ÆAKUS AND HIS DESCENDANTS.—ÆGINA, SALAMIS, AND PHTHIA.
The memorable heroic genealogy of the Æakids establishes a fabulous
connection between Ægina, Salamis, and Phthia, which we can only
recognize as a fact, without being able to trace its origin.
Æakus was the son of Zeus, born of Ægina, daughter of Asôpus, whom the
god had carried off and brought into the island to which he gave her
name: she was afterwards married to Aktôr, and had by him Menœtius,
father of Patroclus. As there were two rivers named Asôpus, one
between Phlius and Sikyôn, and another between Thêbes and Platæa—so
the Æginêtan heroic genealogy was connected both with that of Thêbes
and with that of Phlius: and this belief led to practical consequences
in the minds of those who accepted the legends as genuine history. For
when the Thêbans, in the 68th Olympiad, were hard-pressed in war by
Athens, they were directed by the Delphian oracle to ask assistance
of their next of kin: recollecting that Thêbê and Ægina had been
sisters, common daughters of Asôpus, they were induced to apply to the
Æginêtans as their next of kin, and the Æginêtans gave them aid, first
by sending to them their common heroes, the Æakids, next by actual
armed force.[433] Pindar dwells emphatically on the heroic brotherhood
between Thêbes, his native city, and Ægina.[434]
[433] Herodot. v. 81.
[434] Nem. iv. 22. Isthm. vii. 16.
Æakus was alone in Ægina: to relieve him from this solitude, Zeus
changed all the ants in the island into men, and thus provided him
with a numerous population, who, from their origin, were called
Myrmidons.[435] By his wife Endêis, daughter of Cheirôn, Æakus had for
his sons Pêleus and Telamôn: by the Nereid Psamathê, he had Phôkus. A
monstrous crime had then recently been committed by Pelops, in killing
the Arcadian prince, Stymphalus, under a simulation of friendship and
hospitality: for this the gods had smitten all Greece with famine
and barrenness. The oracles affirmed that nothing could relieve
Greece from this intolerable misery except the prayers of Æakus, the
most pious of mankind. Accordingly envoys from all quarters flocked
to Ægina, to prevail upon Æakus to put up prayers for them: on his
supplications the gods relented, and the suffering immediately ceased.
The grateful Greeks established in Ægina the temple and worship of Zeus
Panhellênius, one of the lasting monuments and institutions of the
island, on the spot where Æakus had offered up his prayer. The statues
of the envoys who had come to solicit him were yet to be seen in the
Æakeion, or sacred edifice of Æakus, in the time of Pausanias: and the
Athenian Isokratês, in his eulogy of Evagoras, the despot of Salamis in
Cyprus (who traced his descent through Teukrus to Æakus), enlarges upon
this signal miracle, recounted and believed by other Greeks as well as
by the Æginêtans, as a proof both of the great qualities and of the
divine favor and patronage displayed in the career of the Æakids.[436]
Æakus was also employed to aid Poseidôn and Apollo in building the
walls of Troy.[437]
[435] This tale, respecting the transformation of the ants into
men, is as old as the Hesiodic Catalogue of Women. See Düntzer,
Fragm. Epicc. 21. p. 34; evidently an etymological tale from the
name Myrmidones. Pausanias throws aside both the etymology and
the details of the miracle: he says that Zeus raised men from the
earth, at the prayer of Æakus (ii. 29, 2): other authors retained
the etymology of Myrmidons from μύρμηκες, but gave a different
explanation (Kallimachus, Fragm. 114, Düntzer). Μυρμιδόνων ἐσσῆνα
(Strabo, viii. p. 375). Ἐσσὴν, ὁ οἰκιστής (Hygin. fab. 52).
According to the Thessalian legend, Myrmidôn was the son of
Zeus by Eurymedusa, daughter of Kletor; Zeus having assumed the
disguise of an ant (Clemens Alex. Admon. ad Gent. p. 25. Sylb.).
[436] Apollod. iii. 12, 6. Isokrat. Evagor. Encom. vol. ii. p.
278, Auger. Pausan. i. 45, 13; ii. 29, 6. Schol. Aristoph. Equit.
1253.
So in the 106th Psalm, respecting the Israelites and Phinees, v.
29, “They provoked the Lord to anger by their inventions, and the
plague was great among them;” “Then stood up Phinees and prayed,
and so the plague ceased;” “And that was counted unto him for
righteousness, among all posterities for evermore.”
[437] Pindar, Olymp. viii. 41, with the Scholia. Didymus did not
find this story in any other poet older than Pindar.
Pêleus and Telamôn, the sons of Æakus, contracting a jealousy of
their bastard brother, Phôkus, in consequence of his eminent skill in
gymnastic contests, conspired to put him to death. Telamôn flung his
quoit at him while they were playing together, and Pêleus despatched
him by a blow with his hatchet in the back. They then concealed the
dead body in a wood, but Æakus, having discovered both the act and the
agents, banished the brothers from the island.[438] For both of them
eminent destinies were in store.
[438] Apollod. iii. 12, 6, who relates the tale somewhat
differently; but the old epic poem Alkmæônis gave the details
(ap. Schol. Eurip. Andromach. 685)—
Ἔνθα μὲν ἀντίθεος Τελαμὼν τροχοειδέϊ δίσκῳ
Πλῆξε κάρη· Πηλεὺς δὲ θοῶς ἀνὰ χεῖρα τανύσσας
Ἀξίνην ἐΰχαλκον ἐπεπλήγει μετὰ νῶτα.
While we notice the indifference to the moral quality of actions
implied in the old Hesiodic legend, when it imputes distinctly and
nakedly this proceeding to two of the most admired persons of the
heroic world—it is not less instructive to witness the change of
feeling which had taken place in the age of Pindar. That warm eulogist
of the great Æakid race hangs down his head with shame, and declines
to recount, though he is obliged darkly to glance at the cause which
forced the pious Æakus to banish his sons from Ægina. It appears that
Kallimachus, if we may judge by a short fragment, manifested the same
repugnance to mention it.[439]
[439] Pindar, Nem. v. 15, with Scholia, and Kallimach. Frag. 136.
Apollônius Rhodius represents the fratricide as inadvertent and
unintentional (i. 92); one instance amongst many of the tendency
to soften down and moralize the ancient tales.
Pindar, however, seems to forget this incident when he speaks
in other places of the general character of Pêleus (Olymp. ii.
75-86. Isthm. vii. 40).
Telamôn retired to Salamis, then ruled by Kychreus, the son of Poseidôn
and Salamis, who had recently rescued the island from the plague of
a terrible serpent. This animal, expelled from Salamis, retired to
Eleusis in Attica, where it was received and harbored by the goddess
Dêmêtêr in her sacred domicile.[440] Kychreus dying childless left his
dominion to Telamôn, who, marrying Peribœa, daughter of Alkathoos,
and grand-daughter of Pelops, had for his son the celebrated Ajax.
Telamôn took part both in the chase of the Kalydônian boar and in the
Argonautic expedition: he was also the intimate friend and companion of
Hêraklês, whom he accompanied in his enterprise against the Amazons,
and in the attack made with only six ships upon Laomedôn, king of Troy.
This last enterprise having proved completely successful, Telamôn was
rewarded by Hêraklês with the possession of the daughter of Laomedôn,
Hêsionê—who bore to him Teukros, the most distinguished archer amidst
the host of Agamemnôn, and the founder of Salamis in Cyprus.[441]
[440] Apollod. iii. 12, 7. Euphoriôn, Fragm. 5, Düntzer, p.
43, Epicc. Græc. There may have been a tutelary serpent in the
temple at Eleusis, as there was in that of Athênê Polias at
Athens (Herodot viii. 41. Photius, v. Οἰκοῦρον ὄφιν. Aristophan.
Lysistr. 759, with the Schol.).
[441] Apollod. iii. 12, 7. Hesiod. ap. Strab. ix. p. 393.
The libation and prayer of Hêraklês, prior to the birth of Ajax,
and his fixing the name of the yet unborn child, from an eagle
(αἰετὸς) which appeared in response to his words, was detailed in
the Hesiodic Eoia, and is celebrated by Pindar (Isthm. v. 30-54).
See also the Scholia.
Pêleus went to Phthia, where he married the daughter of Eurytiôn,
son of Aktôr, and received from him the third part of his dominions.
Taking part in the Kalydônian boar-hunt, he unintentionally killed his
father-in-law Eurytiôn, and was obliged to flee to Iôlkos, where he
received purification from Akastus, son of Pelias: the danger to which
he became exposed by the calumnious accusations of the enamoured wife
of Akastus has already been touched upon in a previous section. Pêleus
also was among the Argonauts; the most memorable event in his life
however was his marriage with the sea-goddess Thetis. Zeus and Poseidôn
had both conceived a violent passion for Thetis. But the former, having
been forewarned by Promêtheus that Thetis was destined to give birth to
a son more powerful than his father, compelled her, much against her
own will, to marry Pêleus; who, instructed by the intimations of the
wise Cheirôn, was enabled to seize her on the coast called Sêpias in
the southern region of Thessaly. She changed her form several times,
but Pêleus held her fast until she resumed her original appearance,
and she was then no longer able to resist. All the gods were present,
and brought splendid gifts to these memorable nuptials: Apollo sang
with his harp, Poseidôn gave to Pêleus the immortal horses Xanthos and
Balios, and Cheirôn presented a formidable spear, cut from an ash-tree
on Mount Pêlion. We shall have reason hereafter to recognize the value
of both these gifts in the exploits of Achilles.[442]
[442] Apollodôr. iii. 13, 5. Homer, Iliad, xviii. 434; xxiv. 62.
Pindar, Nem. iv. 50-68; Isthm. vii. 27-50. Herodot. vii. 192.
Catullus, Carm. 64. Epithal. Pel. et Thetidos, with the prefatory
remarks of Dœring.
The nuptials of Pêleus and Thetis were much celebrated in the
Hesiodic Catalogue, or perhaps in the Eoiai (Düntzer, Epic. Græc.
Frag. 36. p. 39), and Ægimius—see Schol. ad Apollôn. Rhod. iv.
869—where there is a curious attempt of Staphylus to rationalize
the marriage of Pêleus and Thetis.
There was a town, seemingly near Pharsalus in Thessaly, called
Thetideium. Thetis is said to have been carried by Pêleus to both
these places: probably it grew up round a temple and sanctuary of
this goddess (Pherekyd. Frag. 16, Didot; Hellank. ap. Steph. Byz.
Θεστιδεῖον).
The prominent part assigned to Thetis in the Iliad is well known,
and the post-Homeric poets of the Legend of Troy introduced her as
actively concurring first to promote the glory, finally to bewail the
death of her distinguished son.[443] Pêleus, having survived both his
son Achilles and his grandson Neoptolemus, is ultimately directed to
place himself on the very spot where he had originally seized Thetis,
and thither the goddess comes herself to fetch him away, in order
that he may exchange the desertion and decrepitude of age for a life
of immortality along with the Nêreids.[444] The spot was indicated to
Xerxês when he marched into Greece by the Iônians who accompanied him,
and his magi offered solemn sacrifices to her as well as to the other
Nêreids, as the presiding goddesses and mistresses of the coast.[445]
[443] See the arguments of the lost poems, the Cypria and the
Æthiopis, as given by Proclus, in Düntzer, Fragm. Epic. Gr. p.
11-16; also Schol. ad Iliad. xvi. 140; and the extract from the
lost Ψυχοστασία of Æschylus, ap. Plato. de Republic. ii. c. 21
(p. 382, St.).
[444] Eurip. Androm. 1242-1260; Pindar, Olymp. ii. 86.
[445] Herodot. vii. 198.
Neoptolemus or Pyrrhus, the son of Achilles, too young to engage in the
commencement of the siege of Troy, comes on the stage after the death
of his father as the indispensable and prominent agent in the final
capture of the city. He returns victor from Troy, not to Phthia, but to
Epirus, bringing with him the captive Andromachê, widow of Hectôr, by
whom Molossus is born to him. He himself perishes in the full vigor of
life at Delphi by the machinations of Orestês, son of Agamemnôn. But
his son Molossus—like Fleance, the son of Banquo, in Macbeth—becomes
the father of the powerful race of Molossian kings, who played so
conspicuous a part during the declining vigor of the Grecian cities,
and to whom the title and parentage of Æakids was a source of peculiar
pride, identifying them by community of heroic origin with genuine and
undisputed Hellênes.[446]
[446] Plutarch, Pyrrh. 1; Justin, xi. 3; Eurip. Androm. 1253;
Arrian, Exp. Alexand. i. 11.
The glories of Ajax, the second grandson of Æakus, before Troy, are
surpassed only by those of Achilles. He perishes by his own hand,
the victim of an insupportable feeling of humiliation, because a
less worthy claimant is allowed to carry off from him the arms of
the departed Achilles. His son Philæus receives the citizenship of
Athens, and the gens or dême called Philaidæ traced up to him its name
and its origin: moreover the distinguished Athenians, Miltiadês and
Thucydidês, were regarded as members of this heroic progeny.[447]
[447] Pherekydês and Hellanikus ap. Marcellin. Vit. Thucydid.
init.; Pausan. ii. 29, 4; Plutarch, Solôn, 10. According to
Apollodôrus, however, Pherekydês said that Telamôn was only the
friend of Pêleus, not his brother,—not the son of Æakus (iii. 12,
7): this seems an inconsistency. There was however a warm dispute
between the Athenians and the Megarians respecting the title to
the hero Ajax, who was claimed by both (see Pausan. i. 42, 4;
Plutarch, _l. c._): the Megarians accused Peisistratus of having
interpolated a line into the Catalogue in the Iliad (Strabo, ix.
p. 394).
Teukrus escaped from the perils of the siege of Troy as well as from
those of the voyage homeward, and reached Salamis in safety. But
his father Telamôn, indignant at his having returned without Ajax,
refused to receive him, and compelled him to expatriate. He conducted
his followers to Cyprus, where he founded the city of Salamis: his
descendant Evagoras was recognized as a Teukrid and as an Æakid even in
the time of Isokratês.[448]
[448] Herodot. vii. 90; Isokrat. Enc. Evag. _ut sup._; Sophokl.
