THE INVENTOR OF PHYSICAL DIAGNOSIS.

At the present time the most interesting development in medicine is

the gradual reduction of the death rate from tuberculosis. This is

entirely due to the fact that the disease can now be recognized very

early in its course, and that, as a consequence, the treatment may be

begun before serious damage has been inflicted on the lungs. Under the

circumstances, the disease formerly supposed incurable has become

according to all the best modern authorities one of the most tractable

of infectious diseases. In their recent lectures in Philadelphia,

before the Phipps Institute for the Prevention and Cure of

Consumption, such distinguished medical authorities as Dr. Trudeau, of

Saranac; Professor Osler, of Johns Hopkins, and Professor G. Simms

Woodhead, of Cambridge, England, insist on the absolute curability of

tuberculosis when it is taken in time. Professor Woodhead particularly

asserts that there has been entirely too much pessimism in this

matter, even among physicians.

This present confidence with regard to the successful treatment of

pulmonary consumption is due to the fact that the diagnosis can be

made early. The glory of this early recognition depends entirely on

two men--Auenbrugger, of Vienna, and Laennec, of Paris. To

Auenbrugger, whose work was done nearly half a century before that of

Laennec, must be given the credit of having first approached the

problem of differentiating diseases of the lungs from one {56} another

by methods which were so objectively practical that every practitioner

of medicine could, after having become expert in their employment, use

them with absolute confidence in his diagnosis.

Modern medical science and practice acknowledges very gratefully its

deep obligations to what is known as the Vienna school of medicine. It

is not a little surprising to find that it was the practical side of

medicine particularly which was developed at Vienna, since the

inhabitants of the Austrian capital, while supposed to have artistic

tastes far above the average, are usually considered to be among the

most impractical people in Europe. For over one hundred and fifty

years, however, the medical department of the University of Vienna has

always ranked among the first in the world. Many of the Viennese

professors of medicine have been acknowledged as the greatest teachers

of their time. Beginning with Van Swieten and De Haen during the

second half of the eighteenth century, the medical department of the

University of Vienna has scarcely ever been without at least one of

the leading lights of medicine in Europe. Wunderlich, Rokitansky and

Skoda were, in the middle of the nineteenth century, the greatest

medical men of their time. Hebra, Billroth and Nothnagel worthily

continued the tradition of medical greatness in the Austrian capital.

Even at the present time, notwithstanding the great advance in

medicine and medical teaching that has come over all Europe, it is

generally conceded that the best place in the world to study clinical

medicine--that is, to study illness at the bedside of the patient--is

the famous Allgemeines Krankenhaus, the General Hospital of Vienna.

The clinical teaching of medicine developed much later in the history

of medical education than might naturally have been expected. There is

a tradition of bedside instruction {57} in medicine in old Grecian

times at the various shrines of AEsculapius, but this is not well

authenticated. Early in the sixteenth century came the modern birth of

clinical medical instruction at St. Francis's Hospital, in Padua, in

connection with the University there, which in every line did so much

for modern medicine. The first clinic that attracted widespread

attention, however, did not come until Boerhaave's time, at the end of

the seventeenth and the beginning of the eighteenth century. The

bedside instruction in medicine by this distinguished master drew

hosts of students to the hitherto comparatively unimportant University

of Leyden, in Holland. Two rulers--just the two who, to modern minds,

would perhaps appear least likely to do so--at once recognized the

immense practical value of this innovation in medical teaching and

immediately set about securing its benefits for their people. Pope

Benedict XIII and the Empress of Austria put themselves in

communication with Boerhaave, and the Pope was the first to avail

himself of the advice in the matter which the great Dutch master gave.

The Roman clinic became, in the first half of the eighteenth century,

under the direction of the distinguished Lancisi, one of the best

known in Europe.

The Austrian Empress, Maria Theresa, interested in everything that

could prove to be for the benefit of her people, invited the

distinguished pupil of Boerhaave, Van Swieten, to become her family

physician, and encouraged him in the foundation of a clinical medical

school at Vienna. Van Swieten soon came to occupy a very prominent

place at Court. When he was invited from Holland, on the

recommendation of the sister of the Empress, there was no heir to the

Austrian crown, though one had been anxiously looked for for several

years. Heirs to the number of sixteen in all blessed the imperial

family in the next twenty-five years, {58} and Van Swieten became the

confidential adviser of the reigning monarchs in polity as well as in

medicine. Accordingly, when he suggested the invitation of De Haen,

who had also been a pupil of Boerhaave, the suggestion was promptly

accepted, and the Leyden colleagues became the founders of the Old

Vienna School of Medicine, as it is called. They established the

tradition of bedside teaching, of actual practical experience in the

treatment of patients, and of the collection of detailed information

of every feature of cases that could possibly be helpful for

diagnosis. They also established the custom of demonstrations on

pathological material with confrontation of the diagnostic conclusions

during life and the findings of the postmortem examination in fatal

cases, which, down to our own day, makes Vienna an ideal place for

serious post-graduate work in clinical medicine.

It was not long after the establishment of the clinic on these broad

lines at Vienna before the first important fruit of the new teaching

method was to be gathered. Curiously enough, however, this initial

advance in practical medicine did not come from one of the

distinguished heads of the clinic, but from a comparatively young man

of no previous reputation. The greatest discovery ever made at Vienna

is due to Auenbrugger, an unassuming practitioner of medicine, who

came from the Austrian province of Styria, or, as it is called in

German, the Steiermark, about the middle of the eighteenth century. He

was the son of a small hotel keeper of Gratz, and, after making his

medical studies in Vienna, he remained at the capital for some years,

doing hospital work.

