstanding
such topographical impossibilities. Hellanikus, Herodotus, Mindarus,
the guides of Xerxês, and Alexander, had not been shocked by them: the
case of the latter is the strongest of all, because he had received the
best education of his time under Aristotle—he was a passionate admirer
and constant reader of the Iliad—he was moreover personally familiar
with the movements of armies, and lived at a time when maps, which
began with Anaximander, the disciple of Thalês, were at least known to
all who sought instruction. Now if, notwithstanding such advantages,
Alexander fully believed in the identity of Ilium, unconscious of
these many and glaring topographical difficulties, much less would
Homer himself, or the Homeric auditors, be likely to pay attention to
them, at a period, five centuries earlier, of comparative rudeness and
ignorance, when prose records as well as geographical maps were totally
unknown.[812] The inspired poet might describe, and his hearers would
listen with delight to the tale, how Hectôr, pursued by Achilles, ran
thrice round the city of Troy, while the trembling Trojans were all
huddled into the city, not one daring to come out even at this last
extremity of their beloved prince—and while the Grecian army looked on,
restraining unwillingly their uplifted spears at the nod of Achilles,
in order that Hectôr might perish by no other hand than his; nor were
they, while absorbed by this impressive recital, disposed to measure
distances or calculate topographical possibilities with reference to
the site of the real Ilium.[813] The mistake consists in applying to
Homer and to the Homeric siege of Troy, criticisms which would be
perfectly just if brought to bear on the Athenian siege of Syracuse, as
described by Thucydidês;[814] in the Peloponnesian war[815]—but which
are not more applicable to the epic narrative than they would be to the
exploits of Amadis or Orlando.
[811] For example, adopting his own line of argument (not to
mention those battles in which the pursuit and the flight reaches
from the city to the ships and back again), it might have been
urged to him, that by supposing the Homeric Troy to be four miles
farther off from the sea, he aggravated the difficulty of rolling
the Trojan horse into the town: it was already sufficiently hard
to propel this vast wooden animal full of heroes from the Greek
Naustathmon to the town of Ilium.
The Trojan horse, with its accompaniments Sinon and Laocoôn, is
one of the capital and indispensable events in the epic: Homer,
Arktinus, Leschês, Virgil, and Quintus Smyrnæus, all dwell upon
it emphatically as the proximate cause of the capture.
The difficulties and inconsistencies of the movements ascribed to
Greeks and Trojans in the Iliad, when applied to real topography,
are well set forth in Spohn, _De Agro Trojano_, Leipsic, 1814;
and Mr. Maclaren has shown (Dissertation on the Topography of the
Trojan War, Edinburgh, 1822) that these difficulties are nowise
obviated by removing Ilium a few miles further from the sea.
[812] Major Rennell argues differently from the visit of
Alexander, employing it to confute the hypothesis of Chevalier,
who had placed the Homeric Troy at Bounarbashi, the site supposed
to have been indicated by Dêmêtrius and Strabo:—
“Alexander is said to have been a passionate admirer of the
Iliad, and he had an opportunity of deciding on the spot how far
the topography was consistent with the narrative. Had he been
shown the site of Bounarbashi for that of Troy, he would probably
have questioned the fidelity either of the historical part of the
poem or his guides. It is not within credibility, that a person
of so correct a judgment as Alexander could have admired a poem,
which contained a long history of military details, and other
transactions that could not physically have had an existence.
What pleasure could he receive, in contemplating as subjects
of history, events which could not have happened? Yet he did
admire the poem, and _therefore must have found the topography
consistent_: that is, Bounarbashi, surely, was not shown to him
for Troy.” (Rennell, Observations on the Plain of Troy, p. 128).
Major Rennell here supposes in Alexander a spirit of
topographical criticism quite foreign to his real character. We
have no reason to believe that the site of Bounarbashi was shown
to Alexander as the Homeric Troy, or that any site was shown
to him _except Ilium_, or what Strabo calls New Ilium. Still
less reason have we to believe that any scepticism crossed his
mind, or that his deep-seated faith required to be confirmed by
measurement of distances.
[813] Strabo, xiii. p. 599. Οὐδ᾽ ἡ τοῦ Ἕκτορος δὲ περιδρομὴ ἡ
περὶ τὴν πόλιν ἔχει τι εὔλογον· οὐ γάρ ἐστι περίδρομος ἡ νῦν, διὰ
τὴν συνεχῆ ῥάχιν· ἡ δὲ παλαιὰ ἔχει περιδρομήν.
[814] Mannert (Geographie der Griechen und Römer, th. 6. heft 3.
b. 8. cap. 8) is confused in his account of Old and New Ilium: he
represents that Alexander raised up a new spot to the dignity of
having been the Homeric Ilium, which is not the fact: Alexander
adhered to the received local belief. Indeed, as far as our
evidence goes, no one but Dêmêtrius, Hestiæa, and Strabo appears
ever to have departed from it.
[815] There can hardly be a more singular example of this same
confusion, than to find elaborate military criticisms from the
Emperor Napoleon, upon the description of the taking of Troy in
the second book of the Æneid. He shows that gross faults are
committed in it, when looked at from the point of view of a
general (see an interesting article by Mr. G. C. Lewis, in the
Classical Museum, vol. i. p. 205, “Napoleon on the Capture of
Troy”).
Having cited this criticism from the highest authority on the
art of war, we may find a suitable parallel in the works of
distinguished publicists. The attack of Odysseus on the Ciconians
(described in Homer, Odyss. ix. 39-61) is cited both by Grotius
(De Jure Bell. et Pac. iii. 3, 10) and by Vattel (Droit des Gens,
iii. 202) as a case in point in international law. Odysseus is
considered to have sinned against the rules of international law
by attacking them as allies of the Trojans, without a formal
declaration of war.
There is every reason for presuming that the Ilium visited by Xerxês
and Alexander was really the “holy Ilium” present to the mind of
Homer; and if so, it must have been inhabited, either by Greeks or by
some anterior population, at a period earlier than that which Strabo
assigns. History recognizes neither Troy the city, nor Trojans, as
actually existing; but the extensive region called Trôas, or the
Trôad (more properly Trôïas), is known both to Herodotus and to
Thucydidês: it seems to include the territory westward of an imaginary
line drawn from the north-east corner of the Adramyttian gulf to the
Propontis at Parium, since both Antandrus, Kolônæ, and the district
immediately round Ilium, are regarded as belonging to the Trôad.[816]
Herodotus further notices the Teukrians of Gergis[817] (a township
conterminous with Ilium, and lying to the eastward of the road
from Ilium to Abydus), considering them as the remnant of a larger
Teukrian population which once resided in the country, and which
had in very early times undertaken a vast migration from Asia into
Europe.[818] To that Teukrian population he thinks that the Homeric
Trojans belonged:[819] and by later writers, especially by Virgil and
the other Romans, the names Teukrians and Trojans are employed as
equivalents. As the name Trojans is not mentioned in any contemporary
historical monument, so the name _Teukrians_ never once occurs in the
old epic. It appears to have been first noticed by the elegiac poet
Kallinus, about 660 B. C., who connected it by an alleged immigration
of Teukrians from Krête into the region round about Ida. Others again
denied this, asserting that the primitive ancestor, Teukrus, had come
into the country from Attica,[820] or that he was of indigenous origin,
born from Skamander and the nymph Idæa—all various manifestations of
that eager thirst after an eponymous hero which never deserted the
Greeks. Gergithians occur in more than one spot in Æolis, even so far
southward as the neighborhood of Kymê:[821] the name has no place
in Homer, but he mentions Gorgythion and Kebriones as illegitimate
sons of Priam, thus giving a sort of epical recognition both to
Gergis and Kebrên. As Herodotus calls the old epical Trojans by the
name Teukrians, so the Attic Tragedians call them Phrygians; though
the Homeric hymn to Aphroditê represents Phrygians and Trojans as
completely distinct, specially noting the diversity of language;[822]
and in the Iliad the Phrygians are simply numbered among the allies
of Troy from the far Ascania, without indication of any more intimate
relationship.[823] Nor do the tales which connect Dardanus with
Samothrace and Arcadia find countenance in the Homeric poems, wherein
Dardanus is the son of Zeus, having no root anywhere except in
Dardania.[824] The mysterious solemnities of Samothrace, afterwards so
highly venerated throughout the Grecian world, date from a period much
later than Homer; and the religious affinities of that island as well
as of Krête with the territories of Phrygia and Æolis, were certain,
according to the established tendency of the Grecian mind, to beget
stories of a common genealogy.
[816] Compare Herodot. v. 24-122; Thucyd. i. 131. The Ἰλιὰς γῆ is
a part of the Trôad.
[817] Herodot. vii. 43.