Ajax, 984-995; Vellei. Patercul. i. 1; Æschyl. Pers. 891, and
Schol. The return from Troy of Teukrus, his banishment by
Telamôn, and his settlement in Cyprus, formed the subject of the
Τεῦκρος of Sophoklês, and of a tragedy under a similar title by
Pacuvius (Cicero de Orat. i. 58; ii. 46); Sophokl. Ajax, 892;
Pacuvii Fragm. Teucr. 15.—
“Te repudio, nec recipio, natum abdico,
Facesse.”
The legend of Teukros was connected in Attic archæology with the
peculiar functions and formalities of the judicature, ἐν Φρεαττοῖ
(Pausan. i. 28, 12; ii. 29, 7).
Such was the splendid heroic genealogy of the Æakids,—a family renowned
for military excellence. The Æakeion at Ægina, in which prayer and
sacrifice were offered to Æakus, remained in undiminished dignity down
to the time of Pausanias.[449] This genealogy connects together various
eminent gentes in Achaia Phthiôtis, in Ægina, in Salamis, in Cyprus,
and amongst the Epirotic Molossians. Whether we are entitled to infer
from it that the island of Ægina was originally peopled by Myrmidones
from Achaia Phthiôtis, as O. Müller imagines,[450] I will not pretend
to affirm. These mythical pedigrees seem to unite together special
clans or gentes, rather than the bulk of any community—just as we know
that the Athenians generally had no part in the Æakid genealogy, though
certain particular Athenian families laid claim to it. The intimate
friendship between Achilles and the Opuntian hero Patroclus—and the
community of name and frequent conjunction between the Locrian Ajax,
son of Oïleus, and Ajax, son of Telamôn—connect the Æakids with Opus
and the Opuntian Locrians, in a manner which we have no farther means
of explaining. Pindar too represents Menœtius, father of Patroclus, as
son of Aktôr and Ægina, and therefore maternal brother of Æakus.[451]
[449] Hesiod, Fragm. Düntz. Eoiai, 55, y. 43.—
Ἀλκὴν μὲν γὰρ ἔδωκεν Ὀλύμπιος Αἰακίδαισι,
Νοῦν δ᾽ Ἀμυθαονίδαις, πλοῦτον δ᾽ ἔπορ᾽ Ἀτρείδῃσι.
Polyb. v. 2.—
Αἰακίδας, πολέμῳ κεχαρηότας ἠΰτε δαιτί.
[450] See his Æginetica, p. 14, his earliest work.
[451] Pindar, Olymp. ix. 74. The hero Ajax, son of Oïleus, was
especially worshipped at Opus; solemn festivals and games were
celebrated in his honor.
CHAPTER XI.
ATTIC LEGENDS AND GENEALOGIES.
The most ancient name in Attic archæology, as far as our means of
information reach, is that of Erechtheus, who is mentioned both in
the Catalogue of the Iliad and in a brief allusion of the Odyssey.
Born of the Earth, he is brought up by the goddess Athênê, adopted
by her as her ward, and installed in her temple at Athens, where the
Athenians offer to him annual sacrifices. The Athenians are styled in
the Iliad, “the people of Erechtheus.”[452] This is the most ancient
testimony concerning Erechtheus, exhibiting him as a divine or heroic,
certainly a superhuman person, and identifying him with the primitive
germination (if I may use a term, the Grecian equivalent of which would
have pleased an Athenian ear) of Attic man. And he was recognized in
this same character, even at the close of the fourth century before the
Christian æra, by the Butadæ, one of the most ancient and important
Gentes at Athens, who boasted of him as their original ancestor: the
genealogy of the great Athenian orator Lykurgus, a member of this
family, drawn up by his son Abrôn, and painted on a public tablet in
the Erechtheion, contained as its first and highest name, Erechtheus,
son of Hêphæstos and the Earth. In the Erechtheion, Erechtheus
was worshipped conjointly with Athênê: he was identified with the
god Poseidôn, and bore the denomination of Poseidôn Erechtheus:
one of the family of the Butadæ, chosen among themselves by lot,
enjoyed the privilege and performed the functions of his hereditary
priest.[453] Herodotus also assigns the same earth-born origin to
Erechtheus:[454] but Pindar, the old poem called the Danais, Euripidês
and Apollodôrus—all name Erichthonius, son of Hêphæstos and the Earth,
as the being who was thus adopted and made the temple-companion of
Athênê, while Apollodôrus in another place identifies Erichthonius
with Poseidôn.[455] The Homeric scholiast treated Erechtheus and
Erichthonius as the same person under two names:[456] and since, in
regard to such mythical persons, there exists no other test of identity
of the subject except perfect similarity of the attributes, this seems
the reasonable conclusion.
[452] Iliad, ii. 546. Odyss. vii. 81.—
Οἳ δ᾽ ἄρ᾽ Ἀθήνας εἶχον ...
Δῆμον Ἐρεχθῆος μεγαλήτορος, ὅν ποτ᾽ Ἀθήνη
Θρέψε, Διὸς θυγάτηρ, τέκε δὲ ζείδωρος Ἄρουρα,
Κὰδ δ᾽ ἐν Ἀθήνῃσ᾽ εἷσεν ἑῷ ἐνὶ πίονι νηῷ,
Ἐνθάδε μιν ταύροισι καὶ ἀρνειοῖς ἱλάονται
Κοῦροι Ἀθηναίων, περιτελλομένων ἐνιαυτῶν.
[453] See the Life of Lykurgus, in Plutarch’s (I call it by
that name, as it is always printed with his works) Lives of the
Ten Orators, tom. iv. p. 382-384, Wytt. Κατῆγον δὲ τὸ γένος ἀπὸ
τούτων καὶ Ἐρεχθέως τοῦ Γῆς καὶ Ἡφαίστου ... καὶ ἐστὶν αὐτὴ ἡ
καταγωγὴ τοῦ γένους τῶν ἱερασαμένων του Ποσειδῶνος, etc. Ὃς τὴν
ἱερωσύνην Ποσειδῶνος Ἐρεχθέως εἶχε (pp. 382, 383). Erechtheus
Πάρεδρος of Athênê—Aristidês, Panathenaic. p. 184, with the
Scholia of Frommel.
Butês, the eponymus of the Butadæ, is the first priest of
Poseidôn Erichthonius: Apollod. iii. 15, 1. So Kallias (Xenoph.
Sympos. viii. 40), ἱερεὺς θεῶν τῶν ἀπ᾽ Ἐρεχθέως.
[454] Herodot. viii. 55.
[455] Harpokration, v. Αὐτοχθών. Ὁ δὲ Πίνδαρος καὶ ὁ τὴν Δαναΐδα
πεποιηκὼς φασιν, Ἐριχθόνιον ἐξ Ἡφαίστου καὶ Γῆς φανῆναι.
Euripidês, Ion. 21. Apollod. iii. 14, 6; 15, 1. Compare Plato,
Timæus, c. 6.
[456] Schol. ad Iliad, ii. 546, where he cites also Kallimachus
for the story of Erichthonius. Etymologicon Magn. Ἐρεχθεύς.
Plato (Kritias, c. 4) employs vague and general language to
describe the agency of Hêphæstos and Athênê, which the old fable
in Apollodôrus (iii. 14, 6) details in coarser terms. See Ovid,
Metam. ii. 757.
We may presume, from the testimony of Homer, that the first and oldest
conception of Athens and its sacred acropolis places it under the
special protection, and represents it as the settlement and favorite
abode of Athênê, jointly with Poseidôn; the latter being the inferior,
though the chosen companion of the former, and therefore exchanging
his divine appellation for the cognomen of Erechtheus. But the country
called Attica, which, during the historical ages, forms one social and
political aggregate with Athens, was originally distributed into many
independent dêmes or cantons, and included, besides, various religious
clans or hereditary sects (if the expression may be permitted); that
is, a multitude of persons not necessarily living together in the same
locality, but bound together by an hereditary communion of sacred
rites, and claiming privileges, as well as performing obligations,
founded upon the traditional authority of divine persons for whom
they had a common veneration. Even down to the beginning of the
Peloponnesian war, the demots of the various Attic dêmes, though long
since embodied in the larger political union of Attica, and having no
wish for separation, still retained the recollection of their original
political autonomy. They lived in their own separate localities,
resorted habitually to their own temples, and visited Athens only
occasionally for private or political business, or for the great public
festivals. Each of these aggregates, political as well as religious,
had its own eponymous god or hero, with a genealogy more or less
extended, and a train of mythical incidents more or less copious,
attached to his name, according to the fancy of the local exegetes and
poets. The eponymous heroes Marathôn, Dekelus, Kolônus, or Phlius, had
each their own title to worship, and their own position as themes of
legendary narrative, independent of Erechtheus, or Poseidôn, or Athênê,
the patrons of the acropolis common to all of them.
But neither the archæology of Attica, nor that of its various component
fractions, was much dwelt upon by the ancient epic poets of Greece.
Theseus is noticed both in the Iliad and Odyssey as having carried
off from Krête Ariadnê, the daughter of Minos—thus commencing that
connection between the Krêtan and Athenian legends which we afterwards
find so largely amplified—and the sons of Thêseus take part in the
Trojan war.[457] The chief collectors and narrators of the Attic mythes
were, the prose logographers, authors of the many compositions called
Atthides, or works on Attic archæology. These writers—Hellanikus,
the contemporary of Herodotus, is the earliest composer of an
Atthis expressly named, though Pherekydês also touched upon the
Attic fables—these writers, I say, interwove into one chronological
series the legends which either greatly occupied their own fancy, or
commanded the most general reverence among their countrymen. In this
way the religious and political legends of Eleusis, a town originally
independent of Athens, but incorporated with it before the historical
age, were worked into one continuous sequence along with those of the
Erechtheids. In this way, Kekrops, the eponymous hero of the portion of
Attica called Kekropia, came to be placed in the mythical chronology at
a higher point even than the primitive god or hero Erechtheus.
[457] Æthra, mother of Theseus, is also mentioned (Homer, Iliad,
iii. 144).
Ogygês is said to have reigned in Attica[458] 1020 years before the
first Olympiad, or 1796 years B. C. In his time happened the deluge
of Deukaliôn, which destroyed most of the inhabitants of the country:
after a long interval, Kekrops, an indigenous person, half man and
half serpent, is given to us by Apollodôrus as the first king of the
country: he bestowed upon the land, which had before been called
Actê, the name of Kekropia. In his day there ensued a dispute between
Athênê and Poseidôn respecting the possession of the acropolis at
Athens, which each of them coveted. First, Poseidôn struck the rock
with his trident, and produced the well of salt water which existed
in it, called the Erechthêis: next came Athênê, who planted the
sacred olive-tree ever afterwards seen and venerated in the portion
of Erechtheion called the cell of Pandrosus. The twelve gods decided
the dispute; and Kekrops having testified before them that Athênê
had rendered this inestimable service, they adjudged the spot to
her in preference to Poseidôn. Both the ancient olive-tree and the
well produced by Poseidôn were seen on the acropolis, in the temple
consecrated jointly to Athênê and Erechtheus, throughout the historical
ages. Poseidôn, as a mark of his wrath for the preference given to
Athênê, inundated the Thriasian plain with water.[459]
[458] Hellanikus, Fragm. 62; Philochor. Fragm. 8, ap. Euseb.
Præp. Evang. x. 10. p. 489. Larcher (Chronologie d’Hérodote, ch.
ix. s. 1. p. 278) treats both the historical personality and the
date of Ogygês as perfectly well authenticated.
It is not probable that Philochorus should have given any
calculation of time having reference to Olympiads; and hardly
conceivable that Hellanikus should have done so. Justin Martyr
quotes Hellanikus and Philochorus as having mentioned Moses,—ὡς
σφόδρα ἀρχαίου καὶ παλαιοῦ τῶν Ἰουδαίων ἄρχοντος Μωϋσέως
μέμνηνται—which is still more incredible even than the assertion
of Eusebius about their having fixed the date of Ogygês by
Olympiads (see Philochor. Fragm. 9).
[459] Apollod. iii. 14, 1; Herodot. viii. 55; Ovid. Metam. vi.
72. The story current among the Athenians represented Kekrops as
the judge of this controversy (Xenoph. Memor. iii. 5, 10).
The impressions of the trident of Poseidôn were still shown
upon the rock in the time of Pausanias (Pausan. i. 26, 4). For
the sanctity of the ancient olive-tree, see the narrative of
Herodotus (_l. c._), relating what happened to it when Xerxes
occupied the acropolis. As this tale seems to have attached
itself specially to the local peculiarities of the Erechtheion,
the part which Poseidôn plays in it is somewhat mean: that god
appears to greater advantage in the neighborhood of the Ἱπποτὴς
Κολωνὸς, as described in the beautiful Chorus of Sophoklês (Œdip.
Colon. 690-712).
A curious rationalization of the monstrous form ascribed to
Kekrops διφυὴς in Plutarch (Sera Num. Vindict. p. 551).
During the reign of Kekrops, Attica was laid waste by Karian pirates
on the coast, and by invasions of the Aônian inhabitants from Bœôtia.
Kekrops distributed the inhabitants of Attica into twelve local
sections—Kekropia, Tetrapolis, Epakria, Dekeleia, Eleusis, Aphidna,
Thorikus, Braurôn, Kythêrus, Sphêttus, Kêphisius, Phalerus. Wishing to
ascertain the number of inhabitants, he commanded each man to cast a
single stone into a general heap: the number of stones was counted, and
it was found that there were twenty thousand.[460]
[460] Philochor. ap. Strabo. ix. p. 397.
Kekrops married the daughter of Aktæus, who (according to Pausanias’s
version) had been king of the country before him, and had called it by
the name of Aktæa.[461] By her he had three daughters, Aglaurus, Ersê
and Pandrosus, and a son, Erysichthôn. Kekrops is called by Pausanias
contemporary of the Arcadian Lykaôn, and is favorably contrasted with
that savage prince in respect of his piety and humanity.[462] Though
he has been often designated in modern histories as an immigrant from
Egypt into Attica, yet the far greater number of ancient authorities
represent him as indigenous or earth-born.[463]
[461] The Parian chronological marble designates Aktæus as an
autochthonous person. Marmor Parium, Epoch. 3. Pausan. i. 2, 5.