While thus engaged, the young Styrian, who attracted very little

attention except for his affability, and who made no pretension to

special knowledge or genius in observation, {59} laid the first stone

in the structure of modern exact diagnosis of pulmonary disease, and

cleared up many of the obscurities in which all affections of the

chest had been shrouded before his time. Having accomplished this

noteworthy achievement before he was forty years of age, Auenbrugger

then quietly settled down to be an ordinary medical practitioner in

the Austrian capital, with a special reputation for his knowledge of

chest diseases, and for kindly ways that gave him as much interest in

his poor patients as in those that could afford to pay handsomely for

his services.

Leopold Auenbrugger, afterward Edler von Auenbrug--a term about

equivalent to the English "Knight of Auenbrug"--who thus stands at the

head of modern medical diagnosis, was born on the 19th of November,

1722, at Gratz, in Lower Austria. His early education was received at

Gratz, and it seems to have been of rather a comprehensive character,

for Auenbrugger, later in life, was a member of the elegant literary

circles in Vienna and a welcome friend at the tables of cultured and

distinguished fellow-townsmen. It will be recalled, by those who

remember German literature, that at this time Vienna was the centre of

culture in Germany, attracting many literary men--as, for instance,

the two Schlegels--from other parts of Germany.

Auenbrugger's father was of the lower middle class, the proprietor of

the Gasthaus Zum Schwarzen Mohren, in one of the suburbs of the city

of Gratz, but also the owner of another hotel in the city itself, so

that he was able, by making some sacrifices, to afford his son a

university and medical education in Vienna. The family were not in

very affluent circumstances, however, and in this Auenbrugger was in

the same condition as many other of the distinguished medical men who

have made important original discoveries. Volta, Laennec, Johann

Mueller, Helmholtz, Pasteur and {60} Virchow were all the sons of

comparatively poor parents, and had to eke out their university

education by doing teaching work as soon as they were considered

capable.

Auenbrugger's studies in medicine were pursued under the well-known

Baron Van Swieten. Van Swieten was, as has been said, one of the most

distinguished of Boerhaave's pupils, and devoted most of his life to

writing a set of commentaries on Boerhaave's aphorisms and editing his

master's work. Van Swieten's greatest ambition was to make the

Austrian capital the home of the great clinical school of medicine and

a pilgrimage at least as attractive for physicians seeking to study

practical medicine at the bedside as had been his own alma mater at

Leyden. He was of so great administrative ability that Maria Theresa

made him one of her state counsellors.

With all the influence of the government behind him, then, it is not

surprising that Van Swieten succeeded in his very laudable project of

establishing a great medical school at Vienna.

It was fortunate that Auenbrugger made his medical studies under such

good auspices. We have no details of his student life nor of his

success in his examinations. Even as a student his engagement of

marriage to Marianna von Priesterberg was announced. The formal

marriage ceremony took place in 1754, when Auenbrugger was about

thirty-two years of age. His wife seems to have had a dowry, and this

enabled Auenbrugger to begin his medical career in Vienna. Some years

before this, as a young graduate physician, he had accepted the

position of resident medical attendant at the Spanish military

hospital of the Holy Trinity in Vienna. This hospital was large and

important and provided manifold opportunities for clinical study. Its

wards were frequently drawn on by the {61} clinical department of the

University of Vienna for cases to be demonstrated before the students.

This fact was sufficient to make Auenbrugger's position of great

educative value for him. Mistakes in diagnosis would be apt to be

discovered, since the interesting cases were reviewed by some of the

best physicians of the time in Europe. His position carried with it no

salary beyond his maintenance, but proved well worth the time he gave

it, since it developed in him habits of careful investigation. Just

ten years after he began his work at this hospital he published the

little book called "Inventum Novum," or new discovery, on which his

reputation depends. It was written in Latin, and its full title ran:

"A New Discovery that Enables the Physician, from the Percussion of

the Human Thorax, to Detect the Diseases Hidden within the Chest."

Altogether his little manual probably does not contain much more than

ten thousand words. It is perhaps two or three times as long as

thousands of medical articles published every year in our modern

medical journals. It contains, however, one of the most important

discoveries in the whole history of medicine. One of the best

diagnosticians of the nineteenth century, Skoda, the distinguished

head of the Vienna school of sixty years ago, calls the discovery that

Auenbrugger outlined so unpretentiously "the beginning of modern

diagnosis," and hailed Auenbrugger himself as the founder of the new

science of diagnosis that was to prove so fruitful of good in the

prevention of human suffering.

It is interesting to compare Auenbrugger's little book with Van

Swieten's commentaries on Boerhaave's works, which were published in

some eight huge volumes. Van Swieten's successor, De Haen, an equally

illustrious contemporary of Auenbrugger, published about the same time

some eighteen volumes on the science of medicine. Neither {62} of

these works is ever consulted now, except by some enthusiastic student

of the history of medicine, who wishes to clear up a point in medical

historical development; but Auenbrugger's unpretending monograph is,

and will ever remain, a classic. Practically nothing has been needed

to complete the clinical usefulness of his discovery. Like Laennec,

whose work was done just half a century later, he had the genius to

realize what the possibilities and the limitations of his discovery

are, and he completed it in all its details before giving it to the

public.

Auenbrugger's discovery consisted in recognizing that diseases of the

chest can be distinguished from one another and their varying

character differentiated by the sounds elicited when the chest is

tapped with the finger. To this tapping he gave the technical name,

since become classic in medicine, of percussion. Wherever there is air

in the chest, that is all over the healthy lungs, the sound elicited

by percussion resembles that given out by a drum over which a thick

woolen cloth has been placed. Over the heart, where there is no air,

the sound given out, when the chest is percussed, corresponds very

nearly to the sound produced when the thigh is tapped. The sound

elicited by percussion of the thigh Auenbrugger took as the standard

of dulness and applied to it the term Schenkel-ton, or thigh sound.

