CHAPTER XIV

REAL FAIRIES

or the possible glory that underlies

The passing phase of the meanest things.

_Mrs. Whitney._

Alive it certainly was, this exquisite green moth, which rose on

shimmering wings at Ruth’s touch. No wonder Ruth almost screamed aloud

in her surprised delight.

“Are you a moonbeam?” she asked. “You are just lovely enough for one.”

“No, I am not a moonbeam,” was the answer, “_but I am the moon moth, the

Luna_. I am a messenger for the night-blooming flowers, for only the

long tongues of the moths may reach through the deep tubes to their

honeyed hearts. I was taking my day nap when you touched me.”

[Illustration: “‘I AM THE MOON MOTH, THE LUNA’”]

“I didn’t know you were there,” said Ruth, “you looked so much like a

leaf.”

“That is what I wished to look like. Many others are sleeping the same

way. You wouldn’t know them unless they moved. Our larvæ are not

sleeping, however. I can answer for that. They are quite awake and busy

eating the leaves of hickory, walnut, and other trees of that family.

Maybe you have seen them? They are large and handsome, and they spin

very snug cocoons of silk, wrapped about with a dead leaf, very much

like those made by the polyphemus babies.”

“Now you know your cocoon never had the quantity of silk in it that mine

had,” said a yellowish-brown moth, rising from the trunk of a nearby

tree.

She was very handsome. There were window-like spots on her wings, and

dusky bands edged with pink. Not far away were her larvæ, having a good

time chewing the leaves of a plumb tree. They were light green, with an

oblique yellow line on each side, and a purplish-brown V-shaped mark

near the end of their bodies.

“You may always know the polyphemus children by that mark,” said Mrs.

Polyphemus, for it was she who had interrupted the Luna’s remarks. “Now,

speaking of cocoons,” she went on, “as I said before, ours contain a

great deal of silk. They have been used in the making of silk too. Shall

I tell you my story?”

Of course Ruth wanted to hear it.

“Very well,” said Mrs. Polyphemus. “I belong to the family of giant

silkworms, though, of course, we are not worms. I began my life on an

elm leaf. It was a lovely morning in May when I was hatched, and the

world seemed a beautiful place to live in. I did not spend much time

admiring the scenery, though, for I was hungry. I ate the shell of my

egg for the first course, then I began to chew elm leaves, and I kept it

up steadily. Naturally I grew, and I changed my skin five times. When I

was ready to make my cocoon I found a twig on the ground among the dead

leaves, and spun a fluffy mass of gray-white silk all about it, and this

wrapped in a dead leaf——”

“What?” interrupted Mrs. Cecropia, “spin your cocoon on the ground? What

a careless habit. Why not fasten it to the twig of a tree or——”

“Inside a curled leaf?” added Mrs. Promethea. “That is the safest way.

The wind will rock it and——,”

“I said nothing about curled leaves,” answered Mrs. Cecropia. “I never

use a curled leaf. I leave that for the leaf rollers. I——”

“Well, I know swinging would make me ill,” declared Mrs. Polyphemus,

“and I prefer the ground for my cocoon.”

“Quite right,” agreed Mrs. Hummingbird Moth. “The ground for me, too.

Our children always go down and——”

“Gracious! you don’t suppose my children would go down in the ground?”

asked Mrs. Polyphemus. “No, indeed; they will sleep in their cocoons,

among the fallen leaves on top. It is snug and cozy too, this cocoon, or

it will be, I should rather say, for it isn’t made yet. I remember mine

though. A mass of coarse silk first, and a coating of varnish inside,

then more silk, and another coating of varnish. I slept soundly, I can

tell you, and when I awoke in the Spring I had only to send from my body

a milky fluid, which softened the varnish and silk, until a doorway was

made for me to come out of. I felt very weak, miserable, and forlorn

just at first. I had but six legs, and my wings seemed of no use

whatever, but after I had hung a while to a twig, and my wings had grown

dry and strong, I was a different being. My body was lighter and smaller

too. Do you know why?”

The question came suddenly, and Ruth, though she had been listening

intently, could think of no answer.

“Because the fluids from it were pumped into my wings,” said Mrs.

Polyphemus. “The next time you see a moth just out of its cocoon,

hanging by its feet and waving its wings to and fro, you may know it is

pumping fluids into them, so they may grow big and strong. You may see

many wonderful things if you only keep your eyes open. Well, to go back

to my story: After my wings were strong, I could fly and be as happy as

I pleased. Now it is time for me to lay my eggs.”