Philochorus treated Aktæus as a fictitious name (Fragm. 8, _ut
sup._).
[462] Pausan. viii. 2. 2. The three daughters of Kekrops were
not unnoticed in the mythes (Ovid, Metam. ii. 739): the tale of
Kephalus, son of Hersê by Hermês, who was stolen away by the
goddess Eôs or Hêmera in consequence of his surpassing beauty,
was told in more than one of the Hesiodic poems (Pausan. i. 3, 1;
Hesiod. Theog. 986). See also Eurip. Ion. 269.
[463] Jul. Africanus also (ap. Euseb. x. 9. p. 486-488) calls
Kekrops γηγενὴς and αὐτοχθών.
Erysichthôn died without issue, and Kranaus succeeded him,—another
autochthonous person and another eponymus,—for the name Kranai was
an old denomination of the inhabitants of Attica.[464] Kranaus was
dethroned by Amphiktyôn, by some called an autochthonous man; by
others, a son of Deukaliôn: Amphiktyôn in his turn was expelled
by Erichthonius, son of Hêphæstos and the Earth,—the same person
apparently as Erechtheus, but inserted by Apollodôrus at this point of
the series. Erichthonius, the pupil and favored companion of Athênê,
placed in the acropolis the original Palladium or wooden statue of
that goddess, said to have dropped from heaven: he was moreover the
first to celebrate the festival of the Panathenæa. He married the nymph
Pasithea, and had for his son and successor Pandiôn.[465] Erichthonius
was the first person who taught the art of breaking in horses to the
yoke, and who drove a chariot and four.[466]
[464] Herod. viii. 44. Κρανααὶ Ἀθῆναι, Pindar.
[465] Apollod. iii. 14. Pausan. i. 26, 7.
[466] Virgil, Georgic iii. 114.
In the time of Pandiôn, who succeeded to Erichthonius, Dionysus and
Dêmêtêr both came into Attica: the latter was received by Keleos at
Eleusis.[467] Pandiôn married the nymph Zeuxippê, and had twin sons,
Erechtheus and Butês, and two daughters, Proknê and Philomêla. The two
latter are the subjects of a memorable and well-known legend. Pandiôn
having received aid in repelling the Thêbans from Têreus, king of
Thrace, gave him his daughter Proknê in marriage, by whom he had a son,
Itys. The beautiful Philomêla, going to visit her sister, inspired
the barbarous Thracian with an irresistible passion: he violated her
person, confined her in a distant pastoral hut, and pretended that she
was dead, cutting out her tongue to prevent her from revealing the
truth. After a long interval, Philomêla found means to acquaint her
sister of the cruel deed which had been perpetrated; she wove into a
garment words describing her melancholy condition, and despatched it
by a trusty messenger. Proknê, overwhelmed with sorrow and anger, took
advantage of the free egress enjoyed by women during the Bacchanalian
festival to go and release her sister: the two sisters then revenged
themselves upon Têreus by killing the boy Itys, and serving him up
for his father to eat: after the meal had been finished, the horrid
truth was revealed to him. Têreus snatched a hatchet to put Proknê to
death: she fled, along with Philomêla, and all the three were changed
into birds—Proknê became a swallow, Philomêla a nightingale, and
Têreus an hoopoe.[468] This tale, so popular with the poets, and so
illustrative of the general character of Grecian legend, is not less
remarkable in another point of view—that the great historian Thucydidês
seems to allude to it as an historical fact,[469] not however directly
mentioning the final metamorphosis.
[467] The mythe of the visit of Dêmêtêr to Eleusis, on which
occasion she vouchsafed to teach her holy rites to the leading
Eleusinians, is more fully touched upon in a previous chapter
(see _ante_, p. 50).
[468] Apollod. iii. 14, 8; Æsch. Supplic. 61; Soph. Elektr. 107;
Ovid, Metamorph. vi. 425-670. Hyginus gives the fable with some
additional circumstances, fab. 45. Antoninus Liberalis (Narr.
11), or Bœus, from whom he copies, has composed a new narrative
by combining together the names of Pandareos and Aêdôn, as given
in the Odyssey, xix. 523, and the adventures of the old Attic
fable. The hoopoe still continued the habit of chasing the
nightingale; it was to the Athenians a present fact. See Schol.
Aristoph. Aves, 212.
[469] Thucyd. ii. 29. He makes express mention of the nightingale
in connection with the story, though not of the metamorphosis.
See below, chap. xvi. p. 544, note 2. So also does Pausanias
mention and reason upon it as a real incident: he founds upon it
several moral reflections (i. 5, 4; x. 4, 5): the author of the
Λόγος Ἐπιτάφιος, ascribed to Demosthenês, treats it in the same
manner, as a fact ennobling the tribe Pandionis, of which Pandiôn
was the eponymus. The same author, in touching upon Kekrops, the
eponymus of the Kekropis tribe, cannot believe literally the
story of his being half man and half serpent: he rationalizes it
by saying that Kekrops was so called because in wisdom he was
like a man, in strength like a serpent (Demosth. p. 1397, 1398,
Reiske). Hesiod glances at the fable (Opp. Di. 566), ὀρθογόη
Πανδιονὶς ὦρτο χελιδών; see also Ælian., V. H. xii. 20. The
subject was handled by Sophoklês in his lost Têreus.
After the death of Pandiôn, Erechtheus succeeded to the kingdom,
and his brother, Butês, became priest of Poseidôn Erichthonius, a
function which his descendants ever afterwards exercised, the Butadæ
or Eteobutadæ. Erechtheus seems to appear in three characters in the
fabulous history of Athens—as a god, Poseidôn Erechtheus[470]—as a
hero, Erechtheus, son of the Earth—and now, as a king, son of Pandiôn:
so much did the ideas of divine and human rule become confounded and
blended together in the imagination of the Greeks in reviewing their
early times.
[470] Poseidôn is sometimes spoken of under the name of
Erechtheus simply (Lycophrôn, 158). See Hesychius, v. Ἐρεχθεύς.
The daughters of Erechtheus were not less celebrated in Athenian legend
than those of Pandiôn. Prokris, one of them, is among the heroines seen
by Odysseus in Hadês: she became the wife of Kephalus, son of Deionês,
and lived in the Attic dême of Thorikus. Kephalus tried her fidelity
by pretending that he was going away for a long period; but shortly
returned, disguising his person and bringing with him a splendid
necklace. He presented himself to Prokris without being recognized, and
succeeded in triumphing over her chastity. Having accomplished this
object, he revealed to her his true character: she earnestly besought
his forgiveness, and prevailed upon him to grant it. Nevertheless he
became shortly afterwards the unintentional author of her death: for
he was fond of hunting, and staid out a long time on his excursions,
so that Prokris suspected him of visiting some rival. She determined
to watch him by concealing herself in a thicket near the place of his
midday repose; and when Kephalus implored the presence of Nephelê (a
cloud) to protect him from the sun’s rays, she suddenly started from
her hiding-place: Kephalus, thus disturbed, cast his hunting-spear
unknowingly into the thicket and slew his wife. Erechtheus interred her
with great magnificence, and Kephalus was tried for the act before the
court of Areopagus, which condemned him to exile.[471]
[471] Pherekydês, Fragm. 77, Didot; ap. Schol. ad Odyss. xi. 320;
Hellanikus Fr. 82; ap. Schol. Eurip. Orest. 1648. Apollodôrus
(iii. 15, 1) gives the story differently.
Kreüsa, another daughter of Erechtheus, seduced by Apollo, becomes the
mother of Iôn, whom she exposes immediately after his birth in the cave
north of the acropolis, concealing the fact from every one. Apollo
prevails upon Hermês to convey the new-born child to Delphi, where he
is brought up as a servant of the temple, without knowing his parents.
Kreüsa marries Xuthus, son of Æolus, but continuing childless, she goes
with Xuthus to the Delphian oracle to inquire for a remedy. The god
presents to them Iôn, and desires them to adopt him as their son: their
son Achæus is afterwards born to them, and Iôn and Achæus become the
eponyms of the Iônians and Achæans.[472]
[472] Upon this story of Iôn is founded the tragedy of Euripidês
which bears that name. I conceive many of the points of that
tragedy to be of the invention of Euripidês himself: but to
represent Iôn as son of Apollo, not of Xuthus, seems a genuine
Attic legend. Respecting this drama, see O. Müller, Hist. of
Dorians, ii. 2. 13-15. I doubt however the distinction which he
draws between the Ionians and the other population of Attica.
Oreithyia, the third daughter of Erechtheus, was stolen away by the god
Boreas while amusing herself on the banks of the Ilissus, and carried
to his residence in Thrace. The two sons of this marriage, Zêtês
and Kalaïs, were born with wings: they took part in the Argonautic
expedition, and engaged in the pursuit of the Harpies: they were slain
at Tênos by Hêraklês. Kleopatra, the daughter of Boreas and Oreithyia,
was married to Phineus, and had two sons, Plexippus and Pandiôn; but
Phineus afterwards espoused a second wife, Idæa, the daughter of
Dardanus, who, detesting the two sons of the former bed, accused them
falsely of attempting her chastity, and persuaded Phineus in his wrath
to put out the eyes of both. For this cruel proceeding he was punished
by the Argonauts in the course of their voyage.[473]
[473] Apollodôr. iii. 15, 2; Plato, Phædr. c. 3; Sophok. Antig.
984; also the copious Scholion on Apollôn. Rhod. i. 212.
The tale of Phineus is told very differently in the Argonautic
expedition as given by Apollônius Rhodius, ii. 180. From
Sophoklês we learn that this was the Attic version.
The two winged sons of Boreas and their chase of the Harpies were
noticed in the Hesiodic Catalogue (see Schol. Apollôn. Rhod. ii.
296). But whether the Attic legend of Oreithyia was recognized in
the Hesiodic poems seems not certain.
Both Æschylus and Sophoklês composed dramas on the subject of
Oreithyia (Longin. de Sublimit. c. 3). “Orithyia Atheniensis,
filia Terrigenæ, et a Borea in Thraciam rapta.” (Servius ad Virg.
Æneid. xii. 83). Terrigenæ is the γηγενὴς Ἐρεχθεύς. Philochorus
(Fragm. 30) rationalized the story, and said that it alluded to
the effects of a violent wind.
On more than one occasion the Athenians derived, or at least
believed themselves to have derived, important benefits from this
marriage of Boreas with the daughter of their primæval hero: one
inestimable service, rendered at a juncture highly critical for
Grecian independence, deserves to be specified.[474] At the time of
the invasion of Greece by Xerxês, the Grecian fleet was assembled at
Chalcis and Artemision in Eubœa, awaiting the approach of the Persian
force, so overwhelming in its numbers as well by sea as on land. The
Persian fleet had reached the coast of Magnêsia and the south-eastern
corner of Thessaly without any material damage, when the Athenians
were instructed by an oracle “to invoke the aid of their son-in-law.”
Understanding the advice to point to Boreas, they supplicated his
aid and that of Oreithyia, most earnestly, as well by prayer as by
sacrifice,[475] and the event corresponded to their wishes. A furious
north-easterly wind immediately arose, and continued for three days
to afflict the Persian fleet as it lay on an unprotected coast: the
number of ships driven ashore, both vessels of war and of provision,
was immense, and the injury done to the armament was never thoroughly
repaired. Such was the powerful succor which the Athenians derived, at
a time of their utmost need, from their son-in-law Boreas; and their
gratitude was shown by consecrating to him a new temple on the banks of
the Ilissus.
[474] Herodot. vii. 189. Οἱ δ᾽ ὦν Ἀθηναῖοί σφι λέγουσι βοηθήσαντα
τὸν Βορῆν πρότερον, καὶ τότε ἐκεῖνα κατεργάσασθαι· καὶ ἱρὸν
ἀπελθόντες Βορέω ἱδρύσαντο παρὰ ποταμὸν Ἴλισσον.
[475] Herodot. _l. c._ Ἀθηναῖοι τὸν Βορῆν ἐκ θεοπροπίου
ἐπεκαλέσαντο, ἐλθόντος σφι ἄλλου χρηστηρίου, τὸν γαμβρὸν
ἐπίκουρον καλέσασθαι. Βορῆς δὲ, κατὰ τὸν Ἑλλήνων λόγον ἔχει
γυναῖκα Ἀττικὴν, Ὠρειθυίην τὴν Ἐρεχθῆος. Κατὰ δὴ τὸ κῆδος τοῦτο,
οἱ Ἀθηναῖοι, συμβαλλεόμενοί σφι τὸν Βορῆν γαμβρὸν εἶναι, etc.
The three remaining daughters of Erechtheus—he had six in all[476]—were
in Athenian legend yet more venerated than their sisters, on account of
having voluntarily devoted themselves to death for the safety of their
country. Eumolpus of Eleusis was the son of Poseidôn and the eponymous
hero of the sacred gens called the Eumolpids, in whom the principal
functions, appertaining to the mysterious rites of Dêmêtêr at Eleusis,
were vested by hereditary privilege: he made war upon Erechtheus and
the Athenians, with the aid of a body of Thracian allies; indeed it
appears that the legends of Athens, originally foreign and unfriendly
to those of Eleusis, represented him as having been himself a Thracian
born and an immigrant into Attica.[477] Respecting Eumolpus however
and his parentage, the discrepancies much exceed even the measure of
license usual in the legendary genealogies, and some critics, both
ancient and modern, have sought to reconcile these contradictions
by the usual stratagem of supposing two or three different persons
of the same name. Even Pausanias, so familiar with this class of
unsworn witnesses, complains of the want of native Eleusinian
genealogists,[478] and of the extreme license of fiction in which other
authors had indulged.
[476] Suidas and Photius, v. Πάρθενοι: Protogeneia and Pandôra
are given as the names of two of them. The sacrifice of Pandôra,
in the Iambi of Hippônax (Hippônact. Fragm. xxi. Welck. ap.
Athen. ix. p. 370), seems to allude to this daughter of
Erechtheus.
[477] Apollodôr. iii. 15, 3; Thucyd. ii. 15; Isokratês (Panegyr.
t. i. p. 206; Panathenaic. t. ii. p. 560, Auger), Lykurgus,
cont. Leocrat. p. 201, Reiske, Pausan. i. 38, 3; Euripid.