When the lungs become consolidated because of an inflammatory process

such as pneumonia or tuberculosis, then the percussion note over the

consolidated area resembles the sound over the leg or that found over

the heart. As a rule the heart is somewhat covered by the lungs, and

the sound produced by percussion over it is not quite as dull as that

over the solid muscular structures of the legs. Whenever fluid finds

its way into the thorax, as in pleurisy, then the sound produced on

percussion is very dull.

{63}

Auenbrugger further showed that by means of the sound thus obtained he

could demonstrate the size of the heart under varying conditions, and

so determine whether it is larger than normal or not. This gave the

first inkling as to the discernment of hypertrophy and dilatation of

the heart, and was the first step in the modern differential diagnosis

of heart diseases. He showed, moreover, that he could, by percussion,

outline very exactly the extent to which a consolidation of the lung

has taken place, or the height to which an effusion into the pleural

cavity reaches. These conclusions and demonstrations require not only

the greatest care but the most deliberate confirmation of every detail

by comparison of the diagnosis during life with the condition found

after death in fatal cases.

Auenbrugger seems to have spared neither time nor labor in this work

of confirmation. He made a number of experiments upon dead bodies,

injecting fluid into the pleural cavity and then demonstrating by

percussion the line of demarcation that indicated the level of the

fluid within the chest, as well as the pulmonary conditions that

developed because of its presence. In the study of pneumonia and

tuberculosis particularly, Auenbrugger spent many hours of patient

investigation during his ten years of hospital service. He succeeded

not only in demonstrating the presence of consolidation, but also the

existence of cavities in the lungs and their size and general

character.

Vienna was an ideal place for the development of Auenbrugger's ideas

of confirmation. At this time, it must have been one of the most

unhealthy places in Europe as regards pulmonary diseases. The city was

surrounded by walls that occupied the ground now taken up by the

magnificent Ring Strasse and the inhabitants were packed into

extremely narrow quarters, The modern municipal sanitary {64}

conscience is lax enough in our own day, but at that time it had not

been awakened to the slightest sense of duty toward the citizens.

Narrow, wandering streets lined by high buildings that made an attache

of the British Legation of Vienna speak of the houses of the city,

scarcely more than fifty years ago, as "well-like," were the universal

rule.

It must be remembered that the present magnificent Austrian capital,

containing, perhaps, the handsomest single street and some of the

finest buildings in the world, is entirely a creation of the last

half-century. The old city had every cause to be unsanitary. Situated

in the valley of the Danube, liable in the spring-time to serious

floodings from the capricious, mighty river, which has been brought

under control only in recent years at great expense; in an exposed

situation, which makes it a veritable temple of the winds during the

autumn and winter; it is not surprising that tuberculosis should have

been very frequent. Even with all its improvements in recent years,

sanitary, hygienic, municipal and domiciliary, Vienna has at the

present time one of the highest death rates from tuberculosis in

Europe. In Auenbrugger's time there must have been practically

unlimited opportunity for the study of pulmonary diseases of all

kinds.

How well the brilliant young medical observer took advantage of the

opportunities thus afforded him can be judged very well from the

passages of his book that refer to chronic pulmonary diseases. He

divides the chronic diseases of the thorax in which abnormal

percussion sounds are heard into two classes. In the first place, he

places those in which the thoracic organs are rendered less capable of

resisting disease and become actually affected, because of insidious

influences, such as hereditary conditions, depressing circumstances,

poverty and poor nutrition. Without really calling it tuberculosis, it

is evident that in this group pulmonary {65} consumption is included.

The second class consists of affections in which the thoracic organs

become diseased from definite, easily recognizable causes. Such are

disturbances of the general health in pulmonary affections that follow

thoracic disease not completely recovered from. By these diseases

Auenbrugger evidently intends cases of pneumonia or other affections

of the lungs, or trauma and the like, which are followed by

tuberculous processes.

With regard to cavities in the lungs, Auenbrugger was able not only to

demonstrate their presence and to show by autopsy records that his

localization and determination of their approximate form and size were

correct, but he also understood the method of their formation and

explains the reasons for certain varieties of cavities that occur. He

speaks of two classes of cavity formations. From one kind there is an

ichorous discharge; from the other variety the evacuations are

purulent. Cavities with non-purulent secretions are situated only in

the lung. Abscesses of various kinds--that is, cavities with purulent

secretions--may occur in any part, or in any of the organs of the

thorax. The lung cavities are usually due to the breaking down of what

he calls crude tubercles. Both kinds of cavities may either be closed

or have an opening into the bronchi.

Auenbrugger showed very well how to distinguish, by percussion,

cavities of various kinds, and set it down as a principle, that before

the evacuation of the contents of the cavity percussion over it gave a

distinctly dull note, resembling that obtained when the thigh is

percussed, while after evacuation, as by copious expectoration, a

distinctly resonant note occurred. It is clear from his discussion of

the symptoms noted in cavities (at least in the opinion of Dr.

Merbach, who wrote a sketch of Auenbrugger's life for the

Jahresbericht der Gesellschaft fuer Natur und Heilkunde in Dresden,

{66} in 1861), that Auenbrugger was very near the discovery of

auscultation in his study of pulmonary cavities. Auenbrugger says that

when a cavity has been located by means of percussion, if the hand be

laid over the place beneath which it lies and the patient is asked to

cough, the fremitus produced by the pus in the cavity can be felt as

it moves under the coughing impulse. This is what we now know as

palpation. If instead of using his hand Auenbrugger had applied his

ear to the chest, auscultation would have been discovered nearly half

a century before Laennec began his work upon the subject. Perhaps

Merbach, who was himself a native of Styria and a professor at the

University of Gratz, was for patriotic motives more ready than others

might be to give Auenbrugger credit for practically discovering

auscultation.