[818] Herodot. v. 122. εἷλε μὲν Αἰολέας πάντας, ὅσοι τὴν Ἰλιάδα
γῆν νέμονται, εἷλε δὲ Γέργιθας, τοὺς ἀπολειφθέντας τῶν ἀρχαίων
Τεύκρων.
For the migration of the Teukrians and Mysians into Europe, see
Herodot. vii. 20; the Pæonians, on the Strymôn, called themselves
their descendants.
[819] Herodot. ii. 118; v. 13.
[820] Strabo, xiii. p. 604; Apollodôr. iii. 12, 4.
Kephalôn of Gergis called Teukrus a Krêtan (Stephan. Byz. v.
Ἀρίσβη).
[821] Clearchus ap. Athæne. vi. p. 256; Strabo, xiii. p. 589-616.
[822] Homer, Hymn. in Vener. 116.
[823] Iliad, ii. 863. Asius, the brother of Hecabê, lives in
Phrygia on the banks of the Sangarius (Iliad, xvi. 717).
[824] See Hellanik. Fragm. 129, 130. ed. Didot; and Kephalôn
Gergithius ap. Steph. Byz. v. Ἀρισβή.
To pass from this legendary world,—an aggregate of streams distinct and
heterogeneous, which do not willingly come into confluence, and cannot
be forced to intermix,—into the clearer vision afforded by Herodotus,
we learn from him that in the year 500 B. C. the whole coast-region
from Dardanus southward to the promontory of Lektum (including the
town of Ilium), and from Lektum eastward to Adramyttium, had been
Æolized, or was occupied by Æolic Greeks—likewise the inland towns
of Skêpsis[825] and Krebên. So that if we draw a line northward from
Adramyttium to Kyzikus on the Propontis, throughout the whole territory
westward from that line, to the Hellespont and the Ægean Sea, all the
considerable towns would be Hellenic, with the exception of Gergis and
the Teukrian population around it,—all the towns worthy of note were
either Ionic or Æolic. A century earlier, the Teukrian population would
have embraced a wider range—perhaps Skêpsis and Krebên, the latter
of which places was colonized by Greeks from Kymê:[826] a century
afterwards, during the satrapy of Pharnabazus, it appears that Gergis
had become Hellenized as well as the rest. The four towns, Ilium,
Gergis, Kebrên and Skêpsis, all in lofty and strong positions, were
distinguished each by a solemn worship and temple of Athênê, and by the
recognition of that goddess as their special patroness.[827]
[825] Skêpsis received some colonists from the Ionic Miletus
(Anaximenês apud Strabo, xiv. p. 635); but the coins of the place
prove that its dialect was Æolic. See Klausen, Æneas und die
Penaten, tom. i. note 180.
Arisbê also, near Abydus, seems to have been settled from
Mitylênê (Eustath. ad Iliad. xii. 97).
The extraordinary fertility and rich black mould of the plain
around Ilium is noticed by modern travellers (see Franklin,
Remarks and Observations on the Plain of Troy, London, 1800, p.
44): it is also easily worked: “a couple of buffaloes or oxen
were sufficient to draw the plough, whereas near Constantinople
it takes twelve or fourteen.”
[826] Ephôrus ap. Harpocrat. v. Κεβρῆνα.
[827] Xenoph. Hellen. i. 1, 10; iii. 1, 10-15.
One of the great motives of Dio in setting aside the Homeric
narrative of the Trojan war, is to vindicate Athênê from the
charge of having unjustly destroyed her own city of Ilium (Orat.
xi. p. 310: μάλιστα διὰ τὴν Ἀθηνᾶν ὅπως μὴ δοκῇ ἀδίκως διαφθεῖραι
τὴν ἑαυτῆς πόλιν).
The author of the Iliad conceived the whole of this region as occupied
by people not Greek,—Trojans, Dardanians, Lykians, Lelegians,
Pelasgians, and Kilikians. He recognizes a temple and worship of Athênê
in Ilium, though the goddess is bitterly hostile to the Trojans: and
Arktinus described the Palladium as the capital protection of the city.
But perhaps the most remarkable feature of identity between the Homeric
and the historical Æolis, is, the solemn and diffused worship of the
Sminthian Apollo. Chrysê, Killa and Tenedos, and more than one place
called Sminthium, maintain the surname and invoke the protection of
that god during later times, just as they are emphatically described to
do by Homer.[828]
[828] Strabo, x. p. 473; xiii. p. 604-605. Polemon. Fragm. 31. p.
63, ed. Preller.
Polemon was a native of Ilium, and had written a periegesis of
the place (about 200 B. C., therefore earlier than Dêmêtrius of
Skêpsis): he may have witnessed the improvement in its position
effected by the Romans. He noticed the identical stone upon which
Palamêdês had taught the Greeks to play at dice.
The Sminthian Apollo appears inscribed on the coins of
Alexandreia Trôas; and the temple of the god was memorable even
down to the time of the emperor Julian (Ammian. Marcellin. xxii.
8). Compare Menander (the Rhetor) περὶ Ἐπιδεικτικῶν, iv. 14; apud
Walz. Collect. Rhetor. t. ix. p. 304; also περὶ Σμινθιακῶν, iv.
17.
Σμίνθος, both in the Krêtan and the Æolic dialect, meant a
_field-mouse_: the region seems to have been greatly plagued by
these little animals.
Polemon could not have accepted the theory of Dêmêtrius, that
Ilium was not the genuine Troy: his Periegesis, describing the
localities and relics of Ilium, implied the legitimacy of the
place as a matter of course.
When it is said that the Post-Homeric Greeks gradually Hellenized
this entire region, we are not to understand that the whole previous
population either retired or was destroyed. The Greeks settled in the
leading and considerable towns, which enabled them both to protect one
another and to gratify their predominant tastes. Partly by force—but
greatly also by that superior activity, and power of assimilating
foreign ways of thought to their own, which distinguished them from
the beginning—they invested all the public features and management of
the town with an Hellenic air, distributed all about it their gods,
their heroes and their legends, and rendered their language the medium
of public administration, religious songs and addresses to the gods,
and generally for communications wherein any number of persons were
concerned. But two remarks are here to be made: first, in doing this
they could not avoid taking to themselves more or less of that which
belonged to the parties with whom they fraternized, so that the result
was not pure Hellenism; next, that even this was done only in the
towns, without being fully extended to the territorial domain around,
or to those smaller townships which stood to the town in a dependent
relation. The Æolic and Ionic Greeks borrowed from the Asiatics whom
they had Hellenized, musical instruments and new laws of rhythm and
melody, which they knew how to turn to account: they further adopted
more or less of those violent and maddening religious rites, manifested
occasionally in self-inflicted suffering and mutilation, which were
indigenous in Asia Minor in the worship of the Great Mother. The
religion of the Greeks in the region of Ida as well as at Kyzikus was
more orgiastic than the native worship of Greece Proper, just as that
of Lampsacus, Priapus and Parium was more licentious. From the Teukrian
region of Gergis, and from the Gergithes near Kymê, sprang the original
Sibylline prophecies, and the legendary Sibyll who plays so important
a part in the tale of Æneas: the mythe of the Sibyll, whose prophecies
are supposed to be heard in the hollow blast bursting out from obscure
caverns and apertures in the rocks,[829] was indigenous among the
Gergithian Teukrians, and passed from the Kymæans in Æolis, along with
the other circumstances of the tale of Æneas, to their brethren the
inhabitants of Cumæ in Italy. The date of the Gergithian Sibyll, or
rather of the circulation of her supposed prophecies, is placed during
the reign of Crœsus, a period when Gergis was thoroughly Teukrian.
Her prophecies, though embodied in Greek verses, had their root in a
Teukrian soil and feelings; and the promises of future empire which
they so liberally make to the fugitive hero escaping from the flames of
Troy into Italy, become interesting from the remarkable way in which
they were realized by Rome.[830]
[829] Virgil, Æneid, vi. 42:—
Excisum Euboicæ latus ingens rupis in antrum,
Quo lati ducunt aditus centum, ostia centum;
Unde ruunt totidem voces, responsa Sibyllæ.
[830] Pausanias, x. 12, 8; Lactantius, i. 6, 12; Steph. Byz. v.
Μέρμησσος; Schol. Plat. Phædr. p. 315, Bekker.
The date of this Gergithian Sibyll, or of the prophecies passing
under her name, is stated by Hêrakleidês of Pontus, and there
seems no reason for calling it in question.
Klausen (Æneas und die Penaten, book ii. p. 205) has worked out
copiously the circulation and legendary import of the Sibylline
prophecies.
At what time Ilium and Dardanus became Æolized we have no information.