Erechth. Fragm. The Schol. ad. Soph. Œd. Col. 1048 gives valuable
citations from Ister, Akestodôrus and Androtiôn: we see that
the inquirers of antiquity found it difficult to explain how
the Eumolpids could have acquired their ascendant privileges in
the management of the Eleusinia, seeing that Eumolpus himself
was a foreigner.—Ζητεῖται, τί δήποτε οἱ Εὐμολπίδαι τῶν τελετῶν
ἐξάρχουσι, ξένοι ὄντες. Thucydidês does _not_ call Eumolpus
a Thracian: Strabo’s language is very large and vague (vii.
p. 321): Isokratês says that he assailed Athens in order to
vindicate the rights of his father Poseidôn to the sovereign
patronage of the city. Hyginus copies this (fab. 46).
[478] Pausan. i. 38. 3. Ἐλευσίνιοί τε ἀρχαῖοι, ἅτε οὐ προσόντων
σφισι γενεαλόγων, ἄλλα τε πλάσασθαι δεδώκασι καὶ μάλιστα ἐς τὰ
γένη τῶν ἡρώων. See Heyne ad Apollodôr. iii. 15, 4. “Eumolpi
nomen modo communicatum pluribus, modo plurium hominum res et
facta cumulata in unum. Is ad quem Hercules venisse dicitur,
serior ætate fuit: antiquior est is de quo hoc loco agitur ...
antecessisse tamen hunc debet alius, qui cum Triptolemo vixit,”
etc. See the learned and valuable comments of Lobeck in his
Aglaophamus, tom. i. p. 206-213: in regard to the discrepancies
of this narrative he observes, I think, with great justice (p.
211), “quo uno exemplo ex innumerabilibus delecto, arguitur
eorum temeritas, qui ex variis discordibusque poetarum et
mythographorum narratiunculis, antiquæ famæ formam et quasi
lineamenta recognosci posse sperant.”
In the Homeric Hymn to Dêmêtêr, the most ancient testimony before
us,—composed, to all appearance, earlier than the complete
incorporation of Eleusis with Athens,—Eumolpus appears (to repeat
briefly what has been stated in a previous chapter) as one of the
native chiefs or princes of Eleusis, along with Triptolemus, Dioklês,
Polyxeinus and Dolichus: Keleos is the king, or principal among these
chiefs, the son or lineal descendant of the eponymous Eleusis himself.
To these chiefs, and to the three daughters of Keleos, the goddess
Dêmêtêr comes in her sorrow for the loss of her daughter Persephonê:
being hospitably entertained by Keleos she reveals her true character,
commands that a temple shall be built to her at Eleusis, and prescribes
to them the rites according to which they are to worship her.[479] Such
seems to have been the ancient story of the Eleusinians respecting
their own religious antiquities: Keleos, with Metaneira his wife, and
the other chiefs here mentioned, were worshipped at Eleusis, and from
thence transferred to Athens as local gods or heroes.[480] Eleusis
became incorporated with Athens, apparently not very long before the
time of Solôn; and the Eleusinian worship of Dêmêtêr was then received
into the great religious solemnities of the Athenian state, to which
it owes its remarkable subsequent extension and commanding influence.
In the Atticized worship of the Eleusinian Dêmêtêr, the Eumolpids and
the Kêrŷkes were the principal hereditary functionaries: Eumolpus, the
eponym of this great family, came thus to play the principal part in
the Athenian legendary version of the war between Athens and Eleusis.
An oracle had pronounced that Athens could only be rescued from his
attack by the death of the three daughters of Erechtheus; their
generous patriotism consented to the sacrifice, and their father put
them to death. He then went forth confidently to the battle, totally
vanquished the enemy, and killed Eumolpus with his own hand.[481]
Erechtheus was worshipped as a god, and his daughters as goddesses,
at Athens.[482] Their names and their exalted devotion were cited
along with those of the warriors of Marathôn, in the public assembly
of Athens, by orators who sought to arouse the languid patriot, or to
denounce the cowardly deserter; and the people listened both to one and
the other with analogous feelings of grateful veneration, as well as
with equally unsuspecting faith in the matter of fact.[483]
[479] Homer, Hymn, ad Cerer. 153-475.—
... Ἡ δὲ κίουσα θεμιστοπόλοις βασιλεῦσι
Δεῖξεν Τριπτολέμῳ τε, Διόκλεΐ τε πληξίππῳ,
Εὐμόλπου τε βίῃ, Κελέῳ θ᾽ ἡγήτορι λαῶν,
Δρησμοσύνην ἱερῶν.
Also v. 105.
Τὴν δὲ ἴδον Κελέοιο Ἐλευσινίδαο θύγατρες.
The hero Eleusis is mentioned in Pausanias, i. 38, 7: some said
that he was the son of Hermês, others that he was the son of
Ogygus. Compare Hygin. f. 147.
[480] Keleos and Metaneira were worshipped by the Athenians
with divine honors (Athenagoras, Legat. p. 53, ed. Oxon.):
perhaps he confounds divine and heroic honors, as the Christian
controversialists against Paganism were disposed to do.
Triptolemus had a temple at Eleusis (Pausan. i. 38, 6).
[481] Apollodôr. iii. 15, 4. Some said that Immaradus, son of
Eumolpus, had been killed by Erechtheus (Pausan. i. 5, 2);
others, that both Eumolpus and his son had experienced this fate
(Schol. ad Eurip. Phœniss. 854). But we learn from Pausanias
himself what the story in the interior of the Erechtheion
was,—that Erechtheus killed Eumolpus (i. 27, 3).
[482] Cicero, Nat. Deor. iii. 19; Philochor. ap. Schol. Œdip.
Col. 100. Three daughters of Erechtheus perished, and three
daughters were worshipped (Apollodôr. iii. 15, 4; Hesychius,
Ζεῦγος τριπάρθενον; Eurip. Erechtheus, Fragm. 3, Dindorf); but
both Euripidês and Apollodôrus said that Erechtheus was only
required to sacrifice, and only did sacrifice, _one_,—the other
two slew themselves voluntarily, from affection for their sister.
I cannot but think (in spite of the opinion of Welcker to the
contrary, Griechisch. Tragöd. ii. p. 722) that the genuine legend
represented Erechtheus as having sacrificed all three, as appears
in the Iôn of Euripidês (276):—
IÔN. Πατὴρ Ἐρεχθεὺς σὰς ἔθυσε συγγόνους;
CREÜSA. Ἔτλη πρὸ γαίας σφάγια παρθένους κτανεῖν.
IÔN. Σὺ δ᾽ ἐξεσώθης πῶς κασιγνήτων μόνη;
CREÜSA. Βρέφος νέογνον μητρὸς ἦν ἐν ἀγκάλαις.
Compare with this passage, Demosthen. Λόγος Ἐπιταφ. p. 1397,
Reisk. Just before, the death of the three daughters of Kekrops,
for infringing the commands of Athênê, had been mentioned.
Euripidês modified this in his Erechtheus, for he there
introduced the mother Praxithea consenting to the immolation
of one daughter, for the rescue of the country from a foreign
invader: to propose to a mother the immolation of three daughters
at once, would have been too revolting. In most instances we find
the strongly marked features, the distinct and glaring incidents
as well as the dark contrasts, belong to the Hesiodic or old
Post-Homeric legend; the changes made afterwards go to soften,
dilute, and to complicate, in proportion as the feelings of the
public become milder and more humane; sometimes however the later
poets add new horrors.
[483] See the striking evidence contained in the oration of
Lykurgus against Leocratês (p. 201-204. Reiske; Demosthen. Λόγ.
Ἐπιταφ. _l. c._; and Xenophon, Memor. iii. 5, 9): from the two
latter passages we see that the Athenian story represented the
invasion under Eumolpus as a combined assault from the western
continent.
Though Erechtheus gained the victory over Eumolpus, yet the story
represents Poseidôn as having put an end to the life and reign of
Erechtheus, who was (it seems) slain in the battle. He was succeeded
by his son Kekrops II., and the latter again by his son Pandiôn
II.,[484]—two names unmarked by any incidents, and which appear to be
mere duplication of the former Kekrops and Pandiôn, placed there by
the genealogizers for the purpose of filling up what seemed to them a
chronological chasm. The Attic legends were associated chiefly with
a few names of respected eponymous personages; and if the persons
called the children of Pandiôn were too numerous to admit of their
being conveniently ascribed to one father, there was no difficulty in
supposing a second prince of the same name.
[484] Apollodôr. iii. 15, 5; Eurip. Iôn, 282; Erechth. Fragm. 20,
Dindorf.
Apollodôrus passes at once from Erechtheus to his son Kekrops II., then
to Pandiôn II., next to the four sons of the latter, Ægeus, Pallas,
Nisus and Lykus. But the tragedians here insert the story of Xuthus,
Kreüsa and Iôn; the latter being the son of Kreüsa by Apollo, but given
by the god to Xuthus, and adopted by the latter as his own. Iôn becomes
the successor of Erechtheus, and his sons Teleon, Hoplês, Argadês and
Aigikorês become the eponyms of the four ancient tribes of Athens,
which subsisted until the revolution of Kleisthenês. Iôn himself is
the eponym of the Iônic race both in Asia, in Europe, and in the Ægean
islands: Dôrus and Achæus are the sons of Kreüsa by Xuthus, so that Iôn
is distinguished from both of them by being of divine parentage.[485]
According to the story given by Philochorus, Iôn rendered such
essential service in rescuing the Athenians from the attack of the
Thracians under Eumolpus, that he was afterwards made king of the
country, and distributed all the inhabitants into four tribes or
castes, corresponding to different modes of life,—soldiers, husbandmen,
goatherds, and artisans.[486] And it seems that the legend explanatory
of the origin of the festival Boëdromia, originally important enough to
furnish a name to one of the Athenian months, was attached to the aid
thus rendered by Iôn.[487]
[485] Eurip. Iôn. 1570-1595. The Kreüsa of Sophoklês, a lost
tragedy, seems to have related to the same subject.
Pausanias (vii. 1, 2) tells us that Xuthus was chosen to
arbitrate between the contending claims of the sons of Erechtheus.
[486] Philochor. ap. Harpocrat. v. Βοηδρόμια; Strabo, viii. p.
383.
[487] Philochor. ap. Harpocrat. v. Βοηδρόμια.
We pass from Iôn to persons of far greater mythical dignity and
interest,—Ægeus and his son Thêseus.
Pandiôn had four sons, Ægeus, Nisus, Lykus, and Pallas, between whom
he divided his dominions. Nisus received the territory of Megaris,
which had been under the sway of Pandiôn, and there founded the seaport
of Nisæa. Lykus was made king of the eastern coast, but a dispute
afterwards ensued, and he quitted the country altogether, to establish
himself on the southern coast of Asia Minor among the Termilæ, to
whom he gave the name of Lykians.[488] Ægeus, as the eldest of the
four, became king of Athens; but Pallas received a portion both of the
south-western coast and the interior, and he as well as his children
appear as frequent enemies both to Ægeus and to Thêseus. Pallas is
the eponym of the dême Pallênê, and the stories respecting him and
his sons seem to be connected with old and standing feuds among the
different dêmes of Attica, originally independent communities. These
feuds penetrated into the legend, and explain the story which we find
that Ægeus and Thêseus were not genuine Erechtheids, the former being
denominated a supposititious child to Pandiôn.[489]
[488] Sophokl. ap. Strab. ix. p. 392; Herodot. i. 173; Strabo,
xii. p. 573.
[489] Plutarch, Thêseus, c. 13. Αἰγεὺς θετὸς γενόμενος Πανδίονι,
καὶ μηδὲν τοῖς Ἐρεχθείδαις προσήκων. Apollodôr. iii. 15, 6.
Ægeus[490] has little importance in the mythical history except as
the father of Thêseus: it may even be doubted whether his name is
anything more than a mere cognomen of the god Poseidôn, who was (as we
are told) the real father of this great Attic Hêraklês. As I pretend
only to give a very brief outline of the general territory of Grecian
legend, I cannot permit myself to recount in detail the chivalrous
career of Thêseus, who is found both in the Kalydônian boar-hunt and
in the Argonautic expedition—his personal and victorious encounters
with the robbers Sinnis, Procrustês, Periphêtês, Scirôn and others—his
valuable service in ridding his country of the Krommyonian sow and
the Marathônian bull—his conquest of the Minotaur in Krête, and his
escape from the dangers of the labyrinth by the aid of Ariadnê, whom he
subsequently carries off and abandons—his many amorous adventures, and
his expeditions both against the Amazons and into the under-world along
with Peirithous.[491]
[490] Ægeus had by Mêdea (who took refuge at Athens after her
flight from Corinth) a son named Mêdus, who passed into Asia,
and was considered as the eponymus and progenitor of the Median
people. Datis, the general who commanded the invading Persian
army at the battle of Marathôn, sent a formal communication to
the Athenians announcing himself as the descendant of Mêdus, and
requiring to be admitted as king of Attica: such is the statement
of Diodôrus (Exc. Vatic. vii.-x. 48: see also Schol. Aristophan.
Pac. 289).
[491] Ovid, Metamorph. vii. 433.—
... “Te, maxime Theseu,
Mirata est Marathon Cretæi sanguine Tauri:
Quodque Suis securus arat Cromyona colonus,
Munus opusque tuum est. Tellus Epidauria per te
Clavigeram vidit Vulcani occumbere prolem:
Vidit et immanem Cephisias ora Procrustem.
Cercyonis letum vidit Cerealis Eleusin.
Occidit ille Sinis,” etc.
Respecting the amours of Thêseus, Ister especially seems to have
entered into great details; but some of them were noticed both
in the Hesiodic poems and by Kekrops, not to mention Pherekydês
(Athen. xiii. p. 557). Peirithous, the intimate friend and
companion of Thêseus, is the eponymous hero of the Attic dême or
gens Perithoidæ (Ephorus ap. Photium, v. Περιθοῖδαι).