Auenbrugger's and Laennec's observations were made on exactly the same

sort of clinical material. They were both studying advanced cases of

tuberculosis in the hospitals of a great city. Laennec's work was

actually not anticipated in the slightest degree however. How

Auenbrugger could have made the careful examinations of the chest that

he did in thoracic diseases without acquiring some knowledge of the

value of the further application of the sense of hearing, which

Laennec was to employ so fruitfully in the diagnosis of affections of

the lungs and heart, seems to us almost impossible to understand.

Discoveries once made, however, always seem so obvious that the wonder

is they were not made long before. It takes genius to cross the line

into the realm of the hitherto unknown, and the contemporary

generation usually occupies itself mainly with making little of the

new discovery. Even genius very rarely makes more than one original

observation in a lifetime, and it would be too much to expect more

from Auenbrugger.

{67}

The preface to Auenbrugger's little book is a model of concise

directness typical of the man and his ways. As the modest introduction

to a work that will ever be a classic in medicine it seems to deserve

a place here:

"I present to you, kind reader, a new sign for the detection of

diseases of the chest, which I have discovered. It consists in the

percussion of the human thorax and the determination of the internal

condition of this cavity by the varying resonance of the sounds thus

produced. My discoveries in this subject are not committed to paper

because of an itch for writing, nor an inordinate desire for

theorizing. Seven years of observation have put the subject in order

and have clarified it for myself and now I feel that it should be

published.

"I foresee very well that I shall encounter no little opposition to

my views and I put my invention before the public with that

anticipation. I realize, however, that envy and blame and even

hatred and calumny have never failed to come to men who have

illuminated art or science by discoveries or have added to their

perfection. I expect to have to submit to this danger myself, but I

think that no one will be able to call any of my observations to

account. I have written only what I have myself learned by personal

observation over and over again, and what my senses have taught me

during long hours of toil. I have never permitted myself to add or

subtract anything from my observations because of the seductions of

preconceived theory.

"I would not wish, however, that any one should think that this

method of diagnosis, which I suggest, has been developed to its

utmost perfection. I confess with all candor that there are defects

in the system which conscientious observation will, I hope, amend

with time. It is possible that there are even other important truths

for the recognition {68} of disease still hidden from this method of

diagnosis. Some of these may prove of great usefulness for the

differentiation, prognosis and cure of diseases of the chest.

"This was the reason why in my personal experience, after I had

succeeded in finding the signs in the chest and proceeded further to

the investigation of their causes so far as my own observation could

help me, I have always afterward had recourse to the commentaries of

the illustrious Baron Van Swieten, since I have considered that

whatever can be desired by an observant man is sure to be found in

his work. I have thus been able to spare you a long disquisition. I

have found in his work a sure basis of knowledge on which my slight

superstructure may be raised up to view.

"I do not doubt, however, that I have accomplished a work which will

earn the gratitude of all true devotees of the art of medicine,

since I have succeeded in making clear certain things which shed not

a little light on our knowledge of the obscure diseases of the

chest, a subject hitherto very imperfectly understood.

"I have omitted many things that seem doubtful because they are as

yet not sufficiently elaborated. I shall endeavor, however,

faithfully to devote myself to [literally to sweat over] the further

development of these points. Finally, it has not been my effort to

write in any elegant diction. I have chosen a style in which I may

be thoroughly understood.

_Vale;_

"December 31, 1760."

Auenbrugger's own realization of the importance of his work and of its

significant value for medicine kept him faithfully investigating his

chosen subject, though he seems to have met with very little

encouragement from members of {69} the medical profession near him. It

is extremely difficult to understand how his practical observations

and thoroughly conservative claim failed to attract more attention

than they did from really great physicians who were deeply interested

in the progress of medicine. At least two distinguished writers on

medicine, Van Swieten and De Haen, compiled treatises on medical

subjects that included the consideration of diseases of the chest

within a few years after Auenbrugger's _Inventum Novum_ appeared, and

yet neither of them devotes any space to the question of percussion

nor hints at its possible value.

Van Swieten's work consisted of commentaries upon the aphorisms of

Boerhaave. The Vienna professor did not, however, limit himself to the

consideration of the aphorisms alone, but made his work also a

compendium of his own clinical experiences with acute and chronic

diseases. As a matter of fact his commentaries on the aphorisms are

each a monograph on some special disease. The two last volumes of this

commentary appear after the publication of Auenbrugger's book on

percussion, one volume being published in 1772, the other in 1774.

The first of these articles contains a long article on pulmonary

consumption, and the other an almost equally long chapter on pleurisy

with effusion. In neither of the volumes, however, is there any

mention of percussion, or of Auenbrugger's work, though if Van Swieten

had given any serious attention to the subject, he must have become

convinced how valuable Auenbrugger's invention was in the diagnosis of

these conditions.

This omission is all the more surprising as Auenbrugger was a pupil of

Van Swieten's and practically dedicated his _Inventum Novum_ to his

master. He mentions Van Swieten's work several times in his little

book. Auenbrugger's {70} investigations were not unknown to Van

Swieten then, and the only conclusion to be drawn from his neglect to

mention Auenbrugger's methods is that he deliberately omitted

reference to them because of his failure to recognize the value of the

discovery. This constitutes one of the most serious blots on Van

Swieten's medical career. He was succeeded as the head of the clinic

in Vienna by De Haen, who also came from Leyden and brought with him

the methods of Boerhaave's clinical school. As the time during which

Auenbrugger was making his valuable observations at the Spanish

military hospital coincides with the years when De Haen was professor

of clinical medicine, and when he was frequently indebted to his

colleague of the Spanish hospital for his cases for demonstration, it

is impossible to conceive that Auenbrugger or his work should have

remained unknown to the distinguished head of the clinic.

