MORGAGNI, THE FATHER OF PATHOLOGY.

"VIR INGENII, MEMORIAE, STUDII, INCOMPARABILIS."

--HALLER.

In 1894, when the International Medical Congress met at Rome, Prof.

Virchow of Berlin, the greatest living pathologist at the time, was

asked to deliver the principal address. He chose as his subject John

Baptist Morgagni, the distinguished Italian physician and original

investigator of the eighteenth century, whom he hailed as the Father

of Pathology. No medical scientist of the nineteenth century was in a

better position than Virchow to judge who had been the founder of the

science for which he himself did so much. Virchow besides, through

long and faithful study of the history of medicine, knew well whereof

he spoke. In pathology especially modern medicine has made its sure

advances, so that Morgagni's ground-breaking work may well be

considered the beginning of the most recent epoch in medical science.

As a matter of fact, medicine lost much of its obscurity by losing all

its vagueness when Morgagni's methods came into general use.

As a medical student scarcely twenty years of age, he revolutionized

medical observation by studying his fatal cases with a comparative

investigation of their clinical symptoms and the postmortem findings.

This had been done before, but mainly with the idea of finding out the

cause of death and the principal reasons for the illness which {30}

preceded. Morgagni's investigations in pathology consisted in tracing

side by side all the clinical symptoms to their causes as far as that

might be possible. This looks so simple now as to be quite obvious, as

all great discoveries are both simple and obvious once they have been

made; but it takes a genius to make them, since their very nearness

causes them to be overlooked by the ordinary observer so prone to seek

something strange and different from the common.

How much Morgagni's studies from this new viewpoint of the

investigation of all the symptoms of disease has meant for modern

medicine, may be best appreciated by a quotation from an address

delivered before the Glasgow Pathological and Clinical Society in

1864, by Professor Gairdner, who thus tersely describes the character

of the distinguished Italian pathologist's work:

"In investigating the seats of disease, Morgagni is not content to

record the coincidence of a lesion in an organ with the symptoms

apparently due to disordered function in that organ.

"For the first time almost in medical inquiry, he insists on

examining every organ, as well as the one suspected to be chiefly

implicated; not only so, he marshals with the utmost care, from his

own experience and that of his predecessors, all the instances in

which the symptoms have existed apart from the lesion, or the lesion

apart from the symptoms. He discusses each of these incidents with

severe exactness in the interest of truth, and only after an

exhaustive investigation will he allow the inference either that the

organ referred to is or is not the seat of the disease.

"And in like manner in dealing with causes: a group of symptoms may

be caused by certain organic changes--it may be even probable that

it is so--but, according to Morgagni's method, we must first inquire

into all the lesions of {31} organs which occur in connection with

such symptoms; in the second place, we must know if such lesions

ever occur without the symptoms; and again if such symptoms can be

attributed in any cases to other causes in the absence of such

lesions."

During over sixty years of a long life Morgagni continued to follow

out the idea that he had developed as a boy, and his works contain the

first definite account of pathological lesions and clinical

manifestations that attracted attention.

As a proof of the striking difference between the value of observation

and theory in medicine, it may be said that many hundreds of volumes

containing the most elaborate medical theories were published during

the eighteenth century, and that practically none of these is ever

read now, except for curiosity's sake by some seeker after the quaint

and distant in medicine, while Morgagni's books still contain a

precious fund of information, to which pathologists at least, and not

a few clinicians, turn often with interest and come away always with

profit. They are not infrequently quoted from, and, as we shall see,

have been highly appreciated by some of the best medical authorities

of the present and the immediately preceding generations.