We find the Mitylenæans in possession of Sigeium in the time of the
poet Alkæus, about 600 B. C.; and the Athenians during the reign of
Peisistratus, having wrested it from them and trying to maintain their
possession, vindicate the proceeding by saying that they had as much
right to it as the Mitylenæans, “for the latter had no more claim to
it than any of the other Greeks who had aided Menelaus in avenging
the abduction of Helen.”[831] This is a very remarkable incident,
as attesting the celebrity of the legend of Troy, and the value of
a mythical title in international disputes—yet seemingly implying
that the establishment of the Mitylenæans on that spot must have been
sufficiently recent. The country near the junction of the Hellespont
and the Propontis is represented as originally held[832] by Bebrykian
Thracians, while Abydus was first occupied by Milesian colonists in
the reign and by the permission of the Lydian king Gygês[833]—to whom
the whole Trôad and the neighboring territory belonged, and upon
whom therefore the Teukrians of Ida must have been dependent. This
must have been about 700 B. C., a period considerably earlier than
the Mitylenæan occupation of Sigeium. Lampsacus and Pæsus, on the
neighboring shores of the Propontis, were also Milesian colonies,
though we do not know their date: Parium was jointly settled from
Miletus, Erythræ and Parus.
[831] Herodot. v. 94. Σίγειον ... τὸ εἷλε Πεισίστρατος αἰχμῇ
παρὰ Μιτυληναίων ... Ἀθηναῖοι, ἀποδεικνύντες λόγῳ οὐδὲν μᾶλλον
Αἰολεῦσι μετεὸν τῆς Ἰλιάδος χώρης, ἢ οὐ καὶ σφι καὶ τοῖσι
ἄλλοισι, ὅσοι Ἑλλήνων συνεξεπρήξαντο Μενέλεῳ τὰς Ἑλένης ἁρπαγάς.
In Æschylus (Eumenid. 402) the goddess Athênê claims the land
about the Skamander, as having been presented to the sons of
Thêseus by the general vote of the Grecian chiefs:—
Ἀπὸ Σκαμάνδρου γῆν καταφθατουμένη,
Ἣν δὴ τ᾽ Ἀχαιῶν ἄκτορές τε καὶ πρόμοι
Τῶν αἰχμαλώτων χρημάτων λάχος μέγα,
Ἔνειμαν αὐτόπρεμνον εἰς τὸ πᾶν ἐμοὶ,
Ἐξαιρετὸν δώρημα Θησέως τόκοις.
In the days of Peisistratus, it seems Athens was not bold enough
or powerful enough to advance this vast pretension.
[832] Charôn of Lampsacus ap. Schol. Apollôn. Rhod. ii. 2;
Bernhardy ad Dionys. Periêgêt. 805. p. 747.
[833] Such at least is the statement of Strabo (xii. p. 590);
though such an extent of Lydian role at that time seems not easy
to reconcile with the proceedings of the subsequent Lydian kings.
CHAPTER XVI.
GRECIAN MYTHES, AS UNDERSTOOD, FELT AND INTERPRETED BY THE GREEKS
THEMSELVES.
The preceding sections have been intended to exhibit a sketch of that
narrative matter, so abundant, so characteristic and so interesting,
out of which early Grecian history and chronology have been extracted.
Raised originally by hands unseen and from data unassignable, it
existed first in the shape of floating talk among the people, from
whence a large portion of it passed into the song of the poets, who
multiplied, transformed and adorned it in a thousand various ways.
These mythes or current stories, the spontaneous and earliest growth of
the Grecian mind, constituted at the same time the entire intellectual
stock of the age to which they belonged. They are the common root of
all those different ramifications into which the mental activity of
the Greeks subsequently diverged; containing, as it were, the preface
and germ of the positive history and philosophy, the dogmatic theology
and the professed romance, which we shall hereafter trace each in
its separate development. They furnished aliment to the curiosity,
and solution to the vague doubts and aspirations of the age; they
explained the origin of those customs and standing peculiarities
with which men were familiar; they impressed moral lessons, awakened
patriotic sympathies, and exhibited in detail the shadowy, but anxious
presentiments of the vulgar as to the agency of the gods: moreover they
satisfied that craving for adventure and appetite for the marvellous,
which has in modern times become the province of fiction proper.
It is difficult, we may say impossible, for a man of mature age to
carry back his mind to his conceptions such as they stood when he was a
child, growing naturally out of his imagination and feelings, working
upon a scanty stock of materials, and borrowing from authorities whom
he blindly followed but imperfectly apprehended. A similar difficulty
occurs when we attempt to place ourselves in the historical and
quasi-philosophical point of view which the ancient mythes present to
us. We can follow perfectly the imagination and feeling which dictated
these tales, and we can admire and sympathize with them as animated,
sublime, and affecting poetry; but we are too much accustomed to matter
of fact and philosophy of a positive kind, to be able to conceive a
time when these beautiful fancies were construed literally and accepted
as serious reality.
Nevertheless it is obvious that Grecian mythes cannot be either
understood or appreciated except with reference to the system of
conceptions and belief of the ages in which they arose. We must
suppose a public not reading and writing, but seeing, hearing and
telling—destitute of all records, and careless as well as ignorant of
positive history with its indispensable tests, yet at the same time
curious and full of eagerness for new or impressive incidents—strangers
even to the rudiments of positive philosophy and to the idea of
invariable sequences of nature either in the physical or moral world,
yet requiring some connecting theory to interpret and regularize the
phænomena before them. Such a theory was supplied by the spontaneous
inspirations of an early fancy, which supposed the habitual agency
of beings intelligent and voluntary like themselves, but superior in
extent of power, and different in peculiarity of attributes. In the
geographical ideas of the Homeric period, the earth was flat and round,
with the deep and gentle ocean-stream flowing around and returning into
itself: chronology, or means of measuring past time, there existed
none; but both unobserved regions might be described, the forgotten
past unfolded, and the unknown future predicted—through particular men
specially inspired by the gods, or endowed by them with that peculiar
vision which detected and interpreted passing signs and omens.
If even the rudiments of scientific geography and physics, now so
universally diffused and so invaluable as a security against error and
delusion, were wanting in this early stage of society, their place was
abundantly supplied by vivacity of imagination and by personifying
sympathy. The unbounded tendency of the Homeric Greeks to multiply
fictitious persons, and to construe the phænomena which interested them
into manifestations of design, is above all things here to be noticed,
because the form of personal narrative, universal in their mythes,
is one of its many manifestations. Their polytheism (comprising some
elements of an original fetichism, in which particular objects had
themselves been supposed to be endued with life, volition, and design)
recognized agencies of unseen beings identified and confounded with the
different localities and departments of the physical world. Of such
beings there were numerous varieties, and many gradations both in power
and attributes; there were differences of age, sex and local residence,
relations both conjugal and filial between them, and tendencies
sympathetic as well as repugnant. The gods formed a sort of political
community of their own, which had its hierarchy, its distribution of
ranks and duties, its contentions for power and occasional revolutions,
its public meetings in the agora of Olympus, and its multitudinous
banquets or festivals.[834] The great Olympic gods were in fact only
the most exalted amongst an aggregate of quasi-human or ultra-human
personages,—dæmons, heroes, nymphs, eponymous (or name-giving) genii,
identified with each river, mountain,[835] cape, town, village, or
known circumscription of territory,—besides horses, bulls, and dogs,
of immortal breed and peculiar attributes, and monsters of strange
lineaments and combinations, “Gorgons and Harpies and Chimæras dire.”
As there were in every _gens_ or family special gentile deities and
foregone ancestors who watched over its members, forming in each the
characteristic symbol and recognized guarantee of their union, so there
seem to have been in each guild or trade peculiar beings whose vocation
it was to coöperate or to impede in various stages of the business.[836]
[834] Homer, Iliad, i. 603; xx. 7. Hesiod, Theogon. 802.
[835] We read in the Iliad that Asteropæus was grandson of the
beautiful river Axius, and Achilles, after having slain him,
admits the dignity of this parentage, but boasts that his own
descent from Zeus was much greater, since even the great river
Achelôus and Oceanus himself is inferior to Zeus (xxi. 157-191).
Skamander fights with Achilles, calling his brother Simoïs to his
aid (213-308). Tyrô, the daughter of Salmôneus, falls in love
with Enipeus, the most beautiful of rivers (Odyss. xi. 237).
Achelôus appears as a suitor of Deianira (Sophokl. Trach. 9).
There cannot be a better illustration of this feeling than what
is told of the New Zealanders at the present time. The chief
Heu-Heu appeals to his ancestor, the great mountain Tonga Riro:
“I am the Heu-Heu, and rule over you all, just as my ancestor
Tonga Riro, the mountain of snow, stands above all this land.”