“I wondered if you ever meant to stop talking,” said Mrs. Promethea.

“There are others, you know. I really can’t see how you Polyphemuses

grow up, considering the careless way your cocoons lie about on the

ground. Perhaps the people who say that caterpillar children are not

cared for have you in mind. Generally I believe it is better for

children to help themselves. You never hear caterpillars say, ‘I can’t

do this, and will some one please help me to change my skin, or some one

spin my cocoon for me?’ No, they do these things for themselves, and ask

no advice about them either. Still I do believe one can’t be too careful

about cocoons, for once you are in one and asleep you can’t defend

yourself. It is much better to make them safe to begin with. That was

what I thought when I made mine. I enclosed it in a leaf, and then to

make sure the leaf wouldn’t fall in the Winter winds, I fastened it to a

branch of the tree with a thread of silk. No wind or anything else could

break that thread. It was so strong. Just try it,” she added to Ruth,

“the next time you find a Promethean cocoon. You will probably see a

number together, but all will have the same strong fastenings. Another

thing, I didn’t have to make a hole to get out by, as Mrs. Polyphemus

told us she did. My cocoon had a valve in the top, and I had only to

crawl through that. Talk about difference in looks! My mate is so unlike

me you would think he belonged to another species. Our children are very

handsome. Fully two inches long and blue-green in colour, not to mention

the row of lovely black knobs along their bodies.”

“They can’t compare with ours,” said a fine cecropia, settling on a

branch and spreading her beautiful wings.

She was very large and very handsome. Her wings were grayish, with many

markings of white, brick-red, pink, and violet, and with splendid eye

spots on each.

“We are the largest of the giant silkworms,” she said, “and our larvæ

are as handsome in their way as we are in ours. You can see them on the

plum trees over there. They are wearing their last suits, of course,

for, like all caterpillars, they eat so much they need bigger skins

every little while.”

“They _are_ pretty for caterpillars,” agreed Ruth, looking at the

blue-green creatures, with their knobs of red, yellow, and blue, all

bearing black bristles.

“They are pretty enough for _anything_,” declared Mrs. Cecropia, with

decision. “Our cocoon is large and fine too. Indeed, everything about us

is first class. We never enclose our cocoon in a leaf, though sometimes

a dead leaf may cling to the outside. We spin it along a branch, to

which it is securely fastened. Some are larger and looser than others,

but all are beauties.”

“Well, _I_ can’t boast of fine clothes,” said a plainly dressed little

moth, who was quietly hiding on a shrub, “but I belong to a very old

family, and a very useful one. We were known and appreciated in Asia

more than four thousand years ago. I, too, came from a tiny egg. My body

was black, covered by stiff hairs, and of course I was hungry. I liked

best the leaf of the mulberry tree, and I ate so much I had to change my

dress often, as all caterpillars do. They all get too big for their

skins, and that is what I did, but, finally, I lost my appetite, and I

knew the time had come for me to spin my silken cradle. And now I may

boast with good reason, for I am the true silkworm. My cocoon is spun in

one thread a _quarter of a mile long_.”

“Indeed!” said Mrs. Cecropia. “I should like to know how you measured

it.”

“I haven’t measured it,” the silkworm answered, “but the wise men have.

Not my particular cocoon, you understand, but those of our family, and

they are said to average that. They are very pretty too, these cocoons.

I suppose you have all seen them? I was nine days making mine, and three

days after that I cast off my baby clothes and went to sleep. I was very

weak when I awoke and left my cocoon cradle, but I soon grew stronger

and could walk, for you must know that the family to which I belong is

not in the habit of flying. Its members are homebodies and seldom use

their wings. Many of us, I may say the majority, do not live to be

moths, for our cocoons are so precious, because of the long silk thread,

that the larvæ are killed before they come out.”

“Why?” said Ruth.

“Because when the larvæ come out they break the thread. And now perhaps

you understand how very useful we are, for all the silks, satins,

ribbons, and velvets in the world are made by us.”

Ruth’s eyes grew wide with astonishment.