To the modern thinker, accustomed to look rather to the northern

nations or to France for great advances in science, it may prove

somewhat of a surprise to have an Italian thus put forward as the

founder of modern medicine, and especially of the most scientific

department of it. Those who are familiar with the history of medicine

since the revival of civilization after the Dark Ages will realize

what a prominent place Italy has always held in the development of

medical science. The first great Christian medical school was founded

at Salerno, not far from Naples, in the tenth century. The first

regular practical teaching of anatomy by means of {32} dissections of

human bodies and demonstrations on the cadaver was done at Bologna by

Mondino at the beginning of the fourteenth century. The great Father

of Modern Anatomy, Vesalius, was a Belgian, but he did all the work

for his epoch-making book, the _De Fabrica Humani Corporis_, at the

Universities of North Italy, especially at Padua, Bologna and Pisa,

during the first half of the sixteenth century. Every student of

medicine in those times who was desirous to secure wider opportunities

for medical education went down into Italy, and on the rosters of the

Italian medical schools of the sixteenth century are to be found the

names of most of the men who in all the countries of Europe became

famous for their medical attainments.

Morgagni only forms a final link in the chain of great Italian medical

scientists, connecting medieval with modern medicine. From the time of

Vesalius to that of Morgagni there was never a period when Italy did

not possess the leading medical investigator of Europe. We need only

mention such names as those of Fallopius, who added so much to our

knowledge of abdominal anatomy; Eustachius, to whom we owe many

important details of the anatomy of the head; Spigelius, whose name is

forever associated with the liver, and Malpighi, to whom the whole

round of the biological sciences allied most closely to medicine owes

more than perhaps to any other single investigator, to show the

complete justification for this claim. As a matter of fact, every

encouragement to the progress of medicine was extended both by the

secular and the ecclesiastical authorities in Italy during these

centuries, and the Italian peninsula was from the beginning of the

sixteenth to the end of the eighteenth centuries the mecca for ardent

medical students desirous of exhausting the medical knowledge of their

time, quite as Germany has been in our day.

{33}

John Baptist Morgagni was born on February 25, 1682. His birthplace

was Forli in Romagna. It was the capital of a little papal state,

lying at the foot of the Apennines to the southeast of Bologna. The

modern American traveler is likely to know something about it, because

it is one of the principal stopping places on the road from Bologna to

Rimini, for at least the feminine portion of any travelling party will

want to make a pilgrimage to the home of Dante's poor Francesca and to

the scene of the heroic exploits of Catarina Sforza, the great woman

of the Renaissance, to whom in all honor, and without any tinge of the

discredit it has since come to convey, was given the proud title of

the Virago of Forli. The little town is noted for the beauty of its

situation, and well deserves a visit for itself, for it contains a

famous palace built after designs made by Michael Angelo. The town had

decreased in importance and population at the end of the seventeenth

century, when Morgagni was born there, but it was favorably known for

the high standard of cultivation among its inhabitants, possessed a

good library, a number of schools and a well-known college.

Like many another great man, Morgagni seems to have been especially

fortunate in his mother. He was left an orphan at a very early age.

His mother, however, whose maiden name was Maria Tornieli, not only

bore her loss bravely, but devoted her life and talents to the

education of her gifted son. She seems to have been a woman of

uncommon good sense and remarkable understanding. Morgagni often spoke

of her during the course of his life, and attributed much of his

success to the training he had received from her. It is the custom

sometimes to think that women have come to exert great cultural

influence only in these latter days. Nothing could be more untrue. All

through history are abundant traces of women exerting the {34} highest

intellectual influences in their own sphere, and the North Italians in

their era of highest cultural development seem to have been happier in

nothing more than their recognition of the possibilities that lay in

providing educational facilities for women.

These times and this part of Italy are famous in history for some of

the opportunities afforded women in the matter of higher education. It

has been suggested that it is perhaps to the liberal culture of the

mothers we owe the fact that this part of Italy furnished for one

hundred and fifty years about this time the greatest men in science of

the time. It is well known that women occasionally held professorships

at the University of Bologna, not far from Morgagni's birthplace. The

general culture of the women of this section was very high. Modern

masculine historians have even been ungenerous enough to point out

that Bologna was famous for two things--the opportunities provided for

the higher education of women and the extensive manufacture of various

forms of prepared food, the best known of which, the classical Bologna

sausage, has come down as a precious heritage to hurried housekeepers

in our own time.