Thucydidês delineates the character of Thêseus as a man who combined
sagacity with political power, and who conferred upon his country the
inestimable benefit of uniting all the separate and self-governing
dêmes of Attica into one common political society.[492] From the
well-earned reverence attached to the assertion of Thucydidês, it
has been customary to reason upon this assertion as if it were
historically authentic, and to treat the romantic attributes which we
find in Plutarch and Diodôrus as if they were fiction superinduced
upon this basis of fact. Such a view of the case is in my judgment
erroneous. The athletic and amorous knight-errant is the old version
of the character—the profound and long-sighted politician is a
subsequent correction, introduced indeed by men of superior mind, but
destitute of historical warranty, and arising out of their desire to
find reasons of their own for concurring in the veneration which the
general public paid more easily and heartily to their national hero.
Thêseus, in the Iliad and Odyssey, fights with the Lapithæ against the
Centaurs: Thêseus, in the Hesiodic poems, is misguided by his passion
for the beautiful Æglê, daughter of Panopeus:[493] and the Thêseus
described in Plutarch’s biography is in great part a continuation
and expansion of these same or similar attributes, mingled with many
local legends, explaining, like the Fasti of Ovid, or the lost Aitia
of Kallimachus, the original genesis of prevalent religious and social
customs.[494] Plutarch has doubtless greatly softened down and modified
the adventures which he found in the Attic logographers as well as
in the poetical epics called Thêsêis. For in his preface to the life
of Thêseus, after having emphatically declared that he is about to
transcend the boundary both of the known and the knowable, but that the
temptation of comparing the founder of Athens with the founder of Rome
is irresistible, he concludes with the following remarkable words: “I
pray that this fabulous matter may be so far obedient to my endeavors
as to receive, when purified by reason, the aspect of history: in those
cases where it haughtily scorns plausibility and will admit no alliance
with what is probable, I shall beg for indulgent hearers, willing to
receive antique narrative in a mild spirit.”[495] We see here that
Plutarch sat down, not to recount the old fables as he found them, but
to purify them by reason and to impart to them the aspect of history.
We have to thank him for having retained, after this purification,
so much of what is romantic and marvellous; but we may be sure that
the sources from which he borrowed were more romantic and marvellous
still. It was the tendency of the enlightened men of Athens, from
the days of Solôn downwards, to refine and politicize the character
of Thêseus:[496] even Peisistratus expunged from one of the Hesiodic
poems the line which described the violent passion of the hero for the
fair Æglê:[497] and the tragic poets found it more congenial to the
feelings of their audience to exhibit him as a dignified and liberal
sovereign, rather than as an adventurous single-handed fighter. But the
logographers and the Alexandrine poets remained more faithful to the
old fables. The story of Hekalê, the hospitable old woman who received
and blessed Thêseus when he went against the Marathônian bull, and whom
he found dead when he came back to recount the news of his success, was
treated by Kallimachus:[498] and Virgil must have had his mind full of
the unrefined legends when he numbered this Attic Hêraklês among the
unhappy sufferers condemned to endless penance in the under-world.[499]
[492] Thuc. ii. 15. Ἐπειδὴ δὲ Θησεὺς ἐβασίλευσε, γενόμενος μετὰ
τοῦ ξυνετοῦ καὶ δυνατὸς, τά τε ἄλλα διεκόσμησε τὴν χώραν, καὶ
κατάλυσας τῶν ἄλλων πόλεων τά τε βουλευτήρια καὶ τὰς ἀρχὰς, ἐς
τὴν νῦν πόλιν ... ξυνῴκισε πάντας.
[493] Iliad, i. 265; Odyss. xi. 321. I do not notice the
suspected line, Odyss. xi. 630.
[494] Diodôrus also, from his disposition to assimilate Thêseus
to Hêraklês, has given us his chivalrous as well as his political
attributes (iv. 61).
[495] Plutarch, Thêseus, i. Εἴη μὲν οὖν ἡμῖν, ἐκκαθαιρόμενον
λόγῳ τὸ μυθῶδες ὑπακοῦσαι καὶ λαβεῖν ἱστορίας ὄψιν· ὅπου δ᾽ ἂν
αὐθαδῶς τοῦ πιθανοῦ περιφρονῇ, καὶ μὴ δέχηται ~τὴν πρὸς τὸ εἰκὸς
μίξιν~, εὐγνωμόνων ἀκροατῶν δεησόμεθα, καὶ πρᾴως τὴν ἀρχαιολογίαν
προσδεχομένων.
[496] See Isokratês, Panathenaic. (t. ii. p. 510-512, Auger);
Xenoph. Memor. iii. 5, 10. In the Helenæ Encomium, Isokratês
enlarges more upon the personal exploits of Thêseus in
conjunction with his great political merits (t. ii. p. 342-350,
Auger).
[497] Plutarch, Thêseus, 20.
[498] See the epigram of Krinagoras, Antholog. Pal. vol. ii. p.
144; ep. xv. ed. Brunck. and Kallimach. Frag. 40.
Ἀείδει δ᾽ (Kallimachus) Ἑκάλης τε φιλοξείνοιο καλιὴν,
Καὶ Θησεῖ Μαραθὼν οὓς ἐπέθηκε πόνους.
Some beautiful lines are preserved by Suidas, v. Ἐπαύλια,
περὶ Ἑκάλης θανούσης (probably spoken by Thêseus himself, see
Plutarch, Theseus, c. 14).
Ἴθι, πρηεῖα γυναικῶν,
Τὴν ὁδὸν, ἣν ἀνίαι θυμαλγέες οὐ περόωσιν·
Πόλλακι σεῖ᾽, ὦ μαῖα, φιλοξείνοιο καλιῆς
Μνησόμεθα· ξυνὸν γὰρ ἐπαύλιον ἔσκεν ἅπασι.
[499] Virgil, Æneid, vi. 617. “Sedet æternumque sedebit Infelix
Thêseus.”
Two however among the Thêseian fables cannot be dismissed without
some special notice,—the war against the Amazons, and the expedition
against Krête. The former strikingly illustrates the facility as well
as the tenacity of Grecian legendary faith; the latter embraces the
story of Dædalus and Minos, two of the most eminent among Grecian
ante-historical personages.
The Amazons, daughters of Arês and Harmonia,[500] are both early
creations and frequent reproductions of the ancient epic—which
was indeed, we may generally remark, largely occupied both with
the exploits and sufferings of women, or heroines, the wives and
daughters of the Grecian heroes—and which recognized in Pallas Athênê
the finished type of an irresistible female warrior. A nation of
courageous, hardy and indefatigable women, dwelling apart from men,
permitting only a short temporary intercourse for the purpose of
renovating their numbers, and burning out their right breast with
a view of enabling themselves to draw the bow freely,—this was at
once a general type stimulating to the fancy of the poet and a theme
eminently popular with his hearers. Nor was it at all repugnant to
the faith of the latter—who had no recorded facts to guide them, and
no other standard of credibility as to the past except such poetical
narratives themselves—to conceive communities of Amazons as having
actually existed in anterior time. Accordingly we find these warlike
females constantly reappearing in the ancient poems, and universally
accepted as past realities. In the Iliad, when Priam wishes to
illustrate emphatically the most numerous host in which he ever found
himself included, he tells us that it was assembled in Phyrgia, on the
banks of the Sangarius, for the purpose of resisting the formidable
Amazons. When Bellerophôn is to be employed on a deadly and perilous
undertaking,[501] by those who indirectly wish to procure his death,
he is despatched against the Amazons. In the Æthiopis of Arktinus,
describing the post-Homeric war of Troy, Penthesileia, queen of the
Amazons, appears as the most effective ally of the besieged city,
and as the most formidable enemy of the Greeks, succumbing only to
the invincible might of Achilles.[502] The Argonautic heroes find
the Amazons on the river Thermôdon, in their expedition along the
southern coast of the Euxine. To the same spot Hêraclês goes to attack
them, in the performance of the ninth labor imposed upon him by
Eurystheus, for the purpose of procuring the girdle of the Amazonian
queen, Hippolytê;[503] and we are told that they had not yet recovered
from the losses sustained in this severe aggression when Thêseus also
assaulted and defeated them, carrying off their queen, Antiopê.[504]
This injury they avenged by invading Attica,—an undertaking (as
Plutarch justly observes) “neither trifling nor feminine,” especially
if according to the statement of Hellanikus, they crossed the Cimmerian
Bosporus on the winter ice, beginning their march from the Asiatic
side of the Paulus Mæotis.[505] They overcame all the resistances
and difficulties of this prodigious march, and penetrated even into
Athens itself, where the final battle, hard-fought and at one time
doubtful, by which Theseus crushed them, was fought—in the very heart
of the city. Attic antiquaries confidently pointed out the exact
position of the two contending armies: the left wing of the Amazons
rested upon the spot occupied by the commemorative monument called the
Amazoneion; the right wing touched the Pnyx, the place in which the
public assemblies of the Athenian democracy were afterwards held. The
details and fluctuations of the combat, as well as the final triumph
and consequent truce, were recounted by these authors with as complete
faith and as much circumstantiality as those of the battle of Platæa
by Herodotus. The sepulchral edifice called the Amazoneion, the tomb
or pillar of Antiopê near the western gate of the city—the spot called
the Horkomosion near the temple of Thêseus—even the hill of Areiopagus
itself, and the sacrifices which it was customary to offer to the
Amazons at the periodical festival of the Thêseia—were all so many
religious mementos of this victory;[506] which was moreover a favorite
subject of art both with the sculptor and the painter, at Athens as
well as in other parts of Greece.
[500] Pherekyd. Fragm. 25, Didot.
[501] Iliad, iii. 186; vi. 152.
[502] See Proclus’s Argument of the lost Æthiopis (Fragm. Epicor.
Græcor. ed. Düntzer, p. 16). We are reduced to the first book of
Quintus Smyrnæus for some idea of the valor of Penthesileia; it
is supposed to be copied more or less closely from the Æthiopis.
See Tychsen’s Dissertation prefixed to his edition of Quintus,
sections 5 and 12. Compare Dio. Chrysostom. Or. xi. p. 350,
Reiske. Philostratus (Heroica, c. 19, p. 751) gives a strange
transformation of this old epical narrative into a descent of
Amazons upon the island sacred to Achilles.
[503] Apollôn. Rhod. ii. 966, 1004; Apollod. ii. 5-9; Diodôr.
ii. 46; iv. 16. The Amazons were supposed to speak the Thracian
language (Schol. Apoll Rhod. ii. 953), though some authors
asserted them to be natives of Libyia, others of Æthiopia (_ib._
965).
Hellanikus (Frag. 33, ap. Schol. Pindar. Nem. iii. 65) said that
all the Argonauts had assisted Hêraklês in this expedition: the
fragment of the old epic poem (perhaps the Ἀμαζόνια) there quoted
mentions Telamôn specially.
[504] The many diversities in the story respecting Thêseus and
the Amazon Antiopê are well set forth in Bachet de Meziriac
(Commentaires sur Ovide, t. i. p. 317).
Welcker (Der Epische Cyclus, p. 313) supposes that the ancient
epic poem called by Suidas Ἀμαζόνια, related to the invasion of
Attica by the Amazons, and that this poem is the same, under
another title, as the Ἀτθὶς of Hegesinous cited by Pausanias: I
cannot say that he establishes this conjecture satisfactorily,
but the chapter is well worth consulting. The epic Thêsêis seems
to have given a version of the Amazonian contest in many respects
different from that which Plutarch has put together out of the
logographers (see Plut. Thês. 28): it contained a narrative of
many unconnected exploits belonging to Thêseus, and Aristotle
censures it on that account as ill-constructed (Poetic. c. 17).
The Ἀμαζονὶς or Ἀμαζονικὰ of Onasus can hardly have been (as
Heyne supposes, ad Apollod. ii. 5, 9) an epic poem: we may infer
from the rationalizing tendency of the citation from it (Schol.
ad Theocrit. xiii. 46, and Schol. Apollôn. Rhod. i. 1207) that it
was a work in prose. There was an Ἀμαζονὶς by Possis of Magnêsia
(Athenæus, vii. p. 296).
[505] Plutarch, Thêseus, 27. Pindar (Olymp. xiii. 84) represents
the Amazons as having come from the extreme north, when
Bellerophôn conquers them.
[506] Plutarch, Thêseus, 27-28; Pausan. i. 2, 4; Plato, Axiochus,
c. 2; Harpocratiôn, v. Ἀμαζονεῖον; Aristophan. Lysistrat. 678,
with the Scholia. Æschyl. (Eumenid. 685) says that the Amazons
assaulted the citadel from the Areiopagus:—
Πάγον τ᾽ Ἄρειον τόνδ᾽, Ἀμαζόνων ἕδραν
Σκηνάς τ᾽, ὅτ᾽ ἦλθον Θησέως κατὰ φθόνον
Στρατηλατοῦσαι, καὶ πόλιν νεόπτολιν
Τήνδ᾽ ὑψίπυργον ἀντεπύργωσάν ποτε.
No portion of the ante-historical epic appears to have been more deeply
worked into the national mind of Greece than this invasion and defeat
of the Amazons. It was not only a constant theme of the logographers,
but was also familiarly appealed to by the popular orators along
with Marathôn and Salamis, among those antique exploits of which
their fellow-citizens might justly be proud. It formed a part of the
retrospective faith of Herodotus, Lysias, Plato and Isokratês,[507] and
the exact date of the event was settled by the chronologists.[508] Nor
did the Athenians stand alone in such a belief. Throughout many other
regions of Greece, both European and Asiatic, traditions and memorials
of the Amazons were found. At Megara, at Trœzen, in Laconia near Cape
Tænarus, at Chæroneia in Bœôtia, and in more than one part of Thessaly,
sepulchres or monuments of the Amazons were preserved. The warlike
women (it was said), on their way to Attica, had not traversed those
countries, without leaving some evidences of their passage.[509]
[507] Herodot. ix. 27, Lysias (Epitaph, c. 3) represents the
Amazons as ἄρχουσαι πολλῶν ἔθνων: the whole race, according to
him, was nearly extinguished in their unsuccessful and calamitous
invasion of Attica. Isokratês (Panegyric. t. i. p. 206, Auger)
says the same; also Panathênaic. t. iii. p. 560, Auger; Demosth.
