THE PRETTY ARTIST'S MODEL.

"I've a good mind to burn them, and so put an end to all this confounded

mystery; yet--"

Hugh Trethowen hesitated.

Standing pensively before the fire in his own den at Coombe a fortnight

after his marriage, he was examining the photograph and partially

destroyed letters, the unaccountable presence of which among his

brother's possessions had caused him so much perturbation. As he held

the photograph in his hand the pictured face of Valerie seemed to smile

with tantalising seductiveness, and, with a fond husbands admiration, he

told himself that in no way had her beauty deteriorated, but, on the

contrary, she had grown handsomer.

Nevertheless, the fact that it had, together with the letters, been

carefully concealed by his brother, was a problem which frequently

caused him a good deal of uneasy speculation. The wording of the

missives was strangely ominous, and there was no disguising the fact

that they were in his wife's handwriting.

"I'm half inclined to tear them up and burn them. If I did, they

certainly would worry me no longer," he argued, aloud. "I wish I could

let her see them, and ask for an explanation. But I cannot; it would

show mistrust."

He lifted his eyes from the photograph and gazed perplexedly around the

apartment. More than once he had been sorely tempted to destroy the

carefully-preserved documents; still the mystery surrounding them was

fascinating, and he vaguely hoped that some day he might elucidate it.

The Temptress · 第 56 / 97 题