After an excellent preliminary education at Forli, always under the

careful supervision and enlightened encouragement of his mother,

Morgagni, as might have been expected from the place of his birth,

went to the neighboring university town of Bologna for his higher

studies. Bologna was at this time at the very acme of its reputation

as the greatest of existent medical schools. The science of anatomy

had been especially developed here as the result of important

investigations and discoveries made by some of the greatest men in the

history of medical science. Mondino had, very early in the fourteenth

century, recreated the modern science of anatomy as we know it. He was

the first to realize the importance {35} and urge the necessity for

the dissection of human bodies, if any real lasting progress in human

anatomy was to be made. Medical teaching before this time had been

largely by lectures and disputations upon the work of Aristotle,

Hippocrates and Galen, but actual observation on human tissues and

organs now replaced the older method. Bologna became a papal city in

1512, and it is especially after this date that, under the fostering

care of the Popes, the University of Bologna became the centre of

medical teaching for the whole world for several centuries.

As the result of actual observation and patient study instead of idle

theorizing there came a large number of great discoveries in anatomy.

From Mondino to Morgagni there is a continuous series of great men in

connection with the University of Bologna such as no other institution

can show. About midway between the first and last came the great

Vesalius, who taught at Bologna as well as at Padua and Pisa, and

whose work on anatomy was to be a treasure for anatomists of all

countries for many generations. It was while teaching at Bologna that

Vesalius made the famous series of dissections which formed the

subjects of the illustrations for his great work on anatomy. Titian,

the celebrated Venetian artist, who had come down from Venice in order

to study anatomy for artistic purposes at the famous school of anatomy

and under the supervision of its great teachers, is said to have

executed the plates for the book. The work remains a worthy monument

of the two great masters in their respective professions whose

collaboration created it.

During the century before Morgagni's entrance into the University of

Bologna, the distinguished English physician Harvey, who was to lay

the foundation of modern physiology by the discovery of the

circulation of the blood, was attracted to Bologna because of the

opportunities it presented for {36} advanced work in the studies in

which he was so much interested. While repeating some of the

dissecting work that Vesalius had done Harvey was led to suspect the

existence of the circulation and had his thoughts directed in the

channel which finally led to his masterly exposition of the subject.

In a word, here at Bologna the study of the physical side of life, so

important a characteristic of latter-day science, became a distinct

and recognized branch of science. As Professor Benjamin Ward

Richardson said, in his sketch of the life of Morgagni, "Since that

time there has been no decline in interest in these studies and

medicine has been developed in a manner as daring in project as it has

been useful in application."

Bologna was, at the time, certainly an excellent place for Morgagni.

He went there as an inquiring youth of fifteen and began his medical

studies at once. He became a student of two of the most celebrated

professors of the time--Albertini, a leader in his day, though since

more or less forgotten, and Valsalva, whose investigations into the

anatomy of the ear assure him a permanent place in the science of

anatomy for all time. When Morgagni went to the university, Valsalva

was at the zenith of his brilliant career as an anatomist. He was in

the midst of his great work on the organ of hearing. This extremely

intricate piece of human mechanism had never been understood before

his time, and the working out of its details proved a time-taking but

intensely interesting investigation.

It was not long before the genial insight of Valsalva picked out

Morgagni as a person excellently fitted to assist him in his

dissecting work. Morgagni had not only an enthusiasm for the work, but

had, what is much more precious under the circumstances, untiring

patience and industry and unswerving perseverance. These were the

qualities that were {37} afterward to prove the foundation of his

reputation. His genius consisted certainly in the faculty for hard

work, and his special talent was an infinite capacity for taking

pains. Nearly all of the dissections which Valsalva required for his

demonstrations during lecture hours, or for the illustrations of his

books, are said to have been made by Morgagni under the master's

personal supervision.

After four years of this precious training and study at the

university, Morgagni took his degree as Doctor of Medicine and of

Philosophy. The late Benjamin Ward Richardson, one of the great

English medical men of the end of the nineteenth century, says that

this is a happy combination of qualifications which might, with great

advantage, be required of the graduate in the present day, when so

much of medicine and so little of philosophy is demanded of the

student, to the manifest detriment of both departments of knowledge.