(E. J. Wakefield, Adventures in New Zealand, vol. i. ch. 17.
p. 465). Heu-Heu refused permission to any one to ascend the
mountain, on the ground that it was his _tipuna_ or ancestor: “he
constantly identified himself with the mountain and called it
his sacred ancestor” (vol. ii. c. 4. p. 113). The mountains in
New Zealand are accounted by the natives masculine and feminine:
Tonga Riro, and Taranaki, two male mountains, quarrelled about
the affections of a small volcanic female mountain in the
neighborhood (_ibid._ ii. c. 4. p. 97).
The religious imagination of the Hindoos also (as described by
Colonel Sleeman in his excellent work, Rambles and Recollections
of an Indian Official), affords a remarkable parallel to that of
the early Greeks. Colonel Sleeman says,—
“I asked some of the Hindoos about us why they called the river
Mother Nerbudda, if she was really never married. Her Majesty
(said they with great respect) would really never consent to
be married after the indignity she suffered from her affianced
bridegroom the Sohun: and we call her _mother_ because she
blesses us all, and we are anxious to accost her by the name
which we consider to be the most respectful and endearing.
“Any Englishman can easily conceive a poet in his highest
calenture of the brain, addressing the Ocean as a steed that
knows his rider, and patting the crested billow as his flowing
mane. But he must come to India to understand how every
individual of a _whole community of many millions can address
a fine river as a living being—a sovereign princess who hears
and understands all they say, and exercises a kind of local
superintendence over their affairs_, without a single temple in
which her image is worshipped, or a single priest to profit by
the delusion. As in the case of the Ganges, _it is the river
itself to whom they address themselves, and not to any deity
residing in it, or presiding over it_—the stream itself is the
deity which fills their imaginations, and receives their homage”
(Rambles and Recollections of an Indian Official, ch. iii. p.
20). Compare also the remarks in the same work on the sanctity
of _Mother Nerbudda_ (chapter xxvii. p. 261); also of the holy
personality of the earth. “The land is considered as the MOTHER
of the prince or chief who holds it, the great parent from
whom he derives all that maintains him, his family, and his
establishments. If well-treated, she yields this in abundance
to her son; but if he presumes to look upon her with the eye of
_desire_, she ceases to be fruitful; or the Deity sends down
hail or blight to destroy all that she yields. The measuring the
surface of the fields, and the frequently inspecting the crops
by the chief himself or his immediate agents, were considered by
the people in this light—either it should not be done at all,
or the duty should be delegated to inferior agents, whose close
inspection of the _great parent_ could not be so displeasing to
the Deity” (Ch. xxvii. p. 248).
See also about the gods who are believed to reside in trees—the
Peepultree, the cotton-tree, etc. (ch. ix. p. 112), and the
description of the annual marriage celebrated between the sacred
pebble, or pebble-god, Saligram, and the sacred shrub Toolsea,
celebrated at great expense and with a numerous procession (chap.
xix. p. 158; xxiii. p. 185).
[836] See the song to the potters, in the Homeric Epigrams (14):—
Εἰ μὲν δώσετε μίσθον, ἀείσω, ὦ κεραμῆες·
Δεῦρ᾽ ἄγ᾽ Ἀθηναίη, καὶ ὑπείρεχε χεῖρα καμίνου.
Εὖ δὲ μελανθεῖεν κότυλοι, καὶ πάντα κάναστρα
Φρυχθῆναί τε καλῶς, καὶ τιμῆς ὦνον ἀρέσθαι.
... Ἦν δ᾽ ἐπ᾽ ἀναιδείην τρεφθέντες ψευδῆ ἄρῃσθε,
Συγκαλέω δὴ ᾽πειτα καμίνῳ δηλητῆρας·
Σύντριβ᾽ ὅμως, Σμάραγόν τε, καὶ Ἄσβετον, ἠδὲ Σαβάκτην,
Ὠμόδαμόν θ᾽, ὃς τῇδε τέχνῃ κακὰ πολλὰ πορίζει, etc.
A certain kindred between men and serpents (συγγένειάν τινα πρὸς
τοὺς ὄφεις) was recognized in the peculiar gens of the ὀφιογενεῖς
near Parion, who possessed the gift of healing by their touches
the bite of the serpent: the original hero of this gens was said
to have been transformed from a serpent into a man (Strabo, xiii.
p. 588).
The extensive and multiform personifications, here faintly sketched,
pervaded in every direction the mental system of the Greeks, and
were identified intimately both with their conception and with their
description of phenomena, present as well as past. That which to
us is interesting as the mere creation of an exuberant fancy, was
to the Greek genuine and venerated reality. Both the earth and the
solid heaven (Gæa and Uranos) were both conceived and spoken of by
him as endowed with appetite, feeling, sex, and most of the various
attributes of humanity. Instead of a sun such as we now see, subject
to astronomical laws, and forming the centre of a system the changes
of which we can ascertain and foreknow, he saw the great god Hêlios,
mounting his chariot in the morning in the east, reaching at mid-day
the height of the solid heaven, and arriving in the evening at the
western horizon, with horses fatigued and desirous of repose. Hêlios,
having favorite spots wherein his beautiful cattle grazed, took
pleasure in contemplating them during the course of his journey, and
was sorely displeased if any man slew or injured them: he had moreover
sons and daughters on earth, and as his all-seeing eye penetrated
everywhere, he was sometimes in a situation to reveal secrets even to
the gods themselves—while on other occasions he was constrained to turn
aside in order to avoid contemplating scenes of abomination.[837] To us
these now appear puerile, though pleasing fancies, but to an Homeric
Greek they seemed perfectly natural and plausible. In his view, the
description of the sun, as given in a modern astronomical treatise,
would have appeared not merely absurd, but repulsive and impious.
Even in later times, when the positive spirit of inquiry had made
considerable progress, Anaxagoras and other astronomers incurred the
charge of blasphemy for dispersonifying Hêlios, and trying to assign
invariable laws to the solar phænomena.[838] Personifying fiction was
in this way blended by the Homeric Greeks with their conception of
the physical phænomena before them, not simply in the way of poetical
ornament, but as a genuine portion of their every-day belief.
[837] Odyss. ii. 388; viii. 270; xii. 4, 128, 416; xxiii. 362.
Iliad, xiv. 344. The Homeric Hymn to Dêmêtêr expresses it neatly
(63)—
Ἡέλιον δ᾽ ἵκοντο, θεῶν σκόπον ἠδὲ καὶ ἀνδρῶν.
Also the remarkable story of Euênius of Apollônia, his neglect
of the sacred cattle of Hêlios, and the awful consequences of it
(Herodot. ix. 93: compare Theocr. Idyll, xxv. 130).
I know no passage in which this conception of the heavenly bodies
as Persons is more strikingly set forth than in the words of
the German chief Boiocalus, pleading the cause of himself and
his tribe the Ansibarii before the Roman legate Avitus. This
tribe, expelled by other tribes from its native possessions,
had sat down upon some of that wide extent of lands on the
Lower Rhine which the Roman government reserved for the use of
its soldiers, but which remained desert, because the soldiers
had neither the means nor the inclination to occupy them. The
old chief, pleading his cause before Avitus, who had issued
an order to him to evacuate the lands, first dwelt upon his
fidelity of fifty years to the Roman cause, and next touched
upon the enormity of retaining so large an area in a state of
waste (Tacit. Ann. xiii. 55): “Quotam partem campi jacere, in
quam pecora et armenta militum aliquando transmitterentur?
Servarent sane receptos gregibus, inter hominum famam: modo ne
vastitatem et solitudinem mallent, quam amicos populos Chamavorum
quondam ea arva, mox Tubantum, et post Usipiorum fuisse. Sicuti
cœlum Diis, ita terras generi mortalium datas: quæque vacuæ,
eas publicas esse. _Solem_ deinde respiciens, et _cœtera sidera
vocans, quasi coram_ interrogabat—_vellentne contueri inane
solum? potius mare superfunderent adversus terrarum ereptores_.
Commotus his Avitus,” etc. The legate refused the request, but
privately offered to Boiocalus lands for himself apart from the
tribe, which that chief indignantly spurned. He tried to maintain
himself in the lands, but was expelled by the Roman arms, and
forced to seek a home among the other German tribes, all of whom
refused it. After much wandering and privation, the whole tribe
of the Ansibarii was annihilated: its warriors were all slain,
its women and children sold as slaves.
I notice this afflicting sequel, in order to show that the
brave old chief was pleading before Avitus a matter of life and
death both to himself and his tribe, and that the occasion was
one least of all suited for a mere rhetorical prosopopœia. His
appeal is one sincere and heartfelt to the personal feelings and
sympathies of Hêlios.
Tacitus, in reporting the speech, accompanies it with the
gloss “quasi coram,” to mark that the speaker here passes into
a different order of ideas from that to which himself or his
readers were accustomed. If Boiocalus could have heard, and
reported to his tribe, an astronomical lecture, he would have
introduced some explanation, in order to facilitate to his tribe
the comprehension of Hêlios under a point of view so new to them.