There is not a single mention, however, to be found anywhere in De

Haen's voluminous writings of Auenbrugger or his work. De Haen's

principal work is his _Ratio Medendi_ (_System of Medicine_),

published at Vienna during the years from 1757 to 1779. It consists of

eighteen volumes, in which all the important forms of disease as well

as the rarer types of affections that came to the clinic are

thoroughly discussed. De Haen treated of pneumonia, of consumption, of

pleurisy with effusion, which he calls dropsy of the chest, but never

suggests the use of percussion. On the contrary, he complains in a

number of places how very obscure and difficult of diagnosis are

thoracic diseases and especially dropsy of the chest, pleuritic and

pericardial exudates, and insists on the ease with which errors of

diagnosis may be made in these subjects. He failed completely to

recognize how much light had just been thrown on this subject by

Auenbrugger's work, and how much easier the differential {71}

diagnoses of these conditions were to be as the result of systematic

percussion.

Some of the commentaries on Auenbrugger's work are not entirely

depreciative, however. In Ludwig's _Commentaria de Rebus in Scientia

Naturali et Medicina Gestis_ for the year 1762, published at Leipzig,

there is an excellent notice of Auenbrugger's work within a year after

its appearance. It is not known who the reviewer was, but he calls

Auenbrugger's discovery "a torch that was designed to illumine the

darkness in which diseases of the thorax had up to this time lain

concealed." A brilliant future was prophesied for the new method of

examination. It is evident that the writer not only thoroughly

comprehended Auenbrugger's work, but had himself applied the

percussion method for purposes of diagnosis.

This is almost the only favorable and reasonably intelligent review of

Auenbrugger's work to be found in the medical journals of the time. In

the new Medical Library, issued by Rudolph Vogel, Professor of

Medicine in Goettingen, published in six volumes in 1766, there is a

short mention of Auenbrugger's book and his new discovery. This

reference is, however, an extremely curious affair. The good professor

completely failed to understand in what the new discovery really

consists. It is clear that he had never read Auenbrugger's book. He

seems to have heard of the subject from some medical friend, and to

have obtained an entirely wrong notion. He talks of Auenbrugger's new

diagnostic method as if it were an imitation of Hippocrates's

succussion method of recognizing the presence of fluid in the chest by

shaking the patient till the liquid gave the characteristic splash.

Other medical writers of the time perhaps, as the result of reading

Professor Vogel's book, made the same mistake {72} in their

appreciation of Auenbrugger's work. Vogel himself insisted that

Auenbrugger did wrong to claim any originality for his invention,

since it had been used so long before by Hippocrates. He adds that

what is original with Auenbrugger is of very little value, the older

ideas being the only ones worth while considering with regard to the

application of this so-called new method of diagnosis. Vogel was an

authority in medicine at the time and other commentators took the key

note from him in this matter, and in many parts of Germany it was

generally accepted that Auenbrugger's method of percussion was only an

elaborated method of the so-called succussion of Hippocrates.

Under these circumstances it is perhaps not surprising that

Auenbrugger's work attracted very little attention in the

German-speaking countries. In Vienna itself, as we have already said,

Van Swieten and De Haen failed utterly to recognize its value. Outside

of Vienna their example was naturally followed, for the Vienna school

was considered authoritative, and surely, if any one, the professors

of the University of Vienna might be expected to know whether

Auenbrugger's new discovery was really of any value or not.

It is interesting to compare Auenbrugger's state of mind, with regard

to the neglect of his discovery, with Laennec's remark in the preface

of his book. Laennec said: "For our generation is not inquisitive as

to what is being accomplished by its own sons. Claims of new

discoveries made by contemporaries are apt for the most part to be met

by smiles and mocking remarks. It is always easier to condemn than to

test by actual experience." Auenbrugger seems to have suffered from

more than the neglect of which Laennec complains. When he speaks of

envy and calumny in no uncertain terms, the only conclusion possible

is that his representations as to his discoveries must have been set

{73} down as pretensions that his contemporaries considered

unjustified by what they knew of his work.

It is interesting also to note that both men found their prospects of

reward, not in the good will of their contemporaries, nor even the

prospect of fame, but in the hope that their work would be useful in

lessening the sum of human suffering. Laennec said: "It suffices for

me if I can only feel sure that this method will commend itself to a

few worthy and learned men who will make it of use to many patients. I

shall consider it ample, yea more than sufficient reward for my labor,

if it should prove the means by which a single human being is snatched

from untimely death."

Laennec's words are almost an echo fifty years afterward of

Auenbrugger's expressions, just quoted: "I console myself," he said,

"with the thought that I have accomplished a work which will earn the

gratitude of all true devotees of the art of medicine, since I have

succeeded in making clear many things which shed not a little light on

the chapter of the obscure diseases of the chest, in which our

knowledge has hitherto been so very incomplete."

As a rule it may be said that medical observers whose genius leads

them to step across the narrow line that separates the known from the

unknown are likely to lack the appreciation of their own generation.

Long before Auenbrugger or Laennec, Harvey, the discoverer of the

circulation of the blood, said to friends that he did not expect any

one of his generation to accept the new doctrine, and it is well known

that the great medical men of the time did not accept it. Harvey is

not an isolated example, and even in our own time real medical

progress sometimes waits for years for recognition, while

well-advertised pretended advances are occupying the centre of the

stage. Auenbrugger's discovery made its impress, however, and was

never entirely lost to sight. Even {74} before his death there was the

consoling prospect of its meeting with adequate attention.