Some idea of the estimation in which Morgagni was held at this time

may be gathered from the fact that, though scarcely more than

twenty-one years of age, he was sometimes allowed to assume Valsalva's

lecture obligations during the master's absence. After graduation he

spent some time at the university doing special work in connection

with the science of anatomy, in which he was so much interested, and

as an assistant professor and tutor. Bologna at this time enjoyed as

wide a European reputation as at any period of its history. Students

from all countries in Europe flocked here, especially to make their

legal and medical studies. Among the medical students Morgagni was

always a moving spirit, a leader in the phases of thought in many

lines that were occupying students' minds at the time.

He was the founder and director of a society of young professors and

maturer students, whose object was the discussion of scientific

subjects of many kinds. The standard of the {38} new society was

personal investigation and observation as a means of arriving at

scientific truth. The principal maxim that guided their discussions

seems to have been that nothing was to be accepted on authority,

merely because it was authority. In the physical sciences thought had

been frequently cramped to fit the old theories inherited from Galen

and Pliny and Aristotle and Hippocrates. A quotation from one of these

classic authors on a point at issue was supposed to throw light on any

difficulty that might be the subject of discussion.

Morgagni's society was called the Academia Inquietorum--"The Academy

of the Restless"--the idea of the curious name being that the members

were not satisfied to rest peacefully in the knowledge to be gleaned

from the older authors, but preferred to get at science for themselves

by direct observation and planned experiment. Morgagni's idea in

founding the society seems to have been premature. The fate of the

Academy of the Restless is involved in some obscurity, but biographers

seem to hint that it failed of its purpose. Neither the university nor

the times were yet ready for such freedom of thought as this. Even in

our own day such a scheme would be considered radical and chimerical.

The discouragement met with finally led to the abandonment of the

meetings, and Morgagni gave up his attempt to inspire others with his

own industry and enthusiasm for original investigation in the physical

sciences.

For some years after this he seems to have been absent from Bologna.

His time was spent especially at the medical schools of the great

universities of Pisa and of Padua. Students who wished to make some

special branch of medicine such as physiology, or anatomy, or the,

then as yet scarcely known, science of pathology, their prime object

in life, had to visit various universities in order to find

opportunity and {39} suggestion for study. Morgagni devoted himself so

faithfully to his work that his eyesight failed him for a time and

very probably his general health also. For some years he returned to

his native town to recuperate. Here he took up the active practice of

medicine. As so often happens, this period of rest after years of

study proved especially broadening in its influence upon Morgagni.

After his rest his contemporaries begin to realize his great

possibilities as a scientist.

His first publication was a series of notes on anatomy. These were

published in the form of collected essays, with the title _Adversaria

Anatomica_. The title has a pugnacious sound, but Morgagni did not

indulge in controversy and _adversaria_ is only the Latin name for

note-books. The first articles thus collected were really

communications made by Morgagni to the "Academy of the Restless"

during his presidency of that body. This opened his career as a

writer, and it is interesting to note that his last book was to be

published some sixty-three years later--a period of fecund authorship

almost unprecedented.

As the result of the reputation gained by this work he was offered a

teaching position at the University of Padua and later was transferred

to the chair of the second professorship of anatomy. After a few years

he succeeded to the first professorship of anatomy at the university,

at that time the most important post in the medical school. This gave

him, at the age of about thirty-five, one of the greatest university

professorships in the world. Opportunities for research were now amply

provided. He was in a position where his communications would be

received with due attention and his reputation was secure.

A university professorship in those days was a position of more

importance than even in our own, and Morgagni was {40} especially

favored in the fact that it had come early in life, so as to enable

him to round out his career. His work was eminently congenial to him,

and the labor it involved was that which constituted for Morgagni the

highest form of recreation. He made many friends among professors and

students. The lectures which Morgagni delivered to the university

became so popular that his lecture-room was overcrowded and new

quarters had to be provided. Many foreign students were attracted to

the university by his wide-spread reputation as a great and suggestive

teacher. These students came in great numbers especially from the

northern countries of Europe. At one time there were over a thousand

German students at the University of Padua, and when they organized

into a guild for mutual help and social purposes, Morgagni was chosen

by them to act as their patron.