“It is a big boast, isn’t it?” said a very small straw-coloured moth,

flitting rapidly about. “It is a true one, though. My children make

cocoons too, and I made one myself, but it was quite unlike a

silkworm’s, and I have an idea we are not considered useful either. I do

not work among the flowers. I belong to the Wool Exchange, at least that

is what somebody said about me once. My eggs will not be laid on a

plant, or any growing thing. I shall choose carpet, or fine cloth, or

something of that sort, and when my babies hatch they will gnaw away the

fibres of the cloth, and eat and eat. Then what they don’t eat they will

use to cover themselves with, binding the threads together with silk

from their own bodies.”

“I know you, anyway,” said Ruth. “You ate my Winter dress full of holes.

At least it was some moths like you.”

“No, my dear, not moths, but their caterpillar babies did the eating.”

“Well, it wasn’t nice, whoever did it,” declared Ruth, with some heat.

“Nice?” repeated Mrs. Clothes Moth. “I suppose it is nice to kill the

silkworm babies and make dresses from their cradles, and nice to do a

lot of other things that I could mention. I guess you had better not

talk.”

Ruth was silent. She felt she had the worst of the argument.

“You must not mind,” whispered a large and beautiful moth whose wings

were of many delicate shades of ash-gray marked with black.

Ruth turned to the speaker.

“You are something like the sphinx moth,” she said.

“Yes. I am a sphinx,” was the answer. “All of us look somewhat alike,

though some are smaller than others, and colours vary. But our wings are

always clear cut, our scales close fitting, and our colours quiet; a

tailormade air about us, as it were. We are sometimes called hawk moths,

because our wings are narrow, long, and strong, and sometimes

hummingbird moths, because we fly at twilight, and poise above a flower

while extracting its honey, just as hummingbirds do.”

“But why are you named the sphinx?” asked Ruth. “You haven’t told me

that.”

“Well, you see, our larvæ have a queer habit of rearing themselves up in

front and remaining in that position, and the wise men thought they

looked something like the old Egyptian Sphinx. There’s a sphinx moth

caterpillar on that tomato vine.”

“He is awful fat and green,” said Ruth. “Can you show me his cocoon?”

Even the larva laughed when Ruth asked this question.

“Dear, dear! what ignorance!” said the moth. “Just put your hand in that

soft earth and take out what is there.”

Ruth obeyed, and presently brought up a dark brown case, pointed at each

end.

“That is our pupa case,” explained the moth, “and in it is wrought our

wonderful transformation. We do not weave cocoons, but the little brown

case holds the same miracle of life and growth.”

“Well, there is just as much life and growth under my old blanket as in

any pupa case, or cocoon, that was ever made.”

The speaker was a hairy caterpillar, chestnut brown in the middle, and

black at each end.

“That’s the woolly bear,” explained the sphinx. “Just pick him up, and

see what will happen.”

“I know,” answered Ruth, but nevertheless she took the little brown

fellow in her hand, whereupon he promptly curled up in a tight ball and

rolled to the ground.

“I will do it every time,” said the caterpillar. “I have been called the

hedge hog because of that cute trick.”

“It _is_ cute,” agreed Ruth, “but what do you mean by your blanket?”

“Oh, as to that, I don’t fool after cocoons, or pupa cases, or the rest

of it. I simply take off my hair when I am ready for my long sleep, and

make it into a blanket, which covers me snugly.”

“But it is a cocoon just the same,” persisted Ruth.

“Well, you may call it what you please, I say it is a blanket. When I

wake from my sleep under it I am no longer a caterpillar, but a moth.”

“Like me,” added a dull yellow moth, spreading her black dotted wings.

“I am the Isabella, if you care to know.”

“So you see,” rejoined the woolly bear, “it really doesn’t matter

whether it is a cocoon, a pupa case, or a blanket which encloses the

glory of our transformation, the marvel of it is just the same.”

Long after they had drifted by, that gay company of butterflies and

moths, Ruth sat thinking of the wonder of it all.

“Didn’t I tell you, Belinda,” she whispered, “didn’t I tell you it was

really living in Fairyland, and now, when we can hear what they say, and

they tell us such interesting things, it is more Fairyland than ever.

The Wind told us to watch and listen, and we will do that. We will watch

and listen with all our might, for oh! Belinda, there is such a lot to

learn yet.”

[Illustration]

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TRANSCRIBER’S NOTES

1. Silently corrected typographical errors and variations in spelling.

2. Archaic, non-standard, and uncertain spellings retained as printed.

3. Enclosed italics font in _underscores_.

The Real Fairy Folk · 第 14 / 14 章