While Tacitus finds it necessary to illustrate by a comment the
_personification of the sun_, Boiocalus would have had some
trouble to make his tribe comprehend the _re-ification of the god
Hêlios_.
[838] Physical astronomy was both new and accounted impious
in the time of the Peloponnesian war: see Plutarch, in his
reference to that eclipse which proved so fatal to the Athenian
army at Syracuse, in consequence of the religious feelings of
Nikias: οὐ γὰρ ἠνείχοντο τοὺς φυσικοὺς καὶ μετεωρολέσχας τότε
καλουμένους ὡς, εἰς αἰτίας ἀλόγους καὶ δυνάμεις ἀπρονοήτους καὶ
κατηναγκασμένα πάθη διατρίβοντας τὸ θεῖον (Plutarch, Nikias, c.
23, and Periklês, c. 32; Diodôr. xii. 39; Dêmêtr. Phaler. ap.
Diogen. Laërt, ix. 9, 1).
“You strange man, Melêtus,” said Socratês, on his trial, to his
accuser, “are you seriously affirming that I do not think Hêlios
and Selênê to be gods, as the rest of mankind think?” “Certainly
not, gentlemen of the Dikastery (_this is the reply of Melêtus_),
Socratês says that the sun is a stone, and the moon earth.” “Why,
my dear Melêtus, you think you are preferring an accusation
against Anaxagoras! You account these Dikasts so contemptibly
ignorant, as not to know that the books of Anaxagoras are
full of such doctrines! Is it from me that the youth acquire
such teaching, when they may buy the books for a drachma in
the theatre, and may thus laugh me to scorn if I pretended to
announce such views as my own—_not to mention their extreme
absurdity_?” (ἄλλως τε καὶ οὕτως ἄτοπα ὄντα, Plato, Apolog.
Socrat. c. 14. p. 26).
The divinity of Hêlios and Selênê is emphatically set forth by
Plato, Legg. x. p. 886-889. He permits physical astronomy only
under great restrictions and to a limited extent. Compare Xenoph.
Memor. iv. 7, 7; Diogen. Laërt. ii. 8; Plutarch, De Stoicor.
Repugnant. c. 40. p. 1053; and Schaubach ad Anaxagoræ Fragmenta,
p. 6.
It was in this early state of the Grecian mind, stimulating so forcibly
the imagination and the feelings, and acting through them upon the
belief, that the great body of the mythes grew up and obtained
circulation. They were, from first to last, personal narratives and
adventures; and the persons who predominated as subjects of them
were the gods, the heroes, the nymphs, etc., whose names were known
and reverenced, and in whom every one felt interested. To every god
and every hero it was consistent with Grecian ideas to ascribe great
diversity of human motive and attribute: each indeed has his own
peculiar type of character, more or less strictly defined; but in all
there was a wide foundation for animated narrative and for romantic
incident. The gods and heroes of the land and the tribe belonged, in
the conception of a Greek, alike to the present and to the past: he
worshipped in their groves and at their festivals; he invoked their
protection, and believed in their superintending guardianship, even
in his own day: but their more special, intimate, and sympathizing
agency was cast back into the unrecorded past.[839] To give suitable
utterance to this general sentiment,—to furnish body and movement and
detail to these divine and heroic pre-existences, which were conceived
only in shadowy outline,—to lighten up the dreams of what the past must
have been,[840] in the minds of those who knew not what it really had
been—such was the spontaneous aim and inspiration of productive genius
in the community, and such were the purposes which the Grecian mythes
preëminently accomplished.
[839] Hesiod, Catalog. Fragm. 76. p. 48, ed. Düntzer:—
Ξυναὶ γὰρ τότε δαῖτες ἔσαν ξυνοί τε θόωκει,
Ἀθανάτοις τε θοῖσι καταθνήτοις τ᾽ ἀνθρώποις.
Both the Theogonia and the Works and Days bear testimony to
the same general feeling. Even the heroes of Homer suppose a
preceding age, the inmates of which were in nearer contact with
the gods than they themselves (Odyss. viii. 223; Iliad, v. 304;
xii. 382). Compare Catullus, Carm. 64; Epithalam. Peleôs et
Thetidos, v. 382-408.
Menander the Rhetor (following generally the steps of Dionys.
Hal. Art Rhetor. cap. 1-8) suggests to his fellow-citizens at
Alexandria Trôas, proper and complimentary forms to invite a
great man to visit their festival of the Sminthia:—ὥσπερ γὰρ
Ἀπόλλωνα πολλάκις ἐδέχετο ἡ πόλις τοῖς Σμινθίοις, ~ἥνικα ἐξῆν
θεοὺς προφανῶς ἐπιδημεῖν τοῖς ἀνθρώποις~, οὕτω καὶ σὲ ἡ πόλις
νῦν προσδέχεται (περὶ Ἐπιδεικτικ. s. iv. c. 14. ap. Walz. Coll.
Rhetor, t. ix. p. 304). Menander seems to have been a native
of Alexandria Trôas, though Suidas calls him a Laodicean (see
Walz. Præf. ad t. ix. p. xv.-xx.; and περὶ Σμινθιακῶν, sect. iv.
c. 17). The festival of the Sminthia lasted down to his time,
embracing the whole duration of paganism from Homer downwards.
[840] P. A. Müller observes justly, in his _Saga-Bibliothek_, in
reference to the Icelandic mythes, “In dem Mythischen wird das
Leben der Vorzeit dargestellt, wie es wirklich dem kindlichen
Verstande, der jugendlichen Einbildungskraft, und dem vollen
Herzen, erscheint.”
(Lange’s Untersuchungen über die Nordische und Deutsche
Heldensage, translated from P. A. Müller, Introd. p. 1.)
The love of antiquities, which Tacitus notices as so prevalent among
the Greeks of his day,[841] was one of the earliest, the most durable,
and the most widely diffused of the national propensities. But the
antiquities of every state were divine and heroic, reproducing the
lineaments, but disregarding the measure and limits, of ordinary
humanity. The gods formed the starting-point, beyond which no man
thought of looking, though some gods were more ancient than others:
their progeny, the heroes, many of them sprung from human mothers,
constitute an intermediate link between god and man. The ancient epic
usually recognizes the presence of a multitude of nameless men, but
they are introduced chiefly for the purpose of filling the scene,
and of executing the orders, celebrating the valor, and bringing
out the personality, of a few divine or heroic characters.[842] It
was the glory of bards and storytellers to be able to satisfy those
religious and patriotic predispositions of the public, which caused the
primary demand for their tales, and which were of a nature eminently
inviting and expansive. For Grecian religion was many-sided and many
colored; it comprised a great multiplicity of persons, together with
much diversity in the types of character; it divinized every vein
and attribute of humanity, the lofty as well as the mean—the tender
as well as the warlike—the self-devoting and adventurous as well as
the laughter-loving and sensual. We shall hereafter reach a time when
philosophers protested against such identification of the gods with
the more vulgar appetites and enjoyments, believing that nothing
except the spiritual attributes of man could properly be transferred
to superhuman beings, and drawing their predicates respecting the gods
exclusively from what was awful, majestic and terror-striking in human
affairs. Such restrictions on the religious fancy were continually
on the increase, and the mystic and didactic stamp which marked the
last century of paganism in the days of Julian and Libanius, contrasts
forcibly with the concrete and vivacious forms, full of vigorous
impulse and alive to all the capricious gusts of the human temperament,
which people the Homeric Olympus.[843] At present, however, we have
only to consider the early, or Homeric and Hesiodic paganism, and its
operation in the genesis of the mythical narratives. We cannot doubt
that it supplied the most powerful stimulus, and the only one which the
times admitted, to the creative faculty of the people; as well from the
sociability, the gradations, and the mutual action and reaction of its
gods and heroes, as from the amplitude, the variety, and the purely
human cast, of its fundamental types.
[841] Titus visited the temple of the Paphian Venus in Cyprus,
“spectatâ opulentiâ donisque regum, quæque _alia lætum_
antiquitatibus Græcorum genus _incertæ vetustati adfingit_, de
navigatione primum consuluit” (Tacit. Hist. ii. 4-5).
[842] Aristotel. Problem. xix. 48. Οἱ δὲ ἡγεμόνες τῶν ἀρχαίων
μόνοι ἦσαν ἥρωες· οἱ δὲ λαοὶ ἄνθρωποι. Istros followed this
opinion also: but the more common view seems to have considered
all who combated at Troy as heroes (see Schol. Iliad, ii. 110;
xv. 231), and so Hesiod treats them (Opp. Di. 158).