Here at the University of Padua Morgagni was to found the new science

of pathological anatomy. Normal anatomy had received its development

at the hands of the other great masters in the schools of North Italy.

To Morgagni was to be given to describe the changes which take place

in organs as the result of disease. Needless to say, this is the most

important practical branch of modern medical science. The symptoms of

disease mean very little unless we know just what organs are affected

and what changes have taken place. Morgagni's work on _The Seats and

Causes of Disease_ contains the foundation of modern pathology. Modern

advances might seem to put it out of date, but the acuity of its

author's observations and the truth of his investigations make it an

enduring classic.

Of this work of Morgagni's, Professor Benjamin Ward Richardson, said:

"To this day no medical scholar can help being delighted and

instructed by the study of this wonderful book. To move into it from

the midst of a body {41} of current medical literature, is like

passing from the periodical flux of current general literature to the

perusal of a Shakespearean drama, the _Pilgrim's Progress_, or

_Paradise Lost_. It is a transition from the mediocrity of incessant

repetition of well-known truths told in long and hackneyed terms, back

to descriptions derived direct from nature and fresh from her

treasury. It matters not where the book is opened, it is always good

and instructive reading, full of suggestion and rich in original

narrative."

Some of Morgagni's work in clinical medicine and in pathology, as

detailed in these volumes, remains of perennial interest and is often

referred to. Many an after-time discovery, proclaimed loudly by its

author, will be found, at times only in embryo but often enough in

entirety, in its pages. There are frequent surprises to the reader in

the anticipation of what are supposedly much later thoughts in

medicine. Some of these passages of more general interest I venture to

present here.

It was Morgagni who first realized that minute connections between

parts of the nervous system might very easily provide the basis for

symptoms quite distant from the site of actual disease. He gives, for

instance, a detailed account of a curiously interesting case in which

the patient, a man somewhat beyond middle life, was annoyed on a

number of occasions by violent sneezing. These attacks of sneezing

became more and more frequent and finally were accompanied by

difficulty of breathing and a sense of pressure over the chest. These

symptoms became more and more marked, until finally, during an

especially violent attack of sneezing, the man suddenly died.

Up to this time anatomists generally had declared that there was no

direct nervous connection between the mucous membrane of the nose and

the diaphragm. Sneezing is {42} due to a violent contraction of the

diaphragm and is almost invariably caused by the presence of an

irritant in the nose. This is, in fact, nature's method of getting rid

of irritant material on the sensitive nasal mucous membranes by an

explosive expulsion of air through the nose. This expulsion of air is

brought about by a convulsive contraction of the diaphragm. It had

always been supposed that the sneezing was due to irritation

transmitted through the brain to the diaphragm.

Morgagni, in discussing the reason why the diaphragm should be excited

into sympathetic reaction by the presence of an irritant in the nose,

pointed out a fact that had been forgotten or the significance of

which had not been appreciated. The membrane of the nose concerned in

smell is supplied by the first pair of cranial nerves, the so-called

olfactory nerves. Between this olfactory nerve and the nerve which

supplies the diaphragm, the phrenic nerve, which is a cervical and not

a cranial nerve, that is to say, comes from the central nervous system

through the spinal cord in the neck and not directly from the brain,

the older anatomists declared there was no connection. Morgagni

pointed out that the mucous membrane of the nose is partly supplied

also from the fifth pair of cranial nerves. From the fifth nerve,

small branches of connection with the cervical nerves, as low even as

the intercostal nerves, had been traced by Meckel. This shows the

possibility of a nervous reflex; that is, of a communication of nerve

impulses without the necessity for the intervention of the central

nervous system.

This was the first direct tracing of distant reflex nervous action in

human physiology. The problem of nervous reflexes was to remain

obscure for more than a century later, until light was thrown upon it

by the investigation of the French physiologist, Claude Bernard. Here,

however, was {43} the pregnant suggestion of the explanation of the

seeming mystery. In subsequent cases Morgagni looked for the

confirmation of his theory in this matter and found it. He pointed out

that there was a relationship between the abdominal viscera and the

olfactory mucous membrane of the nose. In one of his cases an

epileptic seizure was always accompanied by a sense of discomfort in

the upper abdominal region and a fetid odor. This odor was entirely

subjective; that is, though extremely annoying to the patient it could

not be noticed by any one else, even though the patient was close at

hand and exhaled his breath at the moment of the observation.

