CHAPTER IV.

HESTER'S PLAYROOM.

"'THAR!' said the Deacon. 'Naow she'll dew!'"

Hildegarde spoke in a tone of satisfaction, as she looked about

her room. She had been setting it to rights,--not that it was ever

"to wrongs" for any length of time,--for Bell and Gertrude

Merryweather were coming to spend the morning with her, and she

wanted her own special sanctum to look its best. She was very fond

of this large, bare, airy chamber, with its polished floor, its

white wainscoting, and its quaint blue-dragon paper. She had made

it into a picture gallery, and just now it was a flower-show, too;

for every available vase and bowl was filled with flowers from

wood and garden. On the round table stood a huge Indian jar of

pale green porcelain, filled with nodding purple iris; the green

glass bowls held double buttercups and hobble-bush sprays, while

two portraits, those of Dundee and William the Silent, were

wreathed in long garlands of white hawthorn. The effect was

charming, and Hildegarde might well look satisfied. But Bell

Merryweather, when she came into the room, thought that its owner

was the most beautiful part of it. Hildegarde was used to herself,

as she would have said frankly; she knew she was pretty, and it

was pleasant to be pretty, and there was an end of it. But to

Bell, in whose family either brown locks or red were the rule,

this white and gold maiden, with her cool, fresh tints of pearl

and rose, was something wonderful. Hildegarde's dress this morning

was certainly nothing astonishing, simply a white cambric powdered

with buttercups; but its perfect freshness, its trim simplicity,

made it so absolutely the fit and proper thing, that Bell's honest

heart did homage to the lovely vision; there was something almost

like reverence in her eyes as she returned Hildegarde's cordial

greeting. As for the young Gertrude, all the world was fairyland

to her, and Hildegarde was the queen, opening the door of a new

province. The most important thing in life was not to fall or drop

anything on this first visit to the strange and wonderful old

house, as all the Merryweathers persisted in calling Braeside.

Gertrude was always falling and dropping things. At home nobody

expected anything else; but here it was different, and the poor

child was conscious of every finger and toe as she stepped along

gingerly. Gerald's parting words were still ringing in her ears:

"When you feel that you must fall down, Dropsy, be careful not to

fall into shelves of china,--that's all. Bookcases are the best

things to fall into, you'll find; and a book is the best thing to

drop, too, my poor child. When you feel the fit coming on, put

down the teacup and grab a dictionary; then choose the toe you

want it to fall on,--superfluous aunt of the family, or some one

of that sort,--and you are all right. Bless you, Dropsy! Farewell,

my dear!"

Hildegarde took the girls directly up to her room, and they

admired all her arrangements as heartily as she could wish. Bell

exclaimed with amazement at the size of the room.

"To have all this for your own, your castle and defence," she

cried. "What would the girls at college say if they could see such

a room as this, and one girl living in it! Twelve by fourteen is

our rule, and two girls to that."

"Dear me!" said Hildegarde. "Why, I couldn't live without room."

"Oh yes, you could!" said Bell, laughing. "One gets used to

everything. It's rather good fun seeing how closely one can pack.

We have sixty-five pictures in our room, my chum and I. Oh, you

have my William! I didn't know anyone else had just exactly that

portrait."

"Your William, indeed!" cried Hildegarde, laughing. "Why, he is

mine, my very own, and no one ever began to love him as I do."

The two girls fell into a friendly discussion, and ran lightly

over the history of the Netherlands, with occasional excursions to

Italy, the Highlands, or the south of France, as one picture or

another claimed their attention. Hildegarde was enjoying herself

immensely, and did the honours with ardour, delighted to find that

the "college girl" knew all about the things she loved, without

being in the least bookish or prosy.

"I thought you would be 'primmed up with majestic pride,'" she

said, laughing. "I was frightened when your little brother said

you were at college, and I instantly saw you with spectacles, and

pale, lank hair done up in a bob on the top of your head. And

then--then you came over the top of the fence, looking like--like----"

"Like what?" said Bell. "I insist upon knowing."

"You are sure you don't mind?" asked Hildegarde, as Bell herself

had asked the day before. "You looked like an apple,--so exactly

like a nice red and white Benoni I was sure you must be good to

eat. Oh, I am so glad you came!"

"So am I!" said Bell.

"Do you think we might drop the 'Miss' part?" inquired Hildegarde,

"or are you too dignified?"

"Apples must not stand on dignity," replied Bell, gravely. "But I

have wanted to say 'Hildegarde' ever since I came into this room,

because the name just fits the room--and you."