Epitaph, p. 1391. Reisk. Pausanias quotes Pindar’s notice of the
invasion, and with the fullest belief of its historical reality
(vii. 2, 4) Plato mentions the invasion of Attica by the Amazons
in the Menexenus (c. 9), but the passage in the treatise De Legg.
c. ii. p. 804,—ἀκούων γὰρ δὴ μύθους παλαιοὺς πέπεισμαι, etc.—is
even a stronger evidence of his own belief. And Xenophon in the
Anabasis, when he compares the quiver and the hatchet of his
barbarous enemies to “those which the Amazons carry,” evidently
believed himself to be speaking of real persons, though he could
have seen only the costumes and armature of those painted by
Mikôn and others (Anabas. iv. 4, 10; compare Æschyl. Supplic.
293, and Aristophan. Lysistr. 678; Lucian. Anachars, c. 34. v.
iii. p. 318).
How copiously the tale was enlarged upon by the authors of the
Atthides, we see in Plutarch, Thêseus, 27-28.
Hekatæus (ap. Steph. Byz. Ἀμαζονεῖον; also Fragm. 350, 351, 352,
Didot) and Xanthus (ap. Hesychium, v. Βουλεψίη) both treated
of the Amazons: the latter passage ought to be added to the
collection of the Fragments of Xanthus by Didot.
[508] Clemens Alexandr. Stromat, i. p. 336; Marmor Parium, Epoch.
21.
[509] Plutarch, Thês. 27-28. Steph. Byz. v. Ἀμαζονεῖον. Pausan.
ii. 32, 8; iii. 25, 2.
Amongst the Asiatic Greeks the supposed traces of the Amazons were yet
more numerous. Their proper territory was asserted to be the town and
plain of Themiskyra, near the Grecian colony of Amisus, on the river
Thermôdôn, a region called, after their name by Roman historians and
geographers.[510] But they were believed to have conquered and occupied
in early times a much wider range of territory, extending even to the
coast of Iônia and Æolis. Ephesus, Smyrna, Kymê, Myrina, Paphos and
Sinopê were affirmed to have been founded and denominated by them.[511]
Some authors placed them in Libya or Ethiopia; and when the Pontic
Greeks on the north-western shore of the Euxine had become acquainted
with the hardy and daring character of the Sarmatian maidens,—who were
obliged to have slain each an enemy in battle as the condition of
obtaining a husband, and who artificially prevented the growth of the
right breast during childhood,—they could imagine no more satisfactory
mode of accounting for such attributes than by deducing the Sarmatians
from a colony of vagrant Amazons, expelled by the Grecian heroes from
their territory on the Thermôdôn.[512] Pindar ascribed the first
establishment of the memorable temple of Artemis at Ephesus to the
Amazons. And Pausanias explains in part the preëminence which this
temple enjoyed over every other in Greece by the widely diffused renown
of its female founders,[513] respecting whom he observes (with perfect
truth, if we admit the historical character of the old epic), that
women possess an unparalleled force of resolution in resisting adverse
events, since the Amazons, after having been first roughly handled
by Hêraklês and then completely defeated by Thêseus, could yet find
courage to play so conspicuous a part in the defence of Troy against
the Grecian besiegers.[514]
[510] Pherekydês ap. Schol. Apollôn. Rh. ii. 373-992; Justin, ii.
4; Strabo, xii. p. 547, Θεμίσκυραν, τὸ τῶν Ἀμαζόνων οἰκητήριον;
Diodôr. ii. 45-46; Sallust ap. Serv. ad Virgil. Æneid. xi. 659;
Pompon. Mela, i. 19; Plin. H. N. vi. 4. The geography of Quintus
Curtius (vi. 4) and of Philostratus (Heroic c. 19) is on this
point indefinite, and even inconsistent.
[511] Ephor. Fragm. 87, Didot. Strabo, xi. p. 505; xiii p. 573;
xiii. p. 622. Pausan. iv. 31, 6; vii. 2. 4. Tacit. Ann. iii. 61.
Schol. Apollôn. Rhod. ii. 965.
The derivation of the name Sinopê from an Amazon was given by
Hekatæus (Fragm. 352). Themiskyra also had one of the Amazons for
its eponymus (Appian, Bell. Mithridat. 78).
Some of the most venerated religious legends at Sinopê were
attached to the expedition of Hêraklês against the Amazons:
Autolykus, the oracle-giving hero, worshipped with great
solemnity even at the time when the town was besieged by
Lucullus, was the companion of Hêraclês (Appian, _ib._ c. 83).
Even a small mountain village in the territory of Ephesus, called
Latoreia, derived its name from one of the Amazons (Athenæ. i. p.
31).
[512] Herodot. iv. 108-117, where he gives the long tale,
imagined by the Pontic Greeks, of the origin of the Sarmatian
nation. Compare Hippokratês, De Aëre, Locis et Aquis, c. 17;
Ephorus, Fragm. 103; Skymn. Chius, v. 102; Plato, Legg. vii. p.
804; Diodôr. ii. 34.
The testimony of Hippokrates certifies the practice of the
Sarmatian women to check the growth of the right breast: Τὸν
δέξιον δὲ μαζὸν οὐκ ἔχουσιν. Παιδίοισι γὰρ ἐοῦσιν ἔτι νηπίοισιν
αἱ μητέρες χαλκεῖον τετεχνήμενον ἐπ᾽ αὐτέῳ τούτῳ διάπυρον
ποιέουσαι, πρὸς τὸν μαζὸν τιθέασι τὸν δέξιον· καὶ ἐπικαίεται,
ὥστε τὴν αὔξησιν φθείρεσθαι, ἐς δὲ τὸν δέξιον ὦμον καὶ βραχίονα
πᾶσαν τὴν ἴσχυν καὶ τὸ πλῆθος ἐκδιδόναι.
Ktêsias also compares a warlike Sakian woman to the Amazons
(Fragm. Persic. ii. pp. 221, 449, Bähr).
[513] Pausan. iv. 31, 6; vii. 2, 4. Dionys. Periêgêt. 828.
[514] Pausan. i. 15, 2.
It is thus that in what is called early Grecian history, as the
Greeks themselves looked back upon it, the Amazons were among the
most prominent and undisputed personages. Nor will the circumstance
appear wonderful if we reflect, that the belief in them was first
established at a time when the Grecian mind was fed with nothing else
but religious legend and epic poetry, and that the incidents of the
supposed past, as received from these sources, were addressed to their
faith and feelings, without being required to adapt themselves to any
canons of credibility drawn from present experience. But the time came
when the historians of Alexander the Great audaciously abused this
ancient credence. Amongst other tales calculated to exalt the dignity
of that monarch, they affirmed that after his conquest and subjugation
of the Persian empire, he had been visited in Hyrcania by Thalestris,
queen of the Amazons, who admiring his warlike prowess, was anxious to
be enabled to return into her own country in a condition to produce
offspring of a breed so invincible.[515] But the Greeks had now been
accustomed for a century and a half to historical and philosophical
criticism—and that uninquiring faith, which was readily accorded to the
wonders of the past, could no longer be invoked for them when tendered
as present reality. For the fable of the Amazons was here reproduced in
its naked simplicity, without being rationalized or painted over with
historical colors.
[515] Arrian, Exped. Alex. vii. 13; compare iv. 15; Quint. Curt.
vi. 4; Justin, xlii. 4. The note of Freinshemius on the above
passage of Quintus Curtius is full of valuable references on the
subject of the Amazons.
Some literary men indeed, among whom were Dêmêtrius of Skepsis, and
the Mitylenæan Theophanês, the companion of Pompey in his expeditions,
still continued their belief both in Amazons present and Amazons past;
and when it becomes notorious that at least there were none such on the
banks of the Thermôdôn, these authors supposed them to have migrated
from their original locality, and to have settled in the unvisited
regions north of Mount Caucasus.[516] Strabo, on the contrary, feeling
that the grounds of disbelief applied with equal force to the ancient
stories and to the modern, rejected both the one and the other. But
he remarks at the same time, not without some surprise, that it was
usual with most persons to adopt a middle course,—to retain the Amazons
as historical phænomena of the remote past, but to disallow them as
realities of the present, and to maintain that the breed had died
out.[517] The accomplished intellect of Julius Cæsar did not scruple
to acknowledge them as having once conquered and held in dominion
a large portion of Asia;[518] and the compromise between early,
traditional, and religious faith on the one hand, and established
habits of critical research on the other, adopted by the historian
Arrian, deserves to be transcribed in his own words, as illustrating
strikingly the powerful sway of the old legends even over the most
positive-minded Greeks:—“Neither Aristobulus nor Ptolemy (he observes),
nor any other competent witness, has recounted this (visit of the
Amazons and their queen to Alexander): nor does it seem to me that the
race of the Amazons was preserved down to that time, nor have they been
noticed either by any one before Alexander, or by Xenophôn, though he
mentions both the Phasians and the Kolchians, and the other barbarous
nations which the Greeks saw both before and after their arrival at
Trapezus, in which marches they must have met with the Amazons, if the
latter had been still in existence. Yet _it is incredible to me_ that
this race of women, celebrated as they have been by authors so many
and so commanding, _should never have existed at all_. The story tells
of Hêraklês, that he set out from Greece and brought back with him the
girdle of their queen Hippolytê; also of Thêseus and the Athenians,
that they were the first who defeated in battle and repelled these
women in their invasion of Europe; and the combat of the Athenians
with the Amazons has been painted by Mikôn, not less than that between
the Athenians and the Persians. Moreover Herodotus has spoken in many
places of these women, and those Athenian orators who have pronounced
panegyrics on the citizens slain in battle, have dwelt upon the victory
over the Amazons as among the most memorable of Athenian exploits. If
the satrap of Media sent any equestrian women at all to Alexander, I
think that they must have come from some of the neighboring tribes,
practised in riding and equipped in the costume generally called
Amazonian.”[519]
[516] Strabo, xi. p. 503-504; Appian, Bell. Mithridat. c. 103;
Plutarch, Pompeius, c. 35. Plin. N. H. vi. 7. Plutarch still
retains the old description of Amazons from the mountains near
the Thermôdôn. Appian keeps clear of this geographical error,
probably copying more exactly the language of Theophanês, who
must have been well aware that when Lucullus besieged Themiskyra,
he did not find it defended by the Amazons (see Appian, Bell.
Mithridat. c. 78). Ptolemy (v. 9) places the Amazons in the
imperfectly known regions of Asiatic Sarmatia, north of the
Caspian and near the river Rha (Volga). “This fabulous community
of women (observes Forbiger, Handbuch der alten Geographie,
ii. 77, p. 457) was a phænomenon much too interesting for the
geographers easily to relinquish.”
[517] Strabo, xi. p. 505. Ἴδιον δέ τι συμβέβηκε τῷ λόγῳ τῷ περὶ
τῶν Ἀμαζόνων. Οἱ μὲν γὰρ ἄλλοι τὸ μυθῶδες καὶ τὸ ἱστορικὸν
διωρίσμενον ἔχουσι· τὰ γὰρ παλαιὰ καὶ ψευδῆ καὶ τερατώδη, μῦθοι
καλοῦνται· [_Note._ Strabo does not always speak of the μῦθοι in
this disrespectful tone; he is sometimes much displeased with
those who dispute the existence of an historical kernel in the
inside, especially with regard to Homer.] ἡ δ᾽ ἱστορία βούλεται
τἀληθὲς, ἄντε παλαιὸν, ἄντε νέον· καὶ τὸ τερατῶδες ἢ οὐκ ἔχει, ἢ
σπάνιον. Περὶ δὲ τῶν Ἀμαζόνων τὰ αὐτὰ λέγεται καὶ νῦν καὶ παλαὶ,
τερατώδη τ᾽ ὄντα, καὶ πίστεως πόῤῥω. Τίς γὰρ ἂν πιστεύσειεν,
ὡς γυναικῶν στράτος, ἢ πόλις, ἢ ἔθνος, συσταίη ἂν πότε χωρὶς
ἀνδρῶν; καὶ οὐ μόνον συσταίη, ἀλλὰ καὶ ἐφόδους ποιήσαιτο ἐπὶ τὴν
ἀλλοτρίαν, καὶ κρατήσειεν οὐ τῶν ἐγγὺς μόνον, ὥστε καὶ μέχρι τῆς
νῦν Ἰωνίας προελθεῖν, ἀλλὰ καὶ διαπόντιον στείλαιτο στρατίαν
μέχρι τῆς Ἀττικῆς; Ἀλλὰ μὴν ταῦτά γε αὐτὰ καὶ νῦν λέγεται περὶ
αὐτῶν· ~ἐπιτείνει δὲ τὴν ἰδιότητα καὶ τὸ πιστεύεσθαι τὰ παλαιὰ
μᾶλλον ἢ τὰ νῦν~. There are however, other passages in which he
speaks of the Amazons as realities.
Justin (ii. 4) recognizes the great power and extensive conquests
of the Amazons in very early times, but says that they gradually
declined down to the reign of Alexander, in whose time there
were _just a few remaining_; the queen with these few visited
Alexander, but shortly afterwards the whole breed became extinct.
This hypothesis has the merit of convenience, perhaps of
ingenuity.
[518] Suetonius, Jul. Cæsar, c. 22. “In Syriâ quoque regnasse
Semiramin (Julius Cæsar said this), magnamque Asiæ partem
Amazonas tenuisse quondam.”
In the splendid triumph of the emperor Aurelian at Rome after the
defeat of Zenobia, a few Gothic women who had been taken in arms
were exhibited among the prisoners; the official placard carried
along with them announced them as _Amazons_ (Vopiscus Aurel. in
Histor. August. Scrip. p. 260, ed. Paris).
[519] Arrian, Expedit. Alexand. vii. 13.