This would seem to point to the fact that Morgagni suspected there

were other connections between the special senses and important organs

besides those which had been discovered by anatomists up to that time.

As a matter of fact the so-called sympathetic nervous system does

place all the organs of special sense in direct connection with the

other important organs of the body. Morgagni's suspicions were to be

confirmed by the discoveries made in this sympathetic system during

the succeeding century.

Morgagni first of all seems to have realized what was the mechanism by

which alcohol injures the human system. He pointed out that the

excitation of the heart due to the action of alcohol was reflected in

an overdistention of the arteries. This overdistention gradually led

to degenerations in the arterial walls. The loss of elasticity thus

induced brought on a disturbance of the circulation in the important

organs of the body, and so gave rise to symptoms of wide-spread

interference with organic functions.

Morgagni's studies in aneurism, that is, in the dilatation of

bloodvessels, show how thoroughly he understood the mechanism of the

formation of this serious pathological {44} condition. He pointed out

that the first noticeable disease change that occurs is a degeneration

of the inner coat of the artery. This leads to the formation of

furrows on the inner wall of the vessels and finally brings on

weakness of the middle coat of the artery. He realized that the

progress of these arterial changes is due to a large extent to blood

pressure within the arteries. He felt, too, that blood pressure could

be kept from being dangerously high by strict attention to diet

limitation. If aneurisms are discovered in early stages the patient's

life may well be prolonged by these simple measures. This idea

contains the germ of the Tufnell treatment, which has been the most

successful therapeutic measure for the treatment of aneurism in the

nineteenth century.

The Italian anatomist's acumen led him to appreciate better than ever

before in medical history the influence of the mind on the

circulation. He pointed out that emotions have a powerful influence on

the circulatory system in all its parts. How much the peripheral

bloodvessels are affected can be seen in the tendency to blushing

during certain forms of excitement, involving shame or embarrassment;

on the contrary, pallor in anger, or indignation, or fright. He

pointed out, too, that the heart is affected by such emotions and is

sometimes strenuously excited and sometimes very much retarded.

Morgagni understood that the influence of such emotions in especially

excitable individuals leads to wear and tear on the bloodvessels and

so to a shortening of lives. He thought of some aneurisms, even those

affecting the large bloodvessels, might be caused by sudden intense

emotions, and especially by violent efforts to suppress or conceal

emotions. We know now, however, that these pathological conditions are

due to human passions, but quite other than those which Morgagni had

in mind.

It is interesting to note that comparative {45} pathology--that is,

the study of the diseases of animals as illustrating corresponding

conditions in human beings--had already attracted the attention of the

Bolognese school of medicine. Albertini, who had been a professor of

Morgagni's, pointed out that aneurisms are rarely found in animals,

because brutes were not subject to emotions as are human beings.

Morgagni made still further observations in this line to confirm his

own conclusions in the matter. For a time in his earlier life he

devoted himself to the study of fishes, because they seemed to promise

to throw light on certain problems in human anatomy and pathology.

How closely he studied pathological changes in tissues can be gathered

from the fact that his observations led him to point out that aneurism

of the aorta occurs most frequently at that part of the curvature of

the aorta against which blood is constantly projected by the heart.

The realization of the importance of this mechanical factor in the

production of aneurism is one of the first successful results of

carefully applied observation and knowledge of physical laws in the

causation of changes in the tissues as opposed to elaborate theories

with very little foundation in fact.

Variations in the pulse attracted his attention, and he was among the

first to point out that the occurrence of flatulency is liable to

cause disturbance of the heart's action and to bring on noticeable

cardiac palpitation in the absence of any organic affection of the

heart itself. Morgagni also pointed out that intermittence of the

pulse may be due to nervous conditions. He showed that severe mental

shock or trying emotions may cause irregularity of the heart's action

and pulse intermittency. Some of his observations in this matter show

an intuition with regard to the nerve supply of the heart that is

quite beyond the anatomy of his time, and seems to indicate that he

suspected the existence and {46} function of the sympathetic system

and also the existence of a special nerve supply to the small

arteries.