In reference to the Trojan war, Aristotle says—καθάπερ ἐν τοῖς
~Ἡρωϊκοῖς~ περὶ Πριάμου μυθεύεται (Ethic. Nicom. i. 9; compare
vii. 1).
[843] Generation by a god is treated in the old poems as an act
entirely human and physical (ἐμιγη—παρελέξατο); and this was the
common opinion in the days of Plato (Plato, Apolog. Socrat. c.
15. p. 15); the hero Astrabakus is father of the Lacedæmonian
king Demaratus (Herod. vi. 66). [Herodotus does not believe the
story told him at Babylon respecting Belus (i. 182).] Euripidês
sometimes expresses disapprobation of the idea (Ion. 350), but
Plato passed among a large portion of his admirers for the
actual son of Apollo, and his reputed father Aristo on marrying
was admonished in a dream to respect the person of his wife
Periktionê, then pregnant by Apollo, until after the birth of the
child Plato (Plutarch, Quæst. Sympos. p. 717. viii. 1; Diogen.
Laërt. iii. 2; Origen, cont. Cels. i. p. 29). Plutarch (in Life
of Numa, c. 4; compare Life of Thêseus, 2) discusses the subject,
and is inclined to disallow everything beyond mental sympathy
and tenderness in a god: Pausanias deals timidly with it, and
is not always consistent with himself; while the later rhetors
spiritualize it altogether. Meander, περὶ Ἐπιδεικτικῶν, (towards
the end of the third century B. C.) prescribes rules for praising
a king: you are to praise him for the gens to which he belongs:
perhaps you may be able to make out that he really is the son
of some god; for many who seem to be from men, are really _sent
down by God_ and are _emanations from the Supreme Potency_—πολλοὶ
τὸ μὲν δοκεῖν ἐξ ἀνθρώπων εἰσὶ, τῇ δ᾽ ἀληθείᾳ παρὰ τοῦ θεοῦ
καταπέμπονται καὶ εἰσιν ἀπόῤῥοιαι ὄντως τοῦ κρείττονος· καὶ γὰρ
Ἡρακλῆς ἐνομίζετο μὲν Ἀμφιτρύωνος, τῇ δὲ ἀληθείᾳ ἦν Διός. Οὕτω
καὶ βασιλεὺς ὁ ἡμέτερος το μὲν δοκεῖν ἐξ ἀνθρώπων, τῇ δὲ ἀληθείᾳ
τὴν καταβολὴν οὐράνοθεν ἔχει, etc. (Menander ap. Walz. Collect.
Rhetor. t. ix. c. i. p. 218). Again—περὶ Σμινθιακῶν—Ζεὺς γένεσιν
παιδῶν ~δημιουργεῖν~ ἐνενόησε—Ἀπόλλων τὴν Ἀσκληπιοῦ γένεσιν
~ἐδημιούργησε~, p. 322-327; compare Hermogenês, about the story
of Apollo and Daphnê, Progymnasm. c. 4; and Julian. Orat. vii. p.
220.
The contrast of the pagan phraseology of this age (Menander had
himself composed a hymn of invocation to Apollo—περὶ Ἐγκωμίων,
c. 3. t. ix. p. 136, Walz.) with that of Homer is very worthy
of notice. In the Hesiodic Catalogue of Women much was said
respecting the marriages and amours of the gods, so as to furnish
many suggestions, like the love-songs of Sapphô, to the composers
of Epithalamic Odes (Menand. _ib._ sect. iv. c. 6. p. 268).
Menander gives a specimen of a prose hymn fit to be addressed to
the Sminthian Apollo (p. 320); the spiritual character of which
hymn forms the most pointed contrast with the Homeric hymn to the
same god.
We may remark an analogous case in which the Homeric hymn to
Apollo is modified by Plutarch. To provide for the establishment
of his temple at Delphi, Apollo was described as having himself,
in the shape of a dolphin, swam before a Krêtan vessel and guided
it to Krissa, where he directed the terrified crew to open the
Delphian temple. But Plutarch says that this old statement was
not correct: the god had not himself appeared in the shape of
a dolphin—he had sent a dolphin expressly to guide the vessel
(Plutarch. de Solertiâ Animal. p. 983). See also a contrast
between the Homeric Zeus, and the genuine Zeus, (ἀληθινὸς)
brought out in Plutarch, Defect. Oracul. c 30. p. 426.
Illicit amours seem in these later times to be ascribed to
the δαίμονες: see the singular controversy started among the
fictitious pleadings of the ancient rhetors—Νόμου ὄντος,
παρθένους καὶ καθαρὰς εἶναι τὰς ἱερείας, ἱερεία τις εὑρέθη
ἀτόκιον φέρουσα, καὶ κρίνεται.... Ἀλλ᾽ ἐρεῖ, φασὶ, διὰ τὰς τῶν
δαιμόνων ἐπιφοιτήσεις καὶ ἐπιβουλὰς περιτεθεῖσθαι. Καὶ πῶς οὐκ
ἀνόητον κομιδῆ τὸ τοιοῦτον; ἔδει γὰρ πρὸς τὸ μὴ ἀφαιρεθῆναι τὴν
παρθενίαν φορεῖν τι ἀποτρόπαιον, οὐ μὴν πρὸς τὸ τεκεῖν (Anonymi
Scholia ad Hermogen. Στάσεις, ap. Walz. Coll. Rh. t. vii. p. 162).
Apsinês of Gadara, a sophist of the time of Diocletian, pretended
to be a son of Pan (see Suidas, v. Ἀψίνης). The anecdote
respecting the rivers Skamander and Mæander, in the tenth epistle
ascribed to the orator Æschines (p. 737), is curious, but we do
not know the date of that epistle.
Though we may thus explain the mythopœic fertility of the Greeks, I am
far from pretending that we can render any sufficient account of the
supreme beauty of their chief epic and artistical productions. There is
something in the first-rate productions of individual genius which lies
beyond the compass of philosophical theory: the special breath of the
Muse (to speak the language of ancient Greece) must be present in order
to give them being. Even among her votaries, many are called, but few
are chosen; and the peculiarities of those few remain as yet her own
secret.
We shall not however forget that Grecian language was also an
indispensable requisite to the growth and beauty of Grecian mythes—its
richness, its flexibility and capacity of new combinations, its vocalic
abundance and metrical pronunciation: and many even among its proper
names, by their analogy to words really significant, gave direct
occasion to explanatory or illustrative stories. Etymological mythes
are found in sensible proportion among the whole number.
To understand properly then the Grecian mythes, we must try to
identify ourselves with the state of mind of the original mythopœic
age; a process not very easy, since it requires us to adopt a string
of poetical fancies not simply as realities, but as the governing
realities of the mental system;[844] yet a process which would only
reproduce something analogous to our own childhood. The age was one
destitute both of recorded history and of positive science, but full
of imagination and sentiment and religious impressibility; from these
sources sprung that multitude of supposed persons around whom all
combinations of sensible phænomena were grouped, and towards whom
curiosity, sympathies, and reverence were earnestly directed. The
adventures of such persons were the only aliment suited at once both
to the appetites and to the comprehension of an early Greek; and the
mythes which detailed them, while powerfully interesting his emotions,
furnished to him at the same time a quasi-history and quasi-philosophy:
they filled up the vacuum of the unrecorded past, and explained many of
the puzzling incognita of the present.[845] Nor need we wonder that the
same plausibility which captivated his imagination and his feelings
was sufficient to engender spontaneous belief; or rather, that no
question as to truth or falsehood of the narrative suggested itself to
his mind. His faith is ready, literal and uninquiring, apart from all
thought of discriminating fact from fiction, or of detecting hidden and
symbolized meaning; it is enough that what he hears be intrinsically
plausible and seductive, and that there be no special cause to provoke
doubt. And if indeed there were, the poet overrules such doubts by the
holy and all-sufficient authority of the Muse, whose omniscience is the
warrant for his recital, as her inspiration is the cause of his success.