At this point Gertrude, who had forgotten her destiny in the joy

of pictures, and was backing round the walls in silent ecstasy,

saw--or rather did not see--her opportunity, and fell quietly

downstairs. One special feature of Hildegarde's room was the

staircase, her own private staircase, of which she was immensely

proud. It was a narrow, winding stair, very steep and crooked,

leading to the ground floor. When Gertrude disappeared down this

gulf with a loud crash, Hildegarde was much alarmed, and flew to

the rescue, followed more leisurely by Bell.

"Are you much hurt, my dear?" cried Hildegarde. "Wait till I come

and pick you up, poor child!"

"Oh no!" replied Gertrude, softly, from the foot of the stairs,

where she lay doubled up against the door. "Thank you, but I never

hurt myself. I hope I haven't hurt the stairs."

Bell came along, laughing. "Dear Dropsy!" she said. "Here, come

up! She really never does hurt herself," she added, in response to

Hildegarde's look of astonishment. "She falls about so much, and

has done so since she was a baby, that she keeps in training, I

suppose, and her joints and bones are all supple and elastic. This

was a good one, though! Sure you are not bruised, little girl?"

Gertrude picked herself up, declining assistance, and maintained

stoutly that she was sound in wind and limb. "If only I did not

break anything," she said, anxiously. "I came a terrible crack

against the panel here, and it seemed as if something gave as I

fell past it."

Bell bent down, in spite of Hildegarde's assurance that everything

was right, and passed her hand along the wall of the staircase.

"There is no crack," she said. "I think it is all right, Toots."

She tapped the panel critically. "The wall is hollow here," she

said. "Is this your secret chamber, Hildegarde?"

"Hollow?" cried Hildegarde. "What do you mean, Bell? I know of no

hollow place there."

"Have you ever looked for one?" Bell inquired. "Search would

reveal something in there, I am pretty sure."

Thrilled with curiosity, Hildegarde came down, and the three girls

crouched together on the narrow stair, and tapped and rapped here

and there. Beyond a doubt, one panel was hollow. What could it

mean?

Bell meditated. "What is on the other side of this place?" she

asked.

"I--don't know," said Hildegarde. "Stop a moment, though! It must

be,--yes, it is! The old chimney, the great square stack, comes

near this place. Can there be any space--"

"Then it IS a secret chamber, most likely," said Bell. "I have

heard of such things. Shall we try?"

They tried eagerly, pressing here, pushing there, but for some

time in vain. At length, as Hildegarde's strong fingers pressed

hard on one spot of moulding, she felt it quiver. There was a

faint sound, like a murmur of protest; then slowly, unwillingly,

the panel moved, obedient to the insistent fingers, and slid

aside, revealing a square opening into--the blackness of darkness.

"Oh, it's a dungeon!" cried Gertrude, starting back. "Perhaps the

floor will give way, and let us down into places with knives and

scythes. You remember 'The Dumberdene,' Bell?"

"No fear, Gertrude," said Hildegarde. "Nothing more horrible than

the dining-room is under our feet. But this,--this is very

mysterious. Can you see anything, Bell?"

"I begin to get a faint glimmer," said Bell. "Of course, if it is

a chimney-room there cannot be any particular light. Shall we

creep in? There is evidently a good deal of space."

"By all means," cried Hildegarde. "But let me go first, to bear

the brunt of any horrors there may be. Spiders I would not face,

but they must all be dead years ago."

She crept in on her hands and knees, closely followed by the two

Merryweathers. Growing accustomed to the dimness, they found

themselves in a small square chamber, high enough for them to

stand upright. The walls were smooth, and thick with dust; the

floor was carpeted with something that felt soft and close, like

an Eastern rug.

"We simply MUST have light!" cried Hildegarde. "Wait, girls! I

will bring a candle and matches."

"No! no!" cried Bell. "Wait a moment! I think I have found a

window, or something like one, if I can only get it open."

Again there was a soft, complaining sound, and then a sliding

movement; a tiny panel was pushed aside, and a feeble ray of light

stole in. The girls' faces glimmered white against the blackness.

"Something obstructs the light," said Hildegarde. "See! this is

it." She put her arm out through the little opening, and pushed

away a dense mass of vines that hung down like a thick curtain.

"That is better," she said. "Now let us see where we are."

It was a curious place, surely, to lie hidden in the heart of a

comparatively modern house. A square room, perhaps eight feet

across, neatly papered with the blue-dragon paper of Hildegarde's

own room; on the floor an old rug, faded to a soft, nameless hue,

but soft and fine. On the walls hung a few pictures, quaint little

coloured wood-cuts in gilt frames, representing ladies and

gentlemen in scant gowns and high-shouldered frock-coats. There

were two little chairs, painted blue, with roses on the backs; a

low table, and a tiny chest of drawers. The girls looked at each

other, a new light dawning in their faces.

"It is a doll's room," said Gertrude, softly, with an awe-stricken

look.