De Haen's successor in Vienna, Maximilian Stoll, treated Auenbrugger's

work very differently from his predecessors, and was the first to

introduce it practically into clinical medical training. Stoll did not

hesitate in his clinic, on the strength of what was discovered by

means of percussion, to attempt the evacuation of fluid from the

pleural cavity on a number of occasions. It can be easily understood

that with their lack of knowledge of the necessity for thorough

cleanliness in the surgical sense, such an operation might readily be

followed by discouragingly fatal results. This actually happened in

Stoll's own experience. He does not, however, seem to have abandoned

his practice of tapping the chest because of this. He insisted to his

students that Auenbrugger more than anyone else had experience in

removing fluid, and especially purulent collections, from the chest,

and he recommended the practice to them. He added that medicine owed

as much to Auenbrugger for his rational method of treating effusions

into the pleural cavity, whether of pus or serum, as for his

diagnostic sign by which the presence of the fluid could surely be

recognized.

Some of Stoll's pupils took up the work of commending Auenbrugger's

method, and a little book written by one of them, Eyerel, came into

the hands of the distinguished French physician, Corvisart. Eyerel did

not hesitate to say, in his treatise on empyema, that the practice of

percussion of the thorax, a diagnostic method introduced by the very

distinguished Vienna physician, Auenbrugger, had been of great help to

them in the study of this disease.

Once the great French professor of medicine, Corvisart, took it up,

the new method of diagnosis was destined to have an immediate and

world-wide vogue. Corvisart was not {75} only a power in medicine

because of his faculty of observation and his thorough appreciation of

the work of others, but he was the court physician of the first

Napoleon, and this gave any ideas that he favored many adventitious

chances for publicity. Napoleon's well-known faculty for selecting men

for special positions whose genius was calculated to be of service to

him was never less at fault than when he violated most of the court

medical traditions in Paris and chose Corvisart for the imperial

physician. Corvisart's selection was the result of Napoleon's

appreciation of his new method of diagnosis, namely, that of

percussion, in chest diseases.

The Emperor himself was suffering from a persistent cold and was told

that Corvisart, instead of following the traditional method of feeling

the pulse, looking very wisely at the tongue and then gazing learnedly

into space, conducted an actual examination of the chest and sounded

it carefully all over, in order to determine where abnormal conditions

might exist. This struck Napoleon as a very practical and possibly

valuable feature of diagnosis. Accordingly Corvisart was summoned to

give his professional opinion. After the consultation he was made the

Emperor's private physician. When Corvisart took up the subject of

percussion of the chest, it was practically unknown in Europe outside

of Vienna. Even in the city of its origin, as we have seen, it was not

well appreciated. Auenbrugger's little book had fallen into oblivion.

Corvisart obtained his hint as to the possible value of percussion

from Stoll's and Eyerel's appreciative remarks with regard to it. The

Frenchman used the method to some extent and, realizing its value,

resolved to call the attention of his countrymen and the medical world

to this very helpful aid in diagnosis. It was at this time that he

came upon Auenbrugger's original monograph. Instead then of writing

himself on the subject, he translated {76} Auenbrugger's little book

into French and made a commentary on it.

Corvisart was Laennec's patron in medicine, his favorite teacher, and

the man to whom the great French physician owed much of his early

inspiration. It is no little merit in Corvisart's career thus to have

been the connecting link between the men who did most for the

practical science of medicine, and especially for the important but

obscure chapter of diseases of the chest. He did not attempt at all to

claim for himself any of the merit that he felt should rightfully go

to Auenbrugger, and while his own observations and writings

established percussion upon a firm basis and extended its knowledge,

he shares the immortality of his discoverer, and comes down to us in

medical history as an example of the reward of having rendered

faithfully what was due, where it was due. It has been the custom to

praise Corvisart for his justice toward Auenbrugger. Mere justice

seems scarcely a worthy reason for praise of a great man, yet the

history of medicine is so full of failures on the part of subsequent

observers to acknowledge priority of discovery, that perhaps the

praise does not seem quite as futile as it otherwise would.

It is not surprising then that Corvisart's pupil Laennec should have

appreciated very thoroughly the value of Auenbrugger's discovery. In

the preface of his book on Mediate Auscultation, Laennec bewails the

fact that men are generally neglectful of discoveries made in their

own time, and fail to give them the attention they deserve. He

attributes this neglect rather to the well-known carelessness of men

than to any deliberate failure to recognize the merit of contemporary

work. He says:

"Lack of attention is an extremely common failing of all men. What

it takes years and hard labor to acquire, is not {77} infrequently

passed over without notice. Auenbrugger's method, published some

fifty years ago, though capable of being learned in a few days, and

without difficulty, and of being put into practice without the use

of any instruments, although snatched from oblivion by my

illustrious preceptor, Professor Corvisart, and made clearer than it

had been left even by the author himself, is not as yet in ordinary

use among physicians. Even the wonderful invention of the

illustrious Jenner, though received with so much praise, and with

regard to whose efficaciousness numberless confirmatory observations

have been made, is already somewhat less prominent in the minds of

men than it should be, or at least it would be, only for the fact

that the governments of many countries, provinces and cities, the

foresight of the clergy, of the authorities of all kinds, and the

advice of the best physicians have exerted all their influence to

keep it at public expense constantly in practice."

After about ten years of service at the Spanish military hospital,

Auenbrugger resigned his position there and took up private practice.

In this he was eminently successful, being, as might be expected,

especially in demand for cases involving affections of the thorax. His

practice appears to have been to a great extent among the better class

of people, but he seems never to have neglected the poorer patients

whom he had come to know during his hospital experience. There are

traditions in Vienna of his unfailing willingness to assist the poor

and even to put himself to considerable inconvenience in order to be

of service to them.