[844] The mental analogy between the early stages of human
civilization and the childhood of the individual is forcibly
and frequently set forth in the works of Vico. That eminently
original thinker dwells upon the poetical and religious
susceptibilities as the first to develop themselves in the human
mind, and as furnishing not merely connecting threads for the
explanation of sensible phænomena, but also aliment for the
hopes and fears, and means of socializing influence to men of
genius, at a time when reason was yet asleep. He points out
the _personifying instinct_ (“istinto d’ animazione”) as the
spontaneous philosophy of man, “to make himself the rule of the
universe,” and to suppose everywhere a quasi-human agency as
the determining cause. He remarks that in an age of fancy and
feeling, the conceptions and language of poetry coincide with
those of reality and common life, instead of standing apart as a
separate vein. These views are repeated frequently (and with some
variations of opinion as he grew older) in his Latin work _De
Uno Universi Juris Principio_, as well as in the two successive
_rédactions_ of his great Italian work, _Scienza Nuova_ (it
must be added that Vico as an expositor is prolix, and does not
do justice to his own powers of original thought): I select
the following from the second edition of the latter treatise,
published by himself in 1744, _Della Metafisica Poetica_ (see
vol. v. p. 189 of Ferrari’s edition of his Works, Milan, 1836):
“Adunque la sapienza poetica, che fu la prima sapienza della
Gentilità, dovette incominciare da una Metafisica, non _ragionata
ed astratta_, qual è questa or degli addottrinati, ma _sentita
ed immaginata_, quale dovett’ essere di tai primi uomini,
siccome quelli ch’ erano di niun raziocinio, e tutti robusti
sensi e vigorosissime fantasie, come è stato nelle degnità (the
_Axioms_) stabilito. Questa fu la loro propria poesia, la qual
in essi fu una facultà loro connaturale, perchè erano di tali
sensi e di si fatte fantasie naturalmente forniti, nata da
_ignoranza di cagioni_—la qual fu loro madre di maraviglia di
tutte le cose, che quelli ignoranti di tutte le cose fortemente
ammiravano. Tal poesia incominciò in essi divina: perchè nello
stesso tempo ch’essi immaginavano le cagioni delle cose, che
sentivano ed ammiravano, essere Dei, come ora il confermiamo con
gli Americani, i quali tutte le cose che superano la loro picciol
capacità, dicono esser Dei ... nello stesso tempo, diciamo, alle
cose ammirate davano l’essere di sostanze dalla propria lor idea:
ch’è appunto la natura dei fanciulli, che osserviamo prendere tra
mani cose inanimate, e transtullarsi e favellarvi, come fussero
quelle persone vive. In cotal guisa i primi uomini delle nazioni
gentili, come fanciulli del nascente gener umano, dalla lor
idea creavan essi le cose ... per la loro robusta ignoranza, il
facevano in forza d’una corpolentissima fantasia, e perch’ era
corpolentissima, il facevano con una maravigliosa sublimità, tal
e tanta, che perturbava all’eccesso essi medesimi, che fingendo
le si creavano.... Di questa natura di cose umane restò eterna
proprietà spiegata con nobil espressione da Tacito, che vanamente
gli uomini spaventati _fingunt simul creduntque_.”
After describing the condition of rude men, terrified with
thunder and other vast atmospheric phænomena, Vico proceeds
(_ib._ p. 172)—“In tal caso la natura della mente umana porta
ch’ella attribuisca all’effetto la sua natura: e la natura loro
era in tale stato d’uomini tutti robuste forze di corpo, che
urlando, brontolando, spiegavano le loro violentissime passioni,
si finsero il cielo esser un gran corpo animato, che per tal
aspetto chiamavano Giove, che col fischio dei fulmini e col
fragore dei tuoni volesse lor dire qualche cosa.... E si fanno
di tutta la natura un vasto corpo animato, che senta passioni ed
affetti.”
Now the contrast with modern habits of thought:—
“Ma siccome _ora_ per la natura delle nostre umane menti troppo
ritirata dai sensi nel medesimo volgo—con le tante astrazioni,
di quante sono piene le lingue—con tanti vocaboli astratti—e
di troppo assottigliata con l’arti dello scrivere, e quasi
spiritualezzata con la practica dei numeri—_ci e naturalmente
niegato di poter formare_ la vasta imagine di cotal donna che
dicono Natura simpatetica, che mentre con la bocca dicono, non
hanno nulla in lor mente, perocchè la lor mente è dentro il
falso, che è nulla; nè sono soccorsi dalla fantasia a poterne
formare una falsa vastissima imagine. Così _ora ci è naturalmente
niegato di poter entrare nella vasta immaginativa di quei primi
uomini_, le menti dei quali di nulla erano assottigliate, di
nulla astratte, di nulla spiritualezzate.... Onde dicemmo
sopra ch’_ora appena intender si può, affatto immaginar non sì
può_, come pensassero i primi uomini che fondarono la umanità
gentilesca.”
In this citation (already almost too long for a note) I have
omitted several sentences not essential to the general meaning.
It places these early divine fables and theological poets (so
Vico calls them) in their true point of view, and assigns to them
their proper place in the ascending movement of human society:
it refers the mythes to an early religious and poetical age, in
which feeling and fancy composed the whole fund of the human
mind, over and above the powers of sense: the great mental change
which has since taken place has robbed us of the power, not
merely of believing them as they were originally believed, but
even of conceiving completely that which their first inventors
intended to express.
The views here given from this distinguished Italian (the
precursor of F. A. Wolf in regard to the Homeric poems, as well
as of Niebuhr in regard to the Roman history) appear to me no
less correct than profound; and the obvious inference from them
is, that attempts to _explain_ (as it is commonly called) the
mythes (_i. e._ to translate them into some physical, moral or
historical statements, suitable to our order of thought) are,
even as guesses, essentially unpromising. Nevertheless Vico,
inconsistently with his own general view, bestows great labor and
ingenuity in attempting to discover internal meaning symbolized
under many of the mythes; and even lays down the position, “che
i primi uomini della Gentilità essendo stati semplicissimi,
quanto i fanciulli, i quali per natura son veritieri: le prime
favole non poterono finger nulla di falso: per lo che dovettero
necessariamente essere _vere narrazioni_.” (See vol. v. p. 194;
compare also p. 99, Axiom xvi.) If this position be meant simply
to exclude the idea of designed imposture, it may for the most
part be admitted; but Vico evidently intends something more. He
thinks that there lies hid under the fables a basis of matter of
fact—not literal but symbolized—which he draws out and exhibits
under the form of a civil history of the divine and heroic times:
a confusion of doctrine the more remarkable, since he distinctly
tells us (in perfect conformity with the long passage above
transcribed from him) that the special matter of these early
mythes is “impossibility accredited as truth,”—“che la di lei
propria materia è _l’impossibile credibile_” (p. 176, and still
more fully in the first _rédaction_ of the _Scienza Nuova_, b.
iii. c. 4; vol. iv. p. 187 of his Works).
When we read the _Canones Mythologici_ of Vico (De Constantia
Philologiæ, Pars Posterior, c. xxx.; vol. iii. p. 363), and
his explanation of the legends of the Olympic gods, Hercules,
Thêseus, Kadmus, etc., we see clearly that the meaning which he
professes to bring out is one previously put in by himself.
There are some just remarks to the same purpose in Karl Ritter’s
_Vorhalle Europäischer Volkergeschichten_, Abschn. ii. p. 150
_seq._ (Berlin, 1820). He too points out how much the faith of
the old world (der Glaube der Vorwelt) has become foreign to our
minds, since the recent advances of “Politik und Kritik,” and how
impossible it is for us to elicit history from their conceptions
by our analysis, in cases where they have not distinctly laid it
out for us. The great length of this note prevents me from citing
the passage: and he seems to me also (like Vico) to pursue his
own particular investigations in forgetfulness of the principle
laid down by himself.
[845] O. Müller, in his _Prolegomena zu einer wissenschaftlichen
Mythologie_ (cap. iv. p. 108), has pointed out the mistake of
supposing that there existed originally some nucleus of pure
reality as the starting-point of the mythes, and that upon this
nucleus fiction was superinduced afterwards: he maintains that
the real and the ideal were blended together in the primitive
conception of the mythes. Respecting the general state of mind
out of which the mythes grew, see especially pages 78 and 110 of
that work, which is everywhere full of instruction on the subject
of the Grecian mythes, and is eminently suggestive, even where
the positions of the author are not completely made out.
The short _Heldensage der Griechen_ by Nitzsch (Kiel, 1842, t.
v.) contains more of just and original thought on the subject
of the Grecian mythes than any work with which I am acquainted.
I embrace completely the subjective point of view in which he
regards them; and although I have profited much from reading
his short tract, I may mention that before I ever saw it, I had
enforced the same reasonings on the subject in an article in the
Westminster Review, May 1843, on the _Heroen-Geschichten_ of
Niebuhr.
Jacob Grimm, in the preface to his _Deutsche Mythologie_ (p. 1,
1st edit. Gött. 1835), pointedly insists on the distinction
between “_Sage_” and history, as well as upon the fact that the
former has its chief root in religious belief “Legend and history
(he says) are powers each by itself, adjoining indeed on the
confines, but having each its own separate and exclusive ground;”
also p. xxvii. of the same introduction.
A view substantially similar is adopted by William Grimm, the
other of the two distinguished brothers whose labors have so much
elucidated Teutonic philology and antiquities. He examines the
extent to which either historical matter of fact or historical
names can be traced in the _Deutsche Heldensage_; and he comes to
the conclusion that the former is next to nothing, the latter not
considerable. He draws particular attention to the fact, that the
audience for whom these poems were intended had not learned to
distinguish history from poetry (W. Grimm, _Deutsche Heldensage_,
pp. 8, 337, 342, 345, 399, Gött. 1829).