There cannot be a more striking evidence of the indelible force with
which these ancient legends were worked into the national faith and
feelings of the Greeks, than these remarks of a judicious historian
upon the fable of the Amazons. Probably if any plausible mode of
rationalizing it, and of transforming it into a quasi-political event,
had been offered to Arrian, he would have been better pleased to
adopt such a middle term, and would have rested comfortably in the
supposition that he believed the legend in its true meaning, while his
less inquiring countrymen were imposed upon by the exaggerations of
poets. But as the story was presented to him plain and unvarnished,
either for acceptance or rejection, his feelings as a patriot
and a religious man prevented him from applying to the past such
tests of credibility as his untrammelled reason acknowledged to be
paramount in regard to the present. When we see moreover how much
his belief was strengthened, and all tendency to scepticism shut out
by the familiarity of his eye and memory with sculptured or painted
Amazons[520]—we may calculate the irresistible force of this sensible
demonstration on the convictions of the unlettered public, at once
more deeply retentive of passive impressions, and unaccustomed to the
countervailing habit of rational investigation into evidence. Had the
march of an army of warlike women, from the Thermôdôn or the Tanais
into the heart of Attica, been recounted to Arrian as an incident
belonging to the time of Alexander the Great, he would have rejected
it no less emphatically than Strabô; but cast back as it was into an
undefined past, it took rank among the hallowed traditions of divine
or heroic antiquity,—gratifying to extol by rhetoric, but repulsive to
scrutinize in argument.[521]
[520] Ktêsias described as real animals, existing in wild and
distant regions, the heterogeneous and fantastic combinations
which he saw sculptured in the East (see this stated and
illustrated in Bähr, Preface to the Fragm. of Ktêsias, pp. 58,
59).
[521] Heyne observes (Apollodôr. ii. 5, 9) with respect to the
fable of the Amazons, “In his historiarum fidem aut vestigia nemo
quæsiverit.” Admitting the wisdom of this counsel (and I think
it indisputable), why are we required to presume, in the absence
of all proof, an historical basis for each of those _other_
narratives, such as the Kalydônian boar-hunt, the Argonautic
expedition, or the siege of Troy, which go to make up, along
with the story of the Amazons, the aggregate matter of Grecian
legendary faith? If the tale of the Amazons could gain currency
without any such support, why not other portions of the ancient
epic?
An author of easy belief, Dr. F. Nagel, vindicates the historical
reality of the Amazons (Geschichte der Amazonen, Stutgart,
1838). I subjoin here a different explanation of the Amazonian
tale, proceeding from another author who rejects the historical
basis, and contained in a work of learning and value (Guhl,
_Ephesiaca_, Berlin, 1843. p. 132):—
“Id tantum monendum videtur, Amazonas nequaquam historice
accipiendas esse, sed e contrario totas ad mythologiam pertinere.
Earum enim fabulas quum ex frequentium hierodularum gregibus in
cultibus et sacris Asiaticis ortas esse ingeniose ostenderit
Tolken, jam _inter omnes mythologiæ peritos constat_, Amazonibus
nihil fere nisi peregrini cujusdam cultus notionem expressum
esse, ejusque cum Græcorum religione certamen frequentibus istis
pugnis designatum esse, quas cum Amazonibus tot Græcorum heroes
habuisse credebantur, Hercules, Bellerophon, Theseus, Achilles,
et vel ipse, quem Ephesi cultum fuisse supra ostendimus,
Dionysus. Quæ Amazonum notio primaria, quum paulatim Euemeristicâ
(ut ita dicam) ratione ita transformaretur, ut Amazones pro vero
feminarum populo haberentur, necesse quoque erat, ut omnibus
fere locis, ubi ejusmodi religionum certamina locum habuerunt,
Amazones habitasse, vel eo usque processisse, crederentur.
Quod cum nusquam manifestius fuerit, quam in Asiâ minore, et
potissimum in eâ parte quæ Græciam versus vergit, haud mirandum
est omnes fere ejus oræ urbes ab Amazonibus conditas putari.”
I do not know the evidence upon which this conjectural
interpretation rests, but the statement of it, though it boasts
so many supporters among mythological critics, carries no
appearance of probability to my mind. Priam fights against the
Amazons as well as the Grecian heroes.
CHAPTER XII.
KRETAN LEGENDS.—MINOS AND HIS FAMILY.
To understand the adventures of Thêseus in Krête, it will be necessary
to touch briefly upon Minôs and the Krêtan heroic genealogy.
Minôs and Rhadamanthus, according to Homer, are sons of Zeus, by
Europê,[522] daughter of the widely-celebrated Phœnix, born in Krête.
Minôs is the father of Deukaliôn, whose son Idomeneus, in conjunction
with Mêrionês, conducts the Krêtan troops to the host of Agamemnôn
before Troy. Minôs is ruler of Knossus, and familiar companion of
the great Zeus. He is spoken of as holding guardianship in Krête—not
necessarily meaning the whole of the island: he is farther decorated
with a golden sceptre, and constituted judge over the dead in the
under-world to settle their disputes, in which function Odysseus finds
him—this however by a passage of comparatively late interpolation into
the Odyssey. He also had a daughter named Ariadnê, for whom the artist
Dædalus fabricated in the town of Knossus the representation of a
complicated dance, and who was ultimately carried off by Thêseus: she
died in the island of Dia, deserted by Thêseus and betrayed by Dionysos
to the fatal wrath of Artemis. Rhadamanthus seems to approach to Minôs
both in judicial functions and posthumous dignity. He is conveyed
expressly to Eubœa, by the semi-divine sea-carriers the Phæacians, to
inspect the gigantic corpse of the earth-born Tityus—the longest voyage
they ever undertook. He is moreover after death promoted to an abode
of undisturbed bliss in the Elysian plain at the extremity of the
earth.[523]
[522] Europê was worshipped with very peculiar solemnity in the
island of Krête (see Dictys Cretensis, De Bello Trojano, i. c. 2).
The venerable plane-tree, under which Zeus and Europê had
reposed, was still shown, hard by a fountain at Gortyn in
Krête, in the time of Theophrastus: it was said to be the only
plane-tree in the neighborhood which never cast its leaves
(Theophrast. Hist. Plant. i. 9).
[523] Homer, Iliad, xiii. 249, 450; xiv. 321. Odyss. xi. 322-568;
xix. 179; iv. 564-vii. 321.
The Homeric Minôs in the under-world is not a judge of the
previous lives of the dead, so as to determine whether they
deserve reward or punishment for their conduct on earth: such
functions are not assigned to him earlier than the time of Plato.
He administers justice _among_ the dead, who are conceived as a
sort of society, requiring some presiding judge: θεμιστεύοντα
νεκύεσσι, with regard to Minôs, is said very much like (Odyss.
xi. 484) νῦν αὖτε μέγα κρατέεις νεκύεσσι with regard to Achilles.
See this matter partially illustrated in Heyne’s Excursus xi. to
the sixth book of the Æneid of Virgil.
According to poets later than Homer, Europê is brought over by Zeus
from Phœnicia to Krête, where she bears to him three sons, Minôs,
Rhadamanthus and Sarpêdôn. The latter leaves Krête and settles in
Lykia, the population of which, as well as that of many other portions
of Asia Minor, is connected by various mythical genealogies with
Krête, though the Sarpêdôn of the Iliad has no connection with Krête,
and is not the son of Europê. Sarpêdôn having become king of Lykia,
was favored by his father, Zeus, with permission to live for three
generations.[524] At the same time the youthful Milêtus, a favorite
of Sarpêdôn, quitted Krête, and established the city which bore his
name on the coast of Asia Minor. Rhadamanthus became sovereign of
and lawgiver among the islands in the Ægean: he subsequently went to
Bœôtia, where he married the widowed Alkmênê, mother of Hêraklês.
[524] Apollodôr. iii. 1, 2. Καὶ αὐτῷ δίδωσι Ζεὺς ἐπὶ τρεῖς γενεὰς
ζῇν. This circumstance is evidently imagined by the logographers
to account for the appearance of Sarpêdôn in the Trojan war,
fighting against Idomeneus, the grandson of Minôs. Nisus is the
eponymus of Nisæa, the port of the town of Megara: his tomb
was shown at Athens (Pausan. i. 19, 5). Minôs is the eponym of
the island of Minoa (opposite the port of Nisæa), where it was
affirmed that the fleet of Minôs was stationed (Pausan. i. 44, 5).
Europê finds in Krête a king Astêrius, who marries her and adopts her
children by Zeus: this Astêrius is the son of Krês, the eponym of the
island, or (according to another genealogy by which it was attempted to
be made out that Minôs was of Dôrian race) he was a son of the daughter
of Krês by Tektamus, the son of Dôrus, who had migrated into the island
from Greece.
Minôs married Pasiphaê, daughter of the god Hêlios and Perseïs, by
whom he had Katreus, Deukaliôn, Glaukus, Androgeos, names marked in
the legendary narrative,—together with several daughters, among whom
were Ariadnê and Phædra. He offended Poseidôn by neglecting to fulfil a
solemnly-made vow, and the displeased god afflicted his wife Pasiphaê
with a monstrous passion for a bull. The great artist Dædalus, son of
Eupalamus, a fugitive from Athens, became the confidant of this amour,
from which sprang the Minôtaur, a creature half man and half bull.[525]
This Minôtaur was imprisoned by Minôs in the labyrinth, an inextricable
inclosure constructed by Dædalus for that express purpose, by order of
Minôs.
[525] Apollodôr iii. 1, 2.
Minôs acquired great nautical power, and expelled the Karian
inhabitants from many of the islands of the Ægean, which he placed
under the government of his sons on the footing of tributaries. He
undertook several expeditions against various places on the coast—one
against Nisus, the son of Pandiôn, king of Megara, who had amongst
the hair of his head one peculiar lock of a purple color: an oracle
had pronounced that his life and reign would never be in danger so
long as he preserved this precious lock. The city would have remained
inexpugnable, if Scylla, the daughter of Nisus, had not conceived a
violent passion for Minôs. While her father was asleep, she cut off
the lock on which his safety hung, so that the Krêtan king soon became
victorious. Instead of performing his promise to carry Scylla away
with him to Krête, he cast her from the stern of his vessel into the
sea:[526] both Scylla and Nisus were changed into birds.
[526] Apollodôr. iii. 15, 8. See the Ciris of Virgil, a juvenile
poem on the subject of this fable; also Hyginus, f. 198; Schol.
Eurip. Hippol. 1200. Propertius (iii. 19, 21) gives the features
of the story with tolerable fidelity; Ovid takes considerable
liberties with it (Metam. viii. 5-150).
Androgeos, son of Minôs having displayed such rare qualities as to
vanquish all his competitors at the Panathenaic festival in Athens,
was sent by Ægeus the Athenian king to contend against the bull of
Marathôn,—an enterprise in which he perished, and Minôs made war upon
Athens to avenge his death. He was for a long time unable to take the
city: at length he prayed to his father Zeus to aid him in obtaining
redress from the Athenians, and Zeus sent upon them pestilence and
famine. In vain did they endeavor to avert these calamities by offering
up as propitiatory sacrifices the four daughters of Hyacinthus. Their
sufferings still continued, and the oracle directed them to submit to
any terms which Minôs might exact. He required that they should send
to Krête a tribute of seven youths and seven maidens, periodically,
to be devoured by the Minôtaur,[527]—offered to him in a labyrinth
constructed by Dædalus, including countless different passages, out of
which no person could escape.
[527] Apollodôr. iii. 15, 8.
Every ninth year this offering was to be despatched. The more common
story was, that the youths and maidens thus destined to destruction
were selected by lot—but the logographer Hellanikus said that Minôs
came to Athens and chose them himself.[528] The third period for
despatching the victims had arrived, and Athens was plunged in the
deepest affliction, when Thêseus determined to devote himself as one
of them, and either to terminate the sanguinary tribute or to perish.
He prayed to Poseidôn for help, and the Delphian god assured him that
Aphroditê would sustain and extricate him. On arriving at Knossus
he was fortunate enough to captivate the affections of Ariadnê, the
daughter of Minôs, who supplied him with a sword and a clue of thread.
With the former he contrived to kill the Minôtaur, the latter served to
guide his footsteps in escaping from the labyrinth. Having accomplished
this triumph, he left Krête with his ship and companions unhurt,
carrying off Ariadnê, whom however he soon abandoned on the island of
Naxos. On his way home to Athens, he stopped at Dêlos, where he offered
a grateful sacrifice to Apollo for his escape, and danced along with
the young men and maidens whom he had rescued from the Minôtaur, a
dance called the Geranus, imitated from the twists and convolutions
of the Krêtan labyrinth. It had been concerted with his father Ægeus,
that if he succeeded in his enterprise against the Minôtaur, he should
on his return hoist white sails in his ship in place of the black
canvas which she habitually carried when employed on this mournful
embassy. But Thêseus forgot to make the change of sails; so that Ægeus,
seeing the ship return with her equipment of mourning unaltered, was
impressed with the sorrowful conviction that his son had perished,
and cast himself into the sea. The ship which made this voyage was
preserved by the Athenians with careful solicitude, being constantly
repaired with new timbers, down to the time of the Phalerian Dêmêtrius:
every year she was sent from Athens to Dêlos with a solemn sacrifice
and specially-nominated envoys. The priest of Apollo decked her stern
with garlands before she quitted the port, and during the time which
elapsed until her return, the city was understood to abstain from all
acts carrying with them public impurity, so that it was unlawful to put
to death any person even under formal sentence by the dikastery. This
accidental circumstance becomes especially memorable, from its having
postponed for thirty days the death of the lamented Socratês.[529]
[528] See, on the subject of Thêseus and the Minôtaur, Eckermann,
Lehrbuch der Religions Geschichte und Mythologie, vol. ii. ch.
xiii. p. 133. He maintains that the tribute of these human
victims paid by Athens to Minôs is an historical fact. Upon what
this belief is grounded, I confess I do not see.
[529] Plato, Phædon, c. 2, 3; Xenoph. Memor. iv. 8. 2. Plato
especially noticed τοὺς δὶς ἕπτα ἐκείνους, the seven youths and
the seven maidens whom Thêseus conveyed to Krête and brought
back safely: this number seems an old and constant feature in
the legend, maintained by Sappho and Bacchylidês as well as by
Euripidês (Herc. Fur. 1318). See Servius ad Virgil Æneid. vi. 21.
The legend respecting Thêseus, and his heroic rescue of the seven
noble youths and maidens from the jaws of the Minôtaur, was thus both
commemorated and certified to the Athenian public, by the annual holy
ceremony and by the unquestioned identity of the vessel employed in it.