Tradition tells that he was very conscientious in the pursuit of his

vocation as a physician, and among the family relics there is

preserved a small lantern which he kept always by his bedside, to

light him on his visits to the sick when called out at night. It must

not be forgotten that city streets {78} were not regularly lighted at

the end of the eighteenth century, and night calls even in city work

must have been a source of great annoyance and discomfort. There is a

family tradition, too, that the night bell at his house was connected

directly with Auenbrugger's room, so that the others of the household

might not be disturbed when night callers came for him. Every

tradition points to him as a man among men in his unselfish readiness

to save others trouble, and do all the good in his power.

Auenbrugger was, according to well-grounded traditions, especially

admirable in his relations toward other members of the medical

profession. This may not seem a very significant sign of amiability to

those outside the profession, but it is well recognized that even

great physicians have not always been known to get on well with

brother practitioners. Auenbrugger has, besides, the pleasant

reputation of having been of great material assistance to a number of

needy medical students during the time of their university careers,

and to have frequently lent a helping hand to young practitioners in

the city, who probably found it quite as discouraging, beginning

practice in those days, as any of their young confreres of this

generation find it at the present time.

To physicians and medical students when ill, Auenbrugger was almost

unceasing in attention. Two or three physicians of the generation

immediately after his attributed to his unselfish care and devotion to

them their recovery from what would otherwise have been mortal

illnesses. In this way Auenbrugger seems to have been a man whom

everyone who came to know him, even slightly, learned to love and

respect. His relations to his family and relatives were always of the

most happy, kind character, and family traditions show that his

fatherly care was befittingly returned to him in his old age. The

number of his friends was very great, {79} and he counted among them

some of the most distinguished inhabitants of the Austrian capital.

Notwithstanding his devotion to his practice, Auenbrugger did not

cease to make observations that occasionally he considered worthy of

being committed to paper. He was especially careful in the study of

his cases, and left fully written records of over 400 important cases

that he had studied very faithfully. His attention seems to have been

attracted particularly to certain mental diseases. This work was done

half a century before even the first beginnings of the modern

classifications of mental diseases were attempted. He wrote a short

article with regard to mania and its treatment, and a longer article

on melancholia. How well he recognized the essential feature of this

latter affection and the main symptom that must be guarded against,

can be gathered very well from the title of his paper, which he called

"The Still Madness, or the Impulse to Self-Murder."

It is about the time that he was engaged in the study of melancholia,

perhaps as a contrast to sadder things, that he wrote a comic opera,

of which we shall have more to say presently. His description of the

conditions that he saw during an epidemic of dysentery that occurred

in Vienna show how exact and careful a clinical observer he could be,

and that the demands of his practice did not absorb all his attention

to the detriment of his faculty for observation. He seems himself to

have suffered from a severe attack of typhus fever which raged

epidemically in Vienna in 1798.

Auenbrugger had a wide circle of interests beyond the subject of

medicine. There is a family tradition that he had a magnificent

library. He seems with true Viennese spirit to have been a great

devotee of the opera, and to have had an especial liking for music. He

wrote the text, {80} score, and libretto of a comic opera with the

title, "The Chimney Sweep." This operetta evidently enjoyed more than

a _succes d'estime_, and further writing in this line was confidently

expected from him by his friends. There is even a story to the effect

that the Empress Maria Theresa, of whom he was an intimate friend, and

who made use, it is said, of his counsel in political matters more

than once, asked him why he did not follow up his first success in

operatic writing. His blunt reply shows how intimate must have been

his relations with the great empress. He said he had things much

better with which to occupy himself than the writing of comic operas.

Seeing that he was so favored at court, it is not surprising to find

the family tradition that Auenbrugger was associated with many of the

most prominent persons in the Austrian capital during his lifetime. He

was a special friend of and spent a great deal of time with the famous

philosopher, Werner. As he grew older he delighted especially in

music, and spent many hours at the house of Baron Zois, where many of

the distinguished European musicians were to be found and where famous

matinee concerts were given every Sunday from twelve to two. The day

and the time may seem strange to foreigners, but Vienna still has

concerts at this time on Sunday, and after the Viennese have gone to

Mass in the morning they think that they could not occupy themselves

better than with listening to good music in the middle of the day.

Toward the end of his life, Auenbrugger lived during the summer time

in the suburb of Rossau and cultivated a little garden, taking the

greatest pleasure in spending his time at this simple occupation. It

is a source of satisfaction to find that though Auenbrugger's medical

work failed during his life to attract the attention it deserved, he

had his reward, {81} for his patient investigations in earlier life,

in a peaceful and contented ending to a career that had been so worthy

of what was best in the man. He lived to celebrate his golden wedding

in 1804 and was especially happy in the almost constant companionship

of the good wife who had proved so faithful a helpmate during her long

life. After her death, which took place the year following the

celebration of their jubilee, his vitality and his contentment with

life seemed to abandon him. He was a changed man and kept himself for

the most part to his room. He went to bed very early and did not care

to see anyone but his near relatives. His last illness was the result

of a cold, and his advanced age, eighty-seven, left him little

resistive vitality. He retained his consciousness until the very end,

and said the day before his death that the next day would be his last.

Shortly before noon of the day of his death he looked at the clock in

his room and said that when the hands would point to two o'clock he

would be no more. His prophecy came true.