Perhaps Morgagni's most penetrating evidence of insight in pathology

and its relations to clinical medicine is with regard to tuberculosis.

Over a century and a half ago he insisted on its contagiousness. He

refused to make autopsies on patients who had died of tuberculosis,

and his position in the matter was undoubtedly of the greatest service

in directing the attention of his contemporaries, and especially those

closely in contact with him, to the important question of intimate

association with tuberculous patients as a potent factor in the

acquirement of the disease, more potent even than heredity which then

occupied all men's minds on this subject.

It might be deemed that this advanced position of Morgagni was due

rather to intuitive abhorrence of the disease than to the conviction

of actual observation, and that his conclusions were the result more

of prejudice than of real knowledge. Any such opinion, however, is

absolutely contradicted by the fact that he knew and understood better

than any one of his generation the pathology of consumption. He

pointed out at a time when any chronic affection of the lungs was

liable to be considered consumption that there are a number of forms

of chronic bronchitis that are not due to pthisis pulmonalis, but to

other slow-running conditions within the lungs.

He anticipated very completely the present position of surgery with

regard to the treatment of cancer. He advised the operative removal of

these malignant tumors whenever possible. As Benjamin Ward Richardson

points out, this advice was given evidently not with the idea that the

disease could be always thus completely cured, but because early

operation gave speediest relief of annoying {47} symptoms and assured

the greatest prolongation of life. Many other methods of removal of

cancerous growths were suggested in Morgagni's time, as in our own,

and many false promises made and false hopes raised by their

advocates. He pointed out that the quickest, the safest, the surest

and in the end, for the patient, the easiest method of removal is by

the knife in the hands of the bold and skilful surgeon. After a

century and a half of vauntedly great advance, especially in surgery,

we are practically in the same position as when Morgagni's advice was

penned, and his opinion remains practically as valuable to-day as

then.

In another important point of medicine Morgagni seems to have

anticipated the opinion of our own time. It was the custom to practise

venesection very freely. On one or two occasions in his own lifetime

Morgagni fell ill and venesection was recommended. His biographer says

that he constantly refused this method of treatment, adding very

naively, "and he who had often cured others by venesection would never

allow this remedy to be used upon himself because, as I believe, he

had a natural abhorrence to it."

It was an index of thoroughgoing independence of thought in those days

to stand out, even for personal reasons, against the overwhelming

tradition in favor of blood-letting. But Morgagni had well-grounded

doubts as to the remedial efficacy of abstraction of blood, and at

least avoided it in his own case.

Besides his skill in practical and theoretic medicine, Morgagni was a

man of cultivated taste in art, and he was conversant not only with

the literature of his own language, but also of French, Latin and

Greek. He was always welcomed in the literary circles of the cities of

Northern Italy, and counted among his friends many of the great

writers of the time. His success in winning the friendship of rulers

was especially {48} noteworthy, and had not a little influence for the

advantage of education and science. The patricians of Venice were

proud to consider him as a personal friend, and to the Venetian Senate

he owed his professorship at Padua. The King of Sardinia, Emanuel III,

looked upon him as an intimate acquaintance. All the Popes, five in

number, of the second half of his life were on terms of personal

intimacy with him, and his advice was asked on many important

questions with regard to educational matters in his own day.

Some of these Popes are among the most influential pontiffs that ever

occupied the Roman See. The great Benedict XIV, himself a native of

Bologna and an intimate friend of the scientist, in his classic work

"De Beatificatione Servorum Dei" mentions Morgagni in terms of special

commendation. His scarcely less famous successor, Clement XIII, had

often consulted Morgagni professionally at Padua before his elevation

to the See of Rome. After his election as Pope he assures Morgagni of

his continued esteem and friendship, and asks him to consider the

Vatican always open to him on his visits to Rome. In an extant letter

Clement praises his wisdom, his culture, his courtesy, his charity to

God and men, and holds him up as an example to others, since with all

his good qualities he had not aroused the enmity or envy of those

around him.

