CHAPTER III.

THE ORIGIN OF RELIGION.

'Rough draughts of Man's

Beginning God!'

Swinburne.

When Queen Mab recovered consciousness she heard the sound of violent

voices in the room before she opened her eyes, which she did half

hoping to find herself the victim of some terrible delusion. But the

sight of the professor, standing not a yard away, brought a fatal

conviction to her heart. It was too true. Was there ever a more

undesirable position for a fairy, accustomed to perfect freedom, and

nourished by honey and nectar, than to be closely confined in a tall

bottle, with smooth hard slippery walls that she could not pierce, and

nothing to live upon but a glass-stopper! It was absurd; but it was

also terrible. How fervently she wished, now, that the missionaries had

never come to Polynesia.

But the professor was not alone, two of his acquaintances were there—a

divine veering towards the modern school, and a poet—the ordinary poet

of satire and Mr. Besant's novels, with an eye-glass, who held that the

whole duty of poets at least was to transfer the meanderings of the

inner life, or as much of them as were in any degree capable of

transmission, to immortal foolscap..Unfortunately, as he observed with

a mixture of pride and regret, the workings of his soul were generally

so ethereal as to baffle expression and comprehension; and, he was wont

to say, mixing up metaphors at a great rate, that he could only stand,

like the High Priest of the Delphic oracle, before the gates of his

inner life, to note down such fragmentary utterances as 'foamed up from

the depths of that divine chaos.' for the benefit of inquiring minds

with a preference for the oracular. He added that cosmos was a

condition of grovelling minds, and that while the thoughts, faculties,

and emotions of an ordinary member of society might fitly be summed up

in the epithet 'microcosm.' his own nature could be appropriately

described only by that of 'microchaos.' In which opinion the professor

always fully coincided.

With the two had entered the professor's little boy, a motherless child

of eight, who walked straight up to the bottle.

No sooner did the child's eyes light on the vessel than a curious thing

occurred. He fell down on his knees, bowed his head, and held up his

hands.

'Great Heavens!' cried the professor, forgetting himself, 'what do I

behold! My child is praying (a thing he never was taught to do), and

praying to a green butterfly! Hush! hush!' the professor went on,

turning to his friends. 'This is terrible, but most important. The

child has never been allowed to hear anything about the

supernatural—his poor mother died when he was in the cradle—and I have

scrupulously shielded him from all dangerous conversation. There is not

a prayer-book in the house, the maids are picked Agnostics, from

advanced families, and I am quite certain that my boy has never even

heard of the existence of a bogie.'

The poet whistled: the divine took up his hat, and, with a pained look,

was leaving the room.

'Stop, stop!' cried the professor, 'he is doing something odd.'

The child had taken out of his pocket certain small black stones of a

peculiar shape. So absorbed was he that he never noticed the presence

of the men.

He kissed the stones and arranged them in a curious pattern on the

floor, still kneeling, and keeping his eye on Mab in her bottle. At

last he placed one strangely shaped pebble in the centre, and then

began to speak in a low, trembling voice, and in a kind of cadence:

'Oh! you that I have tried to see,

Oh! you that I have heard in the night,

Oh! you that live in the sky and the water;

Now I see you, now you have come:

Now you will tell me where you live,

And what things are, and who made them.

Oh Dala, these stones are yours;

These are the goona stones I find,

And play with when I think of you.

Oh Dala, be my friend, and never leave me

Alone in the dark night.'

'As I live, it's a religious service, the worship of a green

butterfly!' said the professor. At his voice the child turned round,

and seeing the men, looked very much ashamed of himself.

'Come here, my dear old man.' said the professor to the child, who came

on being called.

'What were you doing?—who taught you to say all those funny things?'

The little fellow looked frightened.

'I didn't remember you were here.' he said; 'they are things I say when

I play by myself.'

'And who is Dala?'

The boy was blushing painfully.

'Oh, I didn't mean you to hear, it's just a game of mine. I play at

there being somebody I can't see, who knows what I am doing; a friend.'

'And nobody taught you, not Jane or Harriet?'

Now Harriet and Jane were the maids.

'You never saw anybody play at that kind of game before?'

'No,' said the child, 'nobody ever.' 'Then,' cried the professor, in a

loud and blissful voice, 'we have at last discovered the origin of

religion. It isn't Ghosts. It isn't the Infinite. It is worshipping

butterflies, with a service of fetich stones. The boy has returned to

it by an act of unconscious inherited memory, derived from Palaeolithic

Man, who must, therefore, have been the native of a temperate climate,

where there were green lepidoptera. Oh, my friends, what a thing is

inherited memory! In each of us there slumber all the impressions of

all our predecessors, up to the earliest Ascidian. See how the

domesticated dog,' cried the professor, forgetting that he was not

lecturing in Albemarle Street, 'see how the domesticated dog, by

inherited memory, turns round on the hearthrug before he curls up to

sleep! He is unconsciously remembering the long grasses in which his

wild ancestors dwelt. Also observe this boy, who has retained an

unconscious recollection of the earliest creed of prehistoric man.

Behold him instinctively, and I may say automatically, cherishing

fetich stones (instead of marbles, like other boys) and adoring that

green insect in the glass bottle! Oh Science,' he added rapturously,

'what will Mr. Max Müller say now? The Infinite! Bosh, it's a

butterfly!'

'It is my own Dala, come to play with me,' said the boy.

'It is a fairy,' exclaimed the poet, examining Mab through his

eyeglass. This he said, not that he believed in fairies any more than

publishers believed in him, but partly because it was a pose he

affected, partly to 'draw' the professor.

The professor replied that fairies were unscientific, and even

unthinkable, and the divine declared that they were too heterodox even

for the advanced state of modern theology, and had been condemned by

several councils, which is true. And the professor ran through all the

animal kingdoms and sub-kingdoms very fast, and proved quite

conclusively, in a perfect cataract of polysyllables, that fairies

didn't belong to any of them. While the professor was recovering

breath, the divine observed, in a somewhat aggrieved tone, that he for

his part found men and women enough for him, and too much sometimes. He

also wished to know whether, if his talented but misguided friend

required something ethereal, angels were not sufficient, without his

having recourse to Pagan mythology; and whether he considered Pagan

mythology suitable to the pressing needs of modern society, with a

large surplus female population, and to the adjustment of the claims of

reason and religion.

The poet replied, 'Oh, don't bother me with your theological

conundrums. I give it up. See here, I am going to write a sonnet to

this creature, whatever it is. Fair denizen—!'

'Of a glass bottle!' interrupted the professor somewhat rudely, and the

divine laughed.

'No. Of deathless ether, doomed.'

'And that reminds me,' said the professor, turning hastily, 'I must

examine it under the microscope carefully, while the light lasts.'

'Oh father!' cried the child, 'don't touch it, it is alive!'

'Nonsense!' said the professor, 'it is as dead as a door-nail. Just

reach me that lens.'

He raised the glass stopper unsuspiciously, then turned to adjust his

instrument And even as he turned his captive fled.

'There!' cried the boy.

Like a flash of sunshine, Queen Mab darted upwards and floated through

the open window. They saw her hover outside a moment, then she was

gone—back into her deathless ether.

'I told you so!' exclaimed the poet, startled by this incident into a

momentary conviction of the truth of his own theory.

'That Very Mab' · 第 3 / 12 章