"I know! I know whose room it was!" cried Hildegarde. "Wait, oh,

wait! I am sure we shall find something else. I will tell you all

about it in a moment, but now let us look and find all we can."

With beating hearts they searched the corners of the little

chamber. Presently Hildegarde uttered a cry, and drew something

forward into the light of the little window; a good-sized object,

carefully covered with white cloth, neatly stitched together.

Hildegarde took out her pocket scissors, and snipped with ardour,

then drew off the cover. It was a doll's bedstead, of polished

mahogany, with four pineapple-topped posts, exactly like the great

one in which Hildegarde herself slept; and in it, under dainty

frilled sheets, blankets and coverlid, lay two of the prettiest

dolls that ever were seen. Their nightgowns were of fine linen;

the nightcaps, tied under their dimpled chins, were sheer lawn,

exquisitely embroidered. One tiny waxen hand lay outside the

coverlid, and in it was a folded piece of paper.

"Oh, Hildegarde!" cried Bell, "what does it mean?"

Gertrude was in tears by this time, the big crystal drops rolling

silently down her cheeks; her heart was wrung, she did not know

why.

"Hester Aytoun," said Hildegarde, softly. "This must have been her

playroom, Bell. She used to live here; it is about her that I

wanted to tell you. But first let us see what she has written

here. I think she would be willing; we are girls, too, and I don't

think Hester would mind."

There were tears in Hildegarde's voice, if not in her eyes, as she

read the writing, now yellow with age:

"I, Hester Aytoun, being now sixteen years old, am putting away my

dear dolls, the dearest dolls in the world. Sister Barbara says I

am far too old for such childish things; but I shall never be too

old in my heart, though I may well busy myself with household

matters, especially if I must marry Tom in three years, as he

says. So I put away my dear dolls, and I shall shut up the

playroom, also, for I could not think to pass by it each day and

not go in to see them, and that Sister Barbara will not allow. It

may be that no one will find my playroom till I show it myself to

my little children, if God wills that I have them, which I shall

pray always, now that I may not have my dolls any more. But if

that should not be, or I should be taken away, then I think no

harm to pray that a girl like myself may one day find my playroom

that father made for me,--my own room, where I have been a very

happy child. A man would never know what it meant, but a girl

would know, and if it should so hap, I pray her to be gentle with

the bedstead, for one leg is weakly; and if she will leave my dear

dolls, when she has well played with them, I shall bless her

always for a gentle maiden, wherever I be. So farewell, says

"HESTER AYTOUN."

All three girls were crying by this time, and little Gertrude laid

her head on her sister's shoulder and sobbed aloud. Bell smoothed

her hair with light, motherly touches, drying her own eyes the

while. Hildegarde sat silent for a while, the letter in her hand;

then she folded it again, and gently, reverently laid it again in

the doll's hand.

"Dear Hester!" she said, "we do know, dear; we do understand,

indeed."

And then, sitting on the floor by the pretty bedstead, and

speaking softly and tenderly, she told the two girls of that other

maiden who had lived and died in this old house,--the bright,

beautiful Hester Aytoun, who faded in her springtime loveliness,

and died at eighteen years; who had left everywhere the traces of

her presence, soft, fragrant, like the smell of the flowers in her

own garden.

"I chose my bedroom, that you like," said Hildegarde, "because I

felt sure, somehow, that it had been hers. I never had a sister,

girls, but Hester seems to me like my sister; and sometimes"--she

hesitated, and her voice fell still lower--"sometimes I have felt

as if she wished it to be so,--as if she liked to come now and

then and see the old home, and give a loving look and word to the

things she used to care for so much. I am glad we found this

place, but I don't think I shall tell anyone else about it, except

mamma, of course, and Jack, when he comes home."

Very gently the three girls laid the white covering back over the

little dolls, who lay quiet and rosy, and seemed as content as

ever was Sleeping Beauty in her tower. They peeped into the chest

of drawers, and found it full of dainty frocks and petticoats, all

exquisitely made; there was even a pile of tiny handkerchiefs,

marked "Annabel" and "Celia." This sight made Gertrude's tears

flow afresh; she was a tender-hearted child, and tears fell from

her eyes as softly and naturally as dew from a flower.

When all was seen, they closed the little window, and with a mute

farewell to the sweet guardian spirit of the little place,--the

girl who had loved her dolls, and so made herself dear to all

other girls,--the three withdrew, and softly, reluctantly drew the

sliding panel after them.

"I shall not forget," whispered Hildegarde, who was the last to

leave the secret chamber; "I shall come sometimes, Hester dear,

and sit there, just I myself, and we will talk together, the dolls

and I. I shall not forget."

The panel slid into its place with a faint click; no sign was

left, only the white wainscoting, one panel like another, and the

crooked stair winding up to the open, airy room above.

Hildegarde's Neighbors · 第 4 / 16 章