Morgagni's life must have been in many ways ideally happy. Rewards for

his scientific success began early in life, even before his

professorship, and continued all during his long career. The Royal

Society of England elected him a fellow in 1724; the Academy of

Sciences of Paris made him a member in 1731. In 1735 the Imperial

Academy of St. Petersburg conferred a like honor upon him. In 1754 the

Academy of Berlin elected him to honorary membership.

His English biographer, Dr. William Cook, says quaintly {49} that all

the learned and great who came into his neighborhood did not depart

without a visit to Morgagni. He was in correspondence with most of the

great men of his time, and the terms of intimate relationship that

this correspondence reveals are the best evidence of the estimation in

which Morgagni was held, especially by the prominent scientists of his

time. Among them were such men as Ruysch, Boerhaave, Sir Richard Mead,

Haller and Meckel. This wide acquaintanceship of itself was a great

distinction at a time when the means of communication were so much

more limited than at present.

It is gratifying to think that Morgagni must have been enviably

content in his private life, though, as usually happens when this is

the case, very little is said explicitly on this subject. His untiring

labor deserved the compensation of a loving domestic circle. During

his retirement at Forli, after his graduation from the university and

when, from overwork, his health failed him for a time, he married the

descendant of a noble family of the town, Paola Vergieri by name, a

companion for him who, biographers declare, could not have been

surpassed in judgment or in affection. They had a family of fifteen

children, eight of whom survived their father though he lived to the

ripe age of eighty-seven years. There were three sons, one of whom

died in childhood; another became a Jesuit and taught in the famous

Jesuit school at Bologna whose magnificent building has now become the

municipal museum, the Accademia delle Belle Arte. The third followed

his father's profession, married and settled in Bologna, but died

before his father, who assumed the care of his grandchildren. All

Morgagni's daughters who grew up to womanhood, eight in number, became

nuns in various religious orders.

The spirit of science had not disturbed the development {50} of a

homely simple faith in the family. The great Father of Pathology, far

from being disturbed by the unselfish self-sacrifice of so many of his

children, bore it not only with equanimity but even rejoiced at it.

His relations to his children were ever most tender. After the

suppression of the Jesuits, his son, who had been a member of the

order, worked at science with his father at the University of Bologna

and not without distinction.

The estimation in which Morgagni was held by his contemporaries can be

judged from the fact that twice when invading armies had entered the

Emilia and laid siege to Bologna, their commanders, as in old Greek

history did the Grecian generals with regard to Pindar and Archimedes,

gave strict orders that special care was to be taken that no harm come

to Morgagni, and that his work was not to be hampered. Having lived

his long life amidst the reverent respect of all who knew him, he died

full of day and honors.

Succeeding generations have not been backward in acknowledging

Morgagni's merits. I have already spoken of Virchow's tribute to his

greatness. The Italians have long considered him as one of their most

brilliant names in medicine. One of the best known of the

representative Italian medical journals is _Il Morgagni_, published at

Milan. To its pages the foreigner seeking to know the progress of

Italian medicine turns almost as the first resort. _Il Morgagni_ was

founded some fifty years ago, and continues to uphold its reputation

as one of the world-known medical periodicals.

The great medical scientist whose work was to prove the foundation of

modern pathology, and thus be the source of more blessings to mankind

than ever even he dreamed of, remained in the midst of the reverence

and gratitude of his generation, one of those beautifully simple

characters whom all the world delights to honor. As a teacher he was

the {51} idol of his students. No great scientist who came to Italy

felt that his journey had been quite complete unless he had had the

privilege of an interview with Morgagni. This friend of Popes and of

many of the European rulers was the happy father of a houseful of

members of religious orders, and considered himself blest that so many

of them had chosen the better part. He was himself all during his long

life the ardent seeker after truth, who did well the work that came to

his hand and followed his conscience in sincere simplicity of heart

and reaped his personal reward in the peace that is beyond

understanding to those who have not the gift of faith to appreciate

the things that are beyond the domain of sense.

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Makers of Modern Medicine · 第 29 / 54 题