Vienna has never had the reputation of honoring its great geniuses

during their lifetime, unless they happened to belong to the higher

nobility. The exclusiveness of court society at the capital made

itself felt in all circles, and the consequence was that genius sprung

from the lower orders was almost sure not to receive its due share of

attention. The comparative neglect of Auenbrugger does not seem so bad

when we recall the case of Mozart. Music has always been one of the

special fads of the Austrian and the Viennese pride themselves on

their appreciation of it. Mozart, however, perhaps the greatest

musical genius that ever lived, received some attention during his

life, but passed away almost unnoticed at the early age of

thirty-five, was buried in a common trench with the poor people of the

city, and now Vienna cannot {82} find his resting place. There is a

magnificent monument to him, but his bones lie with his own people

forever.

Outside the circle of his personal friends Auenbrugger did not receive

much attention, so that even the year of his death was until recently

more or less uncertain and the resting place of his remains continues

to be unknown. The present generation of medical men has done more to

afford the due meed of praise to Auenbrugger than any preceding

generation. The interest in tuberculosis particularly has led medical

men to appreciate all the significance of Auenbrugger's work, and the

practical importance of his discovery for the early recognition and

consequently for the cure of the disease. The appreciation of

Auenbrugger in our time has been so flattering as quite to make up for

previous neglect. His name has been linked with that of Laennec as the

great discoverers of physical diagnosis in chest diseases.

At the opening of his address as President of the American

Climatological Association, some five years ago, Dr. Edward O. Otis,

of Boston, said:

"It is quite improbable, I think, that we should be here to-day, or,

indeed, have an existence as a society largely devoted to the

consideration of diseases of the chest, were it not for the methods

of thoracic examination which Auenbrugger and Laennec have given us

in their discoveries of percussion and auscultation. Without these

two precious methods of investigation we could scarcely have arrived

at any degree of precision or certainty in thoracic pathology and

might have been not unlike the old physicians and surgeons, 'who

would swear,' as Morgagni says, 'that there was fluid in the chest

when in reality there was not a single drachm, or perform

paracentesis of the thorax upon a duke for an empyema which did not

exist.'"

His tribute is only an echo of many others not less {83} appreciative

of Auenbrugger's important original work than have been expressed by

modern medical men of all nations. The simple old German practitioner,

who had the annoyance of seeing his discovery neglected by his

contemporaries for so many years, has at last come into his own. There

is scarcely an important medical meeting held anywhere in the world in

which diseases of the chest are discussed without a mention of

Auenbrugger's name. This is not surprising in Germany, but is quite as

true of France, and England, and America. As Dr. Otis said, in closing

the address from which we have just quoted:

"Although we possess but meagre and fragmentary records of

Auenbrugger's life, there is yet enough to enable us to fill in the

lines and gain a distinct idea of his personality and character.

With some persons one does not need to be acquainted with much of

the detail of their lives in order to know what manner of men they

are; a few characteristic illustrations here and there in their

career redeem the spirit and motives of their lives, and show the

kind of men just as they are, quite as well and clearly as an

extended and continuous biographical narrative. Always

enthusiastically devoted to the study of disease, Auenbrugger

escaped the not infrequent misfortune of the student, a loss of

sympathy with one's kind. His love for his fellow-men, for suffering

humanity, for struggling students in his own profession, kept pace

with his love for medical study. He never sacrificed the man for the

scientist, nor did he lose his interest for other things in life, as

happens sometimes with men intensely devoted to one pursuit. A man

of original powers, as some one has truly remarked, can never be

confined within the limits of a single field of activity.

"He was interested in music, philosophy and the drama, and well

illustrates what Dr. Da Costa has so happily styled {84} 'the

scholar in medicine.' With dignity, sympathy, enthusiasm in his

profession, even to the last; ever seeking to improve and add to his

art; modest, like most great men; never refusing to give what is

best to suffering humanity, he richly lived out his long life. As we

teach our students percussion, as a matter of just recognition and

due honor let us tell them something of the life of the discoverer,

and at least his name, which I fear but few, who avail themselves of

the result of his long and arduous labors, know."

Auenbrugger's German biographer, Professor Clar, of Gratz, says of his

early life that from his parents he received an excellent early

training, especially edifying because of the exemplary Christian

family life he saw about him, the piety of his father and mother, and

of the other members of the family. The baptismal register of the

parish church at Gratz is one of the important documents in his life

history, for there is some dispute as to the exact date of his birth,

as there is also with regard to his death. In 1798 he suffered from a

severe attack of typhus fever, which at the time was epidemic in

Vienna, and some of his biographers report his death in this year as a

consequence of it. His descendants, however, have shown, by the burial

register of the parish church in Vienna, that his death did not take

place until May 17, 1807; from this church, of which he had been for

half a century a faithful member, he was buried.

Few of the lives of the great discoverers in medicine have in them

more of encouragement for the busy practitioner of medicine than that

of Auenbrugger. He began his medical career by a series of practical

observations that stamped him for all time as one of the great

geniuses. When his discoveries failed to meet with the acceptance they

deserved, he was not disturbed, and, above all, he did not insist on

acrid controversy. He took up the practice of medicine and {85}

demonstrated how much his discovery could help in the diagnosis of the

obscure chapter of the diseases of the chest. In the mean time he went

on his way placidly doing the good that he found to do, taking care of

his poor patients and faithfully tending brother-physicians who

happened to be ill. He found an avocation to fill the moments spent

apart from his vocation, and added to the pleasure of humanity by his

work in music. All the time he remained a simple, faithful believer in

the relation of Providence to man, and considered that somehow the

inexplicable things of this life would find an explanation in the

hereafter. He was probably the best-liked member of the profession in

Vienna during his lifetime, and the profession of his native town are

very proud to recall the example that he sets physicians generally in

all the ethical qualities that make a physician's life not only

successful in the material sense, but also in inspiration for those

around him to do their duty rather than seek the fulfilment of merely

selfish aims.

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