There were indeed many varieties in the mode of narrating the incident;
and some of the Attic logographers tried to rationalize the fable by
transforming the Minôtaur into a general or a powerful athlete, named
Taurus, whom Thêseus vanquished in Krête.[530] But this altered version
never overbore the old fanciful character of the tale as maintained by
the poets. A great number of other religious ceremonies and customs,
as well as several chapels or sacred enclosures in honor of different
heroes, were connected with different acts and special ordinances
of Thêseus. To every Athênian who took part in the festivals of
the Oschophoria, the Pyanepsia, or the Kybernêsia, the name of this
great hero was familiar, and the motives for offering to him solemn
worship at his own special festival of the Thêseia, became evident and
impressive.
[530] For the general narrative and its discrepancies, see
Plutarch, Thês. c. 15-19; Diodôr. iv. 60-62; Pausan. i. 17, 3;
Ovid, Epist. Ariadn. Thês. 104. In that other portion of the
work of Diodôrus which relates more especially to Krête, and is
borrowed from Kretan logographers and historians (v. 64-80), he
mentions nothing at all respecting the war of Minôs with Athens.
In the drama of Euripidês called Thêseus, the genuine story
of the youths and maidens about to be offered as food to the
Minotaur was introduced (Schol. ad Aristoph. Vesp. 312).
Ariadnê figures in the Odyssey along with Thêseus: she is the
daughter of Minôs, carried off by Thêseus from Krête, and killed
by Artemis in the way home: there is no allusion to Minôtaur, or
tribute, or self-devotion of Thêseus (Odyss. xi. 324). This is
probably the oldest and simplest form of the legend—one of the
many amorous (compare Theognis, 1232) adventures of Thêseus: the
rest is added by post-Homeric poets.
The respect of Aristotle for Minôs induces him to adopt the
hypothesis that the Athenian youths and maidens were not put
to death in Krête, but grew old in servitude (Aristot. Fragm.
Βοττιαίων Πολιτεία, p. 106. ed. Neumann. of the Fragments of the
treatise Περὶ Πολιτειῶν, Plutarch, Quæst. Græc. p. 298).
The same Athenian legends which ennobled and decorated the character
of Thêseus, painted in repulsive colors the attributes of Minôs; and
the traits of the old Homeric comrade of Zeus were buried under those
of the conqueror and oppressor of Athens. His history like that of
the other legendary personages of Greece, consists almost entirely of
a string of family romances and tragedies. His son Katreus, father
of Aëropê, wife of Atreus, was apprized by an oracle that he would
perish by the hand of one of his own children: he accordingly sent them
out of the island, and Althæmenês, his son, established himself in
Rhodes. Katreus having become old, and fancying that he had outlived
the warning of the oracle, went over to Rhodes to see Althæmenês.
In an accidental dispute which arose between his attendants and the
islanders, Althæmenês inadvertently took part and slew his father
without knowing him. Glaukus, the youngest son of Minôs, pursuing a
mouse, fell into a reservoir of honey and was drowned. No one knew
what had become of him, and his father was inconsolable; at length the
Argeian Polyeidus, a prophet wonderfully endowed by the gods, both
discovered the boy and restored him to life, to the exceeding joy of
Minôs.[531]
[531] Apollodôr. iii. cap. 2-3.
The latter at last found his death in an eager attempt to overtake and
punish Dædalus. This great artist, the eponymous hero of the Attic gens
or dême called the Dædalidæ, and the descendant of Erechtheus through
Mêtion, had been tried at the tribunal of Areiopagus and banished for
killing his nephew Talos, whose rapidly improving skill excited his
envy.[532] He took refuge in Krête, where he acquired the confidence of
Minôs, and was employed (as has been already mentioned) in constructing
the labyrinth; subsequently however he fell under the displeasure
of Minôs, and was confined as a close prisoner in the inextricable
windings of his own edifice. His unrivalled skill and resource however
did not forsake him. He manufactured wings both for himself and for
his son Ikarus, with which they flew over the sea: the father arrived
safely in Sicily at Kamikus, the residence of the Sikanian king
Kokalus, but the son, disdaining paternal example and admonition, flew
so high that his wings were melted by the sun and he fell into the sea,
which from him was called the Ikarian sea.[533]
[532] Pherekyd. Fragm. 105; Hellanik. Fragm. 82 (Didot); Pausan.
vii. 4, 5.
[533] Diodôr. iv. 79; Ovid, Metamorph. viii. 181. Both Ephorus
and Philistus mentioned the coming of Dædalus to Kokalus in
Sicily (Ephor. Fr. 99; Philist. Fragm. 1, Didot): probably
Antiochus noticed it also (Diodôr. xii. 71). Kokalus was the
point of commencement for the Sicilian historians.
Dædalus remained for some time in Sicily, leaving in various parts of
the island many prodigious evidences of mechanical and architectural
skill.[534] At length Minôs bent upon regaining possession of his
person, undertook an expedition against Kokalus with a numerous fleet
and army. Kokalus affecting readiness to deliver up the fugitive, and
receiving Minôs with apparent friendship, ordered a bath to be prepared
for him by his three daughters, who, eager to protect Dædalus at any
price, drowned the Krêtan king in the bath with hot water.[535] Many
of the Krêtans who had accompanied him remained in Sicily and founded
the town of Minoa, which they denominated after him. But not long
afterwards Zeus roused all the inhabitants of Krête (except the towns
of Polichna and Præsus) to undertake with one accord an expedition
against Kamikus for the purpose of avenging the death of Minôs. They
besieged Kamikus in vain for five years, until at last famine compelled
them to return. On their way along the coast of Italy, in the Gulf
of Tarentum, a terrible storm destroyed their fleet and obliged them
to settle permanently in the country: they founded Hyria with other
cities, and became Messapian Iapygians. Other settlers, for the most
part Greeks, immigrated into Krête to the spots which this movement
had left vacant, and in the second generation after Minôs occurred
the Trojan war. The departed Minôs was exceedingly offended with the
Krêtans for coöperating in avenging the injury to Menelaus, since the
Greeks generally had lent no aid to the Krêtans in their expedition
against the town of Kamikus. He sent upon Krête, after the return
of Idomeneus from Troy, such terrible visitations of famine and
pestilence, that the population again died out or expatriated, and was
again renovated by fresh immigrations. The intolerable suffering[536]
thus brought upon the Krêtans by the anger of Minôs, for having
coöperated in the general Grecian aid to Menelaus, was urged by them to
the Greeks as the reason why they could take no part in resisting the
invasion of Xerxês; and it is even pretended that they were advised and
encouraged to adopt this ground of excuse by the Delphian oracle.[537]
[534] Diodôr. iv. 80.
[535] Pausan. vii. 4, 5; Schol. Pindar. Nem. iv. 95; Hygin. fab.
44; Conon, Narr. 25; Ovid, Ibis, 291.—
“Vel tua maturet, sicut Minoia fata,
Per caput infusæ fervidus humor aquæ.”
This story formed the subject of a lost drama of Sophoklês,
Καμίκιοι or Μίνως; it was also told by Kallimachus, ἐν Αἰτίοις,
as well as by Philostephanus (Schol. Iliad, ii. 145).
[536] This curious and very characteristic narrative is given by
Herodot. vii. 169-171.
[537] Herodot. vii. 169. The answer ascribed to the Delphian
oracle, on the question being put by the Krêtan envoys whether it
would be better for them to aid the Greeks against Xerxês or not,
is highly emphatic and poetical: Ὦ νήπιοι, ἐπιμέμφεσθε ὅσα ὑμῖν
ἐκ τῶν Μενελέω τιμωρημάτων Μίνως ἔπεμψε μηνίων δακρύματα, ὅτι
οἱ μὲν οὐ ξυνεξεπρήξαντο αὐτῷ τὸν ἐν Καμίκῳ θάνατον γενόμενον,
ὑμεῖς δὲ κείνοισι τὴν ἐκ Σπάρτης ἁρπασθεῖσαν ὑπ᾽ ἀνδρὸς βαρβάρου
γυναῖκα.
If such an answer was ever returned at all, I cannot but think
that it must have been from some oracle in Krête itself, not from
Delphi. The Delphian oracle could never have so far forgotten
its obligations to the general cause of Greece, at that critical
moment, which involved moreover the safety of all its own
treasures, as to deter the Krêtans from giving assistance.
Such is the Minôs of the poets and logographers, with his legendary and
romantic attributes: the familiar comrade of the great Zeus,—the judge
among the dead in Hadês,—the husband of Pasiphaê, daughter of the god
Hêlios,—the father of the goddess Ariadnê, as well as of Androgeos,
who perishes and is worshipped at Athens,[538] and of the boy Glaukus,
who is miraculously restored to life by a prophet,—the person
beloved by Scylla, and the amorous pursuer of the nymph or goddess
Britomartis,[539]—the proprietor of the Labyrinth and of the Minôtaur,
and the exacter of a periodical tribute of youths and maidens from
Athens as food for this monster,—lastly, the follower of the fugitive
artist Dædalus to Kamikus, and the victim of the three ill-disposed
daughters of Kokalus in a bath. With this strongly-marked portrait,
the Minôs of Thucydidês and Aristotle has scarcely anything in common
except the name. He is the first to acquire _Thalassokraty_, or command
of the Ægean sea: he expels the Karian inhabitants from the Cyclades
islands, and sends thither fresh colonists under his own sons; he
puts down piracy, in order that he may receive his tribute regularly;
lastly, he attempts to conquer Sicily, but fails in the enterprise and
perishes.[540] Here we have conjectures, derived from the analogy of
the Athenian maritime empire in the historical times, substituted in
place of the fabulous incidents, and attached to the name of Minôs.
[538] Hesiod, Theogon. 949; Pausan. i. 1, 4.
[539] Kallimach. Hymn. ad Dian. 189. Strabo (x. p. 476) dwells
also upon the strange contradiction of the legends concerning
Minôs: I agree with Hoeckh (Kreta, ii. p. 93) that δασμόλογος in
this passage refers to the tribute exacted from Athens for the
Minôtaur.
[540] Thucyd. i. 4. Μίνως γὰρ, παλαίτατος ὧν ἀκοῇ ἴσμεν,
ναυτικὸν ἐκτήσατο, καὶ τῆς νῦν Ἑλληνικῆς θαλάσσης ἐπὶ πλεῖστον
ἐκράτησε, καὶ τῶν Κυκλάδων νήσων ἦρξέ τε καὶ οἰκιστὴς αὐτὸς τῶν
πλείστων ἐγένετο, Κᾶρας ἐξελάσας καὶ τοὺς ἑαυτοῦ παῖδας ἡγεμόνας
ἐγκαταστήσας· τό τε λῃστικὸν, ὡς εἰκὸς, καθῄρει ἐκ τῆς θαλάσσης,
ἐφ᾽ ὅσον ἠδύνατο, τοῦ τὰς προσόδους μᾶλλον ἰέναι αὐτῷ. See also
c. 8.
Aristot. Polit. ii. 7, 2, Δοκεῖ δ᾽ ἡ νῆσος καὶ πρὸς τὴν ἀρχὴν
τὴν Ἑλληνικὴν πεφυκέναι καὶ κεῖσθαι καλῶς ... διὸ καὶ τὴν
τῆς θαλάσσης ἀρχὴν κατέσχεν ὁ Μίνως, καὶ τὰς νήσους τὰς μὲν
ἐχειρώσατο, τὰς δὲ ᾤκισε· τέλος δ᾽ ἐπιθέμενος τῇ Σικελίᾳ τὸν βίον
ἐτελεύτησεν ἐκεῖ περὶ Κάμικον.
Ephorus (ap. Skymn. Chi. 542) repeated the same statement: he
mentioned also the autochthonous king Krês.
In the fable, a tribute of seven youths and seven maidens is paid
to him periodically by the Athenians; in the historicized narrative
this character of a tribute-collector is preserved, but the tribute
is money collected from dependent islands;[541] and Aristotle points
out to us how conveniently Krête is situated to exercise empire over
the Ægean. The expedition against Kamikus, instead of being directed
to the recovery of the fugitive Dædalus, is an attempt on the part of
the great thalassokrat to conquer Sicily. Herodotus gives us generally
the same view of the character of Minôs as a great maritime king, but
his notice of the expedition against Kamikus includes the mention of
Dædalus as the intended object of it.[542] Ephorus, while he described
Minôs as a commanding and comprehensive lawgiver imposing his commands
under the sanction of Zeus, represented him as the imitator of an
earlier lawgiver named Rhadamanthus, and also as an immigrant into
Krête from the Æolic Mount Ida, along with the priests or sacred
companions of Zeus called the Idæi Dactyli. Aristotle too points him
out as the author of the Syssitia, or public meals common in Krête as
well as at Sparta,—other divergences in a new direction from the spirit
of the old fables.[543]
[541] It is curious that Herodotus expressly denies this, and in
language which shows that he had made special inquiries about it:
he says that the Karians or Leleges in the islands (who were,
according to Thucydidês, expelled by Minôs) paid no tribute to
Minôs, but manned his navy, _i. e._ they stood to Minôs much in
the same relation as Chios and Lesbos stood to Athens (Herodot.
i. 171). One may trace here the influence of those discussions
which must have been prevalent at that time respecting the
maritime empire of Athens.
[542] Herodot. vii. 170. Λέγεται γὰρ Μίνω κατὰ ζήτησιν Δαιδάλου
ἀπικόμενον ἐς Σικανίην, τὴν νῦν Σικελίην καλουμένην, ἀποθανεῖν
βιαίῳ θανάτῳ. Ἀνὰ δὲ χρόνον Κρῆτας, θεοῦ σφὶ ἐποτρύνοντος, etc.
[543] Aristot. Polit. ii. 7, 1; vii. 9, 2. Ephorus, Fragm. 63,
64, 65. He set aside altogether the Homeric genealogy of Minôs,
which makes him brother of Rhadamanthus and born in Krête.
Strabo, in pointing out the many contradictions respecting Minôs,
remarks, Ἔστι δὲ καὶ ἄλλος λόγος οὐχ ὁμολογούμενος, τῶν μὲν ξένον
τῆς νήσου τὸν Μίνω λεγόντων, τῶν δὲ ἐπιχώριον.. By the former he
doubtless means Ephorus, though he has not here specified him (x.
p. 477).