The state of mind, and the relation of speaker to hearers, thus
depicted, stand clearly marked in the terms and tenor of the ancient
epic, if we only put a plain meaning upon what we read. The poet—like
the prophet, whom he so much resembles—sings under heavenly guidance,
inspired by the goddess to whom he has prayed for her assisting
impulse: she puts the word into his mouth and the incidents into his
mind: he is a privileged man, chosen as her organ and speaking from
her revelations.[846] As the Muse grants the gift of song to whom she
will, so she sometimes in her anger snatches it away, and the most
consummate human genius is then left silent and helpless.[847] It is
true that these expressions, of the Muse inspiring and the poet singing
a tale of past times, have passed from the ancient epic to compositions
produced under very different circumstances, and have now degenerated
into unmeaning forms of speech; but they gained currency originally in
their genuine and literal acceptation. If poets had from the beginning
written or recited, the predicate of singing would never have been
ascribed to them; nor would it have ever become customary to employ the
name of the Muse as a die to be stamped on licensed fiction, unless the
practice had begun when her agency was invoked and hailed in perfect
good faith. Belief, the fruit of deliberate inquiry and a rational
scrutiny of evidence, is in such an age unknown: the simple faith of
the time slides in unconsciously, when the imagination and feeling are
exalted; and inspired authority is at once understood, easily admitted,
and implicitly confided in.
[846] Hesiod, Theogon. 32.—
... ἐνέπνευσαν δέ (the Muses) μοι αὐδὴν
Θείην, ὡς κλείοιμι τά τ᾽ ἐσσόμενα, πρό τ᾽ ἐόντα,
Καί με κέλονθ᾽ ὑμνεῖν μακάρων γένος αἰὲν ἐόντων, etc.
Odyss. xxii. 347; viii. 63, 73, 481, 489. Δημόδοκ᾽ ... ἢ σέ γε
Μοῦσ᾽ ἐδίδαξε, Διὸς παῖς, ἢ σέγ᾽ Ἀπόλλων: that is, Demodocus has
either been inspired as a poet by the Muse, or as a prophet by
Apollo: for the Homeric Apollo is not the god of song. Kalchas
the prophet receives his inspiration from Apollo, who confers
upon him the same knowledge both of past and future as the Muses
give to Hesiod (Iliad, i. 69):—
Κάλχας Θεστορίδης, οἰωνοπόλων ὄχ᾽ ἄριστος
Ὃς ᾔδη τά τ᾽ ἐόντα, τά τ᾽ ἐσσόμενα, πρό τ᾽ ἐόντα
Ἣν διὰ μαντοσύνην, τὴν οἱ πόρε Φοῖβος Ἀπόλλων.
Also Iliad, ii. 485.
Both the μάντις and the ἀοιδὸς are standing, recognized
professions (Odyss. xvii. 383), like the physician and the
carpenter, δημιόεργοι.
[847] Iliad, ii. 599.
The word mythe (μῦθος, _fabula_, _story_), in its original meaning,
signified simply a statement or current narrative, without any
connotative implication either of truth or falsehood. Subsequently the
meaning of the word (in Latin and English as well as in Greek) changed,
and came to carry with it the idea of an old personal narrative,
always uncertified, sometimes untrue or avowedly fictitious.[848]
And this change was the result of a silent alteration in the mental
state of the society,—of a transition on the part of the superior
minds (and more or less on the part of all) to a stricter and more
elevated canon of credibility, in consequence of familiarity with
recorded history, and its essential tests, affirmative as well as
negative. Among the original hearers of the mythes, all such tests were
unknown; they had not yet learned the lesson of critical disbelief;
the mythe passed unquestioned from the mere fact of its currency, and
from its harmony with existing sentiments and preconceptions. The
very circumstances which contributed to rob it of literal belief in
after-time, strengthened its hold upon the mind of the Homeric man. He
looked for wonders and unusual combinations in the past; he expected
to hear of gods, heroes and men, moving and operating together upon
earth; he pictured to himself the fore-time as a theatre in which the
gods interfered directly, obviously and frequently, for the protection
of their favorites and the punishment of their foes. The rational
conception, then only dawning in his mind, of a systematic course of
nature was absorbed by this fervent and lively faith. And if he could
have been supplied with as perfect and philosophical a history of his
own real past time, as we are now enabled to furnish with regard to
the last century of England or France, faithfully recording all the
successive events, and accounting for them by known positive laws,
but introducing no special interventions of Zeus and Apollo—such a
history would have appeared to him not merely unholy and unimpressive,
but destitute of all plausibility or title to credence. It would
have provoked in him the same feeling of incredulous aversion as a
description of the sun (to repeat the previous illustration) in a
modern book on scientific astronomy.
[848] In this later sense it stands pointedly opposed to ἱστορία,
_history_, which seems originally to have designated matter
of fact, present and seen by the describer, or the result of
his personal inquiries (see Herodot. i. 1; Verrius Flacc. ap.
Aul. Gell. v. 18; Eusebius, Hist. Eccles. iii. 12; and the
observations of Dr. Jortin, Remarks on Ecclesiastical History,
vol. i. p. 59).
The original use of the word λόγος was the same as that of
μῦθος—a current tale, true or false, as the case might be;
and the term designating a person much conversant with the
old legends (λόγιος) is derived from it (Herod. i. 1; ii. 3).
Hekatæus and Herodotus both use λόγος in this sense. Herodotus
calls both Æsop and Hekatæus λογοποιοί (ii. 134-143).
Aristotle (Metaphys. i. p. 8, ed. Brandis) seems to use μῦθος
in this sense, where he says—διὸ καὶ φιλόμυθος ὁ φιλόσοφος
πώς ἐστιν· ὁ γὰρ μῦθος συγκεῖται ἐκ θαυμασίων, etc. In the
same treatise (xi. p. 254), he uses it to signify fabulous
amplification and transformation of a doctrine true in the main.
To us these mythes are interesting fictions; to the Homeric and
Hesiodic audience they were “rerum divinarum et humanarum scientia,”—an
aggregate of religious, physical and historical revelations, rendered
more captivating, but not less true and real, by the bright coloring
and fantastic shapes in which they were presented. Throughout the
whole of “mythe-bearing Hellas”[849] they formed the staple of the
uninstructed Greek mind, upon which history and philosophy were by
so slow degrees superinduced; and they continued to be the aliment of
ordinary thought and conversation, even after history and philosophy
had partially supplanted the mythical faith among the leading men, and
disturbed it more or less in the ideas of all. The men, the women,
and the children of the remote dêmes and villages of Greece, to whom
Thucydidês, Hippocratês, Aristotle, or Hipparchus were unknown, still
continued to dwell upon the local fables which formed their religious
and patriotic antiquity. And Pausanias, even in his time, heard
everywhere divine or heroic legends yet alive, precisely of the type
of the old epic; he found the conceptions of religious and mythical
faith, coëxistent with those of positive science, and contending
against them at more or less of odds, according to the temper of the
individual. Now it is the remarkable characteristic of the Homeric age,
that no such coëxistence or contention had yet begun. The religious and
mythical point of view covers, for the most part, all the phænomena
of nature; while the conception of invariable sequence exists only
in the background, itself personified under the name of the Mœræ,
or Fates, and produced generally as an exception to the omnipotence
of Zeus for all ordinary purposes. Voluntary agents, visible and
invisible, impel and govern everything. Moreover this point of view
is universal throughout the community,—adopted with equal fervor, and
carried out with equal consistency, by the loftiest minds and by the
lowest. The great man of that day is he who, penetrated like others
with the general faith, and never once imagining any other system of
nature than the agency of these voluntary Beings, can clothe them in
suitable circumstances and details, and exhibit in living body and
action those types which his hearers dimly prefigure. Such men were
the authors of the Iliad and the Odyssey; embodying in themselves the
whole measure of intellectual excellence which their age was capable of
feeling: to us, the first of poets—but to their own public, religious
teachers, historians, and philosophers besides—inasmuch as all that
then represented history and philosophy was derived from those epical
effusions and from others homogeneous with them. Herodotus recognizes
Homer and Hesiod as the main authors of Grecian belief respecting the
names and generations, the attributes and agency, the forms and the
worship of the gods.[850]
[849] M. Ampère, in his _Histoire Littéraire de la France_ (ch.
viii. v. i. p. 310) distinguishes the Saga (which corresponds
as nearly as possible with the Greek μῦθος, λόγος, ἐπιχώριος
λόγος), as a special product of the intellect, not capable of
being correctly designated either as history, or as fiction, or
as philosophy:—